THINK PROGRESS New Models for Black History Month
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Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "Authors' Preface." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. viii–x. Bloomsbury Collections. Web. 29 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 20:11 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Authors ’ Preface Writing this book has involved many wonderful experiences. Hours in archives are, of course, the historian ’ s delight, and we thank the staff at the National Archives, the Institute of Race Relations, the George Padmore Institute, the British Library, the Colindale Newspaper Archive, Warwick University Library, Cambridge University Library, the Butler Library at the Columbia University and the archives of the Oilfi eld Workers Trade Union of Trinidad and Tobago, to name but a few. We have spent many hours being entertained by our interviewees. Early on in the project, we had the good fortune to spend an aft ernoon with Farrukh Dhondy. ‘ I expect you want me to tell you all the scandal, ’ was his opener. We earnestly assured him that we were writing a serious political piece, adding that we couldn ’ t believe that there would be enough scandal to fi ll a single page. ‘ Th ere ’ s enough to fi ll seven volumes! ’ , he retorted. One of the stranger experiences, only obliquely related to the project, was an Equality and Diversity training session that one of us was compelled to attend in the summer of 2011. -
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
This Issue Is Dedicated to the Memory of John La Rose, Founder of New Beacon Books
EnterText 6.3 Dedication and Introduction This issue is dedicated to the memory of John La Rose, founder of New Beacon Books, London. He lived to see the fortieth anniversary, in 2006, of the publishing house—or maisonette, as he sometimes called it, wryly—bookshop and cultural centre he had established. Having come to London from Trinidad in the early 1960s, he always had the intention to start a bookshop in the British capital because he understood how important ideas are if we are to act on our dreams of changing the world. And it was this phrase, so often on his lips, which Horace Ove chose as the title for his feature film about John La Rose’s life, Dream to Change the World (2005). In the intervening decades since its foundation, New Beacon’s impact on the cultural map of Britain, the Caribbean and the wider world has acquired real significance, not least as a bright beacon of what a few individuals can achieve with intelligence, passion and dedication (not money, which nowadays tends to be seen as the only prerequisite). New Beacon was named after the Beacon political movement of 1930s Trinidad, which was associated with the slogan “Agitate! Educate! Federate!” While these words have a particular resonance in Trinidad, of course, they also echo round the wider Anglophone Caribbean, where the West Indies Federation, which had promised a realisation of the dreams of John’s generation, lasted so few years, from 1958 to 1962. And they remain resonant on the global stage, reminding us, as they do, of the need to Paula Burnett: Dedication and Introduction 3 EnterText 6.3 rouse ordinary people’s awareness and feelings, to deepen dialogue and understanding, and to co-operate with one another if our puny individualities are to be able to exert real influence. -
Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "‘Dabbling with Revolution’: Black Power Comes to Britain." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 27–42. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781472544407.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 10:59 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 ‘ Dabbling with Revolution ’ : Black Power Comes to Britain Th e Dialectics of Liberation conference of July 1967 brought the 1960s ’ counterculture to the heart of London. Th e 2-week conference, convened by R. D. Laing and leading fi gures in the anti-psychiatry movement, featured contributions from Beat Generation writers William Burroughs and Allen Ginsberg; Emmett Grogan, founder of the San Francisco anarchist movement Th e Diggers; and the Frankfurt School neo-Marxist, Herbert Marcuse (Cooper 1968: 9). Th e conference practised the countercultural values that it preached, spontaneously transforming the Roundhouse and Camden ’ s pubs and bars into informal collegiums, the founding event of the anti-university of London (Ibid., 11). Black Power, a movement that had emerged at the cutting edge of the American Civil Rights struggle the year before, had several representatives at the conference. Th e headline black radical and the most controversial speaker by far was Howe ’ s fellow Trinidadian and childhood friend, Stokely Carmichael, now the harbinger of the Black Power revolution. Th e British press responded to his visit by branding him ‘ an evil campaigner of hate ’ and ‘ the most eff ective preacher of racial hatred at large today ’ (Humphry and Tindall 1977: 63). -
Black Community Self-Narration, and Black Power for Children in the US and UK
Research on Diversity in Youth Literature Volume 3 Issue 1 Minstrelsy and Racist Appropriation Article 7 (3.1) and General Issue (3.2) April 2021 Power Primers: Black Community Self-Narration, and Black Power for Children in the US and UK Karen Sands-O'Connor Newcastle University Follow this and additional works at: https://sophia.stkate.edu/rdyl Part of the Literature in English, British Isles Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Sands-O'Connor, Karen (2021) "Power Primers: Black Community Self-Narration, and Black Power for Children in the US and UK," Research on Diversity in Youth Literature: Vol. 3 : Iss. 1 , Article 7. Available at: https://sophia.stkate.edu/rdyl/vol3/iss1/7 This Article is brought to you for free and open access by SOPHIA. It has been accepted for inclusion in Research on Diversity in Youth Literature by an authorized editor of SOPHIA. For more information, please contact [email protected]. Sands-O'Connor: Power Primers: Black Community Self-Narration, and Black Power fo “We want education that teaches us our true history and our role in the present-day society. We believe in an educational system that will give to our people a knowledge of the self. If you do not have knowledge of yourself and your position in the society and in the world, then you will have little chance to know anything else” (Huey Newton and Bobby Seale, point 5). In 1966, Huey Newton and Bobby Seale created a ten-point program for their nascent Black Panther Party organization based in Oakland, California. -
James Kelman's Interview with John La Rose
The full interview with John La Rose1 More than twenty five years ago I was asked to interview John La Rose for the arts and culture journal Variant 19. Malcolm Dickson was then editor. The interview took place in John’s house in Finsbury Park. Malcolm organized the recording apparatus and also jumped about taking photographs. I had known John for a few years by then and had been in his company quite often; my only plan, therefore, was to start talking. He was a very strong and experienced orator, and with a tremendous breadth of knowledge. He was used to the toughest forms of meetings, those that began in confrontation and moved towards negotiation. I knew he would go where he thought necessary and return near enough to the starting point: my job was to resist interfering. The general population are unaware of the depth and complexity of the struggle of black people and other minorities in the United Kingdom. This transcription of a talk by John La Rose allows an insight into that and of the richness of the Caribbean side of its social and intellectual tradition. Insight here is gained into the inseparable nature of the culture and the political. There is also the matter of John's own centrality to some of the more crucial political interventions in his time. It should be a matter of concern how easily such a figure can be airbrushed from the political and cultural history of the UK, and the fundamental role played by John La Rose, his peers and contemporaries. -
Althea Mcnish Wednesday 22 April 2020
Special and Reflective Tribute to Althea McNish Wednesday 22 April 2020 Welcome to our Special and Reflective Tribute to Althea McNish, as we share our heritage from Bruce Castle Museum & Archive. Our originally-planned post from the weekend has been brought forward in honour of Althea McNish, the internationally-important textile designer and artist who was one of our neighbours - living here in Haringey, in West Green Road in Tottenham for over 50 years. It was announced on Tuesday in the Trinidad and Tobago Newsday that she very sadly passed away last week at the age of 95. Our current exhibition at Bruce Castle - We Made It! - has a dedicated area for Althea’s work from our collections. Many will recall we had a very special event last October during Black History Month led by Rose Sinclair, Lecturer in Design (Textiles) at Goldsmith’s (University of London), celebrating Althea’s life and work, her involvement in establishing the Caribbean Artists’ Movement and John La Rose, as well as the prestigious commissions for Liberty, Dior, Jacguar, Heal’s and Conran. Needless to say, her art was also the inspiration for a workshop we had planned for young people and families during Women’s History Month back in March, which only could not go ahead because of the lock-down. Rose Sinclair here very kindly shares her own personal tribute, in honour of Althea: Althea McNish-Weiss On 31st October 2019, Bruce Castle Museum held a celebration to close Black History Month. This event was to honour those in the community who in particular were inspiring to the next generation of emerging talent - but were equally an inspiration to us all. -
History and the Archive in the Political Thought of John La Rose
Chris Moffat (History, Queen Mary University of London) Published in Small Axe 55 (2018), pp.39-54. Against ‘Cultures of Hiatus’: History and the Archive in the Political Thought of John La Rose “A message of hope and contradiction but such is my message.” - John La Rose1 I. Introduction If you walk north on Stroud Green Road from London’s Finsbury Park station, you will pass the headquarters of a successful British picture framer, a pub signaling “The World’s End,” multiple outposts of the Pak’s hair and cosmetics empire, and a line of competing butcher shops, before arriving, on your right- hand side, at a bookshop painted red. This has, since 1973, been the home of New Beacon Books, a specialist bookseller bearing the quiet distinction of being Britain’s first independent publisher of black-interest fiction and nonfiction. The front window, crowded with pamphlets and flyers, evinces the shop’s status as a 1 From ‘Prosepoem for a Conference’ (1967), in John La Rose, Eyelets of Truth Within Me (London: New Beacon, 1992), 13. 2 community institution; the bookshelves inside bend under the weight of their allocated continents—texts arranged by geographical region. New Beacon’s publishing activities, inaugurated in 1966, have today begun to attract scholarly attention for what they reveal about the history of independent publishing in postwar Britain and the dissemination of radical black and “third world” thought in the decades after Windrush.2 Further research into the shop and its political significance will build profitably on Brian Alleyne’s 2002 ethnography of what he calls the “New Beacon Circle”—the group of activists gathered around the bookshop, propelling its local and international campaigns3—and will draw, necessarily, on the institution signaled by a small placard over the bookshop’s entrance: the George Padmore Institute, an archive and educational resource center occupying the upper three floors of the building. -
[email protected]
On Whose Terms?: Ten Years On… (in Critical Negotiations in Black British Literature and the Arts) Goldsmiths, University of London, UK. March 22nd-23rd 2018 ****FINAL CALL FOR PAPERS**** The cultural power of Black British* literature and the Arts resides as much in the exploration of pressing cultural concerns, as in its innovative material aesthetics and textual practices. The 2008 landmark conference ‘On Whose Terms?: Critical Negotiations in Black British Literature and the Arts focused upon local, international and transnational engagements with Black British literature and the Arts, to trace the multiple – real and imaginary – routes through its production, reception and cultural politics. It created a meeting point for prominent and emerging scholars, writers and practitioners, young people and the general public for exploring the impact of this field, both at home and abroad. The 2018 return conference, ‘On Whose Terms?: Ten Years On… aims to chart what has happened throughout the past the decade. As substantial reclamations in cultural histories continue to expand and revise the horizons of knowledge, recent cultural and technological changes have also propelled new mechanisms of success as well as marginalization, invisibility and exclusion. This return conference offers a platform for incorporating the developments and questions concerning the impact of globalization and digitization, post- humanism and biopolitics, visuality and materiality. At a time when established notions of community, human life and democracy have come under new and considerable pressures, this return conference offers a vibrant arena for critically engaging with Black British politics and the aesthetic practices that respond to today’s local and global challenges. -
Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "Bibliography." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 267–284. Bloomsbury Collections. Web. 30 Sep. 2021. <http:// dx.doi.org/10.5040/9781472544407.0006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 09:41 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Bibliography Archival material Th e National Archives (NA) CRIM 1/4962/1 Central Criminal Court papers: Regina v. Peter Martin, GKT Dolo, Benedict Obi Egbuna CRIM 1/4962/2 Central Criminal Court papers: Regina v. Peter Martin, GKT Dolo, Benedict Obi Egbuna CRIM 1/5522/1 Central Criminal Court papers: Mangrove Nine CRIM 1/5522/2 Central Criminal Court papers: Mangrove Nine CRIM 1/5522/3 Central Criminal Court papers: Mangrove Nine DPP 2/4827 Department of Public Prosecutions: ‘ Free Bobby ’ Demonstration 2 March 1970 DPP 2/4889 Department of Public Prosecutions: Oval Youth Club incident DPP 2/4889 Department of Public Prosecutions: Oval Youth Club incident DPP 2/5059 Department of Public Prosecutions: Mangrove Nine Contempt of Court HO 325/143 Home Offi ce Papers: Reports on Black Power and the Mangrove March MEPO 2/11409 Metropolitan Police Papers: Evidence against Peter Martin, GKT Dolo, Benedict Obi Egbuna MEPO 31/20 Metropolitan Police Papers: Evidence against the Mangrove Nine MEPO 31/21 Metropolitan -
Recent Publications in Black British History: Selected from the Bibliography of British and Irish History
October 2020 Recent publications in Black British History: selected from the Bibliography of British and Irish History The Bibliography of British and Irish History (BBIH) provides records of over 620,000 publications (books, journal Articles, and chapters in edited collections) relating to British and Irish history. The Bibliography defines British and Irish history very broadly, and includes extensive records on histories of race, empire and migration. The following list is a selection of BBIH records that relate to Black British History, drawn from the Bibliography on 1 October 2020. The list offers 412 recent publications in this field. A web version of this listing is also available via BBIH’s publisher Brepols. The books, articles and chapters in this list were published between 2020 and 2020, and are ordered by year of Publication (starting with the most recently published). Our coverage of recently published titles is ongoing, and further records will be added in future updates of the Bibliography, in January, May and September of each year. Records for journal articles may include a ‘Full text’ link. This link will take you to the abstract of the article via the publisher’s website. If you have access to a library that subscribes to the journal, you’ll then be able to go straight to the full text (you may need to log on to your institutional library). Some books also have ‘Full text’ links: these connect to ebook or free Open Access versions of the work where they’ve been made available by the publisher. Please note: the following listing provides basic BBIH data only. -
Small Axe and the Big Tree of 2020 Roshi Naidoo Black Stories Matter - in Mainstream History and in Primetime Broadcasting
Small Axe and the big tree of 2020 Roshi Naidoo Black stories matter - in mainstream history and in primetime broadcasting t was the sense of time - intense shots with the camera refusing to pan away; stretched silences interrupted only by repressed sobs; music played on repeat I in the foreground. It felt as though there was time to contemplate things that everyday bare survival ill afforded. The rage, frustration and bafflement at the wounds inflicted by the racist state; hard-to-reach internal, visceral pain; subtle emotions that require an expansiveness to unpack and expose to the light of day. This was big picture historical narrative, but told through stories of interpersonal relationships, conflicted identities and individual agency - anger and suffering existing alongside a sense of exuberance and presence in the moment. Here, as in life, joy and pain were given equal billing. In one sense this is simply the essence of good filmmaking, and Steve McQueen in his Small Axe season of films is obviously not the first director to gift these spaces to black audiences. Comparable images that first spring to mind are from feature films, such as the long, languid shots in Isaac Julien’sYoung Soul Rebels (1991), and this is not surprising given the cinematic feel of these small screen offerings. But make no mistake: this is television - the medium which developed in tandem with post-war migration from Britain’s former colonies in the Caribbean and elsewhere, and which bore witness to, and shaped, changing attitudes to that presence. It is the fact that this is television which has made Small Axe an event.