Wednesday, May 7, 2014

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Welcome to The Paley Center for Media You can discover the richness and diversity of the Paley Center’s unparalleled collection of nearly 150,000 television and radio programs and advertisements in several ways: Go to the Library Go to a Screening Join Us! Make a reservation at the front Visit one of our screening Become a Member for desk to use the library—the rooms to see today’s discounts on event tickets and gateway to selecting individual selections from the collection; more. Join at the front desk programs to watch or listen to. see schedule below. or at paleycenter.org Wednesday, May 7, 2014 IN THE SHEINBERG FAMILY EDUCATION ROOM: PUBLIC HOURS: Wednesday through Sunday noon to five pm. 12:30 Sex and the City: “The Baby Shower” Please turn off cell The girls attend a baby shower for their friend Laney, a former wild party girl phones during who is now a married woman who has settled down in the suburbs. Charlotte screenings. is outraged to learn that Laney may give her baby the secret name that IN THE BELL FAMILY Charlotte made up as a child, and she becomes even more upset when she GALLERY: considers that her dreams of marriage and motherhood may have passed her by. (1998; 30 minutes) L E N STECKLER: OBSERVATIONS “Old Dog, New Dicks” Charlotte is bewildered when she discovers that her new boyfriend is A multimedia showcase uncircumcised, but before she can think about dumping him, he tells her which includes director- that he has picked up on her discomfort and is actually going to go through illustrator-artist with a late-in-life bris. Viewer discretion advised. (1999; 30 minutes) Steckler’s photographic series The Visit, a 1961 chronicle of an Maude: “Maude Meets Florida” encounter between 1:30 Marilyn Monroe and Maude -- who has trouble keeping maids because she comes on too strong -- hires Florida Evans, who agrees to take the job on a trial basis for one week. Carl Sandburg. At the end of the week, Florida decides to quit because she can't cope with Maude's overzealous efforts to treat her like an equal. (1972; 25 minutes) Good Times: “Getting Up the Rent” Florida is shocked to discover that the rent money was spent on her appendectomy medical bills. The family scrambles to raise the rent money before they are thrown out of their home. Starring Esther Rolle, John Amos. (1974; 26 minutes) Lost: “Pilot” 2:25 The first episode of J.J. Abrams’ cryptic Survivor-like drama depicts the plane crash of the castaways and their subsequent struggle to adapt to their new tropical surroundings. Compounding their troubles: the existence of a huge white beast lurking in the underbrush. With Matthew Fox, Naveen Andrews, Terry O’Quinn. Evangeline Lily, Josh Holloway. (84 minutes; 2004) ABC Stage 67: The Kennedy Wit 3:45 Jack Paar hosts this tribute to JFK’s disarming wit. Includes home movies from the forties and audiotape of him urging John Jr. to stop tap-dancing while he is taping a speech. (1966; 60 minutes) .

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'James Cameron's Story of Science Fiction' – a Love Letter to the Genre

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LOST "Raised by Another" (YELLOW) 9/23/04

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Maital Sabban Make-Up Artist

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Media Kit 2010

Dallas Jessup Founder of the Million Girl Revolution Just Yell Fire Author Speaker Film Maker Youth Activist Media Kit 2010 Represented by Platform Strategy [email protected] 360.521.0347 www.justyellfire.com www.youngrevolutionarieswhorock.com Dallas Jessup Author Speaker Film Maker Youth Activist Creating & Empowering A Generation of Young Revolutionaries Dallas Jessup (17) knows how to change the world. She grew a community service project into the non-profit Just Yell Fire which has become a Million Girl Revolution across 45 countries. "YOUNG WONDER" - CNN As a 13 year old black belt martial artist, Dallas learned the frightening statistics that 1 in 4 girls will be sexually assaulted and that there are 114,000 attempted abductions each year in the United States alone. She set out to create a home movie to teach her schoolmates at Portland's St. Mary's Academy High School some street fighting techniques to defend themselves. The word spread that a young girl was putting together an important film and in sixty days Dallas had a volunteer professional crew of 30, 100 volunteer extras, celebrity cameos by Josh Holloway and Evangeline Lilly, and $600,000 in donated resources. Thus came about the 46 minute film, Just Yell Fire . It teaches girls how to literally fight back against predators and sexual assault. "IT'S ABOUT FIGHTING BACK" - Good Morning America Dallas put the film online for free download and raised the money to produce and ship free DVDs to girls without Internet access. The results? Nearly one million downloads in two years and multiple awards for the film including American Library Association Most Notable Video designation and Dallas was a Teen Choice Award nominee for her work.
LOST Fandom and Everyday Philosophy

"Accidental Intellectuals": LOST Fandom and Everyday Philosophy Author: Abigail Letak Persistent link: http://hdl.handle.net/2345/2615 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. ! ! ! ! ! ! ! ! ! ! This thesis is dedicated to everyone who has ever been obsessed with a television show. Everyone who knows that adrenaline rush you get when you just can’t stop watching. Here’s to finding yourself laughing and crying along with the characters. But most importantly, here’s to shows that give us a break from the day-to-day milieu and allow us to think about the profound, important questions of life. May many shows give us this opportunity as Lost has. Acknowledgements First and foremost I would like to thank my parents, Steve and Jody, for their love and support as I pursued my area of interest. Without them, I would not find myself where I am now. I would like to thank my advisor, Juliet Schor, for her immense help and patience as I embarked on combining my personal interests with my academic pursuits. Her guidance in methodology, searching the literature, and general theory proved invaluable to the completion of my project. I would like to thank everyone else who has provided support for me throughout the process of this project—my friends, my professors, and the Presidential Scholars Program. I’d like to thank Professor Susan Michalczyk for her unending support and for believing in me even before I embarked on my four years at Boston College, and for being the one to initially point me in the direction of sociology.
1 Paul Grainge Lost Logos: Channel 4 and the Branding of American Event

1 Paul Grainge Lost logos: Channel 4 and the branding of American event television In March 2007, the UK satellite television provider Sky unveiled a national media campaign carrying two banner statements: ‘Don’t Lose Lost’ and ‘Get Jack Back’. Appealing directly to the loyal audience of the imported American dramas Lost and 24 (Imagine Entertainment, 2001-) - both shown on Sky One having been poached from British terrestrial rivals Channel 4 and BBC 2 - the advertorial campaign was a defensive salvo in a dispute between Sky and Virgin Media over the latter’s decision to drop key Sky channels from its digital cable service. While cast in the business press as a struggle of will between corporate owners Rupert Murdoch and Richard Branson, the carriage dispute also revealed two different approaches to media marketing, Sky seeking leverage in the pay television market by enticing viewers through the acquisition of popular shows, Virgin Media seeking to emphasize the technological benefits of its cable package.1 The different priorities given to ‘content’ and ‘technology’ were duly emblazoned on the transit vans installing digital pay-television in British towns and cities. In a mobile public relations battle, Sky vehicles were adorned with characters from its flagship programmes (from the hapless face of Homer Simpson to the brooding cast of Lost) whilst Virgin’s fleet advertised broadband capacity as part of ‘the real deal’. Not for the first time, American television became linked to calculated branding strategies in the British media market, the whereabouts of the latest in ‘must-see’ viewing becoming, for Sky at least, both promotional tool and bargaining chip.