DOCSLIB.ORG

VIDEO LIBRARY 32Nd International Children and Youth Film Festival Isfahan 20/Aug/2019-26/Aug/2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VIDEO LIBRARY 32Nd International Children and Youth Film Festival Isfahan 20/Aug/2019-26/Aug/2019 VIDEO LIBRARY 32nd International Children and Youth Film Festival Isfahan 20/Aug/2019-26/Aug/2019 ENGLISH Runnig time DISTRIBU- ID Type DIRECTOR PRODUCER DISTRIBUTOR SYNOPSIS TITLE (minutes) TOR’S EMAIL The young and agile fox is captured when the first love is captured by the 1 The Fox 9 2017 Sadegh Javadi DEFC DEFC [email protected] hunter. Once Upon a Mahin Java- 2 12 2019 DEFC DEFC [email protected] A mother teaches her child the life lessons in the form of oral stories. Time heriyan Mohammad Mohammad Chair is a short animated film about two power-hungry men who are trying to 3 Chair 6 2019 DEFC [email protected] Feyzabadi Feyzabadi occupy each other’s chair while they have one of their own. Mohsen Mohsen Rezapour, On a strange and unknown planet, a rabbit-looking creature is eaten, but this 4 Eaten 8 2019 DEFC [email protected] Rezapour Haleh Moadabian is not the end of the game. Abbas Jalali A creative juxtaposition of animation with live-action in which the true sor- 6 Son of the Sea 10 2019 Abbas Jalali Yekta DEFC [email protected] Yekta row of young parents after losing their one and only son is depicted. Fatemeh A boy discovers accidentally the anonymous graves that belong to four un- 7 White Graves 7 2019 Fatemeh Hasani DEFC [email protected] Hasani identified martyrs of Iran-Iraq war. This Side, Oth- Two youngsters from the different sides of the border become friends but this 8 9 2019 Lida Fazli Lida Fazli DEFC [email protected] er Side makes an excuse for the adults to initiate a war against each other. The Spinning Shiva Mom- A child is looking after his spinning top, but it’s been lost in the dreams and 9 8 2019 Shiva Momtahen DEFC [email protected] Top tahen memories. The orangish Amir Houshang 10 7 2017 DEFC DEFC [email protected] A small girl lives in an orange tree and wants to help the city. tree Moeini A father and his daughter are in love with butterflies. They are trying to expe- 11 Butterfly-ness 13 2017 Ali Azizi DEFC DEFC [email protected] rience a new situation with them. The fish is yearning to see the sea once again. He asks a cat, a mouse, a dog and Leila Khalilz- a crow for help, one after another. They each eat a part of his flesh and carry him 12 The fried fish 8 2015 DEFC DEFC [email protected] adeh some distance down the path to the sea. But after a while, one by one, they put him down and leave. The maternity Behnam Del- Some men and women are waiting at the maternity ward for the birth of their 13 8 2012 DEFC DEFC [email protected] ward dadeh children. A woman Maryam A father and son live in a village near the sea. The boy hears the sound of a 14 singing under 10 2012 DEFC DEFC [email protected] Khalilzadeh song from the sea and wants to know where it comes from. the ice ENGLISH Runnig time DISTRIBU- ID Type DIRECTOR PRODUCER DISTRIBUTOR SYNOPSIS TITLE (minutes) TOR’S EMAIL Mr. Elephant gets off at a railroad station and heads towards the house. Mrs. Ehsan Zarei 15 Mr. Elephant 6 2011 DEFC DEFC [email protected] Elephant and their child welcome him. The next day, Mr. Elephant’s Family Farsani goes to the zoo and pays the tickets to visit Mr. Elephant. Maryam Kas- A little girl plays with her toys as a member of her family. She is playing 17 Our House 5 2009 DEFC DEFC [email protected] hkouli Nia withher toys by singing poems. Massoud Gh- An old lady and her baby are invisible.But what is the reality? And what is 19 The pink cloud 8 2010 DEFC DEFC [email protected] odiseh the illusion? Farshid Sha- An apprentice juggler is collecting money after the performance, but a little 20 Persimmon 6 2010 DEFC DEFC [email protected] fieei girl gives him a persimmon instead. 21 Salty 7 2013 Hajar Mehrani DEFC DEFC [email protected] A cat is prowling around the house, a mother and her daughter live there. Rostam and Kianoush Dal- The myth of Rostam and Sohrab according to the Epopee of Ferdowsi, the 22 95 2012 DEFC DEFC [email protected] Sohrab vand Iranian great poet. Night of the Amir Hossein One of the lambs of drove brings to being grained his wool, the others laugh 23 13 2012 DEFC DEFC [email protected] lamb Mehran at him. An old man and a young man live in a station in a no man’s land. The old man Nahid Samadi 24 Station 12 2012 DEFC DEFC [email protected] is full of experience, so he is very calm but the young man is nervous. The old Amin man encourages him to gain the new experiences in his life. Majid Sabri, Smell of the A hunter is after a gazelle. The gazelle seeks refuge near the holy shrine of 25 13 2012 Mansoureh DEFC DEFC [email protected] love Imam Reza (P.B.U.H). Khatiyoun A home for the Mansour An old man would like to knit a house for the butterflies by the help of the 26 10 2013 DEFC DEFC [email protected] butterflies Heidari rural people. 27 The old tree 11 2014 Farnoosh Abedi DEFC DEFC [email protected] A difference between two generations. Shiva Hossein 28 Sitar 10 2014 DEFC DEFC [email protected] A musician boy tries to play his instrument himself. Poor No-Dehi Alireza Mo- A little girl is weaving a nice rug from the wool and would present it to the 29 Gar 8 2013 DEFC DEFC [email protected] hajer Holy Shine. The empty Siavash Kho- 30 13 2014 DEFC DEFC [email protected] Saeed is a writer who is dreaming about writing. page daei Kianoush Abe- 31 No Return 9 2011 di, Farnoush DEFC DEFC [email protected] Never being tired, don’t be afraid to climb up. Abedi ENGLISH Runnig time DISTRIBU- ID Type DIRECTOR PRODUCER DISTRIBUTOR SYNOPSIS TITLE (minutes) TOR’S EMAIL Mehdi Khorra- A switchman is waiting for his beloved for many years, but everything is only 32 The Switchman 10 2015 DEFC DEFC [email protected] main happening in his dreams. In dream’s Mohammad 33 13 2013 DEFC DEFC [email protected] This documentary film is about the child abuse and social abnormalities. color Yavari 34 Spoon 15 2014 Jalal Veisi DEFC DEFC [email protected] The lives of some children who are punished by their parents. Mohammad Moajtaba is a puppet theatre director, he faces with many problems during 35 Mojtaba 70 2016 Hassan Dam- DEFC DEFC [email protected] his life. anzan Mohammadre- The efforts of Bakhtiari immigrants for funding a school on the mountains 36 Lir 25 2014 DEFC DEFC [email protected] za Hafezi of Lorestan. A little girl named Sarah was diagnosed with the blindness, but her parents 37 Sara 52 2016 Hadi Shariati DEFC DEFC [email protected] realize that her right eye has a slight sight. They look at the realities and start to record the whole life of their daughter growing up. Ali Fath 38 Gavdaneh 15 2009 DEFC DEFC [email protected] This documentary film is about a school in Gavdaneh villgae and its students. Layeghzade With 1855 villages, Ardebil province has only 224 girls’ secondary schools. 39 Snowy Roads 30 2018 Haideh Moradi Haideh Moradi DEFC [email protected] According to the education authorities, there are no accurate statistics on the number of rural girls who abandoned from the secondary school. The six years old Shadi is deeply attached to her grandmother who is ill. She Farzad Azhdari Hassan Alimar- 40 Hail to Angels 90 2011 DEFC [email protected] prays to God for sending the dead angel. God answers to her prayers. But on Mofrad dani&DEFC the other hand, All the world falls in a chaos. The Habitant Hossein Layal- A six-year old little girl loves his uncle. His uncle tries to gather the aids for 41 Of The Wood- 90 2012 Hossein Layalestani DEFC [email protected] estani the battle during theIran-Iraq war. en House “Ali” a seven-year old boy, in spite of being so young; has a great soul that Hamid Sali- Mohammad Sadegh 42 Heaven Is Here 90 2011 DEFC [email protected] caused to search the great and valuable words. The jungle is the best shelter mian Azin for him. The story of this film is about an ancient Iranian tale, having swapped her Auntie Cock- Nadereh Torka- 43 90 2009 DEFC DEFC [email protected] mini-skirts for a skin-tight mini-manteau; she dumped the poor Mr. Mouse roach mani and became engaged to an industrialist. It is about two years that Atou’s father didn’t come back home from the Mehran Mal- sea and everybody thinks that he is dead. Atou’s uncle forces his mother to 44 No.4 91 2015 DEFC DEFC [email protected] akouti re-marry but he wouldn’t like that. He tries to help his mother to earn their living. He has to work with smu glers. ENGLISH Runnig time DISTRIBU- ID Type DIRECTOR PRODUCER DISTRIBUTOR SYNOPSIS TITLE (minutes) TOR’S EMAIL Charlie’s Trag- Alireza Saa- Alireza Sebte Ahmadi After the war, a former movie projectionist opens the small movie theater in 45 71 2015 DEFC [email protected] edies datnia & DEFC one of the cities of Kurdistan of Iraq.
Load more

Recommended publications
  • Download File (Pdf; 3Mb)
    Volume 15 - Number 2 February – March 2019 £4 TTHISHIS ISSUEISSUE: IIRANIANRANIAN CINEMACINEMA ● IIndianndian camera,camera, IranianIranian heartheart ● TThehe lliteraryiterary aandnd dramaticdramatic rootsroots ofof thethe IranianIranian NewNew WaveWave ● DDystopicystopic TTehranehran inin ‘Film‘Film Farsi’Farsi’ popularpopular ccinemainema ● PParvizarviz SSayyad:ayyad: socio-politicalsocio-political commentatorcommentator dresseddressed asas villagevillage foolfool ● TThehe nnoiroir worldworld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ofof IranianIranian ‘Sacred‘Sacred Defence’Defence’ CinemaCinema ● AAsgharsghar Farhadi’sFarhadi’s ccinemainema ● NNewew diasporicdiasporic visionsvisions ofof IranIran ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon Volume 15 - Number 2 February – March 2019 £4 TTHISHIS IISSUESSUE: IIRANIANRANIAN CCINEMAINEMA ● IIndianndian ccamera,amera, IIranianranian heartheart ● TThehe lliteraryiterary aandnd ddramaticramatic rootsroots ooff thethe IIranianranian NNewew WWaveave ● DDystopicystopic TTehranehran iinn ‘Film-Farsi’‘Film-Farsi’ ppopularopular ccinemainema ● PParvizarviz SSayyad:ayyad: ssocio-politicalocio-political commentatorcommentator dresseddressed aass vvillageillage ffoolool ● TThehe nnoiroir wworldorld ooff MMasudasud KKimiaiimiai ● TThehe rresurgenceesurgence ooff IIranianranian ‘Sacred‘Sacred DDefence’efence’ CinemaCinema ● AAsgharsghar FFarhadi’sarhadi’s ccinemainema ● NNewew ddiasporiciasporic visionsvisions ooff IIranran ● PPLUSLUS RReviewseviews aandnd eeventsvents
    [Show full text]
  • Global Cinema
    GLOBAL CINEMA Edited by Katarzyna Marciniak, Anikó Imre, and Áine O’Healy The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politi- cally challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nation- alist or hegemonic frameworks. Rather than aiming at comprehensive geographical coverage, it foregrounds transnational interconnections in the production, dis- tribution, exhibition, study, and teaching of film. Dedicated to global aspects of cinema, this pioneering series combines original perspectives and new method- ological paths with accessibility and coverage. Both “global” and “cinema” remain open to a range of approaches and interpretations, new and traditional. Books pub- lished in the series sustain a specific concern with the medium of cinema but do not defensively protect the boundaries of film studies, recognizing that film exists in a converging media environment. The series emphasizes a historically expanded rather than an exclusively presentist notion of globalization; it is mindful of reposi- tioning “the global” away from a US-centric/Eurocentric grid, and remains critical of celebratory notions of “globalizing film studies.” Katarzyna Marciniak is a professor of Transnational Studies in the English Depart- ment at Ohio University. Anikó Imre is an associate
    [Show full text]
  • Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi
    Journal of Religion & Film Volume 15 Issue 2 October 2011 Article 4 October 2011 Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi Michael Pittman Albany College of Pharmacy and Health Sciences, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Pittman, Michael (2011) "Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi," Journal of Religion & Film: Vol. 15 : Iss. 2 , Article 4. Available at: https://digitalcommons.unomaha.edu/jrf/vol15/iss2/4 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Majid Majidi and Baran: Iranian Cinematic Poetics and the Spiritual Poverty of Rumi Abstract Over the past several decades, Iranian Cinema, through the use of themes and stories, shots and pacing, has developed a narrative style outside of Western-dominated cinematic forms. The work of Iranian director Majid Majidi reflects some of the many themes of Sufi poetry. In particular, Jalāl al-Dīn Rūmī’s poetry characteristically and repeatedly expresses the beauty of the spiritual poverty that results in the struggle with the nafs, or the lower soul. Through the lens of the work of Rumi on spiritual poverty, this article shows how the themes and filmic techniques used by Majidi in the 2000 film Baran reveal a rich and compelling narrative of cinema. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol15/iss2/4 Pittman: Majid Majidi and Baran: Iranian Cinematic Poetics Iranian Cinema has developed a thriving, compelling poetics of film in the past few decades – and this new cinema of Iran has been frequently cited to have begun with the 1969 Mehrjuri film The Cow (Gav).
    [Show full text]
  • Selection of Iranian Films 2020
    In the Name of God PUBLISHER Farabi Cinema Foundation No. 59, Sie Tir Ave., Tehran 11358, Iran Management: Tel: +98 21 66708545 / 66705454 Fax: +98 21 66720750 [email protected] International Affairs: Tel: +98 21 66747826 / 66736840 Fax: +98 21 66728758 [email protected] / [email protected] http://en.fcf.ir Editor in Chief: Raed Faridzadeh Teamwork by: Mahsa Fariba, Samareh Khodarahmi, Elnaz Khoshdel, Mona Saheb, Tandis Tabatabaei. Graphics, Layout & Print: Alireza Kiaei A SELECTION OF IRANIAN FILMS 2020 CONTENTS Films 6 General Information 126 Awards 136 Statistics 148 Films Film Title P.N Film Title P.N A BALLAD FOR THE WHITE COW 6 NO PLACE FOR ANGELS 64 ABADAN 1160 8 PLUNDER 66 AMPHIBIOUS 10 PUFF PUFF PASS 68 ATABAI 12 RELY ON THE WIND 70 BANDAR BAND 14 RESET 72 BECAME BLOOD 16 RIOT DAY 74 BONE MARROW 18 THE NIGHT 76 BORN OF THE EARTH 20 THE BLACK CAT 78 CARELESS CRIME 22 THE BLUE GIRL 80 CINEMA SHAHRE GHESEH 24 THE ENEMIES 82 CROWS 26 THE FOURTH ROUND 84 DAY ZERO 28 THE GOOD, THE BAD,THE INDECENT 2 86 DROWN 30 THE GREAT LEAP 88 DROWNING IN HOLY WATER 32 THE INHERITANCE 90 EAR RINGED FISH 34 THE LADY 92 EXCELLENCY 36 THE MARRIAGE PROJECT 94 EXODUS 38 THE RAIN FALLS WHERE IT WILL 96 FATHERS 40 THE REVERSED PATH 98 FILICIDE 42 THE SKIN 100 FORSAKEN HOMES 44 THE SLAUGHTERHOUSE 102 I’M HERE 46 THE STORY OF FORUGH’S GIRL 104 I’M SCARED 48 THE SUN 106 IT’S WINTER 50 THE UNDERCOVER 108 KEEP QUIET SNAIL 52 THE WASTELAND 110 KILLER SPIDER 54 TITI 112 LIFE AMONG WAR FLAGS 56 TOOMAN 114 LUNAR ECLIPSE 58 WALKING WITH THE WIND 116 NARROW RED LINE 60 WALNUT TREE 118 NO CHOICE 62 A BALLAD FOR THE WHITE COW (Ghasideye Gaveh Sefid) Directed by: Behtash Sanaeeha Synopsis: Written by: Behtash Sanaeeha, Maryam Mina’s husband has just been executed Moghadam, Mehrdad Kouroshnia for murder.
    [Show full text]
  • Pessuto Kelen M.Pdf
    ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES KELEN PESSUTO O ‘ESPELHO MÁGICO’ DO CINEMA IRANIANO: UMA ANÁLISE DAS PERFORMANCES DOS “NÃO” ATORES NOS FILMES DE ARTE Dissertação apresentada ao Instituto de Artes, da Universidade Estadual de Campinas, para obtenção do Título de Mestre em Artes. Área de concentração: Artes Cênicas. Orientadora: Profª. Drª. Francirosy Campos Barbosa Ferreira CAMPINAS 2011 iii . . . . . . .. iv v vi Dedico essa dissertação à memória dos meus pais, Agueda e José Pessuto, que são os espelhos da minha vida. À minha sobrinha Gabriela, por existir e fazer a minha vida mais feliz. À minha orientadora e amiga Francirosy C. B. Ferreira, por tanta afeição e apoio. vii viii AGRADECIMENTOS À Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP), pelo financiamento desta pesquisa, que permitiu minha dedicação exclusiva e o acesso ao material. Agradeço também aos pareceristas, que acreditaram no projeto. À minha mãe Agueda Pessuto, que tanto incentivou minha carreira, que fez sacrifícios enormes para que eu me formasse, tanto no teatro, quanto na faculdade. Sempre expressou sua admiração e carinho. Muito amiga e companheira, que mesmo não estando presente entre nós, é o guia da minha vida. Espero ser um por cento do que ela foi. Nunca me esqueço que horas antes dela morrer, pediu para eu ler menos e dar mais atenção para ela, não cumpri o que pediu... No dia seguinte à sua morte ocorreu o exame para ingressar no mestrado. Passar foi uma questão de honra para mim. Eis que termino essa pesquisa e lhe agradeço, pois se não fosse esse exemplo de mulher batalhadora no qual me inspiro, não teria conseguido.
    [Show full text]
  • Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran
    Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran by Golbarg Rekabtalaei A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto © Copyright by Golbarg Rekabtalaei 2015 Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran Golbarg Rekabtalaei Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto 2015 Abstract Cinematic Modernity explores the ―genesis amnesia‖ that informs the conventional scholarly accounts of Iranian cinema history. Critiquing a ―homogeneous historical time,‖ this dissertation investigates cinematic temporality autonomous from (and in relation to) political and social temporalities in modern Iran. Grounding the emergence of cinema in Iran within a previously neglected cosmopolitan urban social formation, it demonstrates how the intermingling of diverse Russian, Georgian, Armenian, Azerbaijani, French and British communities in interwar Tehran, facilitated the formation of a cosmopolitan cinematic culture in the early twentieth century. In the 1930s, such globally-informed and aspiring citizens took part in the making of a cinema that was simultaneously cosmopolitan and Persian-national, i.e. cosmo-national. This dissertation explains how in the late 1940s, after a decade long hiatus in Iranian feature-film productions—when cinemas were dominated by Russian, British, and German films—Iranian filmmakers and critics actualised their aspirations for a sovereign national cinema in the form a sustained commercial industry; this cinema staged the moral compromises of everyday life and negotiation of conflicting allegiances to families and social networks in a rapidly changing Iran—albeit in entertaining forms. While critiqued for ―imitating‖ European commercial films, this cinema—known as ―Film-Farsi‖ (Persian-Language)–was highly ii informed by lived experiences of Iranians and international commercial motion pictures.
    [Show full text]
  • Vol. 24.1 (March 2017) Newsletter of the Nordic Anthropological Film
    Contents Editorial ……………………………………………………… 2 NAFA Festivals 2017 and 2018 ………………………………. 3 CINEBLEND FESTIVAL: Call for Films ……………………. 3 Visual anthropology of ethnomusicology ……………………… 4 TIEFF 2017: Final Call for Films …………………………….. 5 Festival Jean Rouch 2017: Call for Films ……………………… 6 nafa:// 15th RAI Film Festival, Bristol, March 29 – April 1, 2017 ……. 7 Viscult 2017: Call for Films …………………………………... 8 2017 Visual Research Conference: Call for Participation ……… 9 Crossing Borders 2017: Call for Projects ……………………… 9 Athens Ethnographic Film Festival: Call for Films …………… 10 SPECIAL SECTION: Visual Anthropology Programmes …. 11 Media Anthropology, University of Bern, Switzerland ………. 11 network Visual Anthropology in Taiwan ……………………………… 13 MA in Visual Anthropology at San Francisco State University .. 14 vol. 24.1 (March 2017) Chair of Visual and Media Anthropology, Heidelberg ……….. 16 Newsletter of the Nordic Anthropological Film Association Master Program in Visual Anthropology, Lima, Peru ………… 18 Incorporating the Commission of Visual Anthropology (CVA) Circular Visual Cultural Studies, Arctic University of Norway – UiT … 19 Visual Anthropology at the University of Münster ………….. 21 Web version: http://www.nafa.uib.no Visual and Media Anthropology at Freie Universität, Berlin … 24 ISSN: 0805 - 1046 MA in Visual Anthropology at Goldsmiths ………………….. 26 Please send news, articles and announcements to: Visual Anthropology at University of Southern California …… 28 Master in Visual Anthropology, FLACSO, Ecuador ………… 34 Berit Madsen, Anne Mette Jorgensen, Kayla Reopelle, and Christian Suhr Department of Anthropology The Granada Centre for Visual Anthropology ………………. 36 Moesgaard Visual Anthropology, University of Maroua, Cameroon …….. 38 8270 Hoejbjerg MA in Audiovisual Ethnography at Tallinn University ……… 40 Denmark Fax: +45 89424655 Visual Anthropology at LMU Munich ……………………… 41 E-mail: [email protected] Eye & Mind, Visual Anthropology at Aarhus University …….
    [Show full text]
  • C O N T E N T S 34Th Fajr Film Festival 2 22 Movies to Compete in 34Th
    مجله داخل پروازی هواپیمایی ماهان فجر Mahan Inflight Magazine Fajr Proprietor: Mahan Air Co. Managing Director: Mehdi Aliyari Central Office: Communication and International Relations Department, 4th Floor, Mahan Air Tower, Azadegan St., Karaj High- way, Tehran,Iran P.O.Box: 14515411 Tel: 021-48381752 Fax: 021- 48381799 Email: [email protected] Advertisement: Tel: (+9821) 24843 Fax: (+9821) 22050045 Cellphone: 09121129144 Email: [email protected] CONTENTS 34th Fajr Film Festival 2 22 Movies to Compete in 34th Fajr Film Festival 3 Top Rivals at 34th Fajr Film Festival 4 Nine foreign Plays to Compete in Fajr Festival 7 Fajr Theater Festival to Host 30 Special Int'l Guests 8 Top 100 Most Anticipated Foreign Films of 2016: #23. Asghar Farhadi’s The Salesman 9 34th Fajr Film Festival 1-11 February 2016 Tehran, Iran Fajr Film Festival is Iran's annual film festival, held every February from 1-11 in Tehran, Iran. The festival, started in 1982, is under the supervision of the Ministry of Culture and Islamic Guidance in Iran. It takes place every year on the anniversary of the Iranian revolution. Page 3 | Health Page 4 | Fajr 22 Movies to Compete in 34th Fajr Film Festival 22 domestic movies would compete in the biggest cinematic event of the country to be held in February. A total of 22 movies, including Bodyguard, 'Wooden Lollipop', 'The Dragon Enters', 'Lanturi' (literally meaning numpty), 'Being Born', 'The World Redemption', 'The Girl', 'Barcode', 'Anger and Hubbub', 'Cyanide', 'Scandal', 'Malaria', 'Breath', 'Blind Point', 'Midnight' and 'Inversion' compete in the section. Top Rivals at 34th Fajr Film Festival Films by famous young and veteran directors vie for the Crystal Simorgh awards at the 34th Fajr Film Festival next month.
    [Show full text]
  • Senior Iranian Officials Censure Trump's 'Deal of the Century'
    WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 12 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 39th year No.13593 Saturday FEBRUARY 1, 2020 Bahman 12, 1398 Jumada Al thani 6, 1441 Sanctions on Salehi prove Three Iranian cities, Sepahan edge Foolad Felicitation on ‘maximum pressure’ policy one village registered by in Iran Professional 41st anniversary of Imam’s return has reached dead end 3 World Crafts Council 8 League 11 to Iran Monthly loading, unloading of goods at Iranian ports up 29% yr/yr TEHRAN — Loading and unloading 8.545 million tons in the previous year’s of goods in Iranian ports witnessed a same month. 28.7-percent rise in the Iranian cal- According to the data, 2.2 million Highway to hell endar month of Dey (December 22, tons of basic goods, over 800,000 2019-January 20, 2020), Tasnim tons of metal products, 2.35 million news agency reported citing the data tons of construction and mineral Senior Iranian officials censure Trump’s ‘deal of the century’ from Ports and Maritime Organiza- products 30,400 tons of machinery, tion (PMO). equipment and spare parts as well as As reported, over 10.999 million tons nearly 550,000 tons of fertilizers and of commodities were loaded and unloaded petrochemical products were loaded at the country’s 21 ports during the men- and unloaded in the mentioned time tioned month, while the figure stood at span. 4 Health ministry plans to restrict travels from China due to coronavirus TEHRAN — The Iranian health ministry preventive measures in harmony with has issued a statement, calling for the other countries based on the World government to ban all recreational travels Health Organization’s protocols,” dep- and restrict work travels from China due uty health minister Alireza Raeisi told to the outbreak of coronavirus.
    [Show full text]
  • Pdf 379.18 K
    Persian Literary Studies Journal (PLSJ) Vol. 7, No. 12, 2018 ISSN: 2322‐2557 DOI: 10.22099/jps.2020.37257.1114, pp. 39-68 First as Farce, Then as Filmfarsi: Film Adaptation of Shakespeare’s The Taming of the Shrew in Iran Mostafa Sadeghi Kahmini Bahee Hadaegh PhD Candidate Assistant Professor Shiraz University, Iran Shiraz University, Iran [email protected] [email protected] Parvin Ghasemi Professor Shiraz University, Iran [email protected] Abstract This article is concerned with William Shakespeare’s famous farce play The Taming of the Shrew and its Persian adaptation as an Iranian film called Gorbe ra dame Hejleh Mikoshand (Cat Should Be Killed at the Bridal Chamber’s Entrance) in 1969. The point that informs the inquiry is the way the film departs and differs from the play in relation to the issue of women within the patriarchal society. The play and the film will be examined separately in detail, while their similarities and differences will be also accounted for. By going through the structure of the play, in particular, by showing attention to the importance of the Christopher Sly Induction which frames the narrative of the play, as well as surveying the critical looks on the play throughout the last century, it will be argued that the Bard’s work, far from being an anti- feminine play that reflected the male authority of the society of its time, allows for new possibilities for the autonomy of women within the patriarchal system. The Persian adaptation, however, deliberately forecloses the same possibilities * Corresponding Author Received: 12/05/2020 Accepted: 14/06/2020 40 Persian Literary Studies Journal by trying to cater to the taste of its mainstream male, chauvinist audience.
    [Show full text]
  • Event Archives August 2014 - July 2015 Carolina Center for the Study of the Middle East and Muslim Civilizations
    Event Archives August 2014 - July 2015 Carolina Center for the Study of the Middle East and Muslim Civilizations Events at Duke, Events at UNC, Events in the Triangle Tues, Aug 19 – Fri, Visual Reactions: A View from the Middle East Oct 31, 2014 Time: August 19, 2014 - October 31, 2014, building hours weekdays 7:30am-9:00pm Location: FedEx Global Education Center UNC Chapel Hill Categories: Art, Exhibit Description: “Visual Reactions: A View from the Middle East” features more than 20 illustrations by Kuwaiti artist and graphic designer Mohammad Sharaf. Inspired by current events, Sharaf’s designs address controversial political and social topics. Sharaf’s illustrations will be on display in the UNC FedEx Global Education Center from Aug. 19 to Oct. 31. The exhibition touches on topics ranging from women’s rights to the multiple iterations of the Arab spring in the Middle East. Sharaf’s work also portrays current events, such as Saudi Arabia’s recent decision to allow women to drive motorcycles and bicycles as long as a male guardian accompanies them. A free public reception and art viewing will be held on Aug. 28 from 5:30 to 8 p.m. at the UNC FedEx Global Education Center. Sponsors: Carolina Center for the Study of the Middle East and Muslim Civilizations, the Center for Global Initiatives, the Duke-UNC Consortium for Middle East Studies and Global Relations with support from the Department of Asian Studies. Special thanks to Andy Berner, communications specialist for the North Carolina Area Health Education Centers (AHEC) Program Thurs,
    [Show full text]
  • NAFA-Network 15.1
    Contents Editorial . 2 Presentation of new co-editor: Christian Suhr Nielsen . 3 News from the Commission on Visual Anthropology . 5 NAFA 2008: Festival and Conference, 29/5–1/6-2008 . 7 New Films in the NAFA Film Archives . 8 nafa:// The 10th Biennial Conference of the European Association of Social Anthropologists: Call for papers . 14 Announcement of DEF - Days of Ethnographic Film, Ljubljana, May 19-23, 2008 . 17 19th edition of Beeld voor Beeld, Documentary Film Festival 2008, June 4-8, 2008: final call for films . 17 Programme of Jean Rouch International Film Festival, network Paris, March 2008 . 18 Programme of the 9th Göttingen International Film vol. 15.1 (February 2008) Festival, April 30-May 4, 2008 . 22 Newsletter of the Nordic Anthropological Film Association International Visual Sociology Association: Conference Incorporating the Commission of Visual Anthropology (CVA) Circular August 2008: Announcement and call for panels . 24 Visual and Critical Studies Graduate Symposium: Call for Web version: http://www.nafa.uib.no projects . 25 ISSN: 0805 - 1046 Call for papers for a special issue of Accounting, Auditing and Accountability Journal: “Accounting and the Visual” 27 Please send news, articles and announcements to: The 5th Cosmobilities Conference: Tracing the New Berit Madsen, Anne Mette Jorgensen and Christian Suhr Nielsen Mobilities Regimes, Munich, October 16-17, 2008 . 28 Department of Anthropology Review of the 1st VIDOVIN: open festival of Moesgaard ethnographic and documentary film from the Periphery, 8270 Hoejbjerg 2007, Tolmin, Slovenia . 29 Denmark Fax: +45 89424655 NOTICE BOARD . 31 E-mail: [email protected] ; [email protected] CALENDAR . 33 NAFA Network vol.
    [Show full text]