ATOS Theatre Organ Locator Jonathan Ortloff, Data Curator (Revised Oct 27, 2010) Please E‐Mail Updates To: [email protected]
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Wurlitzer's S'i'yle 165X: the Ofthe Smaller Theatre Organ
WURLITZER'S S'I'YLE 165X: THE uintessence OFTHE SMALLER THEATRE ORGAN by George Baker Audiences attending theatre organ recitals today often organists were seldom, if ever, mentioned in theatre adver include among their most enthusiastic listeners fans born tising. Under-maintenance of the organs was often the rule, long after the close of the theatre organ's golden age. This rather than the exception. welcome infusion of young blood is a healthy sign, and one Downtown, however, managers of the larger theatres, that augers well for future theatre organ appreciation and well aware that proper organ maintenance as well as key preservation. board talent helped sell tickets, lavished the kind of care on Some younger fans reason that because most of today's their instruments that was seldom extended to the 2/4 and surviving theatre pipe organs are supersize organs located 2/6 Cinderellas in the smaller houses. in large movie palaces that these giants were the dominant When the nation's film theatres were wired for sound, types of organs in use during the halcyon years. many of the big organs survived for another decade by pre A reasonable deduction , but such was not the case. Cen senting organlogues and brief, clear-the-house opening and terpiece theatre organs, such as the New York Paramount closing programs between showings of the feature film. At and Shea's Buffalo Wurlitzers, the Atlanta Fox Moller, and the same time, most of the smaller organs were abandoned the Ohio Theatre Robert-Morton, in Columbus, were the ex immediately after the installation of sound equipment - left ception, not the rule. -
Historical Background of Florida Law James Milton Carson
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Miami School of Law University of Miami Law School Institutional Repository University of Miami Law Review 2-1-1949 Historical Background of Florida Law James Milton Carson Follow this and additional works at: http://repository.law.miami.edu/umlr Recommended Citation James Milton Carson, Historical Background of Florida Law, 3 U. Miami L. Rev. 254 (1949) Available at: http://repository.law.miami.edu/umlr/vol3/iss2/6 This Article is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. HISTORICAL BACKGROUND OF FLORIDA LAW* * JAMES MILTON CARSON ' I THE NATURE AND ORIGIN OF LAW All law must derive from the psychology of the people of each particular jurisdiction, and when we speak of the psychology of the people we mean the controlling, or "mass," or "mob" psychology of the people in any particular jurisdiction. Clarence Darrow in an.article in the American Mercury,1 went very deeply into the history of the influence of the masses of the people upon laws sought to be imposed from above, and demonstrated that even in countries whose governments are considered despotic or monarchical, the people them- selves must support the laws, or else they fall into disuse and are finally re- pealed. Since law must depend upon the psychology of the people in the particular jurisdiction, it becomes essential in trying to trace the development of law in a state such as Florida to consider the different influences which enter into the formation of the so-called "mob" psychology of the people. -
Robert Glier Violins
INDEX A Drum Stande - 75 O Altoe, Perfection *2 Druiii Bells '. , .76 Oboes ., , OS Altos, ProfessionaJ Circular 4S Drummers' Traps- ..., , 76-77 Oboes, Reeds •* Accordeons 81-82 Dulcimers . ...'..... J.... 78 Oboes, Reed Cases .66 Accordcons, Bismark t 81 Obtjes, Cases ...... j,.,,.;..,.. fl8 AccordeonSf Spaethe , .> y- , , 82 e Orchestra Bells -.. '. 78 Accordeons, Blow L 85 Euphoniums 29 Ocarinas .91 Autoharps ^'. ....•...'.... 90 P Antobarp Furnishings 98 F Free Music Lessons 2-3 Plating . , 46 B Formation of Bands 6 PicccJoS . 69 triuegel Hern. Bb *0 Piccolo Supplies ,. 60 Bandurrias ,. 16 Polishes for Band Instruments .99 Banjos . , .' 19-20 Fluegel Horn, C , 40 Banjo Piccolo — i, :., .20 French Horns , -41 S Banjo Guitar 20 Fifes . ..58 Fife Mouthpieces ,' .'— 58 Saxophones utO-&l Banjo Maiidolin .20 Strings for all Instruments tt-9S Banjo Manjorette or Mandolin 20 Flageolets > ,. 68 Flutes, Moning .....J ,61 St^•ing Gauges L........97 Banjorine . , 20 Sonophones , ; ..>. ...; ....,-. 161 Banjo Trimmings ......' ., 20 Flutes. D. & C 68-63 Band Instruments ' 21 to 44 Flute Trimmings ,. 1 ,. 64 T Fanfares German '. 79 Band Instruments, Artist Symphony 22-23 Trombones, Slide; 39-31 Band Inetruments, Presentation .^.... 24 Ti-ombones, Valve .,. 30-31 Band Instruments, Artist Original Excelsior.. .27-28-29-30 a Trumpets .... .,, 8M3-45 Band Instruments, Perfection 33 Guitars 13-14 Trombotie in C. ^. , ...40 Band Instruments, Monarch ^ ,. 84 Guitar Outfits ,16 Tympani . ; Vs Band Instruments, Professional 35-36-37 Guitar Mandolin 16 Tamb'burinfts . 1 .01 Band Instruments, Reliable .......',,.'.. .38 Guitar Trimmings" ,,, ....^98 Triangles .....91 Band Instruments in C and I^b — 40 Glue, Liquid ....,....,..........'- 100 Triangle Beater »l Bugles ., 43-44 Tuning Pipes 94 Brass loBtruipents, Supplied ' ; 46-47 H Tuning Forks „., .94 Brass Inatruraehts, Covers and Cases ,...;. -
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
The Tracker the Tracker
Volume 56, Number 1, Winter 2012 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY WELCOME TO CHICAGO! CHICAGO IS A WORLD-CLASS CITY that offers much to see and do—including fine dining, many museums, attractions, and events, and shopping. Allow time to savor the sights and sounds of this Come to vibrant city and make your convention trip truly un- forgettable! The 2012 Convention is presented by the Chicago-Midwest Chapter, which brought you the Chicago 2002 convention. We couldn’t fit all the wondrous organs and venues into just one convention—so make sure you don’t miss this opportunity to visit FOR OHS 2012 the City of Big Shoulders—and Big Sounds! July 8-13 † CITY OF BIG SOUNDS PHOTOS WILLIAM T. VAN PELT WHY CHICAGO? THE CONVENTION WILL COMPLETE what the 2002 con- vention started—demonstrating more of Chicago’s dis- tinguished pipe organs, from newer, interesting instru- ments that are frequent participants in Chicago’s music life, to hidden gems that have long been silent. The Convention events cover the length and breadth of the Chicago area, including northern Indiana venues, and include an evening boat cruise for viewing the mag- nificent Chicago skyline while you dine. PERFORMERS Recitalists include many of the Chicago area’s leading organists, along with artists familiar to OHS audiences from previous conventions. Many players have a Chicago connection, and the recit- als often feature younger players. CONVENTION ORGANS C.B. Fisk Casavant Frères, Limitée Hook & Hastings Hinners Organ Co. Skinner Organ Co. Wurlitzer Aeolian-Skinner Organ Co. Noack M.P. -
New Orleans in 1810
New Orleans in 1810 As the Crescent City begins a new decade, it is worthwhile exploring what this glittering gem on the Mississippi was like 210 years ago. 1810 marked seven years after the Louisiana Purchase but two years before Louisiana achieved statehood. The city of Memphis, Tennessee, was not yet founded until nearly a decade later. In fact, that summer was the first public celebration of the Fourth of July in Louisiana at the St. Philip Theatre (Théâtre St. Philippe). Built in 1807 on St. Phillip Street, between Royal and Bourbon streets, the theatre could accommodate 700 people. With a parquette and two rows of boxes, the Théâtre St. Philippe was the rendezvous of all the fashionable people of New Orleans. The gala performance held that July 4, 1810, was in honor of the Declaration of Independence and the proceeds were devoted to the relief of victims of a giant fire on July 1 that had destroyed twenty-five houses. Haitian rebels battle the French in the Saint-Domingue Revolution (1791 – 1804) The revolution in Saint-Domingue brought about the second republic in the Western Hemisphere. Not all were happy or safe with the new leadership, and many Haitian refugees would make their way to New Orleans. The 1809 migration brought 2,731 whites (affranchis), 3,102 free persons of African descent (gens de couleur libres) and 3,226 slaves to the city. While Governor Claiborne and other American officials wanted to prevent the arrival of free black émigrés, French Creoles wanted to increase the French-speaking population. In a few months between 1809 and 1810, 10,000 Saint-Domingue refugees poured into the Territory of Orleans, after they were no longer welcome in Cuba. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
1 Failed Filibusters: the Kemper Rebellion, the Burr Conspiracy And
Failed Filibusters: The Kemper Rebellion, the Burr Conspiracy and Early American Expansion Francis D. Cogliano In January 1803 the Congressional committee which considered the appropriation for the Louisiana Purchase observed baldly, “it must be seen that the possession of New Orleans and the Floridas will not only be required for the convenience of the United States, but will be demanded by their most imperious necessities.”1 The United States claimed that West Florida, which stretched south of the 31st parallel from the Mississippi River in the west to the Apalachicola River in the east (roughly the modern state of Louisiana east of the Mississippi, and the Gulf coasts of Mississippi and Alabama, and the western portion of the Florida panhandle) was included in the Louisiana Purchase, a claim denied by the Spanish. The American claim was spurious but the intent behind it was clear. The United States desired control of West Florida so that the residents of the Mississippi Territory could have access to the Gulf of Mexico. Since the American Revolution the region had been settled by Spaniards, French creoles and Anglo-American loyalists. Beginning in the 1790s thousands of emigrants from the United States migrated to the territory, attracted by a generous system of Spanish land grants. An 1803 American government report described the population around Baton Rouge as “composed partly of Acadians, a very few French, and great majority of Americans.” During the first decade of the nineteenth century West Florida became increasingly unstable. In addition to lawful migrants, the region attracted lawless adventurers, including deserters from the United States army and navy, many of whom fled from the nearby territories of Louisiana and Mississippi.2 1 Annals of Congress, 7th Cong. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
The Social-Construct of Race and Ethnicity: One’S Self-Identity After a DNA Test
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 4-2019 The Social-Construct of Race and Ethnicity: One’s Self-Identity after a DNA Test Kathryn Ann Wilson Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Educational Assessment, Evaluation, and Research Commons Recommended Citation Wilson, Kathryn Ann, "The Social-Construct of Race and Ethnicity: One’s Self-Identity after a DNA Test" (2019). Dissertations. 3405. https://scholarworks.wmich.edu/dissertations/3405 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE SOCIAL-CONSTRUCT OF RACE AND ETHNICITY: ONES’ SELF-IDENTITY AFTER A DNA TEST by Kathryn Wilson A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Educational Leadership, Research and Technology Western Michigan University April 2019 Doctoral Committee: Gary Miron, Ph.D., Chair D. Eric Archer, Ph.D. June Gothberg, Ph.D. Copyright by Kathryn Wilson 2019 ACKNOWLEDGEMENTS I would like to thank my advisor, Professor Gary Miron, for his continued belief that I would find my passion and complete this dissertation. Also, I would like to thank my dissertation advisory committee chair Professor Gary Miron, Ph.D., and committee members Assistant Professor D. Eric Archer, Ph.D., and Assistant Professor June Gothberg, Ph.D. for their advice and support. -
Popular, Award-Winning Principal Bucks City Hall, Loses Job: A
Dr. King, Rabbi Prinz, And The March That Helped To Change America PAGE 10 May 2017 Volume 50, Number 9 American Federation NEWS of School Administrators, COUNCIL OF SCHOOL SUPERVISORS AND ADMINISTRATORS AFL-CIO Local 1 Cooperation, The Sun Will Shine on Your Diligence, Parking Space Once More and Trust BY CHUCK WILBANKS parking areas as indicated on park- park at school sites they visit. ing signs, and in no other locations. Each DOE permit will be num- Parking permits are on their way. The city is issuing the permits as a bered and only given out after a No, you’re not hallucinating— result of a legal decision and nego- valid car registration and driver’s Fuel Change parking permits are on their way. tiations between unions, the DOE license is shown to the school prin- “It has been easier for a camel and the city of New York. cipal or designee. Schools must to pass through the eye of a needle The permits for school-based maintain a log of all permits given than for the city to sort out this left- staff will be school specific – that is, out showing which numbered per- over injustice from the Bloomberg they will indicate the name of each mit was given to which individual. at Bronx HS days,” said CSA President Ernest school and the permissible streets The current DOT permits that Logan. “And for too long, this camel for parking. These school-specific schools have are still in effect until BY CHUCK WILBANKS wasn’t even moving. Now, we have permits can only be used to park in next November. -
August 1910) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1910 Volume 28, Number 08 (August 1910) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 28, Number 08 (August 1910)." , (1910). https://digitalcommons.gardner-webb.edu/etude/561 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. CELEBRATED CONTRIBUTORS TO THE ETUDE KJiAkt U THE ETVDE AUGUST 1910 Theo. PresserCo.. Philadelphia.Pa. 501 STUDIES IN OCTAVES | THE ETUDE New ADVANCED PASSAGE-WORK Publications EIGHT MELODIOUS STUDIES IN MODERN TECHNIC Premiums and Special Offers Easy Engelmann Album By CEZA HORVATH Singers’ Repertoire Studies for the Lett Hand Op. 87, Price $ 1.25 Crade IV-V FOR THE PIANO These « are in gM of Interest to Our Readers A Collection of Sacred end Secular Alone k. MONTHLY JOURNAL FOR THE MUSICIAN, T Songs for Medium Voice Price. 50 Cents MUSIC STUDENT, AND ALL MUSIC LOVERS. Price. 50 Cents For the Pianoforte Edited by .TAMES FRANCIS COOKE Twenty-six of Mr.