A War for the Soul of America a History of the Culture Wars 1St Edition Download Free

Total Page:16

File Type:pdf, Size:1020Kb

A War for the Soul of America a History of the Culture Wars 1St Edition Download Free A WAR FOR THE SOUL OF AMERICA A HISTORY OF THE CULTURE WARS 1ST EDITION DOWNLOAD FREE Andrew Hartman | 9780226254500 | | | | | U.S. History and Historical Documents Washington, D. Further information: Ethnocultural politics in the United States. Can We Help with Your Assignment? In he described those who gathered there as "misguided". November 20, Bioculture Cross-cultural studies Cross-cultural communication Cross-cultural leadership Cross- cultural psychiatry Cross-cultural psychology Cultural analytics Cultural economics Cultural entomology Cultural history Cultural mapping Cultural mediation Cultural psychology Cultural values Culturomics Intercultural learning Intercultural relations Internet culture Philosophy of culture Popular culture studies Postcritique Semiotics of culture Sociology of culture Sound culture Theology of culture Transcultural nursing. However, this book touches on several different topics besides education such as gender, neoconservatism and how history is portrayed in America. His history begins in the s, with only brief references to previous decades, and thus fails to explain the already existing cultural debates within the conservative movement. The total number of worldwide confirmed cases of the virus passed 30 million on Friday. Want to Read Currently Reading Read. Hopkins have written about an asymmetry between the US's two major political parties, saying the Republican party should be understood as an ideological movement built to wage political conflict, and the Democratic party as a coalition of social groups with less ability impose ideological discipline on members. For better or worse, it will never run dry. Then there are those individuals who want to see cha This was a recommended read by one of my professors since I am interested in education in the United States. Get A Copy. To transport babies, the Blackfoot used a cradleboard. Main article: History wars. The Age. Particularly of interest is the alliance between neoconservatives and religious conservatives against the left. The author stating fascinating references explains how we, as a society, have A War for the Soul of America A History of the Culture Wars 1st edition this confusing state of affairs. The New Left was the most significant force in terms of reshaping American culture. I felt the book focused on A War for the Soul of America A History of the Culture Wars 1st edition America seems to have always been split in two. Of course not, writes Daniel Strauss. He is right to think that this approach leaves important issues off the table. A fascinating and fairly academic look at the history of the culture war which seems to rage hotter in our society every year. Parliamentary Library: Research Paper 5 Archived from the original on October 6, To ask other readers questions about A War for the Soul of Americaplease sign up. In John Howard said in a speech to mark the 50th anniversary of Quadrant that "Political Correctness" was dead in Australia but: "we should not underestimate the degree to which the soft-left still holds sway, even dominance, especially in Australia's universities". We as Americans should learn from the mistakes that this country was founded on. Since the time that James Davison Hunter first applied the concept of culture wars A War for the Soul of America A History of the Culture Wars 1st edition American life, the idea has been subject to questions about whether "culture wars" names a real phenomenon, and if so, whether the phenomenon it describes is a cause of, or merely a result of, membership in groups like political parties and religions. Domestic Affairs. Popular points of interest by each major war include:. By Paul Horwitz. The hot-button issues like abortion, affirmative action, art, censorship, feminism, and homosexuality that dominated politics in the period were symptoms of the larger struggle, as conservative Americans slowly began to acknowledge—if initially through rejection—many fundamental transformations of American life. That said, this remains a cool title, some good info, and a starting point. Good morning. The Blackfoot Indians: History, Culture, Society Jun 22, Rj rated it it was amazing. The remaining chapters focus on the specific issues that defined the culture wars including gender, race, religion, and education. Share This Page:. This is a pretty good A War for the Soul of America A History of the Culture Wars 1st edition of the Culture Wars that have been raging ever since the Civil Rights movement. Cultural anthropology Cultural astronomy Cultural ecology Cultural geography Cultural neuroscience Cultural studies Culturology Culture theory Security culture Neuroculture. The Bill of Rights is the first 10 amendments to the Constitution. North American Hi He highlights interesting twists in the theatres of the culture wars, such as how Andrea Dworkin and other feminist opponents of pornography found themselv "A War For the Soul of America: A History of the Culture Wars" by Andrew Hartman offers a sweeping account of a changing America. It is time to accept responsibilitysays David Vine. New York Times. February 21, The stories always followed the same formal order, but each time they had a different emphasis. It shows in his adjectives! An excellent overview of the culture wars of the last half of the 20th A War for the Soul of America A History of the Culture Wars 1st edition that impacted art, music, public education, and popular culture. Vitale decision, deeming teacher led school prayer unconstitutional, became a conservative rallying cry proclaiming the secular infestation of the public school system. August 3, The culture wars influenced the debate over state-school history curricula in the United States in the s. The global Covid death toll is expected to pass 1 million by 1 October. Across the United States, military memorials and monuments commemorate wars, battles, and those who lived and served during those times. I would have liked to have learned more about how A War for the Soul of America A History of the Culture Wars 1st edition was experienced on the front lines. Drugs [ edit ] Drug decriminalization Harm reduction Legal drinking age War on Drugs Education and parenting [ edit ] Corporal punishment and child disciplinemost notably spanking Creation—evolution controversy Family values Homeschooling and Educational choice Sexual education and abstinence only education Environment and energy [ edit ] Global warming and climate change mitigation [23]. I am doing a DNA test to find out my true heritage. Dorris is at least the 25th woman to have accused him of sexual misconduct. Center for American Progress. Hartman does a good job of providing a historical context for why what is occuring in society today is happening. Some tribes used the dog as a food source, but the Blackfoot did not. Some writers and scholars have said that culture wars are created or perpetuated by political special interest groups, by reactionary social movements, by dynamics within the Republican party, or by electoral politics as a whole. A history of the Culture Wars, and their lingering effects. But if you're not clear about the Culture Wars and their devastating impact on our nation, this is a very good read. The republic was never able to assemble a proper fleet for combat, however, and when the war ended in Maythe Dutch were at the nadir of their power and prestige. Other editions. In he described those who gathered there as "misguided". It was towed by able-bodied men and woman, usually by swimming out and holding the tow lines with their teeth. Neoconservatives differed from their opponents in that they interpreted problems facing the nation as moral issues rather than economic or political issues. Jan 06, Salamah rated it liked it. This argument is attractive, especially if you lean left. Conflict between cultural values. Data Protection Choices In recent months, campuses across the country have exploded with such conflicts, with Yale and the University of Missouri prominent among them. Lawrence, Arch-Heretic. There is good reason to be skeptical of such a claim. One thing seems certain, however. This was in part because of the shortage of men due to warfare. Is racism a thing of the past? Hartman A War for the Soul of America A History of the Culture Wars 1st edition the voices of some of the most Comprehensive and meaningful analysis of the topic of culture wars in the United States. In mid-June, the blossoms were picked and dried indoors. Additionally, it adds an essential comprehensive history to the literature of the culture wars and is a must-read for anyone interested in understanding the polarized political climate of modern America. In times of need, the Blackfoot would catch fish by using crude basketry traps. A political view called neoconservatism shifted the terms of the debate in the early s. Jerry Falwell Jr. All rights reserved. In John Howard said in a speech to mark the 50th anniversary of Quadrant that "Political Correctness" was dead in Australia but: "we should not underestimate the degree to which the soft-left still holds sway, even dominance, especially in Australia's universities". The Blackfoot tepee had a broad band of dark color painted around the base to represent earth, and on this a series of circles, or dusty stars. In the summer of off Texel Terheidein the last battle of the war, the Dutch were defeated and Tromp killed, with both A War for the Soul of America A History of the Culture Wars 1st edition suffering heavy losses. The Bill of Rights is the first 10 amendments to the Constitution. I would have liked to have learned more about how it was experienced on the front lines. Hartman points to changing attitudes about homosexuality to support his contention that the culture wars are finished. Hartman also does the thing that we all do when writing about the living and nearly-dead: like Wilentz in The Age of Reagan, he provides odd little post hoc judgments on the quality of this or that piece of rhetoric that recall the curious judgmental treatments of the Carrs, Actons, et al.
Recommended publications
  • Understanding the Value of Arts & Culture | the AHRC Cultural Value
    Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8.
    [Show full text]
  • EMERGENT FORMS of LIFE: Anthropologies of Late Or Postmodernities
    Annu. Rev. Anthropol. 1999. 28:455–78 Copyright © 1999 by Annual Reviews. All rights reserved EMERGENT FORMS OF LIFE: Anthropologies of Late or Postmodernities Michael M.J. Fischer Science, Technology and Society Program, Massachusetts Institute of Technology, Cambridge, Massachusetts 02139; e-mail: [email protected] Key Words: social theory and ethnography, science institutions, film and cyberspace, reconstruction after social trauma n Abstract Anthropologies of late modernity (also called postmodernity, postindustrial society, knowledge society, or information society) provide a number of stimulating challenges for all levels of social, cultural, and psycho- logical theory, as well as for ethnographic and other genres of anthropological writing. Three key overlapping arenas of attention are the centrality of science and technology; decolonization, postcolonialism, and the reconstruction of so- cieties after social trauma; and the role of the new electronic and visual media. The most important challenges of contemporary ethnographic practice include more than merely (a) the techniques of multilocale or multisited ethnography for strategically accessing different points in broadly spread processes, (b) the techniques of multivocal or multiaudience-addressed texts for mapping and ac- knowledging with greater precision the situatedness of knowledge, (c) the re- working of traditional notions of comparative work for a world that is increas- ingly aware of difference, and (d) acknowledging that anthropological repre- sentations are interventions within a stream of representations, mediations, and unequally inflected discourses competing for hegemonic control. Of equal im- by HARVARD UNIVERSITY on 09/21/10. For personal use only. portance are the challenges of juxtaposing, complementing, or supplementing other genres of writing, working with historians, literary theorists, media critics, novelists, investigative or in-depth journalists, writers of insider accounts (e.g.
    [Show full text]
  • Cultural Mapping
    Cultural Planning in The City of L’viv: Cultural Mapping 1 Centre for Cultural Management European Cultural Foundation (ECF) P. O. Box 5620 Jan van Goyenkade 5 Lviv 79067 1075 HN Amsterdam Ukraine The Netherlands www.kultura.org.ua www.eurocult.org Copyright 2008 Centre for Cultural Management 2 Contents Section I I. Forward 4 II. Acknowledgements 7 Section II III. Executive Summary 8 Section III IV. Introduction 10 V.The L’viv Context 11 VI. Information Collection 11 VII. Participants 13 VIII. The Cultural Map of L’viv 14 IX. Key Issues 19 X. Recommendations/conclusions 20 Section IV XI. Appendices 21 3 Cultural Planning in The City of L’viv: Cultural Mapping I. Foreward L’viv has great cultural potential to work within Europe. Philipp Dietachmair When beginning an initiative such as this one, the first dilemma is identifying a place to start. Usually one chooses an arbitrary commencement point that makes sense within the context. Our starting point was based in our individual experience, the interests of our funder, the interests of our City officials and the current reality of L’viv’s cultural community. These constitute a lot of variables, and we can rest assured that all of the designers of the project did not bring to the task the same set of assumptions around these variables or the same set of motivations. In the hope that transparency can support more effective communication with you, the reader, we would like to take a moment to explore and explain a few issues that frame what we have done and might impact your appreciation of this report, of our process and of our recommendations.
    [Show full text]
  • Cultural Mapping Findings
    Creative Together: A Cultural Plan for the City of Vaughan Cultural Mapping Findings Cultural mapping is a systematic approach to defining and recording a community’s cultural assets. In Ontario, municipalities having made commitments to building cultural mapping systems include Oakville, Hamilton, Vaughan and Durham Region. The City of Toronto has partnered with the Martin Prosperity Institute to establish Placing Creativity a group that brings together individuals from academic, government and community organizations to advance thinking and practice in cultural mapping. In August 2009, the Province of Ontario launched the Creative Community Prosperity Fund, a $9 million funding commitment with cultural mapping and municipal cultural planning forming key funding priorities. Cultural mapping as it is understood and practiced in Ontario has two dimensions – one tangible (or quantitative) the other intangible (or qualitative). 1. Resource Mapping – identifying and recording tangible cultural resources usually making use of Geographic Information Systems (GIS) tools and platforms; and, 2. Community Identity Mapping – exploring a community’s ‘intangible cultural resources’ – the unique stories and traditions that define a community’s identity and sense of place. 1. Cultural Resource Mapping Vaughan has established itself as a leading municipality nationally in entrenching a formal commitment to cultural mapping in the Official Plan. “Cultural mapping is a systematic approach to identifying and recording cultural resources. It can identify and record tangible cultural resources using GIS tools, but can also use community identity mapping to explore intangible cultural resources, such as unique histories, values, traditions and stories that combine to define a community’s identity and sense of place. Through multimedia enriched web-based maps, cultural mapping enhances access to information on local cultural resources for residents and visitors and provides a platform for marketing and promoting these resources.
    [Show full text]
  • Defining Cultural Mapping
    1 Appendix I: Cultural Mapping Summary Report Introduction Cultural mapping was an essential step in the development of the Niagara Culture Plan. The cultural mapping work undertaken during the Culture Plan process built on the strong mapping work completed by the Cultural Asset Mapping Working Group struck by the Niagara Region Culture Committee in 2006 to begin a systematic process of identifying cultural assets in Niagara. Niagara was one of the earliest municipalities in Ontario to commit to undertaking cultural mapping work. Cultural mapping is a defining feature and foundation of municipal cultural planning approaches to local and regional cultural development. Both cultural mapping and municipal cultural planning are priorities for the Province of Ontario as evidenced by the launch in August 2009 of the Creative Community Prosperity Fund, a $9 million funding commitment in which cultural mapping and municipal cultural planning are key funding priorities. Municipalities in Ontario join leading municipalities across Canada in embracing cultural mapping as an essential planning and economic development tool. In Ontario, municipalities building cultural mapping systems include Oakville, Hamilton, Vaughan and Durham Region. The City of Toronto has partnered with the Martin Prosperity Institute to establish Placing Creativity. The group brings together individuals from academic, government and community organizations to advance thinking and practice in cultural mapping. This report summarizes the process and findings of the cultural mapping work of the Culture Plan and sets out a series of potential next steps in further developing cultural mapping systems and capabilities in Niagara. Defining Cultural Mapping Types of Mapping Cultural mapping as it is being understood and implemented in Ontario has two dimensions - one tangible (or quantitative), the other intangible (or qualitative).
    [Show full text]
  • Values in Heritage Management
    Values in Heritage Management Values in Heritage Management Emerging Approaches and Research Directions Edited by Erica Avrami, Susan Macdonald, Randall Mason, and David Myers THE GETTY CONSERVATION INSTITUTE, LOS ANGELES The Getty Conservation Institute Timothy P. Whalen, John E. and Louise Bryson Director Jeanne Marie Teutonico, Associate Director, Programs The Getty Conservation Institute (GCI) works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, field projects, and the dissemination of information. In all its endeavors, the GCI creates and delivers knowledge that contributes to the conservation of the world’s cultural heritage. © 2019 J. Paul Getty Trust Library of Congress Cataloging-in-Publication Data Names: Values in heritage management (2017 : Getty Conservation Institute), author. | Avrami, Erica C., editor. | Getty Conservation Institute, The text of this work is licensed under a Creative issuing body, host institution, organizer. Commons Attribution-NonCommercial- Title: Values in heritage management : emerging NoDerivatives 4.0 International License. To view a approaches and research directions / edited by copy of this license, visit https://creativecommons Erica Avrami, Susan Macdonald, Randall .org/licenses/by-nc-nd/4.0/. All images are Mason, and David Myers. reproduced with the permission of the rights Description: Los Angeles, California : The Getty holders acknowledged in captions and are Conservation Institute, [2019] | Includes expressly excluded from the CC BY-NC-ND license bibliographical references. covering the rest of this publication. These images Identifiers: LCCN 2019011992 (print) | LCCN may not be reproduced, copied, transmitted, or 2019013650 (ebook) | ISBN 9781606066201 manipulated without consent from the owners, (epub) | ISBN 9781606066188 (pbk.) who reserve all rights.
    [Show full text]
  • Introduction: Mapping Cultural Intangibles
    City, Culture and Society 7 (2016) 1e7 Contents lists available at ScienceDirect City, Culture and Society journal homepage: www.elsevier.com/locate/ccs Editorial Introduction: Mapping cultural intangibles Methodologically, if one accepts that the intangible, the sub- jective, and the immaterial are important to what culture is as an object of study, then quantitative methods alone are inade- Keywords: quate. This interest in making the intangible visible heightens Mapping culture the importance of drawing on cultural research traditions that Making the intangible visible are primarily qualitative in nature and, in some cases, drawing on ethnographic and artistic traditions of inquiry. (p. 18) As a mode of research that enables a clear organizing structure to hold together hybrid modes of information, cultural mapping has emerged as a useful tool in diverse research fields from artistic in- quiry to community governance. The map itself can embed spatial 1. Cultural mapping: an emerging interdisciplinary field and chronological information, description, narrative, sound, mov- ing and still images, and both quantitative and qualitative data Cultural mapping is a practical, participatory planning and through a visual interface that carries affective and stylistic quali- development tool and an emerging mode of research (Duxbury, ties as well as “basic” information. The process of mapping often re- Garrett-Petts & MacLennan, 2015). While cultural mapping has veals many unexpected resources and builds new cross-community come to be closely associated with professional cultural planning and cross-sector connections. practices,1 its recent adoption within a variety of disciplinary areas Cultural mapping methodologies hold great potential as a means that “traditional” approaches are being re-thought and bridging methodology for interdisciplinary projects, and in partic- expanded, with cultural mapping practices adopting new method- ular to bridge forms of artistic inquiry with research based in other ologies, perspectives, and objectives as they evolve.
    [Show full text]
  • Mapping Cultures: a Spatial Anthropology Les Roberts
    This file is to be used only for a purpose specified by Palgrave Macmillan, such as checking proofs, preparing an index, reviewing, endorsing or planning coursework/other institutional needs. You may store and print the file and share it with others helping you with the specified purpose, but under no circumstances may the file be distributed or otherwise made accessible to any other third parties without the express prior permission of Palgrave Macmillan. Please contact [email protected] if you have any queries regarding use of the file. PROOF 1 Mapping Cultures: A Spatial Anthropology Les Roberts Reclamations: lost highways, mapping and wayfinding A short video on YouTube called Google Maps1 provides an entertaining and gently subversive take on the much-hailed ‘democratization’ of map- ping practices and the Faustian nature of the social contract that delivers these technologies, so to speak, to our door. At his apartment Jeff is surf- ing away on his laptop. His flatmate comes into the room and asks him if he knows where he can buy pictures frames. ‘I don’t know but I can Google Map it,’ Jeff replies. The flatmate is new to the technology so a demonstration ensues. ‘Double click … and you’re at street view,’ he is shown. ‘There’s our apartment! … Let’s go in the courtyard,’ suggests the flatmate excitedly. ‘You can’t, it’s a picture from a moving car,’ Jeff informs him (unreliably as it turns out). They click and the stairway to their apart- ment flashes onto the screen. ‘That’s weird …’ They click some more.
    [Show full text]
  • GUIDELINES for LEADING the CULTURAL MAPPING EXERCISE and DISCUSSION the Exercise Cultural Mapping Works Best When It Is Used Li
    GUIDELINES FOR LEADING THE CULTURAL MAPPING EXERCISE AND DISCUSSION The Exercise Cultural Mapping works best when it is used like a game. It is not intended to be an encounter-group kind of exercise, nor is it the kind of thing where people should feel under pressure to “perform.” It should be fun. As the leader, this is something you can communicate by the way you introduce the exercise. Simply tell your group that the purpose of the exercise is to help them get to know each other, to illuminate cultural identities, and to facilitate cross-cultural communication. Let them know it will be fun. Your job as leader is to keep this fun aspect intact and to make people feel comfortable while doing the exercise. There are no right or wrong answers to any of the questions. Your role is to simply facilitate and encourage the discoveries that will be made during the exercise—not to refute or debate any observations that are made. It is very important that you read the ground rules (below) to the groups before you run the exercise. Not only is this necessary for the exercise to work, but it will also make people feel more comfortable and willing to play. What normally happens with the Cultural Mapping is that the participants get caught up in the exercise very quickly. The group can get pretty rowdy and will often keep talking after the one-minute discussion time is up and when the sub-groups are reporting to the whole group. When this happens, call out “FOCUS!” This will generally stop the talking and focus the attention of the group.
    [Show full text]
  • Policy Roadmap / 10 1.4
    Urb Cultural Planning project is funded by the Interreg Baltic Sea Region (BSR) programme. It is a BSR flagship project running from January 2019 to June 2021 with the total funding of 2.528.385 euros. Coordination: Authors: Dorota Kamrowska-Załuska Hanna Obracht-Prondzyńska Krzysztof Stachura On behalf: Polish Society of Town Planners, b. Gdańsk Graphic design: Hanna Obracht-Prondzyńska ROADMAP NAVIGATOR 1. What is cultural planning? / 5 1.1. Introducing a new approach to urban planning / 5 1.2. Why cultural planning? / 7 1.3. Designing cultural planning policy roadmap / 10 1.4. Inspirations: overview of cultural planning policies and their theoretical background / 11 2. Organizing the process / 13 2.1. What should the roadmap help you achieve? / 13 2.2. Management and facilitation / 14 2.3. Mobilizing resources / 15 2.4. The role of leaders / 16 2.5. Communicate and engage / 17 3. Designing cultural planning policy / 20 3.1. Defining objectives and targets /20 3.2. Framing the implementation process / 21 3.3. Tools and resources applicable for each phase / 25 “A really helpful guide and clearly laid out – what more do you want? Cultural planning helps us to think, plan and act differently and focuses us all on what is distinctive and special about where we live. Going with the grain of a local culture helps us create better places” Charles Landry Author of the concept of the Creative City. POLICY ROADMAP 1. What is cultural planning? 1.1. Introducing a new approach to urban planning We are introducing a policy road map aiming to lead you through the process of cultural planning policy design from the very beginning up to the evaluation process.
    [Show full text]
  • Cultural Heritage and Identities of Europe's Future
    Deliverable 6.1 Date: 18th June 2019 CHIEF (Cultural Heritage and Identities of Europe’s Future) Grant Agreement no: 770464 WP: 6 Qualitative Research in Heritage Sites Deliverable: 6.1 Mapping Reports of Cultural Heritage Authors Croatia: Marko Mustapić, Benjamin Perasović, Dino Vukušić Georgia: Tamar Khoshtaria, Meagan Neal, Rati Shubladze, Kristina Vacharadze Germany: Christiane Stahl, Cornelia Sylla, Elina Marmer, Louis Henri Seukwa India: Shailendra Kharat, Suhas Palshikar, Rajeshwari Deshpande, Priya Gohad Latvia: Irēna Saleniece, Anita Stašulāne Slovakia: Attila Kovács, Dušan Deák Spain/Catalonia: Marta Rovira, Mariona Ferrer-Fons Turkey: Saim Buğra Kurban, Yıldırım Şentürk, Ayça Oral UK: Anton Popov, Eleni Stamou Editors Dušan Deák, Anita Stašulāne Version 1.1 Date 18th June 2019 Work Package 6 Deliverable 6.1 Dissemination level Public WP Leaders Dušan Deák, Anita Stašulāne Deliverable Date 30th April 2019 Document history Version Date Comments Modified by 1.0 18/06/2019 KM 1.1 18/06/2019 Amendment to authors names KM This project has received funding from the European Union's Horizon 2020 Research and Innovation programme under Grant Agreement No 770464. CHIEF: 770464 http://chiefproject.eu 1 Deliverable 6.1 Date: 18th June 2019 Contents Overview ....................................................................................................................................5 About CHIEF ........................................................................................................................5 Introduction ...........................................................................................................................6
    [Show full text]
  • MAPPING CULTURAL DIVERSITY Good Practices from Around the Globe
    MAPPING CULTURAL DIVERSITY Good PRactices fRom Around thE GLobE A Contribution to the Debate on the Implementation of the UNESCO Convention on the Diversity of Cultural Expressions Education | Sci E n c E | c u L t u R E | communication Mapping Cultural Diversity – Good Practices from Around the Globe A Contribution to the Debate on the Implementation of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions – A Project of the U40-Programme „Cultural Diversity 2030“ – Published by: German Commission for UNESCO (DUK) Asia-Europe Foundation (ASEF) Colmantstr. 15, 53115 Bonn, Germany 31 Heng Mui Keng Terrace Tel. +49 (0) 228 6 04 97-0 Singapore 119595 Fax: +49 (0) 228 6 04 97-30 Tel. +65 6874 9700 [email protected] Fax: +65 6872 1135 www.unesco.de [email protected] www.asef.org Editors: Anupama Sekhar (ASEF) Anna Steinkamp (DUK) The editors reserve the right to select contributions and photos for inclusion in the publication and to edit the contributions submitted. Contributions by authors do not always reflect the opinion of the editors. Design: MediaCompany – Agentur für Kommunikation GmbH, Bonn, Germany Printing: Medienhaus Plump, Rheinbreitbach, Germany Print run: 2 000 Download from www.unesco.de and www.asef.org All rights reserved © German Commission for UNESCO / Asia-Europe Foundation, November 2010 Photos front cover: Amuneri Kuikuro filming the Kuikuro indigenous people watching a projection of old movies about their own ethnicity XIV Edition of the Biennale of Young Artists from Europe and the Mediterranean, Skopje, FYROM, 2009 Reconstruction of cultural facilities in Manyikeni, Mozambique: Students visiting the archaeological site WOMEX 2009 Audience Photo back cover: Living Culture, Teia 2010, Ponto de Cultura Floresta Criativa – Tambores da Floresta, São Luiz, Brazil Bibliographic Data of the German National Library The German Library registers this publication in the German National Bibliography.
    [Show full text]