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KINOPIS 26, 2002 KORICABECK26.Qxd 27-02-03 17:20 Page 1 KORICAFRONT26.qxd 27-02-03 17:09 Page 1 KINOPIS 26, 2002 CRNA, NO PREKRASNA (DOKUMENTAREN FILM, BLAGOJA RISTESKI, 2001g.) KORICABECK26.qxd 27-02-03 17:20 Page 1 31. DR@AVEN FESTIVAL NA NEPROFESIONALEN FILM - PRILEP 2002 50 GODINI OD PRVIOT MAKEDONSKI IGRAN FILM spisanie za istorijata, teorijata i kulturata na filmot i na drugite umetnosti KINOPIS Journal on the Film History, Theory and Culture and the Remaining Arts KINOPIS Revue de l'histoire, de la théorie et de la culture du cinéma et d'autres arts SODR@INA / CONTENTS / CONTENU - 50 godini od prviot makedonski igran film FROSINA / - 50 years of 6 the first Macedonian feature film FROSINA / 50 ans du premier film de fiction macédonien FROSSINA ISTORIJA / HISTORY / HISTOIRE Prilozi za istorijata na filmot vo Makedonija / Contributions on the Macedonian film history / Récits sur lhistoire du cinéma en Macédoine Marijan Cucui: Janaki Manaki voen dopisnik vo 1903? (novi fakti za 13 bra}ata Manaki) Marian Tutui: Janaki Manaki War Corespondent In 1903? (some new facts on the Manaki Brothers) Ianaki Manaki reporter de guerre en 1903? (Nouveaux faits sur les frères Manaki) PREDISTORIJA / PRE-HISTORY / PRÉHISTOIRE Donata Pezenti Kampawoni: Senkata 24 Donata Pesenti Campagnoni: The Shadow Lombre FILMOT VO BALKANSKIOT KULTUREN KONTEKST / THE FILM IN THE BALKAN CULTURAL CONTEXT / LE CINEMA DANS LE CONTEXTE CULTUREL BALKANIQUE Dejan Kosanovi}: Pregled na razvojot na kinematografskite dejnosti vo 29 Bosna i Hercegovina (1897 1945), vtor del Dejan Kosanovi}: Review On The Cinema Development in Bosnia and Herzegovina (1897-1945), part two Sommaire du développement de la cinématographie de Bosnie et Hércégovine (1897-1945), deuxième partie MAKEDONSKIOT FILM DENES / THE MACEDONIAN FILM TODAY / LE CINEMA MACEDONIEN AUJOURDHUI Petar Volnarovski: Trilogija kompleks celost (za dokumentarniot 56 filmski serijal CRNA, NO PREKRASNA na Blagoja Risteski-Platnar) Petar Volnarovski: Trilogy Complex Wholeness (on the documentary film serial BLACK, BUT BEAUTIFUL BY Blagoja Risteski- Platnar) Trilogie complexe totalité (sur le serial documentaire NOIR MAIS MAGNIFIQUE de Blagoya Risteski-Platnar) 1 03kinopis26-prvcopy.pmd 1 23-02-03, 10:26 Georgi Vasilevski: Isku{enijata na dokumentarniot film (za 64 dolgometra`niot dokumentaren film RADOST NA @IVOTOT na Svetozar Ristovski) Georgi Vasilevski: The Temptations Of The Documentary Film (on the long-length documentary JOY OF LIFE by Svetozar Ristovski) Les tentations du film documentaire (sur le film documentaire de longue durée LA JOIE DE VIVRE de Svetozar Ristovski) Petar Volnarovski: Dokumentarna simfonika (za dolgometra`niot 68 dokumentaren film RADOST NA @IVOTOT na Svetozar Ristovski) Petar Volnarovski: Documentary Symphonica (on the long-length documentary JOY OF LIFE by Svetozar Ristovski) Symphonie documentaire (sur le film documentaire de longue durée LA JOIE DE VIVRE de Svetozar Ristovski) Georgi Vasilevski: Filmot SUDIJATA kako povod (razgovor so @aneta 73 Vangeli) Georgi Vasilevski: The Film THE JUDGE As For Occasion (interview with Zhaneta Vangeli) Sur le film LE JUGE une occasion (entretien avec Zaneta Vangeli) PRETRAGI / RESEARCHES / RECHERCHES @arko Kujunxiski: Da se ubie ili da se samoubie? (komparativni 77 sogleduvawa na relacijata: Stradawata na mladiot Verter od Johan Volfgang Gete i RODENI UBIJCI na Oliver Stoun @arko Kujund`iski: Homicide or Suicide? (comparative analyses on the relations between the book The Sufferings Of Young Werther (Die Leiden Des Jungen Werthers) by Johann Wolfgang Goethe and the film NATURAL BORN KILLERS by Oliver Stone) Tuer ou se suicider ? (essais comparatif sur la relation des Souffrances du jeune Werther (Goethe) et les TIEURS DE NAISSANCE (Stoun) 23. INTERNACIONALEN FESTIVAL NA FILMSKATA KAMERA BRA]A MANAKI VO BITOLA / 23. INTERNATIONAL FILM CAMERA FESTIVAL MANAKI BROTHERS BITOLA / 23e FESTIVAL INTERNATIONAL DE LA CAMERA DE CINEMA FRERES MANAKI Miroslav ^epin~i}: Obnovena doverba ili potvrda na tradicijata 84 Miroslav ^epin~i]: Renewed Trust, Or Confirming The Tradition Conférence renouvelée ou affirmation da la tradition Petar Volnarovski: U{te eden festival 91 Petar Volnarovski: Just Another Festival Encore un festival Vladimir Q. Angelov: Filmski futuristi Tonino Deli Koli i Robi 95 Miler Vladimir Lj. Angelov: The Film Futurists Tonino Delli Colli and Robby Muller Les futuristes de cinéma Tonino Delli Colli et Robby Muller 2 03kinopis26-prvcopy.pmd 2 23-02-03, 10:26 IN MEMORIAM / IN MEMORIAM / IN MEMORIAM Kosta Krpa~: Ostanuvaat se}avawata (Nikola Nikica Lazarevski, 1931- 102 2002) Kosta Krpa~: The Memories Remain (Nikola Nikica Lazarevski, 1931- 2002) La mémoire reste (Nikola Nikica Lazarevski, 1931-2002) Miroslav ^epin~i}: Ottrgnata pozlata (Bili Vajlder, 1906-2002) 104 Miroslav ^epin~i]: Removed Gilt (Billy Wilder, 1906-2002) La dorure arrachée (Billy Wilder, 1906-2002) INICIJATIVI / INITIATIVES / INICIATIVES Boris Nonevski: Kinote~na programa vo Bitola 111 Boris Nonevski: A Cinematheque Film Program In Bitola Programme de cinémathèque à Bitola FESTIVALI FILMOVI / FESTIVALS FILMS / FESTIVALS FILMS Stojan Sinadinov: Zo{to ovoj svet e tolku ta`en?! (za 43. 117 Internacionalen filmski festival vo Solun) Stojan Sinadinov: Why Is This World So Sad?! (on the 43. International Film Festival in Thessaloniki) Pourquoi le monde est tellement triste?! (sur le 43e Festival international de cinéma à Thessalonique) Blagoja Kunovski: Prikazna za edna atipi~na Francuzinka (za filmot 123 NEOBI^NATA SUDBINA NA AMELI PULEN na @an Pjer @ene) Blagoja Kunovski: A Story For One Atypical French Girl (on the film LE FABOULEUX DESTIN DAMELIE POULAIN by Jean-Pierre Jeunet) Une histoire dune Française atypique (sur le film LE FABULEUX DESTIN DAMELIE POULIN de Jean-Pierre Jeunet) Stojan Sinadinov: Bol{evici i men{evici od idninata (za filmot 127 MALCINSKI IZVE[TAJ na Stiven Spilberg) Stojan Sinadinov: Bolsheviks and Mensheviks From The Future (on the film MINORITY REPORT by Steven Spielberg) Des bolcheviks et des mencheviks de lavenir (sur le film RAPPORT DE MINORITÉ de Stiven Spielberg) SREDBI / ENCOUNTERS / RENCONTRES 130 Bilge Emin: ^ovekot {to go sozdade poimot tipi~en turski film (intervju so turskiot re`iser Halit Refig) Bilge Emin: The Man Who Invented The Idea Of The Typical Turkish Film (interview with the Turkish film director Halit Refig) Lhomme qui a crée la notion du cinéma turc typique (entretien avec le metteur en scène turc Halit Refig) 3 03kinopis26-prvcopy.pmd 3 23-02-03, 10:26 Suzana Todorovska-Pavloska: Filmovite si gi prodavam, no ne i 136 sovesta filmaxii vo krugot (intervju so iranskiot re`iser Xafar Panahi) Suzana Todorovska-Pavloska: My Films Are For Sale, Not My Conscience The Filmmakers In The Circle (interview with the Iranian film director Jafar Panahi) Je vends mes films, mais pas ma conscience des cinéastes dans un cercle (entretien avec le metteur en scène Jafair Panahi) TELEVIZIJA / TELEVISION / TELEVISION Qubomir Kostovski: Alegorisko ~itawe na istorijata (za TV filmot 141 VAMPIRXIJA na Goran Tren~ovski) Ljubomir Kostovski: Allegorical Reading of the History (on the Goran Tren~ovskis TV film GHOUL QUEST) Un lire allégorique de lhistoire (sur le film de télévision LE TUEUR DE VAMPIRES de Goran Tren~ovski) @ivko Andrevski: Spoeni mediumi vidliv efekt (za belezite, 146 funkcijata i kvalitetot na televiziskiot zapis nastanat kako snimka na teatarska pretstava) @ivko Andrevski: Merged Media Visible Effect (on the characteristics, functions and quality of the TV film product made as a film-record of an actual theater play) Des médias liés un effet visible (sur les marques, la fonctionne et la qualité dun récit de télévision dérivé dune pièce de théâtre enregistrée). FOTOGRAFIJA / PHOTOGRAPHY / PHOTOGRAPHIE Bojan Ivanov: Za staroto i novoto (Fotomedija 2002) 149 Bojan Ivanov: Of The Old And New (Fotomedia 2002) Sur le vieux et le nouveau (Photomédia 2002). AMATERSKI FILM / AMATEUR FILM / LE CINEMA DAMATTEUR Ilindenka Petru{eva: Izvesen pogled (makedonskiot amaterski film 153 vo 2002 godina) Ilindenka Petrueva: A Certain View (on the Macedonian amateur film in 2002) Un point de vue (le cinéma macédonien damateur en 2002) NOVI TEHNI^KI MO@NOSTI / NEW TECHNICAL POSSIBILITIES / NOUVELLES POSSIBILITES TECHNIQUES Jordan Panovski: 24p nova era vo televizijata i filmot 157 Jordan Panovski: 24p A New TV & Film Era 24p une ère nouvelle de la télévision et du cinéma 4 03kinopis26-prvcopy.pmd 4 23-02-03, 10:26 KNIGI / BOOKS / LIVRES Jelena Lu`ina: Dolga prikazna za podvi`nite sliki (za knigata na 163 Georgi Vasilevski Istorija na filmot, kniga II) Jelena Lu`ina: Long Story On The Motion Pictures (about the Georgi Vasilevskis book History of the film, volume II) Une longue histoire des images animées (sur le livre de Georgi Vasilevski Histoire du cinéma, volume II) Bojan Ivanov: Kniga bez sodr`ina (za monografijata @ivko Janevski od 165 Vladimir Veli~kovski) Bojan Ivanov: A Book Without Content (about the @ivko Janevski monograph by Vladimir Veli~kovski) Un livre sans contenu (sur @ivko Janevski une monographie de Vladimir Veli~kovski) Pe~ateweto na ovoj broj go ovozmo`i Ministerstvo za kultura 5 03kinopis26-prvcopy.pmd 5 23-02-03, 10:26 GODINI 50 OD PRVIOT MAKEDONSKI IGRAN FILM • • Nova Makedonija, 10 maj 1951, broj 1974, str.2: Primeno e scenari- oto za na{iot prv umetni~ki film (Umetni~kiot sovet na Vardar film go razgleduva scenarioto Povesta za Frosina i sinot od Vlado Maleski). • • Nova Makedonija, 13 septemvri 1951, broj 2093, str. 3: Naskoro }e po~ne da se snima prviot makedonski umetni~ki film (potpi{an dogovo- rot so re`iserot Voislav Nanovi}. Na Zaj~ev rid kraj Skopje se podgotvuva ateljeto kade treba da se snimi najgolem del od filmot FROSINA). • • Nova Makedonija, 11 oktomvri 1951, broj 2124, str. 12: objaveni fragmenti od scenarioto za prviot makedonski igran film FROSINA. • • Nova Makedonija, 1 januari 1952, broj 2198, str. 10: Probni snimki od na{iot prv umetni~ki film Frosina i sinot. (fotosi od Marija Bo{- kova, Boris Beginov, Aco Jovanovski, Kiro ]orto{ev i Quba Arsova). • • Skopje, 5 januari 1952, filmsko atelje na Zaj~ev rid, 9 ~asot: pa|a prvata klapa, snimen e kadarot broj 299 od filmot FROSINA (Klime vo so- bata na Quba).
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