August 1910) James Francis Cooke
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City of Savannah, Georgia Records – Health Department 1803-1948 33
5600HE-GSM-gau (USMARC); GSG (OCLC/SOLINET) City of Savannah, Research Library & Municipal Archives, Savannah, Georgia Record Series #: 5600HE Name: City of Savannah, Georgia Records – Health Department Dates: 1803-1948 Extent/Size: 33 volumes (9.39 cubic feet) Organizational History: From 1790 until 1823, the Health Officer of Savannah was appointed by the Governor. Afterwards, he was selected by the City Council (Gamble, pp. 47, 146). The Health Officer’s duties included visiting vessels arriving in port, imposing quarantine, attending the sick on board, and investigating and preventing the spread of contagious diseases (Code of Savannah 1854, pp. 251-253). In 1877, the Health Officer became head of the newly organized Board of Sanitary Commissioners which was to supervise the administration of City health laws, to investigate and prevent the spread of disease, to examine and eliminate health nuisances, to supervise the sanitary regulations of municipal institutions, and to supervise matters relating to quarantine. The Health Officer, under direction of this board, became the general supervisor of the sanitary interests of the City, making inspections, inquiries, and reports (Code of Savannah 1888, pp. 185-87). By 1923, the Savannah Health Department consisted of the Board of Sanitary Commissioners, the Health Officer, the City Laboratory and Bacteriologist, the City Physician, the hospitals, the City Dispensary, the Inspector of Plumbing, and the City Food Inspector (Mayor's Annual Report 1923. pp. 393-459). The Savannah Health Center was formed in 1920, and by 1925 there was an agreement for the Savannah Health Center, the Health Department, and the County Commission to amalgamate their programs. -
The Tracker the Tracker
Volume 56, Number 1, Winter 2012 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY WELCOME TO CHICAGO! CHICAGO IS A WORLD-CLASS CITY that offers much to see and do—including fine dining, many museums, attractions, and events, and shopping. Allow time to savor the sights and sounds of this Come to vibrant city and make your convention trip truly un- forgettable! The 2012 Convention is presented by the Chicago-Midwest Chapter, which brought you the Chicago 2002 convention. We couldn’t fit all the wondrous organs and venues into just one convention—so make sure you don’t miss this opportunity to visit FOR OHS 2012 the City of Big Shoulders—and Big Sounds! July 8-13 † CITY OF BIG SOUNDS PHOTOS WILLIAM T. VAN PELT WHY CHICAGO? THE CONVENTION WILL COMPLETE what the 2002 con- vention started—demonstrating more of Chicago’s dis- tinguished pipe organs, from newer, interesting instru- ments that are frequent participants in Chicago’s music life, to hidden gems that have long been silent. The Convention events cover the length and breadth of the Chicago area, including northern Indiana venues, and include an evening boat cruise for viewing the mag- nificent Chicago skyline while you dine. PERFORMERS Recitalists include many of the Chicago area’s leading organists, along with artists familiar to OHS audiences from previous conventions. Many players have a Chicago connection, and the recit- als often feature younger players. CONVENTION ORGANS C.B. Fisk Casavant Frères, Limitée Hook & Hastings Hinners Organ Co. Skinner Organ Co. Wurlitzer Aeolian-Skinner Organ Co. Noack M.P. -
Newly Cataloged Items in the Music Library August - December 2017
Newly Cataloged Items in the Music Library August - December 2017 Call Number Author Title Publisher Enum Publication Date MUSIC. MCD3.C63 B37 v.1 Vivaldi, Antonio, 1678- Vivaldi : Venetian splendour. International Masters 2006 2006 1741. Pub., MUSIC. MCD3.C63 B37 v.2 Bach, Johann Sebastian, Bach : Baroque masterpieces. International Masters 2005 2005 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.3 Bach, Johann Sebastian, Bach : master musician. International Masters 2007 2007 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.5 Handel, George Frideric, Handel : from opera to oratorio. International Masters 2006 2006 1685-1759. Pub., MUSIC. MCD3.C63 C63 v.1 Haydn, Joseph, 1732- Haydn : musical craftsman. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.2 Haydn, Joseph, 1732- Haydn : master of music. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.3 Mozart, Wolfgang Mozart : musical masterpieces. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.4 Mozart, Wolfgang Mozart : classic melodies. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.5 Mozart, Wolfgang Mozart : magic of music. International Masters 2007 2007 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 E17 .1 Beethoven, Ludwig van, Beethoven : the spirit of freedom. International Masters 2005 2005 1770-1827. Pub., MUSIC. MCD3.C63 E17 Rossini, Gioacchino, Rossini : opera and overtures. International Masters 2006 v.10 2006 1792-1868. Pub., MUSIC. MCD3.C63 E17 Schumann, Robert, 1810- Schumann : poetry and romance. International Masters 2006 v.11 2006 1856. Pub., MUSIC. MCD3.C63 E17 Mendelssohn-Bartholdy, Mendelssohn : dreams and fantasies. International Masters 2005 v.12 2005 Felix, 1809-1847. -
Perceptions of Meaningfulness Among High School Instrumental
Perceptions of Meaningfulness Among High School Instrumental Musicians by Janet Cape A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved January 2012 by the Graduate Supervisory Committee: Sandra Stauffer, Chair Jeffrey Bush Margaret Schmidt Jill Sullivan Evan Tobias ARIZONA STATE UNIVERSITY May 2012 ABSTRACT The purpose of this multiple case study was to investigate what students in three high school music groups perceived as most meaningful about their participation. I also examined the role that context played in shaping students’ perceptions, and sought potential principles underlying meaning and value in instrumental ensembles. Over the course of six months I conducted a series of in-depth, semi- structured interviews with six student wind ensemble members, five student guitar class members, and six jazz band members at three high schools in Winnipeg, Canada. I interviewed the participants’ music teachers and school principals, observed rehearsals and performances, and spoke informally with parents and peers. Drawing upon praxial and place philosophies, I examined students’ experiences within the context of each music group, and looked for themes across the three groups. What students perceived to be meaningful about their participation was multifaceted and related to fundamental human concerns. Students valued opportunities to achieve, to form and strengthen relationships, to construct identities as individuals and group members, to express themselves and communicate with others, and to engage with and through music. Although these dimensions were common to students in all three groups, students experienced and made sense of them differently, and thus experienced meaningful participation in multiple, variegated ways. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Downloads.Html [Accessed November 29, 2011]
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 A Performer's Guide to Dr. Thomas Jefferson Anderson's Sunstar for Solo B-Flat Trumpet and Two Cassette Recorders Kenneth C. Trimmins Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PERFORMER’S GUIDE TO DR. THOMAS JEFFERSON ANDERSON’S SUNSTAR FOR SOLO B-FLAT TRUMPET AND TWO CASSETTE RECORDERS By KENNETH C. TRIMMINS A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2012 Kenneth C. Trimmins defended this treatise on June 27, 2012. The members of the supervisory committee were: Christopher R. Moore Professor Directing Treatise Richard Clary University Representative Paul Ebbers Committee Member Patrick Meighan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii I believe in the old saying about a village raising a child. I would like to dedicate this document to the “village” that raised and educated me; my entire family, former teachers and friends who have been so supportive of me during my life of learning. iii ACKNOWLEDGEMENTS I want to thank God for giving me the strength and presence of mind to accomplish this wonderful achievement. The completion of this treatise would not have been possible without the encouragement, assistance and support of many people. First, to the members of my committee: Christopher Moore, Richard Clary, Patrick Meighan, and Paul Ebbers. -
Canada 14Usic
TTItr CAI{ADIAAT MUSIC TtrACHER LE PROFESSET_IR DE MUSTQUE CANADTEN oF Muslc lE4c,,eaa. -{f€o€FAnoN r"*2.,fo* c-ffi'r,A % 'W' o CFMTA tt^n't*f*ff#**.*d FCAPM CANADA 14USIC otfft'" t*""t""'ru" -rr$teoeRerto* "\ "".- cFffisl-A iwr 7 CONTTNIS n-*"^"F"#HM.,".."d h|EEK* Greetings from CFMT4....................... 3 Pyovincial Co-ordinators ............ ..........4 Canada Music WeekrM Supplies ............5 LA SEMAINE DE LA MUSIOUE CANADIENNE Diamond Jubilee CoIIection .................6 From the Provinces ..............................8 Editing Your Composition,................13 M)'sten' Music ....,.............14 Lessons With Yiolet fucher................I5 Inten'ierv u'ith Nlartin Beaver.............16 Classical trlusic Comes to lvlanitoulin ............ ........21 The Forsvths...,.,......... ......23 Music and Creativin' ............ ..............27 Music Writing Competition ...............29 1999 Provincial Winners ............ ........29 Music Writing Competition Regulations...............30 Music Writing Entry Form........ .........32 Music Writing Competition Winners .......33 Reviervs.... ........37 Music Qui2......... ..............39 - I - Executive Directory ..........40 NOVEMBEP 19 26 ' 2OAO P 26 NOVEMBPE Advertising Rate Card. ......42 The Prcven Theory Series It's the proven series to help your students learn, understand, enjoy and excel on RCM exams. Written by one of Canada's leading theorists and the former head of exams for the Royal Conservatory. The Lawless Theory Series Tnk,tl ,i Getting off to the right start... This -
1910 Forest Fires in Montana and Idaho| Their Impact on Federal and State Legislation
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1968 1910 forest fires in Montana and Idaho| Their impact on federal and state legislation John James Little The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Little, John James, "1910 forest fires in Montana and Idaho| Their impact on federal and state legislation" (1968). Graduate Student Theses, Dissertations, & Professional Papers. 1455. https://scholarworks.umt.edu/etd/1455 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE 1910 F0r;S3T FIRES IN MOFTAT^A AND IDAHO j TH'ilR IMPACT ON FEDERAL STATS LEGISLATION' By John James Little B.A. Michigan State University, 19^3 Presented in partial fulfillment of the requirements for the degree of Master of Arts mJIVERSITY OP MONTAl^IA 1968 Approved by» J "{• ((t^ /<9^ Cnairman, Board of Examiners De August 28, 1968 Date UMI Number: EP36460 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
Stafford Lockwood Farm History PSD 2021
Plant Science Day Celebration: A History 2007 Dr. Kirby C. Stafford III Department of Entomology The Connecticut Agricultural Experiment Station First in America ESTABLISHED1875 BY THE GENERAL ASSEMBY Early Station Plantings – 1910 At our Huntington Street, New Haven, CT location purchased in 1882 Centerville Farm • Another very useful adjunct to the Station work was the experimental field in Centerville (which is now Norwood Avenue at the intersection of Whitney and Washington Avenues in Hamden). • Experimental breeding work with corn and tobacco, testing of lime-sulfur summer sprays on fruit trees, …and the handling of a number of field crops was conducted. • Plots were also available at various cooperating farms such as one in the Spring Glen area of Hamden (now a shopping center). • These sites were leased in 1908, 1909, 1910 and easily reached from New Haven by trolley. First Field Meeting “On the 10th of August 1910, a field meeting was held at the Station, to informally dedicate the new building, named the Johnson Laboratory, at which more than four hundred farmers and their wives were present. In the afternoon, this company went from the Station to the Centerville field and inspected and informally discussed the work there. It was intended to hold this summer meeting each year” (Hopson, 1910. 33rd Annual Report of the Station). Mount Carmel Farm Purchased • On November 28, 1910, the Station bought a farm of almost twenty acres at Mount Carmel for $6,000 from with monies provided by the Lockwood Trust est. in 1896 • Not cultivated for many years; “west end was overgrown with bobbin birch, sumac, sweet fern, and blackberry vines”. -
Bulletin 110. Supply and Distribution of Cotton for the Year Ending
DEPARTMENT OF COMMERCE AND LABOR BUREAU OF THE CENSUS E. DANA DURAND, DIRECTOR BULLETIN 110 SUPPLY AND DISTRIBUTION OF COTTON FOR THE YEAR ENDING AUGUST .31, 1910 · WASHINGTON GOVERNMENT PRINTING OFFICE 1911 BULLETINS OF THE PERMANENT CENSUS. 1. Geographical distribution of population: 1880; 1890, 1900; 59. Manufactures: 1905. New York. 2. Cotton ginned in the United States: 1899 to 1902. 60. -·--· Pennsylvania:. *3. Street and electric railways: 1902. 61. -- Canning and preserving, rice cleaning and polishing'J 4. A discussion of increase of population: Twelfth Census. and the mfmufacture of beet sugar. *5. Central electric light and power stations: 1902. 62. -- Glass and clay products. *6. Mineral industries of Porto Rico: 1902. *63. Supply and distribution of cotton, August 31, 1HOG. 7. Estimates of population of the larger cities: 1901, 1902, 1903. 64. Manufactures: 1905. Butter, cheese, and condoused milk; 8. Negroes in the United States: Twelfth Census. flour and grist :mill products, and Htttrch. 9. Mines a:p.d quanies: 1902. 65. -- Coke. *10. Cotton ginned in the United States: 1899 to 1903. 66. -- Automobiles and bicycles and tricydos. 11. .Municipal electric fire alarm and police patrol systems: 1902. 67. --· Metal-working machinery. 12. The executive civil service of the United States: 1904. *68. Child labor in the District of ColumLia: Tw<'lfth Cmums. 13. A discussion of age statistics: 1880, 1890, 1900. 69. Child labor in the United States: Twelfth CnnHnA. 14. Proportion of the sexes in the United States: 1890, 1900. 70. Manufactures: l!l05. Pot.roleum refining. 15. A discussion of the vital statistics of the Twelfth Census. -
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The atre in Queens, New York in 1931. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;