Slaine Add-On for Savage Mythic Ireland
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Folklore of The
1 Cailleach – old woman Altough the Cailleach lives in various mountain homes every year she comes to the Coire Bhreacain (Cauldren of the Plaid) to wash her massive yellow plaid in the swirling waters in order to summon the cold winds as Scotia’s Winter goddess. During archeological excavations in 1880 a figure of an ancient goddess was discovered in the peat bogs of Scotland, a figure who 2,500 years ago stood near the shore of Loch Leven as a symbol of an ancient religion or deity that has now been lost to time. Today she is known as the Ballachulish Woman & is a figure who stands at almost five feet tall & carved from a single piece of alder wood, her eyes are two quartz pebbles which even today, have a remarkable ability to draw the attention to the face of this mysterious relic. Although the identity of the Ballachulish Woman still remains a mystery many have speculated as to who this figure represented, there are some who believe that she is a depiction of a deity known as the Cailleach Bheithir, an ancient goddess of winds & 2 storms, also known as the Winter Hag, who had associations with a nearby mountain called Beinn a’Bheithir. (Hill of the thunderbolt) Another theory is that she could represent a goddess of the straits, this is due to the figures location near the straits where Loch Levan meets the sea, & was a deity that prehistoric travellers would make offerings too in an attempt to secure their safety while travelling dangerous waters. -
Last Children of the Gods
Last Children of The Gods Adventures in a fantastic world broken by the Gods By Xar [email protected] Version: alpha 9 Portals of Convenience Portals of Convenience 1 List of Tables 3 List of Figures 4 1 Childrens Stories 5 1.1 Core Mechanic ............................................... 5 1.2 Attributes.................................................. 6 1.3 Approaches................................................. 6 1.4 Drives.................................................... 7 1.5 Considerations ............................................... 8 2 A Saga of Heroes 9 2.1 Character Creation............................................. 9 2.2 Player Races ................................................ 9 2.3 Talents.................................................... 11 2.4 Class..................................................... 13 2.5 Secondary Characteristics......................................... 14 2.6 Bringing the character to life ....................................... 14 2.7 Considerations ............................................... 14 3 Grimoire 16 3.1 Defining Mages............................................... 16 3.2 The Shadow Weave............................................. 16 3.3 Elemental Magic .............................................. 16 3.4 Rune Magic................................................. 16 3.5 True Name Magic.............................................. 16 3.6 Blood Magic ................................................ 17 3.7 Folklore .................................................. -
N: a Sea Monster of a Research Project
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2019 N: A Sea Monster of a Research Project Adrian Jay Thomson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the English Language and Literature Commons Recommended Citation Thomson, Adrian Jay, "N: A Sea Monster of a Research Project" (2019). Undergraduate Honors Capstone Projects. 424. https://digitalcommons.usu.edu/honors/424 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. N: A SEA MONSTER OF A RESEARCH PROJECT by Adrian Jay Thomson Capstone submitted in partial fulfillment of the requirements for graduation with UNIVERSITY HONORS with a major in English- Creative Writing in the Department of English Approved: UTAH STATE UNIVERSITY Logan, UT SPRING2019 Abstract Ever since time and the world began, dwarves have always fought cranes. Ever since ships set out on the northern sea, great sea monsters have risen to prey upon them. Such are the basics of life in medieval and Renaissance Scandinavia , Iceland, Scotland and Greenland, as detailed by Olaus Magnus' Description of the Northern Peoples (1555) , its sea monster -heavy map , the Carta Marina (1539), and Abraham Ortelius' later map of Iceland, Islandia (1590). I first learned of Olaus and Ortelius in the summer of 2013 , and while drawing my own version of their sea monster maps a thought hit me: write a book series , with teenage characters similar to those in How to Train Your Dragon , but set it amongst the lands described by Olaus , in a frozen world badgered by the sea monsters of Ortelius. -
On the Trail of Scotlands Myths and Legends Free
FREE ON THE TRAIL OF SCOTLANDS MYTHS AND LEGENDS PDF Stuart McHardy | 152 pages | 01 Apr 2005 | LUATH PRESS LTD | 9781842820490 | English | Edinburgh, United Kingdom Myths and legends play a major role in Scotland's culture and history. From before the dawn of history, the early ancestors of the people we now know as the Scots, built impressive monuments which have caught the imagination of those who have followed in their wake. Stone circles, chambered cairns, brochs and vitrified forts stir within us something primeval and stories have been born from their mystical qualities. Scottish myths and legends have drawn their inspiration from many sources. Every land has its tales of dragons, but Scotland is an island country, bound to the sea. Cierein Croin, a gigantic sea serpent is said to be the largest creature ever. Yes, Nessie is classified as a dragon although she may be a member of that legendary species, the each-uisge or water horse. However, the cryptozoologists will swear that she is a leftover plesiosaurus. The Dalriadan Scots shared more than the Gaelic tongue with their trading partners in Ireland. They were great storytellers and had a culture rich in tales of heroes and mythical creatures. Many of the similarities between Irish and Scottish folklore can be accounted for by their common Celtic roots. Tales of Finn On the Trail of Scotlands Myths and Legends Cumhall and his warrior band, the Fianna are as commonplace on the Hebrides as in Ireland. Many of the myths centre around the cycle of nature and the passing of the seasons with the battle between light and darkness, summer and winter. -
A-Field-Guide-To-Demons-By-Carol-K
A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS A FIELD GUIDE TO DEMONS, FAIRIES, FALLEN ANGELS, AND OTHER SUBVERSIVE SPIRITS CAROL K. MACK AND DINAH MACK AN OWL BOOK HENRY HOLT AND COMPANY NEW YORK Owl Books Henry Holt and Company, LLC Publishers since 1866 175 Fifth Avenue New York, New York 10010 www.henryholt.com An Owl Book® and ® are registered trademarks of Henry Holt and Company, LLC. Copyright © 1998 by Carol K. Mack and Dinah Mack All rights reserved. Distributed in Canada by H. B. Fenn and Company Ltd. Library of Congress-in-Publication Data Mack, Carol K. A field guide to demons, fairies, fallen angels, and other subversive spirits / Carol K. Mack and Dinah Mack—1st Owl books ed. p. cm. "An Owl book." Includes bibliographical references and index. ISBN-13: 978-0-8050-6270-0 ISBN-10: 0-8050-6270-X 1. Demonology. 2. Fairies. I. Mack, Dinah. II. Title. BF1531.M26 1998 99-20481 133.4'2—dc21 CIP Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First published in hardcover in 1998 by Arcade Publishing, Inc., New York First Owl Books Edition 1999 Designed by Sean McDonald Printed in the United States of America 13 15 17 18 16 14 This book is dedicated to Eliza, may she always be surrounded by love, joy and compassion, the demon vanquishers. Willingly I too say, Hail! to the unknown awful powers which transcend the ken of the understanding. And the attraction which this topic has had for me and which induces me to unfold its parts before you is precisely because I think the numberless forms in which this superstition has reappeared in every time and in every people indicates the inextinguish- ableness of wonder in man; betrays his conviction that behind all your explanations is a vast and potent and living Nature, inexhaustible and sublime, which you cannot explain. -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people. -
Origins and Bardic Drift: Three Ravens / Twa Corbies
1 Origins and Bardic Drift: Three Ravens / Twa Corbies (A Bardic Madness Class, July 2020, AS LV ) By Lady Dorothea de Beckham / Dee Becker For this class we will use the song “The Three Ravens” to explore ❖ Folk Song Research ❖ Bardic Drift ❖ Variations and Companion Songs Note: All links were Accessed June 2020 unless otherwise noted. 2 Folk Song Research: Documents A comparison of verses from three songs Corpus Christi (15th century; 1504) And yn þat bed þer lythe a knyght, His wowndis bledyng day & nyght; Lully, lulley, lully, lulley! Þe fawcon hath born my mak away. By þat bedis side þer kneleth a may, & she wepeth both nyght & day; Lully, lulley, lully, lulley! Þe fawcon hath born my mak away. Corpus Christi Carol (15th Century; 1504): For a short discussion of the documentation and related songs, a starting point is the link https://en.wikipedia.org/wiki/Corpus_Christi_Carol. Modern recordings include the Benjamin Britten arrangement with vocals and harp: https://www.youtube.com/watch?v=fxtwyvZhHDM and one sung by Janet Baker (Mizzo Soprano) with Gerald Moore (piano): https://www.youtube.com/watch?v=pCETr4mO_fc Three Ravens (T. Ravenscroft, Melismata,1611) Down in yonder green field, Downe a downe, hey downe, hey downe, There lies a Knight slain under his shield, With a downe His hounds they lie down at his feet, So well do they their Master keep, With a downe, derrie, derrie, downe, downe. His hawks they fly so eagerly, Downe a downe, hey downe, hey downe, No other fowl dare him come nigh With a downe Down there comes a fallow Doe, As heavy with young as she might go, With a downe, derrie, derrie, downe, downe. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
Blood Beliefs in Early Modern Europe
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Hertfordshire Research Archive Blood beliefs in early modern Europe Francesca Matteoni Submitted to the University of Hertfordshire for the degree of PhD. January, 2009 1 Contents Abstract 4 1. Blood themes: Introduction 5 1.1 Blood, feelings and the soul: perspectives 5 1.2 Late medieval and early modern Europe: blood and the sealed body 11 1.3 History and Anthropology: methodologies 15 1.4 Blood, power and violence. Anthropological views 19 1.5 Chapters’ outline 24 2. Drawing blood: The Devil’s pact and witchcraft 27 2.1 Witchcraft and blood 27 2.2 Intruders: from Jews to witches 28 2.3 The devil’s brood and the cannibalistic feast 33 2.4 The pact 43 2.5 Harmful magic: vampirism, lameness and pins 54 2.6 Domestic spaces 59 2.7 The decaying body 66 3. Supernatural beings: Fairies, vampires, werewolves 71 3.1 Blood and supernatural beings 71 3.2 Fairies and witches 72 3.3 Elf-shot and milk-stealing 75 3.4 Fairyland and the dead 84 3.5 The vampire 90 3.6 Human counter-measures 98 3.7 Shapeshifting and the werewolf 101 4. The integral body: Theories of blood 108 2 4.1 The liquid body and the spirited blood 108 4.2 Consumptive diseases 116 4.3 Bleeding and putrefaction 120 4.4 Breaking physical boundaries: blood and imagination 124 4.5 Passions of the mind. Frenzy, madness and melancholy 130 4.6 The intruder: epilepsy, envy and fascination 134 4.7 Menstruation 138 4.8 The diffusion of medical theories and folk-remedies 147 5. -
The Conquest of Yo¯ Kai, Fairies and Monsters
View metadata, citation and similar papers at core.ac.uk 1brought to you by CORE provided by GLIM IR Institution Repository 2017 年 社団法人 昭和会館 研究助成 共同研究 「伝承物語の東西比較 ─妖怪・妖精・英雄─」 “A Comparative Approach between the East and the West on Yo¯kai, Fairies, and Heroes in Folklore Stories” This collaborative research project was sponsored by General Incorporated Associations Sho¯wa-Kaikan the Conquest of Yo¯kai, Fairies and Monsters — Prologue: Heteromorphs in the East and West — Kazuo Tokuda Professor at Gakushuin Women’s College 1 Symbols of the uncanny n the past not too long ago, humans saw invisible forces, and believed that a spirit I resided in nature and in all things that exist within. Our ancestors named, represented, recounted, impersonated and revered these spiritual entities that brought order to our world in a belief system called animism. Many traditions that still exist throughout Japan are relics of these practices, which are also universal and have been observed throughout the world’s cultures. Immense rocks are adorned with shimenawa, and kadomatsu are placed to represent the Toshigami god, and ceremonies such as memorial services to repose of the spirits of dolls, needles and brushes have been held since ancient times across the archipelago. Humans have also feared the darkness. The pitch dark heightened human senses to the signs of invisible spirits that lurk in the dark, squirming about. The darkness itself was a manifestation of spiritual existences. In pre-modern times, kami-matsuri were held at night, and there are folklore on praying all night in a shrine or temple in various parts of た かれどき たそがれどき Japan. -
Haunts from the Highlands : the Great Tales of Horror and Suspense by Scottish Writers Pdf, Epub, Ebook
HAUNTS FROM THE HIGHLANDS : THE GREAT TALES OF HORROR AND SUSPENSE BY SCOTTISH WRITERS PDF, EPUB, EBOOK Ann Robinson | 530 pages | 27 Nov 2017 | McNae, Marlin and MacKenzie | 9781641361699 | English | none Haunts from the Highlands : The Great Tales of Horror and Suspense by Scottish Writers PDF Book John Moor is haunted by the summer of Havoc would be wreaked if this was forgotten. But she soon comes to believe that the charming, beautiful children are possessed by evil, malicious spirits — the souls of their previous governess and estate manager who are now dead. Haunted Black Country Living Museum and its ghostly past. S cottish lore contains some of the darkest and strangest figures in folkloric history: shape-shifters, blood-suckers, monsters without skin. The young girls were unsurprisingly dragged to their deaths. The presiding judge declared it a fair trial and denied a motion to appeal. The each uisge is, according to Katherine Briggs, the fiercest and most dangerous of all the water-horses. The Sluagh may take the form of birds. Then, she meets an angry young man at the same moment that her family runs the risk of being exterminated by a new enemy. If this item isn't available to be reserved nearby, add the item to your basket instead and select 'Deliver to my local shop' UK shops only at the checkout, to be able to collect it from there at a later date. Please try again later. Appearance wise, they were variously described as the size of humans, or tiny. The Grecian pillars, each one about nine feet tall, were made from marble and arranged in a neat circle. -
Treatment, Uses, and Powers Gena Lemmens, S4817680 BA Thesis
Lemmens/s4817680/1 The Appearance of Fairies in Necromancy: Treatment, Uses, and Powers Gena Lemmens, s4817680 BA Thesis June 17, 2019 Lemmens/s4817680/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. Chardonnens Dr. Corporaal Title of document: The Appearance of Fairies in Necromancy: Treatment, Uses, and Powers Name of course: BA Thesis Date of submission: 17-06-2019 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Gena Lemmens Student number: s4817680 Lemmens/s4817680/3 ABSTRACT The purpose of this study was to find out how fairies were represented in necromancy after they began to be called on by British conjurors from the 1550s onwards. Before that, fairies only existed in folklore. This paper starts by discussing what fairies are and where they came from and determining what contemporaries thought about fairy magic in a time when any Catholic form of magic was illegal. The research begins with discerning fairy names from names of other spirits so that the two groups can be compared. The main manuscript used for research was the Folger Shakespeare Library MS V.b.26 and some additional manuscripts were used for filling in the gaps and providing supporting evidence. Descriptions of physical appearances in the Offices of Spirits – which is a list of spirit names and descriptions of what the spirits can be used for – and emotional expressions such as insults and praises in conjurations showed that fairies were held in higher regard than other spirits.