7^ Lawrentian

Total Page:16

File Type:pdf, Size:1020Kb

7^ Lawrentian STATE HISTORICAL SOCIETY NEWSPAPER SECTION 81fc STATE STRLfcT MADISON 6 9 « I S . Three Candidates Battle for Top SEC Post Tomorrow Davidson, Ford and Lubenow Petition lor Presidency 7 By AL SALTZSTE1N ^ Lawrentian Lawrence students will go to the polls tomorrow to Vol. 81—No. 15 Lawrence College, Appleton, Wisconsin Thursday, February 15, 1962 select the new president of the Student Executive Coun­ cil, and to vote on a proposed amendment to the gov­ erning body’s constitution increasing the Council’s leg­ islative power somewhat. Divergence in Styles Seen SPECIAL ISSUE The election is the first in He is the author of the refer­ SATURDAY three years to offer the voter endum on tomorrow’s ballot, A special issue of the a choice of candidates. Jun­ Sandy is active in the drama In Modern Jazz Quartet Lawrentian on Saturday ior John Davidson and soph­ department, and participated By FRITZ HOLM QUIST will carry the results of omores Sandy Ford and Joe in the last two theater pro­ tomorrow’s election. ductions. The Lawrence campus will soon be privileged to Lubenow have been placed on the ballot after submitting a He views the job of presi­ hear one of the most stimulating instrumental groups petition cotnaining fifty dent as one centralization of in all of American music and most certainly in the names each to the Council power within existing frame­ w'orld of jazz. On Friday, Feb. 23, the Modern Jazz Monday night. Elizabeth work of the body. He hopes Quartet will give a concert at 8:30 p.m. in the chapel. Cole, a previously announced to revise the present repre­ sentation system to include Since its inception in 1952, candidate, withdrew from the classical forms of composi­ faculty members and class the group has sustained only rare Tuesday night. tion. Although this movement representatives in an effort to one change in personnel, that is actually only in the embryo “ give the SEC more power in of the substitution of drum­ stage, it has achieved many POLLING HOURS student affairs. Specifically mer Connie Kay for Kenny successes. Thus, Lewis com­ he feels that “ an honors sys­ Clarke. This period of "to­ Conservatory — positions combine the stand­ tem, and some student ac­ getherness” is quite a phe­ 8 a.m. to 12 noon ard “ story-telling” technique cess to the J-Board proceed­ nomenon among jazz com­ Main Hall— inherent in disciplined classi­ ings are essential to good stu­ binations. It would logically 8 a.m. to 12 noon cal forms with the more emo­ dent government.” seem that the musicians in­ Union— tionally elemental “message” Joe Lubenow volved had similar back­ 1:30 to 3:30 p.m. inherent in jazz improvisa­ Lubenow is a voting repre­ grounds and musical ideas If no candidate secures tion. sentative of Phi Delta Theta. that would result in such a a majority on Friday, a Completing the quartet is Last spring he was elected by long period of continuous run off election will be the outstanding bassist Percy an all-school vote as the Law­ playing. A look at the indivi­ held Saturday at the same Heath. He is perhaps one of rence delegate to the Nation­ dual musicians shows this is locations and times. the most recorded bassists al Student Association confer­ not true. in jazz, being in constant de­ ence in Madison. He also has Milt Jackson mand for recording dates JOHN DAVIDSON The new constitution re­ been a member of LUC for when the quartet is not on quires a majority of those vo­ two years. He is a varsity Milt Jackson, the vibra­ ting for election. If no such phone player, has consistent­ tour. His playing is charact­ wrestler, and has achieved majority is reached in the ly won many awards and erized by an amazing tech­ high honors. nique and a full, round tone. Friday election, a run-off be­ Joe feels that "The direct­ plaudits and is considered the tween the two with the high­ best vibes player in jazz. His ion the SEC is headed at this Connie Kay on the drums, est candidates will be held on background and musical heri­ although initially a letdown time is crucial because of the Saturday. recent discussions of the re­ tage is perhaps best summed from the offerings of his pre- The amendment proposes up by the great trumpeter lation of the student to the dessor Kenny Clarke, has to change Article III section 3 Dizzy Gillespie when he said, administration and the total evolved into an ideal drum­ of the Constitution to read, “ Milt is sanctified. That’s school community. One func­ mer for the group. He is able “The duties of the Represent­ why he plays so soulful. His tion of student government to provide the propulsive ative Council shall be to leg­ whole family is sanctified.” that has not been emphasized drive and is also able to islate on matters pertaining transform the drums into a enough is that of communica­ Jackson was raised in the to the interests of the student tion with the faculty control Church of God in .Christ melodic instrument able to body” This section n o w perform the intricate Lewis groups. I feel that the SEC These churches arc character­ reads: “ The duties of the leg­ should strive for more re­ ized by the emphasis on m u­ compositions without being a islative council shall be to hindrance. sponsibility in these areas.” sic as a method of “ release.” legislate on matters pertain­ he stated. Collectively and individually Adequate Freedom ing to the interests of the Stu­ The polls will be open Fri­ the congregation releases the dent Body where they do not In view of the divergent day in Main Hall lobby on innermost spirit only to re­ interfere with the national the first floor and at the con­ ceive strength in the over­ styles of backgrounds of the obligations of the groups so two most important men, servatory entrance from 8 a. whelming joy of each other. obligated.” The referendum m. to 12 noon. In the after­ From these churches also Jackson and Lewis, how is it must be accepted by a two- that the group has stayed to­ noon, polling will take place emanate some of the most thirds vote of those voting to in the Union entrance from swinging and frenzied gospel gether and played with such be passed. success? The question is per­ 1:30 to 4:30 p.m. In the event singing. All three candidates are of a Saturday run-off, the haps best answered by Jack­ delegates to the council at With this sociological back­ son, who is often asked if the polls will be placed in the SANDY FORD present and have been active ground and its stimulus to musical format of the group same locations at the same in the legislative body this times. self-expression, the soulful holds him down. playing of Milt Jackson has semester. All have campaign­ The results of tomorrow's evolved. Other characteris­ “ No, not actually. It may ed vigorously including parti­ voting will be announced in a tics of his playing are his not sound or look like it cipation in this morning’s special issue of the Lawren­ amazing sense of pitch and when you’re listening out SEC convocation. tian Saturday afternoon. The his more than adequate tech­ front because it’s all so well John Davidson inauguration of the new pres­ nique. His style has evolved planned, but I still get to play Davidson is a member of ident will take place Monday into more melodic and har­ more or less what I want to Beta Theta Pi, and has rep­ at 8:30 in the Terrace Room monic approach as compared play. I ’m related. I ’ve always resented that group in SEC of the Union. to the more percussive sound been able to adjust myself to for the past semester. He is of Lionel Hampton. a situation. When I first join­ also a member of the En­ ed the MJQ, there were times campment steering board, Dean Tells SEC John Lewis when I looked at the planning the New Student Week com­ The pianist and musical di­ as a handicap, but now I ’ve mittee, and is a perspective rector of the group is John come to look on it as an asset. student guide. He is also a Only 100 on Pro In terms of business, and m u­ Lewis. Although he is a high­ member of the swimming Dean Venderbush declared sically too, discipline can be ly respected pianist, he is team. , at Monday night’s SEC meet­ a good thing, and having been perhaps most outstanding as Davidson calls his platform ing that the number of stu­ under discipline can help you one of the most brilliant and progressive rather than lib­ dents on academic probation when you do let loose.” original composers in jazz. eral or conservative. He feels “ barely approaches 100.” He is one of the innovators of Apparently the jazz public that “by proper set up of pol­ Offering more figures, the what has been coined “ Third agrees with Jackson that icy, the attitudes within and dean stated that six students Stream Music.” This type of there is adequate freedom for toward the SEC can be im ­ were dropped, 21 advised to music designates an attempt self-expression. The group's proved and, as a result of withdraw, and four given to fuse the essential spirit JOE LUBENOW popularity is not limited to this, the SEC can be the prop­ warning.
Recommended publications
  • Repor 1 Resumes
    REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Comment on Aziz Rana, the Two Faces of American Freedom Nancy L
    Cornell Journal of Law and Public Policy Volume 21 Article 4 Issue 1 Fall 2011 Lost Causes: Comment on Aziz Rana, the Two Faces of American Freedom Nancy L. Rosenblum Follow this and additional works at: http://scholarship.law.cornell.edu/cjlpp Part of the Law Commons Recommended Citation Rosenblum, Nancy L. (2011) "Lost Causes: Comment on Aziz Rana, the Two Faces of American Freedom," Cornell Journal of Law and Public Policy: Vol. 21: Iss. 1, Article 4. Available at: http://scholarship.law.cornell.edu/cjlpp/vol21/iss1/4 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Journal of Law and Public Policy by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. BOOK PANEL DISCUSSION: "THE TWO FACES OF AMERICAN FREEDOM," BY AZIZ RANA LOST CAUSES: COMMENT ON AZIZ RANA, THE TWO FACES OF AMERICAN FREEDOM Nancy L. Rosenblum* I. WHAT KIND OF WORK IS THIS? . 108 II. THE POLITICAL DYNAMIC OF DEMOCRATIC FREEDOM ..... 114 III. Two META-OBSERVATIONS: ETHICS AND HISTORY ........ 117 A few months after his defense of the dissertation that became the superb monograph Two Faces of American Freedom, Aziz Rana sent the members of his doctorate committee a CD. Here are a few of his selections: * Gallows Tree, sung by Odettal * The Night They Drove Old Dixie Down, sung by The Band 2 * I Ain't Got No Home in This World Anymore, sung by Woody Guthrie3 * Strange Fruit (about a hanging), sung by Billie Holiday4 * Folsom Prison Blues, sung by Johnny Cash5 The rest of the tracks are in this vein.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI DATE: 13 May 2002 I, Amber Good , hereby submit this as part of the requirements for the degree of: Master of Music in: Music History It is entitled: ``Lady, What Do You Do All Day?'': Peggy Seeger's Anthems of Anglo-American Feminism Approved by: Dr. bruce mcclung Dr. Karin Pendle Dr. Stephanie P. Schlagel 1 “LADY, WHAT DO YOU DO ALL DAY?”: PEGGY SEEGER’S ANTHEMS OF ANGLO-AMERICAN FEMINISM A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2002 by Amber Good B.M. Vanderbilt University, 1997 Committee Chair: Dr. bruce d. mcclung 2 ABSTRACT Peggy Seeger’s family lineage is indeed impressive: daughter of composers and scholars Charles and Ruth Crawford Seeger, sister of folk icons Mike and Pete Seeger, and widow of British folksinger and playwright Ewan MacColl. Although this intensely musical genealogy inspired and affirmed Seeger’s professional life, it has also tended to obscure her own remarkable achievements. The goal of the first part of this study is to explore Peggy Seeger’s own history, including but not limited to her life within America’s first family of folk music. Seeger’s story is distinct from that of her family and even from that of most folksingers in her generation. The second part of the thesis concerns Seeger’s contributions to feminism through her songwriting, studies, and activism.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • Band/Surname First Name Title Label No
    BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr.
    [Show full text]
  • Tradition Label Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Tradition Label Discography
    Tradition label Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Tradition Label Discography The Tradition Label was established in New York City in 1956 by Pat Clancy (of the Clancy Brothers) and Diane Hamilton. The label recorded folk and blues music. The label was independent and active from 1956 until about 1961. Kenny Goldstein was the producer for the label during the early years. During 1960 and 1961, Charlie Rothschild took over the business side of the company. Clancy sold the company to Bernard Solomon at Everest Records in 1966. Everest started issuing albums on the label in 1967 and continued until 1974 using recordings from the original Tradition label and Vee Jay/Horizon. Samplers TSP 1 - TraditionFolk Sampler - Various Artists [1957] Birds Courtship - Ed McCurdy/O’Donnell Aboo - Tommy Makem and Clancy Brothers/John Henry - Etta Baker/Hearse Song - Colyn Davies/Rodenos - El Nino De Ronda/Johnny’s Gone to Hilo - Paul Clayton/Dark as a Dungeon - Glenn Yarbrough and Fred Hellerman//Johnny lad - Ewan MacColl/Ha-Na-Ava Ba-Ba-Not - Hillel and Aviva/I Was Born about 10,000 Years Ago - Oscar Brand and Fred Hellerman/Keel Row - Ilsa Cameron/Fairy Boy - Uilleann Pipes, Seamus Ennis/Gambling Suitor - Jean Ritchie and Paul Clayton/Spiritual Trilogy: Oh Freedom, Come and Go with Me, I’m On My Way - Odetta TSP 2 - The Folk Song Tradition - Various Artists [1960] South Australia - A.L. Lloyd And Ewan Maccoll/Lulle Lullay - John Jacob Niles/Whiskey You're The Devil - Liam Clancy And The Clancy Brothers/I Loved A Lass - Ewan MacColl/Carraig Donn - Mary O'Hara/Rosie - Prisoners Of Mississippi State Pen//Sail Away Ladies - Odetta/Ain't No More Cane On This Brazis - Alan Lomax, Collector/Railroad Bill - Mrs.
    [Show full text]
  • Society for American Music Forty-Second Annual Conference
    Society for American Music Forty-Second Annual Conference Hosted by Northeastern University and Babson College Hyatt Regency Cambridge 9–13 March 2016 Boston, Massachusetts Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests.
    [Show full text]
  • Volume 81, Number 16, February 17, 1962
    Run-off,· Amendment f!!!,,?,,wum~~,~,~~,~,~' IIIIII IIIII IIIIIIIIIIJ' in.rn111111111111u11111111111111111111111111111u1 Fails by Ten Council Lets Liz Campaign; f4' Lawre~(i;;"'' :T·urnout 'Sets Voting Mark The student body turned down an amendment to . Vol. 81 No. 16 · Lawrence College A ' PP1 eton , Wi sconsin S broaden the powers of the SEC, and failed to grant a a turday, Fe1bruary 17, 1962 1:1a.iority to a presidential candidate in Friday's elec­ tion. Eli zabeth Cole and Joe Lubenow the candidates ~irk Dr:1-ws Large Crowd; COMMITTEE receiving the highest number of vote; in the primary, P0S'1'S OPEN were placed on the ballot for today's run-off election. Liberal Philosophy Candidates for SEC com­ Bia.st$ mittee chairmans'hips must The SEC, meeting in an emergency session last night By ALEX WILDE submi_t pet itions containing agreed to place Miss Cole's name on the ballot and · A large and alert audience heard Dr R . qualifications and plat­ passed a ~tandi:1g rule allowing her' to campaign. 'until deliver _his provoc~tive interpretation of ,;Di u_sstell Kirk forms to the new SEC the 1:1eetmg Miss Cole had campaigned as, a write-in Liberalism m .Foreign Poli. cy" in the Uni·o n 1as.srn t Segrateclunday President by midnight candidate. 11 Th Sa~urday, February 24 '. F· eb ruary . e promment con servative th· k l ' Friday's turnout was the largest in Lawrence's his­ d · d t . rn er crew 1962 All candidates must 01,1er ene h un 1e spe.c ators ' from Appleto n an d near- tory.
    [Show full text]
  • Guide to the Moses Moon Collection, [Audiotapes]
    Guide to the Moses Moon Collection, [audiotapes] NMAH.AC.0556 Wendy Shay Partial funding for preservation and duplication of the original audio tapes provided by a National Museum of American History Collections Committee Jackson Fund Preservation Grant. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Original Tapes.......................................................................................... 6 Series 2: Preservation Masters.............................................................................
    [Show full text]
  • Odetta and the Blues Mp3, Flac, Wma
    Odetta Odetta And The Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Blues Album: Odetta And The Blues Country: Australia Released: 1962 Style: Vocal MP3 version RAR size: 1224 mb FLAC version RAR size: 1383 mb WMA version RAR size: 1838 mb Rating: 4.2 Votes: 239 Other Formats: AHX ASF DTS ADX AA FLAC MP3 Tracklist A1 Hard, Oh Lord 4:05 A2 Believe I'll Go 3:03 A3 Oh, Papa 3:16 A4 How Long Blues 2:06 A5 Hogan's Alley 2:09 A6 Leavin' This Mornin' 2:46 B1 Oh, My Babe 4:19 B2 Yonder Comes The Blues 2:48 B3 Make Me A Pallet On The Floor 3:47 B4 Weeping Willow Blues 2:35 B5 Go Down Sunshine 2:17 B6 Nobody Knows When You're Down And Out 2:19 Credits Bass – Ahmed Abdul-Malik Clarinet – Herb Hall Drums – "Shep" Sheppard* Piano – Dick Wellstood Producer – Orrin Keepnews Trombone – Vic Dickenson Trumpet – Buck Clayton Vocals – Odetta Other versions Category Artist Title (Format) Label Category Country Year Odetta And The Blues RLP 9417 Odetta Riverside Records RLP 9417 US 1962 (LP, Album) Odetta And The Blues Hallmark Music & 713502 Odetta 713502 Europe 2013 (CD, Album, RE) Entertainment Odetta And The Blues RLP 9417 Odetta Riverside Records RLP 9417 US 1962 (LP, Album) Odetta And The Blues RM 417 Odetta Riverside Records RM 417 US Unknown (LP, Mono) R/S-3007 Odetta Sings The Blues (LP) Riverside Records R/S-3007 US 1968 Related Music albums to Odetta And The Blues by Odetta Odetta - At Town Hall Odetta - At Carnegie Hall Odetta - Odetta Sings Dylan Odetta - To Ella Odetta - It's A Mighty World Willie Brown / Son House - Make Me A Pallet On The Floor / Shetland Pony Blues Odetta - At The Gate Of Horn Giuseppe Pino, Various - Black & Blues Odetta - Spirituals For Christmas Odetta - Sings Ballads And Blues.
    [Show full text]
  • The History of Rock Music: 1955-1966
    The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Trouble in Paradise 1961-1964 (These are excerpts from my book "A History of Rock and Dance Music") The Folk Revival TM, ®, Copyright © 2003 Piero Scaruffi All rights reserved. The most significant event of the USA music scene at the turn of the decade was the folk revival. Launched in 1958 by the Kingstone Trio's Tom Dooley, and celebrated in 1959 at the first Newport Folk Festival, the folk revival introduced a sense that music was meant to be more than mere entertainment. Within a few years, its boundaries had expanded dramatically. Joan Baez turned folk music into an austere form on Joan Baez 2 (? 1961 - oct 1961). Bob Gibson was one of the very early folk-singers who set to renovate the art of folk music. His best album, At The Gate Of Horn (apr 1961 - ? 1961), a live performance with Bob Camp, predates the intimate style of folk-rock by a few years. Ian (Tyson) and Sylvia (Fricker) were perhaps the most soulful, predating folk-rock with Ian's Four Strong Winds (1963) and Sylvia's You Were On My Mind (1964, the We Five's hit). Folk music evolved rapidly into something more profound and more complex, as proven by Lee Hazlewood's concept albums, Trouble Is A Lonesome Town (? 1963 - nov 1963) and The N.S.V.I.P.'s (? 1964 - ? 1964), that consist of bleak stories about misfits and losers.
    [Show full text]