At Bangor, We Don't Do Run of the Mill
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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
ROBERT GERAINT GRUFFYDD Robert Geraint Gruffydd 1928–2015
ROBERT GERAINT GRUFFYDD Robert Geraint Gruffydd 1928–2015 GERAINT GRUFFYDD RESEARCHED IN EVERY PERIOD—the whole gamut—of Welsh literature, and he published important contributions on its com- plete panorama from the sixth to the twentieth century. He himself spe- cialised in two periods in particular—the medieval ‘Poets of the Princes’ and the Renaissance. But in tandem with that concentration, he was renowned for his unique mastery of detail in all other parts of the spec- trum. This, for many acquainted with his work, was his paramount excel- lence, and reflected the uniqueness of his career. Geraint Gruffydd was born on 9 June 1928 on a farm named Egryn in Tal-y-bont, Meirionnydd, the second child of Moses and Ceridwen Griffith. According to Peter Smith’sHouses of the Welsh Countryside (London, 1975), Egryn dated back to the fifteenth century. But its founda- tions were dated in David Williams’s Atlas of Cistercian Lands in Wales (Cardiff, 1990) as early as 1391. In the eighteenth century, the house had been something of a centre of culture in Meirionnydd where ‘the sound of harp music and interludes were played’, with ‘the drinking of mead and the singing of ancient song’, according to the scholar William Owen-Pughe who lived there. Owen- Pughe’s name in his time was among the most famous in Welsh culture. An important lexicographer, his dictionary left its influence heavily, even notoriously, on the development of nineteenth-century literature. And it is strangely coincidental that in the twentieth century, in his home, was born and bred for a while a major Welsh literary scholar, superior to him by far in his achievement, who too, for his first professional activity, had started his career as a lexicographer. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
The Height of Its Womanhood': Women and Genderin Welsh Nationalism, 1847-1945
'The height of its womanhood': Women and genderin Welsh nationalism, 1847-1945 Item Type text; Dissertation-Reproduction (electronic) Authors Kreider, Jodie Alysa Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 04:59:55 Link to Item http://hdl.handle.net/10150/280621 'THE HEIGHT OF ITS WOMANHOOD': WOMEN AND GENDER IN WELSH NATIONALISM, 1847-1945 by Jodie Alysa Kreider Copyright © Jodie Alysa Kreider 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partia' Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3145085 Copyright 2004 by Kreider, Jodie Alysa All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3145085 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. -
Download the Programme for the Xvith International Congress of Celtic Studies
Logo a chynllun y clawr Cynlluniwyd logo’r XVIeg Gyngres gan Tom Pollock, ac mae’n seiliedig ar Frigwrn Capel Garmon (tua 50CC-OC50) a ddarganfuwyd ym 1852 ger fferm Carreg Goedog, Capel Garmon, ger Llanrwst, Conwy. Ceir rhagor o wybodaeth ar wefan Sain Ffagan Amgueddfa Werin Cymru: https://amgueddfa.cymru/oes_haearn_athrawon/gwrthrychau/brigwrn_capel_garmon/?_ga=2.228244894.201309 1070.1562827471-35887991.1562827471 Cynlluniwyd y clawr gan Meilyr Lynch ar sail delweddau o Lawysgrif Bangor 1 (Archifau a Chasgliadau Arbennig Prifysgol Bangor) a luniwyd yn y cyfnod 1425−75. Mae’r testun yn nelwedd y clawr blaen yn cynnwys rhan agoriadol Pwyll y Pader o Ddull Hu Sant, cyfieithiad Cymraeg o De Quinque Septenis seu Septenariis Opusculum, gan Hu Sant (Hugo o St. Victor). Rhan o ramadeg barddol a geir ar y clawr ôl. Logo and cover design The XVIth Congress logo was designed by Tom Pollock and is based on the Capel Garmon Firedog (c. 50BC-AD50) which was discovered in 1852 near Carreg Goedog farm, Capel Garmon, near Llanrwst, Conwy. Further information will be found on the St Fagans National Museum of History wesite: https://museum.wales/iron_age_teachers/artefacts/capel_garmon_firedog/?_ga=2.228244894.2013091070.156282 7471-35887991.1562827471 The cover design, by Meilyr Lynch, is based on images from Bangor 1 Manuscript (Bangor University Archives and Special Collections) which was copied 1425−75. The text on the front cover is the opening part of Pwyll y Pader o Ddull Hu Sant, a Welsh translation of De Quinque Septenis seu Septenariis Opusculum (Hugo of St. Victor). The back-cover text comes from the Bangor 1 bardic grammar. -
Fellows Elected April 2019 Honorary Fellow
The Learned Society of Wales Cymdeithas Ddysgedig Cymru The University Registry Cofrestrfa’r Brifysgol King Edward VII Avenue Rhodfa’r Brenin Edward VII Cathays Park Parc Cathays Cardiff CF10 3NS Caerdydd CF10 3NS 029 2037 6971/6954 029 2037 6971/6954 [email protected] [email protected] www.learnedsociety.wales www.cymdeithasddysgedig.cymru To: All Fellows 8 May 2019 Dear Fellow Annual General Meeting, 22 May 2019 The Annual General Meeting of the Learned Society of Wales will be held in the Physiology A Lecture Theatre in the Sir Martin Evans Building, Cardiff University (located on Museum Avenue, Cardiff CF10 3AX), on Wednesday, 22 May 2019 at 3.45 p.m. Further information regarding the location can be found at: https://www.cardiff.ac.uk/visit/accessibility/cathays-park-campus/sir-martin-evans-building Please click on ‘University Maps’ on the right hand side of the page and search for ‘Sir Martin Evans Building’ in the list of locations again on the right hand side of the page. There will be a simultaneous translation service available during the meeting and Fellows are welcome to address the Annual General Meeting in either the English language or the Welsh language. During the meeting, newly-elected Fellows who are present (and any Founding Fellows and Fellows elected between 2011 and 2018 who have not yet been formally introduced) will be formally welcomed and introduced. Their names will be read out in turn and each will be greeted by the President and will sign the Roll of Fellows. It is important, therefore, that the list of Fellows present is accurate. -
New News, Future News the Challenges for Television News After Digital Switch-Over
New News, Future News The challenges for television news after Digital Switch-over An Ofcom discussion document Publication date: 26 June 2007 Foreword The prospects for television news in a fully digital era are a central element in any consideration of the future of public service broadcasting (PSB). News is regarded by viewers as the most important of all the PSB genres, and television remains by far the most used source of news for UK citizens. The role of news and information as part of the democratic process is long established, and its status is specifically underpinned in the Communications Act 2003. This report, New News, Future News, is one of a series of Ofcom studies focussing on individual topics identified in the PSB Review of 2004/05, and further discussed in the Digital PSB report of July 2006. The others are on the provision of children’s programmes and on the prospects for a Public Service Publisher. All three studies are linked to areas of particular PSB concern for the future, and set out a framework for policy consideration ahead of the next full PSB review. Other Ofcom work of relevance includes the review of Channel 4’s funding. It has not been the role of this report to come up with solutions, and no policy recommendations are put forward. Instead, the report examines the environment in which television news currently operates, and assesses how that may change in future (after digital switch-over and, in 2014, the expiry of current Channel 3 and Channel 5 licences) . It identifies particular issues that will need to be addressed and suggests some specific questions that may need to be answered. -
BCUHB Annual Report 2013
Betsi Cadwaladr University Local Health Board Annual Report and Accounts 2012/13 Betsi Cadwaladr University Health Board - Annual Report and Accounts 2012/13 1 Contents About the Health Board 4 Making it Better 31 Service User Experience 31 Achievements & Awards 5 Modernisation & Service Improvement 32 Principles of Remedy 33 Making it Safe 7 Welsh Language 34 Quality and Safety 7 Equality, Diversity & Human Rights 34 Keeping People Safe 9 Research and Learning 35 Keeping Information Safe 9 Monitoring Standards for Health Services 37 Ready for an Emergency 11 Public Health 37 Making it Work 12 Making it Sound 40 Our Workforce 12 Statement of Accountable Officer’s Caring for our Staff 13 Responsibilities 40 Engaging and Communicating with Staff 15 Governance and Quality Statement 40 Estates and Infrastructure 16 Risk Management 41 Our Board 41 Making it Happen 19 Directors’ Declarations of Interest 43 Performance & Financial Review 19 Primary Financial Statements and Notes 44 Our Environmental and Social Remuneration Report 49 Commitments 22 Auditors’ Report 56 Primary Care and Localities 26 Engagement and Consultation 28 Working with our Partners 29 Organisational Development 30 Welcome from the Chairman and Acting Chief Executive Welcome to the Annual Report for Betsi Cadwaladr University Health Board for 2012/13. The past year has been a challenging one for the Health Board as we seek to deliver improvements in the services and care we provide, whilst ensuring that they are safe and sustainable within the resources that we have available to us. Yet again we can report excellent achievements by our staff, and those who work in primary care. -
Minutes Pdf 391 Kb
THE COUNCIL Thursday, 10 December 2015 THE COUNCIL THURSDAY, 10 DECEMBER 2015 Present: Councillor Dilwyn Morgan (Chairman); Councillor Eric Merfyn Jones (Vice-chairman). Councillors: Stephen Churchman, Annwen Daniels, Anwen Davies, Lesley Day, Gwynfor Edwards, Dyfed Edwards, Elwyn Edwards, Thomas Ellis, Alan Jones Evans, Aled Evans, Gweno Glyn, Simon Glyn, Gwen Griffith, Selwyn Griffiths, Alwyn Gruffydd, Siân Gwenllian, Annwen Hughes, John Brynmor Hughes, Louise Hughes, Sian Wyn Hughes, Jason Humphreys, Peredur Jenkins, Aeron M.Jones, Aled Wyn Jones, Anne Lloyd Jones, Brian Jones, Charles W.Jones, Elin Walker Jones, John Wynn Jones, Linda Wyn Jones, Sion Wyn Jones, Eryl Jones-Williams, Beth Lawton, Dilwyn Lloyd, June Marshall, Dafydd Meurig, Linda Morgan, Dewi Owen, Michael Sol Owen, W.Roy Owen, William Tudor Owen, Nigel Pickavance, Peter Read, Caerwyn Roberts, Gareth A.Roberts, John Pughe Roberts, W.Gareth Roberts, Angela Russell, Dyfrig Siencyn, Mike Stevens, Glyn Thomas, Ioan Thomas, Hefin Underwood, Ann Williams, Elfed Williams, Gruffydd Williams, Hefin Williams, Owain Williams, R.H.Wyn Williams, Mandy Williams-Davies and Eurig Wyn. Officers present: Dilwyn Williams (Chief Executive), Iwan Trefor Jones (Corporate Director), Dafydd Edwards (Head of Finance Department), Geraint Owen (Head of Corporate Support Department), Iwan Evans (Head of Legal Services / Monitoring Officer), Aled Davies (Head of Adults, Health and Well-being Department), Gwyn Morris Jones, (Head of Highways and Municipal Department), Rhun ap Gareth (Senior Solicitor / Deputy Monitoring Officer), Gwenno Williams (Senior Operational Officer) Arwel E. Jones (Senior Manager – Democracy and Delivery) and Eirian Roberts (Member Support and Scrutiny Officer). Apologies: Councillors Craig ab Iago, Endaf Cooke, Trevor Edwards, Jean Forsyth, Chris Hughes, Dyfrig Jones, Mair Rowlands, Gareth Thomas, Eirwyn Williams, Gethin Glyn Williams and John Wyn Williams. -
Inspiring Patagonia
+ Philip Pullman Growing up in Ardudwy John Osmond Where stand the parties now Inspiring Gerald Holtham Time to be bold on the economy Ned Thomas Patagonia Cultural corridor to the east Sarah Jenkinson A forest the size of Wales Gareth Rees The PISA moral panic Virginia Isaac Small is still beautiful Mari Beynon Owen Wales at the Venice Biennale Trevor Fishlock Memories are made of this Peter Finch Joining a thousand literary flowers together Peter Stead The Burton global phenomenon www.iwa.org.uk | Summer 2011 | No. 44 | £10 The Institute of Welsh Affairs gratefully acknowledges funding support from the Joseph Rowntree Charitable Trust, the Esmée Fairbairn Foundation and the Waterloo Foundation. The following organisations are corporate members: Private Sector • Nuon Renewables • Cyngor Gwynedd Council • UWIC Business School • A4E • OCR Cymru • Cyngor Ynys Mon / Isle of • Wales Audit Office • ABACA Limited • Ove Arup & Partners Anglesey County Council • WLGA • Alchemy Wealth • Parker Plant Hire Ltd • Embassy of Ireland • WRAP Cymru Management Ltd • Peter Gill & Associates • Environment Agency Wales • Ystrad Mynach College • Arden Kitt Associates Ltd • PricewaterhouseCoopers • EVAD Trust • Association of Chartered • Princes Gate Spring Water • Fforwm Certified Accountants • RMG • Forestry Commission Voluntary Sector (ACCA) • Royal Mail Group Wales • Gower College Swansea • Age Cymru • Beaufort Research Ltd • RWE NPower Renewables • Harvard College Library • All Wales Ethnic Minority • British Gas • S A Brain & Co • Heritage Lottery Fund -
UWB Ann Review 2005
UWB Annual Review 2006:UWB Annual Review 2005 31/1/07 09:26 Page 1 ANNUAL REVIEW 2001 2002 2003 2004 2005-2006 2007 2008 2009 2010 University of Wales, Bangor UWB Annual Review 2006:UWB Annual Review 2005 31/1/07 09:26 Page 2 2 Annual Review 2005 - 2006 A word from the VICE-CHANCELLOR he period covered by this marks another very significant milestone “T annual review has been one of in our history. significant development, and we are now well positioned to move forward We have brought our academic schools against some very tough competition together by creating six new Colleges, from other universities within the UK which will become a focus for greater and internationally. collaboration in many areas, but especially research and teaching. Together, we have achieved a tremendous amount over the last year. One of the biggest challenges we face is Reflecting on some of these successes in relation to our estate. Our staff, students illustrates just how far we’ve travelled and visitors all expect high quality in such a short period of time. buildings in which to work and study, and we’re already well on the way towards Excellence is the overarching theme of making our facilities fit for the future. A our strategic plan, and we are investing number of ambitious developments are heavily to achieve our aims. By careful currently taking shape around the management we have improved the campus. Further developments are University’s financial position during the planned over the next few years as part last year and this has allowed us to of an ambitious Estates Strategy which invest in key areas. -
Máire Messenger Davies
A1 The Children’s Media Foundation The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2013 ©Lynn Whitaker for editorial material and selection © Individual authors and contributors for their contributions. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. ISBN 978-0-9575518-0-0 Paperback ISBN 978-0-9575518-1-7 E-Book Book design by Craig Taylor Cover illustration by Nick Mackie Opposite page illustration by Matthias Hoegg for Beakus The publisher wishes to acknowledge financial grant from The Writers’ Guild of Great Britain. CONTENTS INTRODUCTION 1 Editorial Lynn Whitaker 5 2 The Children’s Media Foundation Greg Childs 10 3 The Children’s Media Foundation: Year One Anna Home 14 INDUSTRY NEWS AND VIEWS 4 BBC Children’s Joe Godwin 19 5 Children’s Content on S4C Sioned Wyn Roberts 29 6 Turner Kids’ Entertainment Michael Carrington 35 7 Turner: A View from the Business End Peter Flamman 42 8 Kindle Entertainment Melanie Stokes 45 9 MA in Children’s Digital Media Production, University of Salford Beth Hewitt 52 10 Ukie: UK Interactive Entertainment Jo Twist 57 POLICY, REGULATION AND DEBATE 11 Representation and Rights: The Use of Children