Proud Sponsors of the Audi Festival of German Films 2015 2015

Total Page:16

File Type:pdf, Size:1020Kb

Proud Sponsors of the Audi Festival of German Films 2015 2015 GermanFilms_Australien_100x150_Layout 120.03.1511:18Seite f n t B . t I A H G N A H S . o h r e r . C A N N E S . o e K O T O . Y . i . t w m n h . M A D R I D b . g e . PA R I S f e . G i i V E N I C E . N O D N O l . L n s . w . m e t . g B U S A N o . N E G A H N E P O r C . s r m . LO C A R. N O O L U A P O Ã S . l d . .. K A R LO V Y VA R Y L U B N A T S I . a . n M O S C O W … O T N O R O T . y . N E W Y O R K .. AUSTRALIA . S A N S E B A S T I Á N . N I R U T . WELCOME TO THE FESTIVAL A very warm welcome to the 14th annual Audi Festival of German Films proudly carrying the name of its principal sponsor for the eighth consecutive year. Once more this unique festival of German language films is presented by the Goethe-Institut and German Films in close partnership with our most enthusiastic and supportive family of sponsors. Join us in welcoming our guests of honor and celebrities from overseas who are very much looking forward to meeting their Australian audiences: Florian Stetter, Sascha Arango, Thomas Köner, Timo Vollbrecht and Peter Claus. We have assembled a spectacular collection of films highlighting a robust and very creative film industry in Germany, Austria and Switzerland. The variety of movies as selected by our Australian-German jury is most amazing, ranging from thrillers, alpine Western, to comedies and thigh-slapping Kraut pleasers, to quirky drama queens. We are thrilled to present the very best of German filmmaking to you from art house films to massive European box office hits in eight Australian cities, including Hobart for the very first time. Make your voice heard and vote for your favourite film online. You might even win a fantastic prize! At the end of the festival we will award the most popular film the much sought after Golden Garden Gnome. We wish you a great cinema experience, lots of fun, and even food for thought during the festival and its special events. See you at the movies! Viel Vergnügen! Dr Arpad A Sölter Mariette Rissenbeek Andrew Doyle Goethe-Institut Australien German Films Audi Australia GOETHE-INSTITUT MINIMAG ISSUED BY Goethe-Institut Australien AUSTRALIA EDITORS Arpad Sölter, Gabriele Urban, Jochen Gutsch www.goethe.de/australia PHOTOS Thanks to German Films and all copyright holders Who am I – Kein System ist sicher (festival image) © 2014 Sydney Wiedemann & Berg Film GmbH & Co. KG/Seven Pictures Film GmbH/ 90 Ocean Street Deutsche Columbia Pictures Filmproduktion GmbH. Woollahra NSW 2025 TEXT Richard Kuipers, Goethe-Institut Australia, German Films T (02) 8356 8333 F (02) 8356 8314 DESIGN Torkos Ploetz Design Melbourne SPECIAL THANKS TO Peter Krausz, Richard Kuipers, Richard Moore, Level 1, 448 St Kilda Road Dr Joachim Bernauer, Robert Distelrath, Hans Kohl, Michael Pearce SC, Melbourne VIC 3004 Dr Christoph Müller, Dr Helmut Böck, Hans-Dieter Steinbach, Marcel Stutz, Ernst Steinmann, Prof Dr Michael Schütz, Eros Robbiani, Mirjam-Isabel T (03) 9864 8999 Herzog, Mariette Rissenbeek, Bernhard Simek, Martin Winterholler, F (03) 9864 8988 the Zeccola Family, local teams at the Palace Cinemas, and all our Director Dr Arpad Sölter wonderful interns and volunteers! 1 FLORIAN STETTER PETER CLAUS Actor Journalist German film and theatre actor Florian Peter Claus is a renowned German Stetter has appeared in successful journalist who has worked throughout productions such as Sophie Scholl different forms of media. In the 1980s, (Sophie Scholl—Die letzten Tage, 2005), Claus worked as a journalist in the GDR. Lucie de Beaune (2005) and The Taste After the reunification he established of Appleseeds (Der Geschmack von himself as a film and theatre critic, Apfelkernen, 2013). He was awarded especially in radio journalism. Today several prestigious prizes for best he freelances for media outlets such actor. Florian Stetter will be seen at as DeutschlandRadio Kultur, WDR this year’s festival in Stations of the and dpa (the German Press Agency). Cross (Kreuzweg, 2014), Nanga Parbat As a guest of the 2015 Audi Festival (2009) and Beloved Sisters (Die of German Films, Peter Claus will geliebten Schwestern, 2014) — our be reporting for DeutschlandRadio Opening Night film in Sydney and Kultur and www.getidan.de Melbourne. SYDNEY SYDNEY WEDNESDAY 13 MAY Palace Norton WEDNESDAY 13 MAY Palace Norton 6:30pm Guest of the Opening Night 6:30pm Opening and Beloved Sisters + Q&A TUESDAY 19 MAY Goethe-Institut SATURDAY 16 MAY Chauvel Cinema 5–6:00pm Berlinale and Beyond 3:30pm Nanga Parbat + Q&A (discussion panel) 6:00pm Stations of the Cross + Q&A MELBOURNE 9:00pm Beloved Sisters + Q&A THURSDAY 14 MAY Palace Cinema Como SUNDAY 17 MAY Palace Norton 6:30pm Guest of the Opening Night 3:30pm Nanga Parbat + Q&A SATURDAY 16 MAY Palace Cinema Como 6:00pm Beloved Sisters + Q&A 11:00am Berlinale and Beyond 9:30pm Stations of the Cross + Q&A + Q&A after the screening of MELBOURNE From Caligari to Hitler THURSDAY 14 MAY Palace Cinema Como CANBERRA 6:30pm Opening and Beloved Sisters + Q&A WEDNESDAY 20 MAY Palace Electric Cinema FRIDAY 15 MAY Palace Cinema Como 7:00pm Guest of the Opening Night 6:00pm Nanga Parbat + Q&A 9:15pm Stations of the Cross + Q&A FRIDAY 15 MAY Kino Cinemas 6:00pm Beloved Sisters + Q&A 2 THOMAS KÖNER SASCHA ARANGO Composer Screenwriter German composer Thomas Köner is Sascha Arango was born in Berlin in a distinctive figure in the fields of 1959 and is one of Germany’s most contemporary music and multimedia prominent screenwriters. He also art, working across the spheres of writes audio plays and stage plays composition, visual arts, installation and has won several prizes, including work and music production. Thomas twice winning the Grimme Award, has been commissioned to create a leading German television prize. music for silent films for the Auditorium Sascha wrote the script of the du Musée du Louvre, Musée d’Orsay, adaptation of the classic The Centre Pompidou, and others. At this Adventures of Huck Finn and year’s festival, Thomas will create a will allow us a glimpse into the live soundtrack for the 1925 silent world of screenwriting in a Q&A film Faust by German cinema legend after the screening. FW Murnau. SYDNEY BRISBANE SATURDAY 23 MAY Palace Norton FRIDAY 22 MAY Palace Centro 11:00am Huck Finn + Q&A 6:30pm Faust + Q&A BRISBANE SYDNEY MONDAY 25 MAY Palace Centro SATURDAY 23 MAY Chauvel Cinema 11:00am Huck Finn + Q&A 6:00pm Faust + Q&A ADELAIDE CANBERRA SATURDAY 30 MAY Palace Nova Eastend MONDAY 25 MAY Palace Electric Cinema 11:00am Huck Finn + Q&A 8:30pm Faust + Q&A MELBOURNE MELBOURNE TUESDAY 26 MAY Kino Cinemas TUESDAY 26 MAY Palace Cinema Como 6:00pm Huck Finn + Q&A 8:30pm Faust + Q&A HOBART Furthermore we are proud to present Sascha Arango’s work in collaboration SATURDAY 30 MAY Mona with the Sydney Writers Festival 6:30pm Faust + Q&A (see page 5). 3 BERLINALE AND BEYOND Journalists and film SYDNEY MELBOURNE experts reflect on the TUESDAY 19 MAY SATURDAY 16 MAY history of German film and 5:00pm 11:00am talk about recent trends, Goethe-Institut Palace Cinema Como special highlights and of + Q&A before the screening + Q&A after the screening course the Berlinale in of From Caligari to Hitler of From Caligari to Hitler this panel discussion. iAM THE FUTURE! CINEMATIC SWISS SOIREE Panel discussion JAZZ TUNES The Swiss Consulate and after the screening Timo Vollbrecht the Goethe-Institut are of Alphabet Be carried away by delighted to spoil you Is formal education sophisticated jazz sounds again this year with Swiss equipping current in a chilled and intimate food, drinks and music. generations for their setting. The saxophonist Indulge in an entertaining future place in society? Timo Vollbrecht creates evening surrounded by How does our changing a cinematic sound Swiss delicacies and world impact on world, blending jazz, authentic alpine tunes, educational choices? minimalism, post-rock before the screening Local educators and and contemporary of this year’s Swiss researchers respond sound culture. contribution The Circle. to the claims made by PERTH the film Alphabet and SYDNEY FRIDAY 29 MAY THURSDAY 28 MAY discuss the topics raised 6:30–8:30pm 6:30pm in the Australian context. Perth Jazz Fest Chauvel Cinema SYDNEY 11:00pm – closing MELBOURNE TUESDAY 26 MAY Ellington Jazz Club MONDAY 25 MAY 6:30pm Chauvel Cinema More from Timo Vollbrecht 8:00pm for 8:30pm screening MELBOURNE www.timovollbrecht.com Palace Cinema Como TUESDAY 19 MAY 6:30pm Kino Cinemas BRISBANE SUNDAY 24 MAY 3:00pm Palace Centro 4 THE RULES OF SEDUCTION IN SCREENWRITING SYDNEY Hear the trade secrets and cardinal rules for seducing FRIDAY 22 MAY your screen audience when Vanessa Alexander speaks 11:30am–12:30pm with Lynn Coady (Orphan Black), Michael Connelly Pier 2/3 The Loft (Bosch) and Sascha Arango (Tatort, The Adventures of Huck Finn). FASCINATION THE CUT SOUL KITCHEN AFRICA PANEL DISCUSSION Taste soul food — hear Let us take you to the Join us for a panel soul music and indulge! continent of bright colours, discussion following Hophaus presents a soulful engaging rhythms, and Fatih Akin’s latest movie experience: at Southgate wide landscapes, captured The Cut in which he turns deckchair cinema watch by the lenses of German the spotlight on a chapter Fatih Akin’s Soul Kitchen, documentary filmmakers.
Recommended publications
  • Titel Kino 1 2000, Endversion
    EXPORT-UNION OF GERMAN CINEMA 1/2000 GERMAN MASTERS Schlöndorff, Thome and Wenders in Competition at the Berlin International Film Festival Special Report SELLING GERMAN FILMS Spotlight on GERMAN TV-MARKETS Kino Scene from:“THE MILLION DOLLAR HOTEL” Thanks to our national and international customers subtitling film video dvd 10 years of Film und Video Untertitelung dubbing post-production 10 years of high-quality subtitles editing telecine 10% reduction on our regular prices standard conversion video transfer inspection of material during 10 celebratory months graphic design from 10 July 1999 to 10 May 2000 dvd mastering you will see the difference www.untertitelung.de [email protected] tel.: +49-2205/9211-0 fax: +49-2205/9211-99 www. german- cinema. de/ INFORMATION ON GERMAN FILMS. now with links to international festivals! Export-Union des Deutschen Films GmbH Tuerkenstrasse 93 · D-80799 München · phone +49-89-39 00 95 · fax +49-89-39 52 23 · email: [email protected] KINO 1/2000 6 Selling German Films 25 In Competition at Berlin Special Report 25 The Million Dollar Hotel 10 Opening Reality OPENING FILM Wim Wenders For Illusions 26 Paradiso – Sieben Tage mit Portrait of Director Sherry Hormann sieben Frauen PARADISO 11 ”I Sold My Soul To Rudolf Thome The Cinema“ 27 Die Stille nach dem Schuss Portrait of Director Tom Tykwer RITA’S LEGENDS Volker Schlöndorff 12 Purveyors Of Excellence Cologne Conference 13 German TV Fare Going Like Hot Cakes German Screenings 15 A Winning Combination Hager Moss Film 16 KINO news 28 German
    [Show full text]
  • Read Ebook {PDF EPUB} Schlafes Bruder by Robert Schneider
    Read Ebook {PDF EPUB} Schlafes Bruder by Robert Schneider Robert Schneider's Schlafes Bruder — A Neo-Romantic Musikernovelle? ICH WEIß NICHT, irgend jemand hat geschrieben, das sei Biedermeier. […] Gut, kann man schreiben. Ich würde sagen, Romantik und nicht Biedermeier. Es ist in viel höherem Maße ein romantisches Buch.” The book in question, which none other than Marcel Reich-Ranicki labels a Romantic book in his “Literarisches Quartett,” was one of the rare literary successes of the 1990s in German-language literature, and the fact that it was given the full treatment on television is certainly indicative of the dimensions of this success. Schlafes Bruder (Brother of Sleep, 1992), the first novel of the Austrian writer and musician from the region of Voralberg, Robert Schneider, was first rejected by twenty-three publishing houses, before being finally published by Reclam Leipzig in 1992. It became an immediate and overwhelming success with the reading public and the majority of critics alike. To date it has sold over 1.4 million copies in the German-speaking world and has been translated into more than twenty- four languages. What was it that gripped the imagination of its readers to such an extraordinary extent? Schlafes Bruder tells the story of the musical genius Elias Alder, who is born into the remote hamlet of Eschberg in deepest Voralberg in the early nineteenth century. In a sublime, but also deeply terrifying experience, he is initiated into the music of nature and, through this, endowed with a unique musical talent. SCHLAFES BRUDER. The film is based on a very successful novel of recent years, written by Austrian writer, Robert Schneider.
    [Show full text]
  • German Films Quarterly 2 · 2004
    German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
    [Show full text]
  • Quarterly 4 · 2004
    German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian
    [Show full text]
  • Quarterly 1 · 2006
    German Films Quarterly 1 · 2006 AT BERLIN In Competition ELEMENTARTEILCHEN by Oskar Roehler DER FREIE WILLE by Matthias Glasner REQUIEM by Hans-Christian Schmid PORTRAITS Gregor Schnitzler, Isabelle Stever, TANGRAM Film, Henry Huebchen SHOOTING STAR Johanna Wokalek SPECIAL REPORT Germans in Hollywood german films quarterly 1/2006 focus on 4 GERMANS IN HOLLYWOOD directors’ portraits 12 PASTA LA VISTA, BABY! A portrait of Gregor Schnitzler 14 FILMING AT EYE LEVEL A portrait of Isabelle Stever producer’s portrait 16 BLENDING TRADITION WITH INNOVATION A portrait of TANGRAM Filmproduktion actors’ portraits 18 GO FOR HUEBCHEN! BETWEEN MASTROIANNI AND BRANDO A portrait of Henry Huebchen 20 AT HOME ON STAGE AND SCREEN A portrait of Johanna Wokalek 22 news in production 28 AM LIMIT Pepe Danquart 28 DAS BABY MIT DEM GOLDZAHN Daniel Acht 29 DAS DOPPELTE LOTTCHEN Michael Schaack, Tobias Genkel 30 FC VENUS Ute Wieland 31 FUER DEN UNBEKANNTEN HUND Dominik Reding, Benjamin Reding 31 HELDIN Volker Schloendorff 32 LEBEN MIT HANNAH Erica von Moeller 33 LIEBESLEBEN Maria Schrader 34 MARIA AM WASSER Thomas Wendrich 35 SPECIAL Anno Saul 36 TANZ AM UFER DER TRAEUME Cosima Lange 36 TRIP TO ASIA – DIE SUCHE NACH DEM EINKLANG Thomas Grube new german films 38 3° KAELTER 3° COLDER (NEW DIRECTOR’S CUT) Florian Hoffmeister 39 12 TANGOS – ADIOS BUENOS AIRES Arne Birkenstock 40 89 MILLIMETER 89 MILLIMETRES Sebastian Heinzel 41 AFTER EFFECT Stephan Geene 42 BLACKOUT Maximilian Erlenwein 43 BUONANOTTE TOPOLINO BYE BYE BERLUSCONI! Jan Henrik Stahlberg 44 CON GAME Wolf
    [Show full text]
  • Nazi German Filmography & Tvography
    Nazi German Filmography & TVography-1 Nazi German Filmography Compiled from publications by Sabine Hake, German National Cinema, 2nd ed. (2008), and Axel Bangert, The Nazi Past in Contemporary Germany (2014). Tended to exclude Holocaust related, but if a film was set in a concentration camp with a non-Jewish subject focus, I included here. I have a separate Holocaust filmography. I did include costume dramas, fictional characters set in historical events, and films claiming to be a historical account. Some documentaries are included if I bumped into them or found them referenced by Bangert and Hake. (21 July 2018) Film Title (English titles listed Year Director and Description. ahead of original German titles) 12th Man, The (Den 12. 2018 Dir. Harald Zwart. Inspired by a true story of Jan Baalsrud’s escape from the Nazis after mann) having been captured as a resistance fighter. According to the Wiki description this film emphasizes Baalsrud’s rescuers. 13 Minutes (Elser – Er 2015 Dir. Oliver Hirschbiegel. “…tells the true story of George Elser’s failed attempt to hätte die Welt assassinate Adolf Hitler in November 1939.” https://en.wikipedia.org/wiki/13_Minutes verändert) 2 or 3 Things I know 2005 Dir. Malte Ludin. “… is a documentary film in which German director Malte Ludin examines about Him (2 oder 3 the impact of Nazism in his family. Malte's father, Hanns Ludin, was the Third Reich's Dinge, die ich von ihm ambassador to Slovakia. As such, he signed deportation orders that sent thousands of Jews weiβ) to Auschwitz. Hanns Ludin was executed for war crimes in 1947.” https://en.wikipedia.org/wiki/2_or_3_Things_I_Know_About_Him A Time to Love and a 1958 Dir.
    [Show full text]
  • Historical Dictionary of German Cinema
    07_677 (01) FM.qxd 1/15/08 6:20 PM Page i HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Er- rol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old-Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 07_677 (01) FM.qxd 1/15/08 6:20 PM Page ii 07_677 (01) FM.qxd 1/15/08 6:20 PM Page iii Historical Dictionary of German Cinema Robert C.
    [Show full text]
  • Quarterly 3 · 2010
    German Films Quarterly 3 · 2010 IN LOCARNO AT ELLEN’S AGE by Pia Marais THE GOALGETTER’S SHIP by Heidi Specogna THE SILENCE by Baran bo Odar WOMB by Benedek Fliegauf PORTRAITS Directors Michael Verhoeven & Katja von Garnier Producer Heino Deckert/ma.ja.de. Actress Nora von Waldstaetten German Films Quarterly 3 · 2010 directors portraits 4 POLITICAL MOTIVATION & HUMANITARIAN COMMITMENT A portrait of Michael Verhoeven 6 A POSITIVE IMPACT A portrait of Katja von Garnier producer portrait 8 BETWEEN FACT & FICTION A portrait of ma.ja.de. filmproduktion actress portrait 10 HAVING HER CAKE & EATING IT A portrait of Nora von Waldstaetten 12 news in production 16 DER BRAND Brigitte Maria Bertele 16 BURNOUT Verena S. Freytag 17 DAVON WILLST DU NICHTS WISSEN Tim Trachte 18 DAS ENDE DER NACHT Tim Fehlbaum 19 DIE FARBE DES OZEANS Maggie Peren 20 DIE FRAU DES POLIZISTEN Philip Groening 21 GIRLZ KICKIN’ HIV! Patricia Lewandowska 22 DER HIMMEL HAT VIER ECKEN Klaus Wirbitzky 23 I PHONE Y(O)U Dan Tang 23 KUNG FU MAMA – AGENTIN MIT KIDS Simon X. Rost 24 DER MONDMANN Stephan Schesch 25 TENTH STREET, NEW YORK Caro Jost 26 UEBER UNS DAS ALL Jan Schomburg 26 WER WENN NICHT WIR Andres Veiel 27 ZWILLINGE Robert Thalheim new german films 30 AL-HALQA – IM KREIS DER GESCHICHTENERZAEHLER AL-HALQA – IN THE STORYTELLER’S CIRCLE Thomas Ladenburger 31 DIE FRAU MIT DER GEBROCHENEN NASE THE WOMAN WITH A BROKEN NOSE Srdjan Koljevic 32 GISBERTA Lisa Violetta Gass 33 HANNI & NANNI Christine Hartmann 34 DER HEILER ZWISCHEN DEN WELTEN THE HEALER BETWEEN THE WORLDS Ernst Hunsicker
    [Show full text]
  • Historical Dictionary of German Cinema
    07_677 (01) FM.qxd 1/15/08 6:20 PM Page i HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Er- rol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old-Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 07_677 (01) FM.qxd 1/15/08 6:20 PM Page ii 07_677 (01) FM.qxd 1/15/08 6:20 PM Page iii Historical Dictionary of German Cinema Robert C.
    [Show full text]
  • Titel Kino 3/2001(2 Alternativ)
    EXPORT-UNION OF GERMAN CINEMA 3/2001 AT LOCARNO Piazza Grande MOSTLY MARTHA and Peter Sehr & Iain Dilthey in Competition AT MONTREAL 4 German Films in Competition & Focus on German Cinema AT VENICE Competing for “Lion of the Year” INVINCIBLE by Werner Herzog SPECIAL REPORT 50 Years of the German Film Award Kino Martina Gedeck,Wirth) Astrid Maxime Foerste (photo © KINO 3/2001 32 The Red Phone 6 50 Years of the German Film Award Jerry Jameson 32 Die Spielwütigen 14 The Presence of the Andreas Veiel Past in the Present 33 Toter Mann Director’s Portrait Volker Koepp Christian Petzold 15 An Experiment on the the Subject of Love 34 German Films at this Summer’s Director’s Portrait Vivian Naefe International Film Festivals 17 Treasurers of German Film History 36 German Films at the Sidebars Portrait Friedrich-Wilhelm-Murnau Foundation and German-international Co- Productions at the International 18 A Small, but High-Quality Company Summer Festivals World Sales Portrait Transit Film 20 A Vision with Nostalgia 38 Series: The 100 Most Producers’ Portrait Ö Filmproduktion Significant German Films (Part 2) 22 KINO news 38 Der blaue Engel THE BLUE ANGEL Josef von Sternberg 39 Die freudlose Gasse 26 In Production THE STREET OF SORROW Georg Wilhelm Pabst 26 Berlin: Sinfonie einer Großstadt 40 Kuhle Wampe Thomas Schadt TO WHOM DOES THE WORLD BELONG? 26 Big Girls Don’t Cry Slatan Dudow Maria von Heland 41 Der Student von Prag 27 Blindflug THE STUDENT OF PRAGUE Thomas Bergmann, Mischka Popp Stellan Rye 28 Brief einer Unbekannten Jacques Deray 28 Der gläserne
    [Show full text]
  • Friday Film Fest Series Tonight’S Movie Might Well Serve As a Cinematic Amicus Brief for This Credo
    Précis – Allen Krumm THE GERMAN SOCIETY’S Purportedly it was a militant feminist who declared that “the personal is political and the political is personal.” Friday Film Fest Series Tonight’s movie might well serve as a cinematic amicus brief for this credo. The young men of the original Comedian Harmonists experienced first hand the codependent embrace of the self and society and the sometimes antagonistic absolutes of the private and the public. Like all of us, the Harmonists were to varying degrees microcosms of the various macrocosms they inhabited (political, economic, cultural), and sadly for them, the feminist battle cry seemed as ineluctable as it is invertible. The consequences of this intertwining of the personal and political were magnified and intensified for the Harmonists, since from the late twenties until the middle thirties of the last century they were one of the hottest groups in Germany and Europe. There was little in their respective backgrounds that would have foretold such an outcome, but however specific and disparate their origins were, the essential reason they coalesced as a group was their mutual passion for music and a shared belief in its universality. Harry Frommerman was the son of a Berlin cantor who had originally emigrated to Germany from the Ukraine. Roman Cycowski , the son of a businessman, Comedian Harmonists was born and raised near Lodz, Poland. Eric Abraham Collin was the privileged upper crust son of a renowned Credits: Berlin pediatrician. Erwin Bootz was born in Stettin, Director: Joseph Vilsmaier where his father ran a business selling musical Script: Klaus Richter instruments.
    [Show full text]
  • Quarterly 3 · 2006
    German Films Quarterly 3 · 2006 YOUNG & ACCLAIMED DIRECTORS Ulrike Grote, Florian Henckel von Donnersmarck AWARD-WINNING ACTING TALENT Sandra Hueller, Ulrich Muehe PRODUCERS & SELLERS SamFilm, Bavaria Film International, Sola Media SPECIAL REPORT At Home Abroad: German Film and Migration german films quarterly 3/2006 focus on 4 AT HOME ABROAD – German Film and Migration directors’ portraits 14 GROUNDED IN REALITY A portrait of Ulrike Grote 16 XXL A portrait of Florian Henckel von Donnersmarck producers’ portrait 18 RESOLUTELY INDEPENDENT A portrait of SamFilm actors’ portraits 20 A STAR IS BORN A portrait of Sandra Hueller 22 VERSATILITY IS HIS MIDDLE NAME A portrait of Ulrich Muehe world sales portraits 24 ACTIVE ON ALL FRONTS A portrait of Bavaria Film International 26 AN ADDRESS FOR DIVERSITY A portrait of Sola Media 28 news in production 32 AUF DER ANDEREN SEITE DES LEBENS Fatih Akin 33 BLOEDE MUETZE! Johannes Schmid 33 DAS FLIEHENDE PFERD Rainer Kaufmann 34 HARTZ 4.2 Justus von Dohnányi 35 HOW TO COOK YOUR LIFE Doris Doerrie 36 DER LANGE WEG ANS LICHT Douglas Wolfsperger 37 OLD LOVE Jan Schuette 37 PLAN B Franziska Meletzky 38 REINE GESCHMACKSSACHE Ingo Rasper 39 RENNSCHWEIN RUDI RUESSEL 2 Peter Timm 39 DER ROTE BARON Nikolai Muellerschoen 40 SPIELVERDERBER Henning Drechsler, Georg Nonnenmacher 41 DIE WILDEN HUEHNER UND DIE LIEBE Vivian Naefe 42 DIE WILDEN KERLE 4 Joachim Masannek 42 YELLA Christian Petzold new german films 44 ABSOLUTE WILSON Katharina Otto-Bernstein 45 DÉBROUILLEZ-VOUS – SEHT ZU, WIE IHR KLARKOMMT DÉBROUILLEZ-VOUS
    [Show full text]