DOCSLIB.ORG

Montana Kaimin, January 10, 1986 Associated Students of the University of Montana

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Montana Kaimin, January 10, 1986 Associated Students of the University of Montana University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 1-10-1986 Montana Kaimin, January 10, 1986 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, January 10, 1986" (1986). Montana Kaimin, 1898-present. 7775. https://scholarworks.umt.edu/studentnewspaper/7775 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. —^rz1 ■ ■ 2 IjC I I January n\GUI I III I w ■ - Presidential search under way By James Conwell Sun n«poiM( The first steps in finding a successor for University of Montana President Neil Buck- lew are already underway, Carrol Krause, acting commis­ sioner ol higher education said Thursday. Bucklew, who will be leaving his Job at UM to assume the presidency of West Virginia University, could be leaving as early as March 15. The Board of Regents' policy for appointing new uni­ versity presidents states that the president “shall be ap­ pointed by the Board of Re­ gents on recommendation of the Search and Screening Committee and the advice of the Commissioner of Higher Education." The policy also states that the search and screening committee "shall include rep-' resentatives of faculty, stu­ dents, alumni, non-academic staff and administrative staff." Krause said this policy has been modified and the search Staff photo by Soon Turok and screening committee will ED BURKE, associate dean of UM’s School of Forestry, de velop from lodgepole pines The beam had been sub- now include the following rep­ points out a fracture that occured In a beam he helped jected to over 5,000 pounds of force. resentatives for the selection of a new UM president: Researcher works to develop use for small-diameter lodgepole pines Five faculty members, three Regents, two students, two By Christopher Ransick He calls his latest product a "Montana pole joist." community members, one Stiff Reporter Burke says the joists, used mainly as supports for ply­ alumnus, one dean, one UM Cut, glued, grooved and stressed, Ed Burke's revolutiona­ wood floors and ceilings, are stronger than any convention­ Foundation member, one ry I-beams, made completely from lodgepole pines, may al solid-wood joist available, including those made from member of the adminstratlve provide the construction industry with a cheaper, stronger Douglas fir, western larch and southern pine. staff, and one member of the more efficient building component. Not only are his joists stronger, Burke said, they are UM staff, which includes such Burke, associate dean of UM's School of Forestry, has lighter — a key consideration for builders. jobs as secretaries and custo­ been researching development of building products made Burke, with help from forestry students, builds and tests dians. from small-diameter lodgepole pine, trees which might the joists in the Forestry Building. Construction begins with otherwise be unusable except for pulp. See 'Burke,' page 9. See 'Selection,' page 12. Officials keep silent on UM law school break-in investigation By Dave Fenner tigation because "there will be contin­ said, "For an investigation to be a range of steps from improving se­ RiMMn ConmlMmi NtporM* ued proceedings within the Law going on we have to be investigating curity in the law building to taking Former Montana Supreme Court School and those proceedings require a person or persons.” action against whoever burglarized Chief Justice Frank Haswell has con­ confidentiality." He said he could not comment on the building. cluded his investigation of last She said the investigation involves the break-in investigation. Haswell's review of the case fol­ spring's Law School break-in, but the honor code of the Law School Sherry Petrovich, another member lowed an investigation by UM Cam­ neither he nor Acting Dean Margery and investigations involving the honor of the honor committee, also declined pus Security and the Missoula Police Brown is commenting on his findings. code “by rule" are confidential. to comment about the case. Department. Campus security and the Haswell was retained by the law Brown added, “At this point, I can't The Student Honor Committee ad­ police were unable to find sufficient faculty and the Student Honor Com­ say" whether the report will ever be ministers the ethical code law stu­ evidence to file criminal charges. mittee in October to conduct an inde­ made public. dents are expected to follow. For investigating the incident, Has­ pendent investigation of the case In She said she could not say whether Brown refused to comment on the well was paid $750 plus expenses for which a burglar, apparently looking the law faculty and the honor com­ specifics of the investigation, but said four trips from Helena to Missoula. for law final examinations, broke into mittee were investigating an individual "I think that possibly administrative The money was paid out of funds the building last May. or individuals. action could be a result of the pro­ contributed to the Law School in the Brown said Thursday she cannot However. Gary Balaz, a student on cess. And I cannot say more." dean's discretionary account. discuss Haswell’s report ol the inves­ the five-member honor committee, Administrative action could include See 'Law School/ page 12. □Opinion Food Service change would be a big mistake It appears as though Auxiliary Ser­ to. Meal tickets for which the stu­ of Income for many students. Those It has been suggested that Mitchell vices Director George Mitchell Is on dents had already paid. Once again students and staff lucky enough to be is considering a contract food service the verge of making another mistake. under a barrage of protests from rehlred would lose their tenure and to make up for money lost in other He has Invited some food contract staff and students, Mitchell retreated. most likely take a pay cut. branches of the Auxiliary Services companies to look at our food ser­ Another loss would be the variety due to the declining number of stu­ vice to see if they can do a better and high quality of food we now dents living in residence halls. If this job. And although no decisions have Editorial enjoy. The current food service offers is the reason it seems pretty illogical been made, his performance last a wide variety of choices and its to add such a large demerit to the quarter Is getting students and staff managers are constantly experiment­ list of reasons not to move on cam­ justifiably nervous. And now it's possible that he could ing with new dishes and services. pus. Last quarter Mitchell said he was decide to replace our personalized Students with special dietary needs And last but not least of the the going to close North Corbin Hall at are usually able to satisfy them at the food service with a contract company. losses would be a client for Missoula the end of Fall Quarter. This would If such a decision were to be made food service. merchants. An out-of-state contractor have displaced many students who the university would lose a lot and Under a contract service the Uni­ would probably bring in products had moved Into the hall with no gain nothing. versity of Montana would be another made from other states rather than warning of such an action taking The first loss would be jobs. The non-distinct number in its list of "sat­ use products made in Missoula and place. Bowing to student pressure, he staff, both students and non-students, isfied" clients. We would lose much other parts of Montana. "Made in correctly rescinded the order. would be fired If a contract company of the food varietyjand quality) we Montana" has little meaning to a He also instituted a new regulation took over our food service. And while have now as well as the personalized company based in California. that put unfair limitations on who stu­ some would be rehired, many would concern the food managers have for dents could give their meals tickets not, wiping out an important source the students here. Eric Troyer BLOOM COUNTY by Berke Breathed Be a UM J-Man and See the World WUN/&M..NC nWAWMONWWU. urn Ytu a mew nose W. urm SKti awyuuy Lance Grider snvrwmn APOHOA. For the fourth time I've re-upped in the University of Montana School of Journal­ ism, and my advice to you is to do the same. Now. of a prehensile tail from the coccyx. How Beginning salaries for reporters are a bit about that? low at the moment, only between $40,000 CBS, NBC and ABC all gave top priority and $60,000 a year, but that number's ex­ directives to their staffs to cover-up this pected to go up as soon as the new Mini­ story, with its embarrassing and costly re­ mum Word Wage bill passes the Senate, percussions to their investments. I've sometime this spring. heard, from people who have been all the Now, J-students may lack the giamourof way to New York, that the big three net­ MW YW6UY5 SAY chemistry majors, or the devil-may-care at­ uMT'iHmre W£&‘ (ON 10 A works have taken to giving transfusions on- (OHOA * WHY, JU5r ‘won party/ nnrr titude of environmental extremist majors, air to Dan Rather, Tom Brokaw and Peter A CHBOfUL and certainly they lack the sexual prom­ wum&r- Jennings, to keep their heads from collaps­ iscuity of business administration majors, ing altogether.
Load more

Recommended publications
  • Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
    Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante.
    [Show full text]
  • Introduction: Approaching Performance in Spanish Film
    Introduction: approaching performance in Spanish film Dean Allbritton, Alejandro Melero and Tom Whittaker The importance of screen acting has often been overlooked in studies on Spanish film. While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid to do: act. This is perhaps surprising, given the central role that acting occupies within a film. In his essay ‘Why Study Film Acting?’, Paul McDonald argues that acting is not only crucial to understanding the affective charge of mov- ies, but integral to the study of film as a whole (2004: 40). Yet, despite its significance, performance remains one of the most elusive and difficult aspects of film analysis. One of the reasons for this, according to Pamela Robertson Wojcik, is its apparent transparency (2004: 1). A ‘good’ actor supposedly renders their performance ‘invisible’, thereby concealing the process of acting from the audience, and engaging us within the emo- tional universe of the character. To this effect, discussion on acting is all too frequently evaluative: we think in terms of how convincing or natu- ralistic a given performance is, or are invited to appreciate the actorly skills and techniques that are brought to bear on the film. Yet, when it comes to writing about performance academically, it can prove altogether more challenging. It requires us to single out and momentarily freeze the flow of specific moments of performance within a film, and to break them down to their tiniest details. We need to pay attention to what Paul McDonald has called the ‘micromeanings of the voice and body’ (2004: 40), intricately drawing out the ways in which gesture, body, facial expression and vocal delivery work together to cre- ate meaning.
    [Show full text]
  • Humor Y Utopía En Los Quijotes De Manuel Gutiérrez Aragón
    Humor y utopía en los Quijotes de Manuel Gutiérrez Aragón José Luis Sánchez Noriega Universidad Complutense de Madrid Las relaciones del cine y la literatura, tan debatidas, parecen estar especialmente inventadas para las universidades de verano. Y, aparente- mente, no hay solución, puesto que los cursos se persiguen de un verano a otro, permitiendo amables encuentros de directores, actores y escritores. En todos estos seminarios siempre he oído la misma opinión: cine y literatura son mundos dispares, específicamente alejados el uno del otro. Pues no. Las dificultades de adaptación de una novela al cine residen precisamente en que sus mundos están demasiado próximos, en que sus resortes narrativos son los mismos. Sólo la brutal concreción de rostros y objetos en las películas se aleja y difiere de la literatura, mucho más anfibológica. La metáfora no es posible en el cine. M. Gutiérrez Aragón, “El caballero Don Quijote se sale del libro”, Blanco y Negro Cultural, 9 de noviembre de 2000. Comencemos por lo obvio de tan sabido. Como la historia viene probando con reiterada insistencia, cualquier adaptación de un texto literario al cine es susceptible de polémica y de alineaciones de estudiosos, críticos o ciudadanos en general en auténticas barricadas. Sólo novelas mediocres y/o desconocidas, algunos textos teatrales, episodios de obras más amplias o relatos breves son juzgados con mayor comprensión y hasta se acepta la posibilidad de que el cine aporte algo –un nueva experimentación estética, una profundización en los personajes, una identificación con el mundo virtual– en la recreación del original literario. En el resto de los casos, siempre va a haber algún sector reticente y quien rechace la película resultante por no encontrarse a la altura del original; esto puede afirmarse sin temor a la equivocación cuando se trata de clásicos indiscutibles que forman parte de la Literatura con mayúsculas, ese olimpo donde la novela cervantina ocupa un lugar de honor.
    [Show full text]
  • Ahora Esta Gente Se Va a Empeñar En Que Escriba Comedias» Entrevista Con José Luis Cuerda Edu Galán Fotografía MIGUEL BALBUENA
    86 MINERVA 24.15 «paré el 127 y me eché a llorar: ahora esta gente se va a empeñar en que escriba comedias» ENTREVISTA CON JOSÉ LUIS CUERDA EDU GALÁN FOTOGRAFÍA MIGUEL BALBUENA 09_2minv24_cuerda.indd 86 18/05/15 12:31 CBA HUMOR 87 José Luis Cuerda se sienta en la Sala de Juntas del CBA y, enorme y vetusta toda ella, me hace recordar una película de Garci. No. Miento. Me acuerdo de varias, pero de entre las últimas. Viene José Luis de la gira promocional de Tiempo después, su primera novela, y parece que está cansado. Está cansado, me confirma. Le aviso que vamos a hablar un rato de sus comedias, incluyendo Tiempo después, y él me responde «¡ah, las de risa!». Eso, las de risa. Cuando empezamos, ya no parece cansado. José Luis, eres miembro de la junta directiva del CBA, o sea «Por mí ya está». Se me acercó el productor y me dijo: «Yo creo que tampoco puedo... que no se va a ver». Pero se vio. Además es una fotografía que a mí me gusta, es muy bonita. ¡A mucha honra! Aquí en sede parlamentaria no puedes reírte de mí. No la vayamos a jorobar… Lloras en el coche y te sale Total. Ya que estamos en esto, ¿qué te une al CBA? Y me sale y dicen que muy bien, que estupendo. Pues si os ha gustado esto, vamos a tirar con ello. Era obligación, porque es- Un pasado tortuoso. El CBA es el culpable de que yo esté en Ma- taba destinada al Festival de Montecarlo.
    [Show full text]
  • Zaragoza Ciudad De Cine
    Zaragoza tiene el honor de ser la cuna del cine español: en el año 1899 Eduardo Jimeno rueda la primera película que se conserva del cine español, Salida de misa de doce del Pilar de Zaragoza. Desde entonces nuestra ciudad, cuya riqueza arquitectónica y cultural es incuestionable, ha ofrecido a la gran pantalla los rincones más hermosos y espectaculares, que han elegido como lugar de filmación grandes maestros del cine como Fernando Trueba, Terry Gilliam, Carlos Saura, Vicente Aranda, Milos Forman, Florián Rey, Luis García Berlanga, José Luis Borau, King Vidor, Orson Welles, Stephen Frears, José María Forqué, Guillermo del Toro, Bigas Luna, Julio Medem o José Luis Cuerda. Y por donde han desfilado actores y actrices de la talla de Charlton Heston, Imperio Argentina, Fernando Rey, Jean Rochefort, Antonio Banderas, Johnny Depp, Natalie Portman, Javier Bardem, Pepe Isbert, Rafaela Aparicio, Gina Lollobrigida, Penélope Cruz, George Sanders, Antonio Resines, Yul Brynner, Jordi Mollà, Anna Galiena, Maribel Verdú, Paco Martínez Soria, Victoria Abril, Jorge Sanz, Uma Thurman, Sergi López, Jonathan Pryce, Federico Luppi, Juan Diego, Alfredo Landa, Robin Williams, José Sacristán, Agustín González, Manuel Alexandre, Carmelo Gómez, Emma Suárez, Adolfo Marsillach, Tyrone Power, Paco Rabal o Carmen Maura. La lista de creadores autóctonos que han continuado esta estela ha ido creciendo con el paso del tiempo. Miguel Ángel Lamata fue uno de los pioneros en dar el salto de Zaragoza a Madrid y labrarse una carrera como guionista y director de cine y televisión. Y cineastas como Nacho G. Velilla, Nata Moreno, Paula Ortiz, Pilar Palomero o Gaizka Urresti han obtenido un especial reconocimiento en los Premios Goya o en festivales de prestigio.
    [Show full text]
  • Pdf Humor Y Utopía En Los Quijotes De Manuel Gutiérrez Aragón / José
    BBMP LXXXI, 2005 HUMOR Y UTOPÍA EN LOS QUIJOTES... HUMOR Y UTOPÍA EN LOS QUIJOTES DE MANUEL GUTIÉRREZ ARAGÓN Las relaciones del cine y la literatura, tan debatidas, parecen estar especialmente inventadas para las universidades de verano. Y, aparente-mente, no hay solución, puesto que los cursos se persiguen de un verano a otro, permitiendo amables encuentros de directores, actores y escritores. En todos estos seminarios siempre he oído la misma opinión: cine y literatura son mundos dispares, específicamente alejados el uno del otro. Pues no. Las dificultades de adaptación de una novela al cine residen precisamente en que sus mundos están demasiado próximos, en que sus resortes narrativos son los mismos. Sólo la brutal 607 JOSÉ LUIS SÁNCHEZ NORIEGA BBMP LXXXI, 2005 concreción de rostros y objetos en las películas se aleja y difiere de la literatura, mucho más anfibológica. La metáfora no es posible en el cine. M. Gutiérrez Aragón, “El caballero Don Quijote se sale del libro”, Blanco y Negro Cultural, 9 de noviembre de 2000. Comencemos por lo obvio de tan sabido. Como la historia viene probando con reiterada insistencia, cualquier adaptación de un texto literario al cine es susceptible de polémica y de alineaciones de estudiosos, críticos o ciudadanos en general en auténticas barricadas. Sólo novelas mediocres y/o desconocidas, algunos textos teatrales, episodios de obras más amplias o relatos breves son juzgados con mayor comprensión y hasta se acepta la posibilidad de que el cine aporte algo –un nueva experimentación estética, una profundización en los personajes, una identificación con el mundo virtual– en la recreación del original literario.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Masculinities at Work
    UNIVERSITY OF CALIFORNIA Los Angeles Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Renee Patricia Rivera 2020 © Copyright by Renee Patricia Rivera 2020 ABSTRACT OF THE DISSERTATION Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras by Renee Patricia Rivera Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2020 Professor María Teresa de Zubiaurre, Chair This dissertation examines the relationship between masculinities and work as it is represented in the Spanish popular comedies of the 1970s. In such films, work represents an important site of tension, not only in the wider struggle in Spain between tradition and modernity, but also in the context of the nation’s changing economic landscape in the late- Francoist period, which saw capitalist reforms, the development of the tourism industry, and the rise of consumer culture. In the context of late Francoism, particularly, with the advent of capitalist reforms, film directors and screenwriters of the 1970s utilized formulaic plots with work-related narrative conflicts as a convenient means to explore the consequences and effects of Spain’s timid economic and social liberalization. Through my examination of eight popular comedies, produced between 1970 and 1977, I analyze how the filmmakers of the period engage with the issue of work, through the specific generic framework of the comedy, in order to ii interrogate larger structural changes in the national economy, as well as the personal consequences of such transformations at the level of the individual for the Spanish working man.
    [Show full text]
  • Muere Alfredo Landa
    Extracto de la noticia publicada por europapress.es, el 9 de mayo de 2013. Muere Alfredo Landa Alfredo Landa, icono y estandarte del 'landismo' y protagonista de películas como El bosque animado (1987) y Los santos inocentes (1984), ha fallecido este jueves en Madrid a los 80 años, según ha informado la Academia de Cine. [...] Alfredo Landa nació en Pamplona (Navarra) el 3 de marzo de 1933 y, con 25 años, abandonó la carrera de Derecho pese a la oposición de su familia y se trasladó a Madrid para convertirse en actor con "sólo 7.000 pesetas y una carta de recomendación en el bolsillo". Alfredo Landa junto a Julieta Serrano en Los verdes Campos del Edén (Teatro María Guerrero, 1963). Foto: Gyenes (Archivo CDT). "Yo avisé a mi madre: 'Mamá, si no me dejas irme, me quedo y acabo la carrera; pero si a los 40 años soy un infeliz, te echaré la culpa a ti'. Y ahí se acabó la discusión. Me dijo: 'Vete'. Tardé una semana en meterme en un Expreso a Madrid", aseguró el actor en una entrevista. Ya en Madrid, y gracias a su experiencia como intérprete en el teatro universitario, consiguió sobrevivir a base de pequeños papeles en las salas de Madrid. Fue en una de esas salas, el Teatro María Guerrero, donde captó la atención del director José María Forqué. "Forqué y --el también cineasta-- Pedro Masó se fijaron en mí en el María Guerrero. Masó le preguntó a Forqué: 'Oye, ¿quién coño es el bajito ese?' [...] Y tres días después me soltó Pedro Masó: 'Bueno, usted va a empezar en el cine por la puerta grande", afirmó.
    [Show full text]
  • Radical Reforms Are Contemplated by Bio Department
    UNIVERSllY OF CAliFORNIA SAN DIEGO THURSDAY, MAY 12,1988 VOLUME 64, #12 Physicist Radical reforms Seaborg are contemplated praises• LBJ by Bio department By J. BERESFORD-HOWE was considered yesterday and By SUSAN E. HYLEN today by the department's Under­ SIll/! Wrltn Spurred by a professor who graduate Curriculum Committee. was angry over troubles that his Saier is primarily responsible Glenn Sea borg, winner of the undergraduate T As had been for bringing the debate to the 1951 Nobel Prize in chemistry getting credit for classes taken at department. and chairman of the Atomic other universities, the biology "It came to my attention sitting Energy Commission (AEC) department is nearing a radical aroun~ with my T As," Saier says. under three U.S. administra­ reform of its advising and transfer "Every single one of them had tions, praised ex-president Lyn­ policies. horror stories about problems don Johnson's efforts at arms­ with the advising system and Among the changes under control negotiations in a faculty getting credits. One excellent consideration: seminar lecture last Monday. student who was a T A for Bio "I don't think it is generally • Elimination of the Biology One was taking that class his last understood how much was ac­ One, Two and Three require­ quarter here because he couldn't complished during Lyndon John­ ment; the classes would become get credit from another school," son's presidency," Sea borg said, "highly recommended," not man­ Saier says. pointing out that Johnson is datory. Saier says he talked with other remembered mostly for the Viet­ • Full credit for basic biology, Biology Department faculty and nam War and the Great Society.
    [Show full text]
  • Cuarenta Años De Síndrome Postraumático: Estudio De Las Fases De La Recuperación De La Memoria Colectiva Histórica En La Cinematografía Española
    Journal of Foreign Languages, Cultures and Civilizations December 2014, Vol. 2, No. 2, pp. 23-44 ISSN 2333-5882 (Print) 2333-5890 (Online) Copyright © The Author(s). 2014. All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/jflcc.v2n2a2 URL: http://dx.doi.org/10.15640/jflcc.v2n2a2 España Paciente En Remisión? Cuarenta Años De Síndrome Postraumático: Estudio De Las Fases De La Recuperación De La Memoria Colectiva Histórica En La Cinematografía Española Dr. Sara Fernandez Medina1 Abstract This study examines the recovery of the historical memory of the Spanish Civil War through the Spanish film history during the last forty years. The different stages resulted from this analyzes can be better understood through the theory of posttraumatic syndrome caused by cultural collective trauma. In this study the relationship between the collective trauma, testimony, and forms of group behavior, is understood in relation to the PTSD periods. Keywords: Spanish Civil War, Contemporary Spanish society, Spanish Civil War film, Posttraumatic Distress Syndrome Nuestra mente posee la posibilidad de perdonar, sin embargo el olvido es un tema muy diferente. España sufre en este momento la incapacidad de ambas, ni perdona, ni olvida. Y es que no se puede perdonar, lo que todavía se desconoce. Aquello que ha sido escondido, y borrado. 1 Associate Professor, Dept. Modern Languages, Literatures and Cultures, The Citadel, 171 Moultrie St., Charleston SC 29409, US. Email: [email protected], Cellphone number: (806) 535 8525 24 Journal of Foreign Languages, Cultures and Civilizations, Vol. 2(2), December 2014 Según Eduardo Galeano “La memoria del poder, no recuerda, bendice.”2 lo que en el caso de España se traduce en desmemoria.
    [Show full text]
  • Tarragona Internet
    Tinet - Tarragona InterNET Cartellera de 2003 La vida de nadie Gènere: Drama Director: Eduard Cortés Protagonistes: Jose Coronado (Emilio Barrero), Adriana Ozores (Agata), Marta Etura, Roberto Álvarez, Adrián Portugal. Sinopsi: Emilio Barrero és, en aparença, un home d'èxit. Economista del Banc d'Espanya, com li agrada dir a son pare, té una dona model, un bonic xalet als afores i un fill que l'admira i li té com a model a imitar. Està a punt de fer els 40 anys i Agata, la seva esposa, li està preparant una sorpresa, però la sorpresa se la portaran els altres, perquè la vida d'Emilio Barrero està basada en l'aparença, en la mentira. Quan Rosana, una encantadora estudiant, apareix al seu món, el precari equilibri en què es manté la seva existència, s'enfonsai tot es precipita en un inesperat desenllaç. "La vida de nadie" és la història de molts que van acabar sent víctimes d'un monstre que ells mateixos van crear partint d'un petit engany. Solaris Gènere: Ciència ficció Director: Steven Soderbergh Protagonistes: George Clooney (Chris Kelvin), Natascha McElhone (Rheya Kelvin), Jeremy Davies (Snow), Viola Davis (I) (Helen Gordon), Ulrich Tukur (Gibarian), John Cho (DBA Emissary 2), Morgan Rusler (DBA Emissary 1). Sinopsi: Som al futur. Chris Kelvin (George Clooney) és un psiquiatra que va perdre l'esposa Rheya (Natascha McElhone) i encara no ho ha superat. Mentre intenta continuar amb la seva vida amb les sessions de teràpia dels seus pacients i la seva solitària existència al seu habitatge. Una nit rep la visita d'uns homes que li mostren una cinta amb un missatge de Gibarian (Ulrich Tukur), un bon amic seu que comanda l'estació espaial Prometeus, que orbita al voltant del planeta Solaris, un món oceànic quasi desconegut per a l'home.
    [Show full text]
  • Con El Alma»
    aisge REVISTAACTUA DE LOS ARTISTAS Nº 40 • JULIO/SEPTIEMBRE 2014 Antonio de lA torre Páginas 52 a 55 «Se actúa como se vive: con el alma» de periodistA deportivo A intérprete cAmAleónico Movilización cultural: «ley lassalle, todos a la calle» DOSSIER ESPECIAL y ARTÍCULO DE aBEL MARTÍn Pgs. 74 a 93 i NATALIA VERBEKE i MARTÍNEZ LÁZARO i CLARA SEGURA i ACTORES EN LA REd i 2 ACTÚA I índice I I la imagen I ACTÚA 3 julio/septiembre julio/septiembre 2014 aisge revista cultural revista cultural aisge 2014 a Marta Rivera de la Cruz Ú Cosecha propia n 4 act aisge 28 el objetivo amigo Román Reyes PoR DaviD sagasta La escritora y periodista lucense Héctor Martín Rodrigo abre con La rinde tributo con Aquellos cómicos 72 Todos contra ciudad no es para mí una sección El actor El fotógrafo a los grandes intérpretes españo- retrospectiva sobre los títulos que n Román Reyes, madrileño del 87 e hijo del filósofo del n David Sagasta nació en Èvry (afueras de París) en 1974 y ha les que sacaron adelante nuestro la Ley Lassalle más han dado que hablar en la his- mismo nombre, debutó como intérprete con la serie de residido la mayor parte de su vida en Elche (Alicante). Fue rotu- cine en los años más difíciles del El sector de la cultura, con AiSGE como elemento toria del cine español. Pedro Laza- Cuatro HKM (2008-2009) y el año pasado obtuvo con A lista publicitario (“la última generación de artesanos de la publici- franquismo. dinamizador, hace oír su voz unánime y clamoro- ga rubricó en 1966 la película más rastras, un cortometraje dirigido por él mismo, el premio al dad a mano”) antes de que cayera en sus manos una Canon sa contra la reforma de la Ley de Propiedad inte- taquillera de los sesenta de la ma- mejor actor en la undécima edición del Notodofilmfest.
    [Show full text]