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Howard Hughes
Howard Hughes Howard Hughes September 24, 1905 Born Houston, Texas, USA April 5, 1976 (aged 70) Died Houston, Texas, USA Chairman, Hughes Aircraft; Occupation industrialist; aviator; engineer; film producer Net worth US$12.8 bn (1958 Forbes 400) Ella Rice (1925-1929) Spouse Terry Moore (1949-1976) Jean Peters (1957-1971) For the Welsh murderer, see Howard Hughes (murderer). Howard Robard Hughes, Jr. (September 24, 1905 – April 5, 1976) was, in his time, an aviator, engineer, industrialist, film producer and director, a palgrave, a playboy, an eccentric, and one of the wealthiest people in the world. He is famous for setting multiple, world air-speed records, building the Hughes H-1 Racer and H-4 Hercules airplanes, producing the movies Hell's Angels and The Outlaw, owning and expanding TWA, his enormous intellect[1], and for his debilitating eccentric behavior in later life. Early years Hughes was born in Houston, Texas, on 24 September or 24 December 1905. Hughes claimed his birthday was Christmas Eve, although some biographers debate his exact birth date, (according to NNDB.com, it was most likely "the more mundane date of September 24"[2] ). His parents were Allene Stone Gano Hughes (a descendant of Catherine of Valois, Dowager Queen of England, by second husband Owen Tudor) [3][4] and Howard R. Hughes, Sr., who patented the tri-cone roller bit, which 1 allowed rotary drilling for oil in previously inaccessible places. Howard R. Hughes, Sr. founded Hughes Tool Company in 1909 to commercialize this invention. Hughes grew up under the strong influence of his mother, who was obsessed with protecting her son from all germs and diseases. -
1 Periodismo De Metaficción. Infiernos Personales
PERIODISMO DE METAFICCIÓN. INFIERNOS PERSONALES: EL CASO DE MARTIN PADILLA. JEFFREY DARÍO RAMOS GONZÁLEZ Trabajo presentado para optar al título de Comunicador(a) social – Periodista. Director MIGUEL MENDOZA LUNA PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE COMUNICACIÓN Y LENGUAJE CARRERA DE COMUNICACIÓN SOCIAL BOGOTÁ D.C 2014 1 “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia”. Artículo 23: Reglamento Pontificia Universidad Javeriana 2 AGRADECIMIENTOS A mi mamá, quien me apoyó durante toda mi carrera, siendo más que un soporte económico. Es gracias a ella que este trabajo puede ser presentado. A Miguel Mendoza, quien no solo fue un asesor en los aspectos académicos, sino a nivel personal y se interesó desde el principio en la arriesgada propuesta. Gracias a las conversaciones mientras discutíamos con un café fue posible que un producto final que hiciera mérito a todo el trabajo anterior. A tantos amigos que aguantaron que iniciara todas las conversaciones hablando sobre mi proyecto y con paciencia aportaron y ayudaron a construir algunas de las reflexiones que se ven reflejadas más adelante. A la Pontificia Universidad Javeriana, pues sin el apoyo financiero que me da me sería imposible estar en estos momentos presentando un proyecto de grado. Gracias a la oportunidad que dan a jóvenes de bajos recursos es que puedo aspirar con este texto al título de Comunicador Social. -
Jeffrey Taylor Art Forgers and the Deconstruction of Genius
ISSN: 2511–7602 Journal for Art Market Studies 1 (2021) Jeffrey Taylor Art Forgers and the Deconstruction of Genius ABSTRACT ment at modern art and their incredulity at the system of attribution which sus- Since the art market’s inception, art for- tained its market. The mid-century would gery has been a constant presence. The contain no shortage of important forgery phenomenon derives from the market’s cases, but the topic did not become such prioritization of canonical masters. The significant fodder for popular culture art forger’s work often represents a resent- again until the explosion of Elmyr de Ho- ment by latter-day contemporary artists ry’s revelations in the late 1960s. In doing who often believe that their work deserves so, he launched the single greatest institu- equal praise and equal valuation to that tional critique of the genius artist and the of earlier master. A key role in the process system of expertise that controlled their of distinguishing fake from the authentic market. No one had yet achieved quite so would be played by the role of the expert. profound an attack on the art market’s One of the first public events to literally prioritization of geniuses and the opinion place the reigning connoisseurship sys- of experts. Duchamp, Warhol, and Hirst all tem on trial would be the Hahn v. Duveen mocked the art world, but Elmyr shook it lawsuit over two versions of a purported to its very foundations. His life represents Leonardo da Vinci. The trial captured the a Gesamtkunstwerk of artifice, and one general public’s attention, resulting in a that influenced multiple followers. -
Narcissistic Defenses and Alienation in the Life of Howard
NARCISSISTIC DEFENSES AND ALIENATION IN THE LIFE OF HOWARD HUGHES: A CASE STUDY Alida Sandison Submitted in fulfillment of the requirements for the degree Doctor of Philosophy Psychology in the Department of Psychology School of Behavioural Sciences Faculty of Health Sciences Nelson Mandela University April 2018 Promoter: Prof. L. Stroud i Declaration I, Alida Sandison (student number: 196083100) hereby declare that the thesis for Doctor in Philosophy: Psychology to be awarded is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. ………………………………….. Alida Sandison In accordance with Rule G5.6.3 5.6.3 A treatise/dissertation/thesis must be accompanied by a written declaration on the part of the candidate to the effect that it is his/her own work and that it has not previously been submitted for assessment to another University of for another qualification. However, material from publications by the candidate may be embodied in a treatise/dissertation/thesis. ii Dedication This study is dedicated to my mother. iii Acknowledgements I would like to express my gratitude and appreciation to: My friends, family and colleagues. Thank you for your unwavering support. Particular thanks to Andrea Hurst for walking across ley lines with Howard and me. To my promoter, Louise Stroud. Thank you for your encouragement and wisdom on this journey. iv Biography.com Editors. (2017). Howard Hughes photograph. Licenced under A&E Television Networks on Biography.com v Abstract Narcissism is a personality configuration which has both normal and pathological personality expressions. -
An Open Letter to Clifford Irving
Paris, 19.6.2009 ÊÊÊÊÊÊÊÊÊÊSubject: Clifford Irving Show ÊÊÊÊÊÊÊÊÊÊÊ ÊÊÊÊÊÊÊÊÊÊDear Clifford Irving, ÊÊÊÊÊÊÊÊÊÊNo matter how familiar Paris feels – and after all this time there are days in which its monotonous, elegant beige-stone skin fits like a 01/07 kid glove – I still always manage to lose my bearings in the coiled and cobbled inclines of Montmartre. Since I landed in this city fifteen years ago, I’ve lived alone in a cramped and dim illegal sublet a minute’s walk from the red-light district Pigalle. Despite my geographical proximity to the hilltop neighborhood just north of here, there was a time I never ventured further than my late-night tobacconist on the Boulevard de Clichy. I frequented that particular tobacconist because his is the nearest of three An Open Letter local shops to a pitiful, barren plinth that once hosted a statue of Charles Fourier (1772–1837).1 to Clifford Irving During the Nazi Occupation of France (1940–1944), poor, utopian Charles, like so many of his bronze compatriots, became bitter metallic grist for the war mill. ÊÊÊÊÊÊÊÊÊÊIn the past, the east–west axis of the boulevard incised a horizontal boundary on a mental map I had drawn of safe spaces and spaces where I could be at risk, much like the Seine River divides the Left and Right Banks. The hill to the north of the boulevard was off-limits. Christened the Mons Martyrum after the bishop of Paris Saint Denis was martyred there (ca. 275), legend has it the decapitated Saint Denis trekked two miles north with his head in his hands, accompanied by angels, to the site where his namesake church would be built. -
U.S. Department of Justice Federal Bureau of Investigation Washington
U.S. Department of Justice Federal Bureau of Investigation Washington, D.C. 20535 June 22, 2021 MR. JOHN GREENEWALD JR. SUITE 1203 27305 WEST LIVE OAK ROAD CASTAIC, CA 91384-4520 FOIPA Request No.: 1432458-000 Subject: DUMMAR, MELVIN Dear Mr. Greenewald: The enclosed documents were reviewed under the Freedom of Information/Privacy Acts (FOIPA), Title 5, United States Code, Section 552/552a. Below you will find check boxes under the appropriate statute headings which indicate the types of exemptions asserted to protect information which is exempt from disclosure. The appropriate exemptions are noted on the enclosed pages next to redacted information. In addition, a deleted page information sheet was inserted to indicate where pages were withheld entirely and identify which exemptions were applied. The checked exemption boxes used to withhold information are further explained in the enclosed Explanation of Exemptions. Section 552 Section 552a (b)(1) (b)(7)(A) (d)(5) (b)(2) (b)(7)(B) (j)(2) (b)(3) (b)(7)(C) (k)(1) (b)(7)(D) (k)(2) (b)(7)(E) (k)(3) (b)(7)(F) (k)(4) (b)(4) (b)(8) (k)(5) (b)(5) (b)(9) (k)(6) (b)(6) (k)(7) 11 pages were reviewed and 11 pages are being released. Please see the paragraphs below for relevant information specific to your request as well as the enclosed FBI FOIPA Addendum for standard responses applicable to all requests. Document(s) were located which originated with, or contained information concerning, other Government Agency (ies) [OGA]. This information has been referred to the OGA(s) for review and direct response to you. -
Welles Explores Truth in Deception NOVEMBER 20, 2015 2:04 AM0 COMMENTS by NICK SWAN
AiA Art News-service F is for Fake: Welles Explores Truth in Deception NOVEMBER 20, 2015 2:04 AM0 COMMENTS By NICK SWAN Orson Welles’ documentary F is for Fake is as much an exploration of one filmmaker’s idiosyncratic technique, as it is a philosophical debate about authenticity and expertise. COURTESY OF SPECIALTY FILMS Released in 1974, F is for Fake is Orson Welles’ last completed film — the culmination of an extensive and acclaimed career in artistic media.The beginning of Welles’ work actually existed not in film, but rather in theatre and radio. In 1937, Welles wrote a modern adaptation of and starred in William Shakespeare’s Julius Caesar. Although it premiered in an independent theatre, Caesar was soon moved to Broadway, where it ran until 1941. Welles burst onto the radio platform when, in 1938, he delivered the infamous “War of the Worlds” broadcast. Despite its notoriety for the panic and widespread hysteria that it caused, this broadcast additionally served to exemplify and draw attention to Welles’ skills in dramatic acting and oration His talent would make him a household name a few years after the zenith of Welles’ career, Citizen Kane. Widely regarded as one of the greatest works in the history of film, Citizen Kane depicts the life of the fictional Charles Foster Kane, played by Welles. His performance in this role is marked by moments of boisterous rhetoric as well as more nuanced scenes of passionate drama. Welles also directed and co- wrote Citizen Kane; The film’s revolutionary fast-paced editing and montage segments exhibit Welles’ unique cinematic vision and would influence not only his later work, but also the technique of many future directors. -
ENC 1145 Writing About Fraud
Kozak 1 ENC 1145 Writing About Fraud Anastasia Kozak Spring 2015, Section 7401 Class periods: MWF 6 (12:50 - 1:40 pm) Location: MAT 0105 Office hours: MW 5 (11:45 am -12:35 pm) in TUR 4412 Email: [email protected] Instructor’s home page: http://plaza.ufl.edu/kozak/ Canvas site for ENC 1145: https://lss.at.ufl.edu/ Course Overview Confidence tricks, counterfeiting, Ponzi schemes, identity theft – we are both fascinated and threated by fraud and its manifestations. Print culture, in particular, reflects our obsession with sensationalist cases of fraudulence across several genres: fiction, non-fiction, and journalism. In this course, students will read works of fiction about fraud as well as learn about real-life cases of literary fraud in which popular works of non-fiction were subsequently exposed as fictitious. These texts might include Patricia Highsmith’s The Talented Mr. Ripley, Arthur Conan Doyle’s Sherlock Holmes stories, Clifford Irving’s The Autobiography of Howard Hughes, and Binjamin Wilkomirski’s Fragments. In addition to analyzing and writing critically about the literature of fraud, students will get a chance to practice in several literary strategies that embrace fraud in creative and productive ways. Ultimately, we will attempt to answer the questions of how fraudulence shapes our worldviews; what is the difference between real-life and fictional fraud; and how our fascination with fraud is connected to the insecurities about our own authenticity and origins. Learning Outcomes The aim of the course is to help students acquire -
The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10Am-12:50Pm
The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10am-12:50pm D. Graham Burnett (History/History of Science) Princeton University hat is the relationship between art and falsehood? A significant tradition for W conceptualizing the arts has long defined their sphere by reference to doubling, fantasy, and betrayal: when we are in the realm of art, we have left the kingdom of the real—and our capacity for proper engagement depends to a considerable degree on our ability to maintain (or at least recover) an awareness of this fact. By these lights, the arts function as something like a safe house for lying, an Elysium for those good deceptions willing to declare themselves. But is all this correct? There are excellent reasons to think not. This course takes up the problem of truth and falsehood in the arts in a sustained way: we will sift the genealogy of current theoretical positions on this issue by means of close reading of classical and recent texts; we will investigate works of art (painting, sculpture, poetry, etc.) that engage these matters, with particular attention to gaming at the margins of the seemingly stable categories; we will weigh the political and critical implications of different postures in this large arena; and we will experiment with new perspectives and practices. WEEK 1: Introduction and Organizational Meeting (no reading) WEEK 2: Art and Truth: Confidence Games Herman Melville, The Confidence-Man; His Masquerade, [1857] (There are various suitable editions; I use the Library of America volume, which lumps this novella together with Pierre and various other things, but feel free to read it in any decent copy). -
Hughes' Radar a Twa First
VOL. 2, NO. 19 of TRANS WORLD AIRLINE MAY 9, 1947 HUGHES' RADAR A TWA FIRST Airline radar, long a misty prom ise, became a reality last week when Howard Hughes, flying a TWA DIVISION TOPS GOALS IN SALES MARATHON Constellation, unveiled to the na MIDWEST AND PH tion's press his newly developed radar safety device and announced GET 2 FIRSTS EACH that TWA will be the first airline Transcontinental division's Sales to use the ingenious instrument on Contests, which began Jan. 1, ended all its passenger planes. at midnight April 30 amid general Speaking to the nation's top avia jubilation over results. After a hard tion writers at his aircraft plant winter in which about exerything at Culver City, Calif., Hughes ex that could happen to an airline had plained for the first time his new happened to TWA, the whole divi radar development. sion buckled down to a selling job, faced with quotas, which, while "This radar instrument warns the tough to achieve, had been set on pilot (by a brilliant red light and a realistic basis. a warning horn) the instant the airplane comes too close to the As weather improved during ground or any building, bridge, spring, quotas were raised, but the mountain, aircraft, or other obstacle, hustling people of Traffic, Sales, regardless of darkness or weather and the Hundred Point Club met conditions. and passed them. Midwest Region took firsr place "1 believe this device will be of in Airfreight and Round-Trips, with great assistance in our efforts to top honors for Passenger Loadings eliminate the type of accident which going to Western Region. -
G*Ł5í'îi}Êù˘Iâ
556814bk CC2005 14/5/05 8:56 PM Page 8 Also available from Naxos … RIMSKY-KORSAKOV: Flight of the Bumble Bee ROSSINI: William Tell Overture SATIE: Gnossienne No.4 DELIBES: Flower Duet from Lakmé HAYDN: Piano Concerto No.11 (2nd movement) MOZART: Eine kleine Nachtmusik (Romance) MOMPOU: Cançons i danses No.6 HANDEL: Zadok the Priest BACH/GOUNOD: Ave Maria BEETHOVEN: Moonlight Sonata (1st movement) CHOPIN: ‘Raindrop’ Prelude BIZET: Habanera from Carmen JOHANN STRAUSS II: Wiener Blut HANDEL: Concerto Grosso Op.6, No.12 J. S. BACH: Piano Concerto No.5 (2nd movement) (Third movement) BRAHMS: Hungarian Dance No.5 BERNSTEIN: I Feel Pretty from West Side Story BEETHOVEN: Moonlight Sonata (1st movement) VAUGHAN WILLIAMS: Fantasia on a PUCCINI: Nessun dorma from Turandot Theme of Thomas Tallis (excerpt) CHOPIN: Ballade No.1 in G minor WAGNER: Bridal Chorus from Lohengrin MOZART: Der Hölle Rache from Die Zauberflöte TCHAIKOVSKY: 1812 Overture MOZART: Piano Sonata No.11 (1st movement) 8.556813 8.556696 556814bk CC2005 14/5/05 8:55 PM Page 2 ”He doesn’t care if you’re naughty or nice” “In search of wine. In search of women. In search of themselves.” 1 BAD SANTA @ SIDEWAYS Director: Terry Zwigoff Director: Alexander Payne Cast: Billy Bob Thornton (Willy), Tony Cox (Marcus), Brett Kelly (The Kid), Lauren Graham Cast: Paul Giamatti (Miles Raymond), Thomas Haden Church (Jack), Virginia Madsen (Maya), (Sue), Lauten Thom (Lois), Bernie Mac (Gin). Sandra Oh (Stephanie), Marylouise Burke (Miles’ Mother), Jessica Hecht (Victoria), Missi Doty Story: A down-on-his luck conman and his pint-size buddy go on the road as Santa and his (Cammi), M. -
Of Art Forger Elmyr De Hory: His Portraiture on Ibiza
THE SECRET WORLD OF ART FORGER ELMYR DE HORY: HIS PORTRAITURE ON IBIZA Hillstrom Museum of Art THE SECRET WORLD OF ART FORGER ELMYR DE HORY: HIS PORTRAITURE ON IBIZA February 17 through April 19, 2020 LEFT Hillstrom Museum of Art Elmyr de Hory (1906–1976) Portrait of Mark Forgy, (detail) c.1973 Oil on canvas, 36 x 28 inches Collection of Mark Forgy See details on page 9. ON THE COVER Elmyr de Hory (1906–1976) Portrait of English Actor Peter McEnery (detail), c.1971 Oil on canvas, 23 ½ x 17 inches gustavus.edu/finearts/hillstrom Events are free and open to the public. Collection of Mark Forgy Regular Museum hours: 9 a.m.–4 p.m. weekdays, 1–5 p.m. weekends. See details on page 11. To be placed on the Museum’s email list, write to [email protected]. THE SECRET WORLD OF ART FORGER ELMYR DE HORY: DIRECTOR’S NOTES he exploits of numerous infamous art forgers have been widely recounted, and one of the most fascinating and notorious cases is that of Hungarian-born artist Elmyr de Hory (1906–1976). T It was almost by accident, and related to his penurious circumstances following World War II, that de Hory began offering works he had created in the style of other artists as genuine works by them. A wealthy acquaintance visiting his Paris studio in 1946 noted a drawing he had made in the manner of Pablo Picasso (1881–1973) and offered to buy it. De Hory sold it to her knowing she believed it to be a Picasso.