Radical Reforms Are Contemplated by Bio Department
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Call out Miutia in Pennsy Strike Pledges Continue To
VOL. U L, NO. 256. Philaddphia Strikere Picket Hosiery Mills PLEDGES CONTINUE CALL OUT MIUTIA n m F A T A L IN PENNSY STRIKE TO COME IN FROM TO H0]D DRIVER ALL OVER NATION Martial Law to Be Pro- ARREST THIRD MAN Yondi ffit by (^r Dmeu by daoM d ia Fayette Connty IN SYLLA MURDER RockriDe Wonian Tester- M EHCAN BEATEN Officials Busy Explaining ?A ere 15,000 Miners day Passes Away at Hos BY SrA M SB COPS Various Pbases ef die Have Defied Authorities. Stanley Kenefic Also Comes pital This Momiug. Program— Coal and Ante* from Stamford — Police Raymond Judd Stoutnar, 17, son Pl^debpbia Man (Sves Ifis mobiles Next to Be Taken lUrrlsburf, Pa., July 29—(AP)— of Mr. and Mrs. John Stoatnar of Governor Plnchot told early today Seek Fourth Suspect. 851 Tolland Turnpike died at 7:30 m Up— Monday Sled h r jna-tlal law will be proclaimed in Side of His Arrest this morning at the Manchester Me Fayette county, heart of the turbu strike there. morial hospital from injuries re dnstry WiD Disenss Code. lent coal strike area, with the ar New York, July 29.—(AP)— A Barcelona. ceived early yesterday afternoon rival of National Guard troops now third man from Stamford, Conn., enroute. when thrown from his bicycle when Three hundred state soldiers, was booked on a homicide charge to MAY REQUEST LOAN hit by an automobile driven by Mrs. New York, July 29—(AP) — The Washington, July 29.—(AP)— eoulpped with automatic rifles, day In the slaying of Dr. -
Sidvd504 Musicspectr
Music Spectrum Page 5 of 23 death: “Dear God, take him, take them, take anyone, the stillborn, the newborn, the NorthernBlue infirm, take anyone, take people from Pittsburgh, Pennsylvania, just spare me.” Most of us 95North Reco wouldn’t say it out loud, but Morrissey outs our true sinister thoughts that pass through Or Music our brains. Palm Pictures Parasol Planetary Gro The Smiths: Under Review, An Provident Lab Independent Critical Analysis Righteous Ba The traditional topics in any Smiths Rhino biography are all covered here: the band Rough Trade name, traditional four piece lineup, Runway Netw ambiguous nature of Morrissey’s Ryko Music sexuality, being a household name in the Salt Lady Re UK (but not the U.S.), “Suffer Little Sanctuary Re Children” (Moors murders), album sleeves, singles slump, role of Mike Joyce Sounds Fami and Andy Rourke, reluctance to do videos Special Ops M in MTV era, Craig Gannon, and the split. Team Clermo However, while some of the information Theory 8 Rec may not be new, because The Smiths: Telarc Under Review, An Independent Critical Analysis is a video documentary, it is a comforting Transmit Sou companion for any Smiths fan or seeker. TVT Records Unschooled Having never attended a Smiths Convention http://www.musicconventions.com/, and Vanguard Re having very few close friends who are Smiths fans, sitting and watching so many writers, Wampus Rec musicians, and people in the circle discuss what the Smiths meant and mean is like Warp Record discovering that you’re not alone. Others have also spent hours thinking about why this Wind-up Rec band affected them so much. -
America's Last Hope?
Wars on Christians Not Hitler’s Pope Empire or Umpire? Food Rights Fight ANDREW DORAN JOHN RODDEN & JOHN ROSSI ANDREW J. BACEVICH MARK NUGENT JULY/AUGUST 2013 ì ì#ììeìì ì ì # America’s Last Hope? ììeì ì ìeì ì ìì #ì ìeì ìì ! $9.99 US/Canada theamericanconservative.com Visit alphapub.com for FREE eBooks and Natural-law Essays We read that researchers have used new technology to fi nd proof behind biblical stories such as the Parting of the Red Sea and the Burning Bush. Our writing uses a biblical story with a deadly result that is still happening today. This biblical event is the creator’s command to Adam: “Of the tree of the knowledge of good and evil, thou shalt not eat or you “Just found your site. will surely die.” Adam and Eve did eat the fruit of that tree, and for I was quite impressed disobeying the creator, they suffered much trouble and fi nally died. and look forward to Experience tells us that people worldwide are still acting on hours of enjoyment their judgments of good and evil. Now, consider what happens to and learning. Thanks.” millions of them every day? They die! It would follow that those - Frank whose behavior is based on their defi nitions of good and evil be- come subject to the creator’s warning, “or you will surely die.” We know that when people conform to creation’s laws of physics, right action always results. Children learn to walk and run by con- forming to all applicable natural laws. -
SUMMIT ENTERTAINMENT Presents a MR. MUDD Production Starring
! ! SUMMIT!ENTERTAINMENT!Presents! ! A!MR.!MUDD!Production! ! ! Starring!Logan!Lerman,!Emma!Watson!and!Ezra!Miller! ! Screenplay!by!Stephen!Chbosky!based!on!his!book! ! Directed!by!Stephen!Chbosky! ! Produced!by!Lianne!Halfon,!Russell!Smith!and!John!Malkovich!! ! Running!Time:!103!minutes! Rated!PG"13! In!Theaters!September!21,!2012!(NY!&!LA)! September!28,!2012!(Expanding)! ! National!Publicity! Eric!Kops!/!Summit!LA!!! 310.255.3007!! [email protected]! Clarissa!Colmenero!/!Summit!NY!! 212.386.6847!! [email protected]! Mike!Rau!/!Summit!LA!!! 310.255.3232!! [email protected]!! ! Regional!Publicity! Sabryna!Phillips!/!Summit!!! 310.309.8420!! [email protected]! ! Online!Publicity! Ryan!Fons!/!Fons!PR!!! 323.445.4763!! [email protected]! THE!PERKS!OF!BEING!A!WALLFLOWER! ! A!sensitive!teenager!learns!to!navigate!the!soaring!highs!and!perilous!lows!of!adolescence!in!The! Perks!of!Being!a!Wallflower,!a!powerful!and!affecting!coming"of"age!story!based!on!the!wildly!popular! young!adult!novel!by!Stephen!Chbosky.!Starring!Logan!Lerman!(Percy!Jackson!and!the!Olympians),!Emma! Watson!(the!Harry!Potter!franchise)!and!Ezra!Miller!(We!Need!to!Talk!About!Kevin,!Another!Happy!Day),! The!Perks!of!Being!a!Wallflower!captures!the!complexities!of!growing!up!with!uncommon!grace,!humor! and!compassion.! It’s!1991!and!academically!precocious,!socially!awkward!Charlie!(Logan!Lerman)!is!a!wallflower,! always!watching!from!the!sidelines,!until!a!pair!of!charismatic!seniors!take!him!under!their!wing.! Beautiful,!free"spirited!Sam!(Emma!Watson)!and!her!fearless!stepbrother,!Patrick!(Ezra!Miller),!shepherd! -
Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante. -
Single Event Tickets on Sale August 26 at 10 Am
Troy Andrews has been hailed as New Orleans’ brightest star in a generation. The Purple Xperience is widely considered the greatest Prince tribute act Having grown up in a musical family, Andrews came by his nickname, around. The five-piece group, led by Marshall Charloff, “embodies the image, Sept 20 Trombone Shorty, when his parents encouraged him to play trombone at age intensity and sounds” (musicinminnesota.com) of Prince’s life. Founded in Sept 30 Friday, 7:30 p.m. four. By the time he was eight, he was leading his own band in parades, halls 2011 by Charloff and original Revolution band member Matt “Doctor” Fink, Monday, 7:30 p.m. and even bars. He toured abroad with the Neville Brothers when he was still the Purple Xperience has entertained well over 300,000 fans, sharing stages in his teens and joined Lenny Kravitz’ band fresh out of high school – the New with The Time, Cameo, Fetty Wap, Gin Blossoms, Atlanta Rhythm Section Orleans Center for Creative Arts. His latest album, “Parking Lot Symphony,” and Cheap Trick. Charloff, who has performed nationwide fronting world-class captures the spirit and essence of The Big Easy while redefining its sound. symphonies, styles the magic of Prince’s talent in appearance, vocal imitation “Parking Lot Symphony” contains multitudes of sound – from brass band blare and multi-instrumental capacity. Charloff, playing keyboards and bass guitar, and deep-groove funk, to bluesy beauty and hip-hop/pop swagger – combined recorded with Prince on “94 East.” Alternative Revolt calls the resemblance with plenty of emotion, all anchored by stellar playing and the idea that, even between Charloff and Prince “striking … both in looks and musical prowess. -
Introduction: Approaching Performance in Spanish Film
Introduction: approaching performance in Spanish film Dean Allbritton, Alejandro Melero and Tom Whittaker The importance of screen acting has often been overlooked in studies on Spanish film. While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid to do: act. This is perhaps surprising, given the central role that acting occupies within a film. In his essay ‘Why Study Film Acting?’, Paul McDonald argues that acting is not only crucial to understanding the affective charge of mov- ies, but integral to the study of film as a whole (2004: 40). Yet, despite its significance, performance remains one of the most elusive and difficult aspects of film analysis. One of the reasons for this, according to Pamela Robertson Wojcik, is its apparent transparency (2004: 1). A ‘good’ actor supposedly renders their performance ‘invisible’, thereby concealing the process of acting from the audience, and engaging us within the emo- tional universe of the character. To this effect, discussion on acting is all too frequently evaluative: we think in terms of how convincing or natu- ralistic a given performance is, or are invited to appreciate the actorly skills and techniques that are brought to bear on the film. Yet, when it comes to writing about performance academically, it can prove altogether more challenging. It requires us to single out and momentarily freeze the flow of specific moments of performance within a film, and to break them down to their tiniest details. We need to pay attention to what Paul McDonald has called the ‘micromeanings of the voice and body’ (2004: 40), intricately drawing out the ways in which gesture, body, facial expression and vocal delivery work together to cre- ate meaning. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
World Music Day Questions
Musical Styles Through the 20th Century Comprehension Worksheet Swing and Big Band Swing began in the late 1920s but it was between 1935 and 1946 when big band swing music became the most popular music in America, also known as the Swing Era. A typical song played in swing style would include a strong rhythm accompanied by wind, string or brass instruments, also including vocals. A soloist would commonly take centre stage and improvise a solo with the band in the background. One of the best known big band leaders includes Glenn Miller. His famous hit ‘In the Mood’ stayed at the top of the charts for 13 weeks! There were a large number of musicians in a swing band which meant it was more expensive than a small group. By the late 1940s, this type of music was less popular, however swing music had a revival in the late 1950s and 1960s when singers, such as Frank Sinatra, sang with swing bands. In 2001, Robbie Williams recorded an album of popular swing covers. Rock and Roll Rock and roll is a popular music style which came from America during the late 1940s and early 1950s. It developed out of other African American musical styles such as boogie woogie, blues, country music and gospel music. In the early 1940s, the saxophone or piano were often the lead instrument but this was replaced with the guitar in the 50s. The classic rock and roll sound is created with one or two electric guitars, an electric bass guitar, a string bass and drums. -
New Phone System. Proposed
c~, ~ 3~~~ · ~·.T& lA.~ ,1~ TheNewH sh .ire- ...,.-- ----------------------------....i-----~---------. ;;;;;... _______ ..,.!P.11!1!!~~,...~~~----_Bull: Aate,0-s· Postaoe Parr. Vol. 78 No. 43 TUESOAY, APRIL 5, 1988 :' 19!.-i , (603)862-1490 Durham.N.H. Durham IIJH t>erm!!ll30 Themes ~illlilar ill forum By Duncan McEachern The largest field of candidates for--Student Body President in years, expressed similar ,the.mes of uniting the students to com- "' bat the fam'iliar issues of hous- . ing and parking at Morid·ay's "Meet the Candidates Night" in Stoke Hall. Write-in SBP candidate John McCutcheon was not allowed to speak at the Student Senate sponsored forum because he did not meet filing requirements . .Once the program began, the fifty students in the Stoke _ . lounge h~ard an extended dis- 1111111 . ----------. ---•.------•·--•-•· --•· ■. 111111111111111111111111_ . • cuss ion by the six recogniied (I to r) Cand1da~es Sures, Clemons, Pariseau, Eltasberg, Gould, Turbyne, DeKonmg, Keatmg, Gallivan, Scenn~, and Rose __ tickets. Improving relations respond to q1,1est1ons. Hammond is out of frame. (Addie Holmgren photo) · with UNH President Gordon Haaland, solving the parking problems, and alleviating the housing crunch were the pre valent issues discussed by the New phone system.proposed candidates. Presidential Candidate J a.y By Ray Peckham Gould stressed that changes "basically co.r:ne down to student by Director A plan proposed input." 'i-Ie and his running mate Telecommunica of University Turbyne ~aw the ad calls for Jennifer tions Charles Simpson dition of a third shuttle as a to every UNH phone service viable solution to the parking campus in the dorm room on prQblem. -
Humor Y Utopía En Los Quijotes De Manuel Gutiérrez Aragón
Humor y utopía en los Quijotes de Manuel Gutiérrez Aragón José Luis Sánchez Noriega Universidad Complutense de Madrid Las relaciones del cine y la literatura, tan debatidas, parecen estar especialmente inventadas para las universidades de verano. Y, aparente- mente, no hay solución, puesto que los cursos se persiguen de un verano a otro, permitiendo amables encuentros de directores, actores y escritores. En todos estos seminarios siempre he oído la misma opinión: cine y literatura son mundos dispares, específicamente alejados el uno del otro. Pues no. Las dificultades de adaptación de una novela al cine residen precisamente en que sus mundos están demasiado próximos, en que sus resortes narrativos son los mismos. Sólo la brutal concreción de rostros y objetos en las películas se aleja y difiere de la literatura, mucho más anfibológica. La metáfora no es posible en el cine. M. Gutiérrez Aragón, “El caballero Don Quijote se sale del libro”, Blanco y Negro Cultural, 9 de noviembre de 2000. Comencemos por lo obvio de tan sabido. Como la historia viene probando con reiterada insistencia, cualquier adaptación de un texto literario al cine es susceptible de polémica y de alineaciones de estudiosos, críticos o ciudadanos en general en auténticas barricadas. Sólo novelas mediocres y/o desconocidas, algunos textos teatrales, episodios de obras más amplias o relatos breves son juzgados con mayor comprensión y hasta se acepta la posibilidad de que el cine aporte algo –un nueva experimentación estética, una profundización en los personajes, una identificación con el mundo virtual– en la recreación del original literario. En el resto de los casos, siempre va a haber algún sector reticente y quien rechace la película resultante por no encontrarse a la altura del original; esto puede afirmarse sin temor a la equivocación cuando se trata de clásicos indiscutibles que forman parte de la Literatura con mayúsculas, ese olimpo donde la novela cervantina ocupa un lugar de honor.