Current Issues in European Cultural Studies.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Current Issues in European Cultural Studies.Pdf Paper from the Conference “Current Issues in European Cultural Studies”, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS) in Norrköping 15-17 June 2011. Conference Proceedings published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=062. © The Author. Current Issues in European Cultural Studies June 15–17, Norrköping, Sweden 2011 Editor Martin Fredriksson i Copyright The publishers will keep this document online on the Internet – or its possible replacement –from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for non-commercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping Electronic Conference Proceedings, 62 ISSN 1650-3740 (online) ISSN 1650-3686 (print) ISBN: 978-91-7519-993-1 Linköping University Electronic Press Linköping, Sweden, 2011 http://www.ep.liu.se/ecp_home/index.en.aspx?issue=062 © 2011, The Authors ii Table of Contents Plenary- and Spotlight Sessions Current Issues in European Cultural Studies: Introduction to the Proceedings of the 2011 ACSIS Conference in Norrköping, 15–17 June 2011 Johan Fornäs .......................................................................................................................... 11 Cosmopolitan Issues: Knowledge and Mobilities in a World of Borders – Panel Introduction Brett Neilsson ......................................................................................................................... 15 Nature as a Cultural Resource Gernot Böhme ........................................................................................................................ 19 Cultural Studies and Sociology of Culture in German Speaking Countries: Relations and Interrelations Udo Göttlich ........................................................................................................................... 27 Cultural Studies in Portugal: The Present Scenario Sofia Sampaio ......................................................................................................................... 35 Notes on Cultural Studies, History and Cosmopolitanism in UK Mica Nava .............................................................................................................................. 41 Parallel sessions Contemporary Families: Representations and Negotiations Kinship on TV Birgitta Frello ........................................................................................................................ 49 Contemporary Kurdish Families in Finland: Traditional, Modern or Something Else? Anne Häkkinen ....................................................................................................................... 55 Crafting Knowledge Crafting Knowledge? Anneli Palmsköld & Johanna Rosenqvist .............................................................................. 65 KONSTHANTVERK: Crafted Vernacular –A Practice Based Research through Craft Frida Hållander ..................................................................................................................... 73 Design, Craft and Culture – Some Remarks on Production of Textile Craft in the Companies Vävkompaniet and Designbrenner Viveka Berggren-Torell & Eva Knuts .................................................................................... 81 Knowledge is the Answer. What is the Question? Andreas Nobel ........................................................................................................................ 95 Cloth, Community and Culture, Växbo Lin David Goldsmith .................................................................................................................... 99 Cultural Studies of/in the Republic of Turkey: Issues and Dynamics at Work Cultural Studies in Turkey: The State of the Art Gönül Pultar ........................................................................................................................... 117 iii Culture in Use: Nation and Region Building in the Time of Late Modernity Memory of the Past and Memory for the Future: History on the Crossroads of Nation-Building Yuliya Yurchuch ..................................................................................................................... 133 The Role of Culture in Creation of Regional and a Common European Cultural Identity – Istrian Case Study Nataša Urošević ..................................................................................................................... 147 People from Under the Lone Oak: Using Culture for Constructing Identity in Local Livs’ Community Alexandra Wierucka ............................................................................................................... 159 Current Trends and Issues in European Museum Research Comparing the Role of Complex Cultural Institutions: Negotiating Museums Peter Aronsson ....................................................................................................................... 171 Samdok – Documenting and Networking the Nation as it Evolves Bodil Axelsson ........................................................................................................................ 175 The Muse of the Museum: An Allegoric Story of a Non Existent Photography Museum in Turkey Ebru Surek .............................................................................................................................. 183 The Museum of the Landscape of Catalonia: Reflection about the Human Experience in the Landscape Ester Noguer Juncà ................................................................................................................ 189 Contested Cultural Heritage – Contested Space. Discourses on the Museum Landscape in the Danish-German Border Region Florian Greβhake ................................................................................................................... 197 Museum Education in the Making of the Region Scania Katja Lindqvist ....................................................................................................................... 203 Thinking about Audience and Agency in the Museum: Models from Historical Rresearch Kate Hill ................................................................................................................................. 217 Challenges for the Construction of Museum Territories Inês Ferreira & Alice Semedo ................................................................................................ 223 Museums, Communities and Societal Development Juan Azcárate & Berit Balfors ............................................................................................... 243 Narrating Identity by Means of Exhibition Techniques. Making Museum Visitors stumble upon the “Self” and the “Other” Susanne Phillipps ................................................................................................................... 251 Real Life Stories in Everyday Objects Harriet Purkis ........................................................................................................................ 265 Nomadising Sami Collections Eva Silvén ............................................................................................................................... 271 Vernacular Gifts: Crafting Nordic Spaces in Scandinavian Museums in the United States Lizette Gradén ........................................................................................................................ 277 iv Darker Visions of European Identity War Booty as Identity Markers in 17th Century Sweden: Archives and Libraries Emma Hagström Molin .......................................................................................................... 287 Swedish Ethnologists and Folklorists and Nazi Race Politics Petra Garberding ................................................................................................................... 293 European Nationalism(s): A Popular Cultural Inspection Commodification of Nationalist Imagery: Fetishes of Everyday Life Aylin Kuryel ............................................................................................................................ 305 Aesthetics and Fantasy of Kemalist Nationalism in New Media Ivo Furman & Can Sungu ...................................................................................................... 313 Feminist Cultural Studies “After all, she belongs to the family” Janne Bromseth ...................................................................................................................... 333 The Gendered Bottle: Meaning-Making in Luxury Packaging Magdalena Petersson McIntyre ............................................................................................
Recommended publications
  • Understanding the Value of Arts & Culture | the AHRC Cultural Value
    Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8.
    [Show full text]
  • Programa-1820-2020-Web.Pdf
    1820 PROGRAMA DAS COMEMORAÇÕES REVOLUÇÃO LIBERAL DO PORTO FEVEREIRO—DEZEMBRO 2020 Há 200 anos, a 24 de agosto de 1820, eclodiu no Porto a Revolução Liberal, constituindo-se a Junta Provisional do Governo Supremo do Reino. Em poucas semanas, a revolução portuense conquistou o país e ajudou a fundar o Portugal Moderno. O Município do Porto, em colaboração com outras entidades, assinala esta data com uma vasta programação aberta à cidade: exposições, debates, concertos, conversas, percursos, sessões de cinema e visitas, integram esta programação que convoca a intervenção crítica e cívica dos cidadãos no contexto da nossa contemporaneidade. ÍNDICE EXPOSIÇÕES 5 . Exposições 1820. REVOLUÇÃO LIBERAL DO PORTO 6 . Congresso Internacional 20 FEVEREIRO—6 SETEMBRO 7 . Conferência Internacional CASA DO INFANTE | RUA DA ALFÂNDEGA, 10 8 . Colóquios A 24 de agosto de 1820 rebentou no Porto a Revolução 12 . Conversas Situadas Liberal, que iria pôr em marcha a criação de um regime 14 . Um Objeto e seus constitucional. Esta exposição aborda o primeiro ano Discursos por Semana deste processo, entre o pronunciamento militar do Porto e o regresso da Família Real do Brasil. 16 . Concertos TODOS OS PÚBLICOS | GRATUITO ORGANIZAÇÃO: 20 . Percursos terça-feira a domingo 10h—17h30 CMP | Departamento Municipal de Gestão Cultural 22 . Visitas Orientadas encerra aos feriados COMISSÁRIO: José Manuel Lopes Cordeiro [email protected] 23 . Lançamento de Livros (+351) 222 060 423 26 . Ciclo de Cinema Português 28 . Desfile A REVOLUÇÃO DE 24 DE AGOSTO DE 1820: 29 . Cronologia do Programa PRELÚDIO DO LIBERALISMO EM PORTUGAL 33 . Contactos 25 MARÇO— 24 SETEMBRO MUSEU MILITAR DO PORTO | RUA DO HEROÍSMO, 329 Há duzentos anos, um grupo de bravos e notáveis cidadãos do Porto dava o primeiro passo para o fim da influência inglesa e a decorrente monarquia liberal.
    [Show full text]
  • EMERGENT FORMS of LIFE: Anthropologies of Late Or Postmodernities
    Annu. Rev. Anthropol. 1999. 28:455–78 Copyright © 1999 by Annual Reviews. All rights reserved EMERGENT FORMS OF LIFE: Anthropologies of Late or Postmodernities Michael M.J. Fischer Science, Technology and Society Program, Massachusetts Institute of Technology, Cambridge, Massachusetts 02139; e-mail: [email protected] Key Words: social theory and ethnography, science institutions, film and cyberspace, reconstruction after social trauma n Abstract Anthropologies of late modernity (also called postmodernity, postindustrial society, knowledge society, or information society) provide a number of stimulating challenges for all levels of social, cultural, and psycho- logical theory, as well as for ethnographic and other genres of anthropological writing. Three key overlapping arenas of attention are the centrality of science and technology; decolonization, postcolonialism, and the reconstruction of so- cieties after social trauma; and the role of the new electronic and visual media. The most important challenges of contemporary ethnographic practice include more than merely (a) the techniques of multilocale or multisited ethnography for strategically accessing different points in broadly spread processes, (b) the techniques of multivocal or multiaudience-addressed texts for mapping and ac- knowledging with greater precision the situatedness of knowledge, (c) the re- working of traditional notions of comparative work for a world that is increas- ingly aware of difference, and (d) acknowledging that anthropological repre- sentations are interventions within a stream of representations, mediations, and unequally inflected discourses competing for hegemonic control. Of equal im- by HARVARD UNIVERSITY on 09/21/10. For personal use only. portance are the challenges of juxtaposing, complementing, or supplementing other genres of writing, working with historians, literary theorists, media critics, novelists, investigative or in-depth journalists, writers of insider accounts (e.g.
    [Show full text]
  • Cultural Mapping
    Cultural Planning in The City of L’viv: Cultural Mapping 1 Centre for Cultural Management European Cultural Foundation (ECF) P. O. Box 5620 Jan van Goyenkade 5 Lviv 79067 1075 HN Amsterdam Ukraine The Netherlands www.kultura.org.ua www.eurocult.org Copyright 2008 Centre for Cultural Management 2 Contents Section I I. Forward 4 II. Acknowledgements 7 Section II III. Executive Summary 8 Section III IV. Introduction 10 V.The L’viv Context 11 VI. Information Collection 11 VII. Participants 13 VIII. The Cultural Map of L’viv 14 IX. Key Issues 19 X. Recommendations/conclusions 20 Section IV XI. Appendices 21 3 Cultural Planning in The City of L’viv: Cultural Mapping I. Foreward L’viv has great cultural potential to work within Europe. Philipp Dietachmair When beginning an initiative such as this one, the first dilemma is identifying a place to start. Usually one chooses an arbitrary commencement point that makes sense within the context. Our starting point was based in our individual experience, the interests of our funder, the interests of our City officials and the current reality of L’viv’s cultural community. These constitute a lot of variables, and we can rest assured that all of the designers of the project did not bring to the task the same set of assumptions around these variables or the same set of motivations. In the hope that transparency can support more effective communication with you, the reader, we would like to take a moment to explore and explain a few issues that frame what we have done and might impact your appreciation of this report, of our process and of our recommendations.
    [Show full text]
  • Cultural Geography and Cultural Turn
    Cultural Dimensions and Politics under Globalized Conditions: Traditionalist orthodoxies vs. constructivist perspectives Benno Werlen (Jena) The so-called cultural turn has challenged the established research perspectives of both the humanities and human geography. One of its legacies is that not only in both areas of research cultural aspects are increasingly viewed as relevant for helping to analyze and explain human practices, but also political discourses are integrating the cultural dimension in a more direct way. However, under globalized conditions of local actions the cultural dimension of human practices is of growing significance, especially on the level of everyday life, as regards the interrelationship of local/regional traditions and actions across distance. The prospects of success of all kinds of fundamentalist discourses are rapidly increasing related to a decreasing availability of knowledge of different cultural worlds. Acquiring and expanding geographical cultural knowledge is becoming an even more important task than ever before in the constitution of images and representations of the world. To meet these challenges, it is important to deepen the understanding of the geographical (or spatial) dimension of the construction and reproduction of cultural realities, a process implied in social, economic, and political actions and in the transformation of nature by human actions. But to reach this goal, we need a critical and radical revision of the traditional geographical perspectives that are (curiously) drawn upon in late-modern cultural research. In my view, it is necessary to overcome the space-centered traditionalist orthodoxy and to take a step forward to an understanding of the constitution of cultural worlds and the formation of sociocultural matrices as also inherently spatial or geographical, whilst acknowledging that this kind of late-modern geography rests on constructivist grounds.
    [Show full text]
  • Cultural Mapping Findings
    Creative Together: A Cultural Plan for the City of Vaughan Cultural Mapping Findings Cultural mapping is a systematic approach to defining and recording a community’s cultural assets. In Ontario, municipalities having made commitments to building cultural mapping systems include Oakville, Hamilton, Vaughan and Durham Region. The City of Toronto has partnered with the Martin Prosperity Institute to establish Placing Creativity a group that brings together individuals from academic, government and community organizations to advance thinking and practice in cultural mapping. In August 2009, the Province of Ontario launched the Creative Community Prosperity Fund, a $9 million funding commitment with cultural mapping and municipal cultural planning forming key funding priorities. Cultural mapping as it is understood and practiced in Ontario has two dimensions – one tangible (or quantitative) the other intangible (or qualitative). 1. Resource Mapping – identifying and recording tangible cultural resources usually making use of Geographic Information Systems (GIS) tools and platforms; and, 2. Community Identity Mapping – exploring a community’s ‘intangible cultural resources’ – the unique stories and traditions that define a community’s identity and sense of place. 1. Cultural Resource Mapping Vaughan has established itself as a leading municipality nationally in entrenching a formal commitment to cultural mapping in the Official Plan. “Cultural mapping is a systematic approach to identifying and recording cultural resources. It can identify and record tangible cultural resources using GIS tools, but can also use community identity mapping to explore intangible cultural resources, such as unique histories, values, traditions and stories that combine to define a community’s identity and sense of place. Through multimedia enriched web-based maps, cultural mapping enhances access to information on local cultural resources for residents and visitors and provides a platform for marketing and promoting these resources.
    [Show full text]
  • The Socioanalysis of Culture: Rethinking the Cultural Turn
    I; . () Oc -nr _3: -t-1 () Ic I ;:::o;:::o b )> 0 0. m mm ~ ~~ r m- roz "'~ 0 • 0 m ~ z ~z " z 0-1 z ;:::o~ G) r)> ~C) m «· 5 THE SOCIOANALYSIS OF CULTURE: RETHINKING THE CULTURAL TURN - Perhaps the central concept in the humanities over the last several decades has been the concept of culture. Raymond Williams, who was as respon­ sible as anyone for the centrality of the term, once told an interviewer that he sometimes wished he had never heard the damn word. I know the I feeling. After looking around my office, a student once joked that every book in it had the word culture in its tide - an exaggeration, but not by much. Over the last fifteen years, the ostensibly innocuous phrase "cultural studies" has become a divisive slogan, celebrated or denounced for either rescuing or destroying the humanities. How did a term which was almost entirely the property of mainstream scholarship and ~onservative criticism in 1950 become the slogan of the left, the postrnodern, and the avant-garde in zooo? There is little doubt that the concept of culture was generally conservative at mid-century, tied to notions of consensus and organicism. As Warren Susman has argued, the "general and even popular 'discovery' of the concept of culture" in the 1930s "could and did have results far more conservative than radical, no matter what the intentions of those who originally championed some of the ideas and efforts." Why did this change?1 One answer is that it didn't change. A number of recent writers on the left have argued that, despite the intentions of those who champion cultural studies, the cultural turn continues to have conservative results, marking a ~- 76 CULTURE IN THE AGE OF THREE WORLDS THE SOCIOANALYSIS OF CULTURE 77 slide away from politics and an uncritical embrace of the market's own a.ry American thought.
    [Show full text]
  • Defining Cultural Mapping
    1 Appendix I: Cultural Mapping Summary Report Introduction Cultural mapping was an essential step in the development of the Niagara Culture Plan. The cultural mapping work undertaken during the Culture Plan process built on the strong mapping work completed by the Cultural Asset Mapping Working Group struck by the Niagara Region Culture Committee in 2006 to begin a systematic process of identifying cultural assets in Niagara. Niagara was one of the earliest municipalities in Ontario to commit to undertaking cultural mapping work. Cultural mapping is a defining feature and foundation of municipal cultural planning approaches to local and regional cultural development. Both cultural mapping and municipal cultural planning are priorities for the Province of Ontario as evidenced by the launch in August 2009 of the Creative Community Prosperity Fund, a $9 million funding commitment in which cultural mapping and municipal cultural planning are key funding priorities. Municipalities in Ontario join leading municipalities across Canada in embracing cultural mapping as an essential planning and economic development tool. In Ontario, municipalities building cultural mapping systems include Oakville, Hamilton, Vaughan and Durham Region. The City of Toronto has partnered with the Martin Prosperity Institute to establish Placing Creativity. The group brings together individuals from academic, government and community organizations to advance thinking and practice in cultural mapping. This report summarizes the process and findings of the cultural mapping work of the Culture Plan and sets out a series of potential next steps in further developing cultural mapping systems and capabilities in Niagara. Defining Cultural Mapping Types of Mapping Cultural mapping as it is being understood and implemented in Ontario has two dimensions - one tangible (or quantitative), the other intangible (or qualitative).
    [Show full text]
  • Shtetl by Marie Schumacher‐Brunhes
    Shtetl by Marie Schumacher‐Brunhes Serving as a site of memory of eastern European Judaism since its systematic extermination by the Nazi regime, the shtetl existed for centuries as a socio‐economic phenomenon and a socio‐cultural construct, out of which a literary and cultural topos grew in the second half of the 19th century. The complexity of this term, which emerged in multi‐ethnic Poland in the second half of the 17th century, lies in the difficulty in differentiating between mental perception and reality. These cities and town with populations predominantly consisting of Yiddish‐speaking Jews were never Jewish municipalities. Autonomous self‐administration by means of the so‐called "kahal" and membership of a dense Jewish network which over time even extended overseas should not be confused with political autonomy. However, in their daily lives the shtetl Jews had this double experience of living in an essentially Jewish world on the one hand, and of the relative acceptance of this situation by the surrounding population on the other hand. In this way, these provisioning islands, which were characterized by a high degree of interethnic contact, were mythologized as a bastion of Judaism – of the so‐called "yidishkeyt" – in the context of their increasing disintegration. TABLE OF CONTENTS 1. Shtetl 2. The Urban Phenomenon 3. Emergence: The Shtetl as the Result of an Alliance between the Jews and the Polish Nobility 4. The Shtetl in the 19th Century: Survival of an Outdated Model 5. Typical Features and Characteristics of Shtetl Culture 6. The Great Transformation after the First World War 7.
    [Show full text]
  • Descriptive Translation Studies and the Cultural Turn
    Descriptive Translation Studies and the Cultural Turn Dominic Castello Master of Arts in Applied Linguistics Module 5 Assignment November 2014 ELAL College of Arts & Law University of Birmingham Edgbaston Birmingham B15 2TT United Kingdom ITS/14/04 Discuss the changes undergone by Descriptive Translation Studies as a result of the influence of Cultural Studies in the late 1980s and early 1990s. 1 TABLE OF CONTENTS 1.0 Introduction 3 2.0 Translation before the cultural turn 3 2.1 Descriptive Translation Studies 4 2.2 The descriptive approach 4 3.0 Culture and translation 5 3.1 External influences on translation 5 3.2 Defining the cultural turn 6 4.0 New theories: translation as rewriting 7 4.1 The politics of translation: patronage and poetics 7 4.2 Post-colonial studies: a definition 9 4.2.1 The position of the translator in post-colonial studies 9 5.0 The contemporary landscape of translation 10 6.0 Conclusion 11 7.0 References 13 2 1.0 Introduction The study of translation has, for much of its history, been perceived as a subordinate art whose remit existed outside the scholarly domains of linguistics (Fozooni 2006). The narrow band of concerns that formed the conventional focus in the study of translation behaviour has typically related almost exclusively to the authenticity of a given translation – evaluations of faithfulness and of whether translations were ‘definitive’ (Bassnett and Lefevere 1990; Xie 2009; Dinçel 2012). However, the past three decades or so have seen a broadening of scope in translation research that has extended it well outside of its traditional realm.
    [Show full text]
  • A Cultural Approach to Economics
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Goldschmidt, Nils Article — Published Version A cultural approach to economics Intereconomics Suggested Citation: Goldschmidt, Nils (2006) : A cultural approach to economics, Intereconomics, ISSN 0020-5346, Springer, Heidelberg, Vol. 41, Iss. 4, pp. 176-182, http://dx.doi.org/10.1007/s10272-006-0188-1 This Version is available at: http://hdl.handle.net/10419/41914 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu DOI: 10.1007/s10272-006-0188-1 FORUM Culture and Economics The question of how far it is necessary to include cultural factors in the analysis of economic processes has become topical again in recent years. The fi rst contribution to this Forum introduces a cultural approach to economics.
    [Show full text]
  • Journal of Ukrainian Studies
    JOURNAL OF UKRAINIAN STUDIES Summer-Winter 1992 CONTRIBUTORS: GUEST EDITORS: Zenon E. Kohut Dushan Bednarsky laroslav Isaievych Zenon E. Kohut Mikhail Dmitriev Frank E. Sysyn Ihor SevCenko Antoni Mironowicz David A. Frick IpHHa BopoHHyK Shmuel Ettinger Frank E. Sysyn Serhii Plokhy Natalia Pylypiuk Peter Rolland Dushan Bednarsky Digitized by the Internet Archive in 2016 https://archive.org/details/journalofukraini1712cana JOURNAL OF UKRAINIAN STUDIES Volume 17, Numbers 1-2 Summer-Winter 1992 SPECIAL ISSUE EARLY MODERN UKRAINE GUEST EDITORS: CONTRIBUTORS: Dushan Bednarsky Zenon E. Kohut Zenon E. Kohut laroslav Isaievych Erank E. Sysyn Mikhail Dmitriev Ihor Sevcenko Antoni Mironowicz David A. Frick IpHHa BopoHuyK Shmuel Ettinger Frank E. Sysyn Serhii Plokhy Natalia Pylypiuk Peter Rolland Dushan Bednarsky EDITOR Zenon E. Kohut Editorial Board Marusia K. Petryshyn Danylo Husar Struk Frances A. Swyripa Frank E. Sysyn Maxim Tarnawsky The Journal of Ukrainian Studies is published semiannually in the summer and winter by the Canadian Institute of Ukrainian Studies, University of Alberta. Annual subscription rates are $16.50 ($1.05 GST inch) for individuals and $21.50 ($1.40 GST incl.) for libraries and institutions in Canada. Outside of Canada annual subscription rates are $15.00 for individuals and $20.00 for libraries and institutions. Subscribers outside of Canada should pay in US funds. Cheques and money orders are payable to the Journal of Ukrainian Studies. Please do not send cash. The Journal publishes articles on Ukrainian and Ukrainian-Canadian studies. It also publishes discussions, book reviews, and journalistic articles of a controversial or problem-oriented nature. Ideally, those wishing to submit articles should first send a letter of inquiry, with a brief abstract of the article to the editor at CIUS, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6K 2E8.
    [Show full text]