DOCSLIB.ORG

An Exposition of Abuses in Church and State, Remarked That George IV

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Exposition of Abuses in Church and State, Remarked That George IV The Prince of Pleasure Life during the reign of George IV (1820–1830) In 1820, The Black Book: an exposition of abuses in church and state, remarked that George IV ‘always appeared to us nothing more than a man of pleasure, whom the accident of birth had made a king’. As Prince of Wales, George was notorious as a fashionable man, who indulged his passions for gambling, alcohol, and sex. When the Prince turned 21, in 1783, George III discharged his son’s debts and provided Above: Images of George IV and Mary Robinson, who later wrote about her relationship that ‘However flattering it might have money for furnishing a household at Carlton been to female vanity to know that the most admired and most accomplished Prince in Europe was devotedly attached to me; however dangerous to the heart such idolatry as his Royal Highness, during many months, professed in almost daily letters, which House. George went on to spend lavishly were conveyed to me by Lord Malden, still I declined any interview with his Royal Highness. I was not insensible to all his powers of attraction; I thought him one of the most amiable of men. There was a beautiful ingenuousness in his language, a warm and renovating Windsor Castle and enthusiastic adoration, expressed in every letter, which interested and charmed me’ in Memoirs of Mary Robinson: ‘Perdita’ by Mary Robinson and J Fitzgerald Molloy (1894). Central Store DA538.A35 building the Royal Pavilion at Below: A letter from E. Napean, Horse George was a particular fan of the theatre. Guards [London], expressing the Prince Brighton as a seaside retreat. of Wales’s concerns about the indiscreet After meeting the actress Mary Robinson in 1779, behaviour of a man who was formerly In January 1821, Lady Frances the hairdresser of Mrs FitzHerbert, and Bentinck described the the two became lovers. Mary was famous for her asking whether he ought to be sent out role as Perdita in The Winter’s Tale and George of the Pavilion as ‘the offspring of a country; 16 described himself as Florizel, her princely suitor. December Marriage between a Mosque 1794. He set up an establishment for Mary but finished Portland Above: Political satirist John Doyle mocked George IV’s (Welbeck) economics in the cartoon ‘A Great Economist’ and a Pagoda’. the relationship abruptly in 1783. Mary was a Collection, from Political Sketches of John Doyle (HB) Pw F 7397 (c.1829). Special Collection, O/S X NC1479.D62.A4 talented poet, but found that her notoriety as the King’s mistress overshadowed her literary accomplishments. On 15 December 1785, George secretly married the Catholic Maria Fitzherbert, whom he had met at the opera the previous year. The marriage was forbidden under the Act of Succession and the Royal Marriages Act. He abandoned Maria when Parliament promised to write off his £600,000 debts in exchange for marrying Princess Caroline of Brunswick in 1795. However, the relationship later resumed and George’s Will dated 1796 specified that he should be buried wearing a portrait miniature of Maria, Above: Comments on the state of Royal expenditure in The Black Book: an Top: Blue Velvet Room, Carlton House; 1816. Private Collection exposition of abuses in church and state, courts of law, municipal corporations, Middle: The Banqueting Room, Royal Pavilion; 1824. Private Collection ‘the wife of my heart and soul’. and public companies: with a précis of the House of Commons, past, present, Bottom: The Grand Stair Case; Buckingham House; 1817. and to come, edited by John Wade. (London, 1820). Special Collection, DA 540.W2 Private Collection Designed by UoN Design 310226-MSC-B_3-PLEASURE_BOARD-GeorgianDelights-CMG-NOV19.indd 1 21/11/2019 16:06.
Load more

Recommended publications
  • English Radicalism and the Struggle for Reform
    English Radicalism and the Struggle for Reform The Library of Sir Geoffrey Bindman, QC. Part I. BERNARD QUARITCH LTD MMXX BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC 1 Churchill Place London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Front cover: from item 106 (Gillray) Rear cover: from item 281 (Peterloo Massacre) Opposite: from item 276 (‘Martial’) List 2020/1 Introduction My father qualified in medicine at Durham University in 1926 and practised in Gateshead on Tyne for the next 43 years – excluding 6 years absence on war service from 1939 to 1945. From his student days he had been an avid book collector. He formed relationships with antiquarian booksellers throughout the north of England. His interests were eclectic but focused on English literature of the 17th and 18th centuries. Several of my father’s books have survived in the present collection. During childhood I paid little attention to his books but in later years I too became a collector. During the war I was evacuated to the Lake District and my school in Keswick incorporated Greta Hall, where Coleridge lived with Robert Southey and his family. So from an early age the Lake Poets were a significant part of my life and a focus of my book collecting.
    [Show full text]
  • The Emergence of a Catholic Identity and the Need For
    THE EMERGENCE OF A CATHOLIC IDENTITY AND THE NEED FOR EDUCATIONAL AND SOCIAL PROVISION IN NINETEENTH CENTURY BRIGHTON SANDY KENNEDY UNIVERSITY OF LONDON INSTITUTE OF EDUCATION DECEMBER 2013 MY DECLARATION PLUS WORD COUNT I hereby declare that, except where explicit attribution is made, the work presented in this thesis is entirely my own. Word Count: 84,109 ABSTRACT The 1829 Act of Emancipation was designed to return to Catholics the full rights of citizenship which had been denied them for over two hundred years. In practice, Protestant mistrust and Establishment fears of a revival of popery continued unabated. Yet thirty years earlier, in Regency Brighton, the Catholic community although small seemed to have enjoyed an unprecedented degree of tolerance and acceptance. This thesis questions this apparent anomaly and asks whether in the century that followed, Catholics managed to unite across class and nationality divides and establish their own identity, or if they too were subsumed into the culture of the time, subject to the strict social and hierarchical ethos of the Victorian age. It explores the inevitable tension between 'principle' and 'pragmatism' in a town so heavily dependent upon preserving an image of relaxed and welcoming populism. This is a study of the changing demography of Brighton as the Catholic population expanded and schools and churches were built to meet their needs, mirroring the situation in the country as a whole. It explains the responsibilities of Catholics to themselves and to the wider community. It offers an in-depth analysis of educational provision in terms of the structure, administration and curriculum in the schools, as provided both by the growing number of religious orders and lay teachers engaged in the care and education of both the wealthy and the poor.
    [Show full text]
  • Simon Beattie
    Simon Beattie The 18th Century Books, manuscripts, music November 2012 FINANCING ENLIGHTENMENT 01. [ACADÉMIE DE DIJON.] Mémoire pour l’Académie des Sciences. [Dijon, c.1740.] Manuscript, small folio (285 × 200 mm), pp. 23, [1], stitched with blue silk in a single bifolium wrapper; edges a little dusty, slight fraying to upper cover and first leaf of text, stitching loose; old stamp ‘GG’ and ms inventory number to upper cover. £1300 The Dijon Academy was founded in 1725 by Hector- Bernard Pouffier, doyen of the Parlement de Bourgogne, and subsequently received a large endowment from Pouffier on his death in 1736. As a new foundation, removed from direct influence of church and state, it played an important part in fostering the Enlightenment project, and counted several eminent scholars among its early members, including the pioneering chemist Louis- Bernard Guyton de Morveau, historian and philosopher Charles de Brosses, and naturalists Georges-Louis Leclerc, Comte de Buffon and Bernard Germain, Comte de Lacépède. The Academy’s most enduring contribution to the Enlightenment, however, was in awarding a young Jean-Jacques Rousseau one of its annual prizes in 1750 for his essay Discours sur les sciences et les arts, in which he famously argued that the arts and sciences corrupt human morality. It was this essay which first found him fame as a philosopher and provided the germ for much of his later philosophy on the corruptive power of civilization. The present Mémoire has a good deal to say about the Academy prizes. It is a report, presumably drawn up on behalf of the governors or directors, which sought to clarify the terms of Pouffier’s will.
    [Show full text]
  • This Item Is Held in Loughborough University's Institutional Repository
    This item is held in Loughborough University’s Institutional Repository (https://dspace.lboro.ac.uk/) and was harvested from the British Library’s EThOS service (http://www.ethos.bl.uk/). It is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ CAROLINE CHISHOLM 1808-1877 ORDINARY WOMAN - EXTRAORDINARY LIFE IMPOSSIBLE CATEGORY by Carole Ann Walker A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University 2001 Supervisor: Dr. M. Pickering Department of Social Science © Carole Walker, 2001. ABSTRACT Caroline Chisholm Australia Nineteenth century emigration Nineteenth century women's history Philanthropy The purpose of this thesis is to look at the motivations behind the life and work of Caroline Chisholm, nee Jones, 1808-1877, and to ascertain why British historians have chosen to ignore her contribution to the nineteenth century emigration movement, while attending closely to such women as Nightingale for example. The Introduction to the thesis discusses the difficulties of writing a biography of a nineteenth century woman, who lived at the threshold of modernity, from the perspective of the twenty-first century, in the period identified as late modernity or postmodernity. The critical issues of writing a historical biography are explored. Chapter Two continues the debate in relation to the Sources, Methods and Problems that have been met with in writing the thesis. Chapters Three to Seven consider Chisholm's life and work in the more conventional narrative format, detailing where new evidence has been found.
    [Show full text]
  • Ann-Kathrin Deininger and Jasmin Leuchtenberg
    STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances
    [Show full text]
  • The Activity and Influence of the Established Church in England, C. 1800-1837
    The Activity and Influence of the Established Church in England, c. 1800-1837 Nicholas Andrew Dixon Pembroke College, Cambridge This dissertation is submitted for the degree of Doctor of Philosophy. November 2018 Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. Nicholas Dixon November 2018 ii Thesis Summary The Activity and Influence of the Established Church in England, c. 1800-1837 Nicholas Andrew Dixon Pembroke College, Cambridge This thesis examines the various ways in which the Church of England engaged with English politics and society from c. 1800 to 1837. Assessments of the early nineteenth-century Church of England remain coloured by a critique originating in radical anti-clerical polemics of the period and reinforced by the writings of the Tractarians and Élie Halévy. It is often assumed that, in consequence of social and political change, the influence of a complacent and reactionary church was irreparably eroded by 1830.
    [Show full text]
  • 8.Mod Eng.Geoiv.11.27.18X.Key
    Victorian England Week Eight Monday Nov 28, 2018 Institute for the Study of Western Civilization King George IV George Prince of Wales Aug 12, 1762 (St James Palace) June 26, 1830 (Windsor) Buried, St Georges Chapel Windsor King George IV, 1762-1830 1762 born first son to K Geo III & Queen Charlotte (15 children) 1783 age 21 gets own home: Carleton House (spends a fortune on it) 1783 meets and falls in love with widow Mrs. Maria Fitzherbert (RC) 1795 debts drowning him, K. Geo III offers money if he marries. 1795 Geo marries Princess Caroline of Brunswick dislikes her on sight. (said she smelled bad, Geo VERY fastidious, Caroline sloppy) 1796 Jan 7 birth of Princess Charlotte (d. 1817) 9 months aft wedding 1800 return of Mrs. Fitzherbert in life of the Prince of wales 1800 Napoleon triumphant takeover of French gov. "First Counsel" 1805 Battle of Trafalgar Adm Horatio Nelson killed at battle. 1810 War in Spain (Wellington) 1810-1811 final insanity of Geo III, Regents Bill in Parliament, 1814 defeat and abdication of Napoleon 1816 marriage of Princess Charlotte to Leopold of Saxe-Coburg 1817 death of Princess Charlotte and her baby. 1815-1820 exile abroad of Princess of Wales Caroline. 1820 death of Geo III, Caroline returns to Eng. War betw K & Q of Eng 1821 July coronation of K. Geo IV, Aug death of Queen Caroline. 1820-1830 reign of King George IV, death of K Geo IV 1830. There were many who did not mourn his passing. "The London Times opined, perhaps rather harshly, that "there never was an individual less regretted by his fellow low-creatures than this deceased King." Prince George’s personality and his interaction with siblings.
    [Show full text]
  • Bulletin XXI, 2
    German Historical Institute London Bulletin Bd. 21 1999 Nr. 2 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online- Publikationsplattform der Max Weber Stiftung – Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. REVIEW ARTICLES MAJOR BIOGRAPHIES OF MARGINAL FIGURES? by Andreas Fahrmeir SAUL DAVID, Prince of Pleasure: The Prince of Wales and the Making of the Regency (London: Little, Brown and Co., 1998), x + 484 pp. ISBN 0 316 64616 4. £22.50 E. A. SMITH, George IV, Yale English Monarchs (New Haven: Yale University Press, 1999), xiv, 306 pp. ISBN 0 300 0768 5 1. £25.00 BRUCE SEYMOUR, Lola Montez: A Life (New Haven: Yale University Press, 1998), x + 468 pp. ISBN 0 300 07439 5. £10.95 (paperback). ISBN 0 300 06347 4. £25.00 (hardback) THOMAS WEIDNER (ed.), Lola Montez oder eine Revolution in München (Eurasburg: Edition Minerva, 1998), 367 pp. ISBN 3 932353 23 4. DM 98.00. EUR 49.28 George IV and Lola Montez were people of very different rank. The moment George Augustus Frederick was born as the heir to the throne of Britain and Hanover it was clear that, unless death intervened prematurely, he would at least appear in many historical works.
    [Show full text]
  • Not So Sweet Caroline
    “judge what it was to have a drunken husband on one’s wedding day, and one who passed the greatest part of his bridal night under the grate, where he fell, and where i left him.” leslie carroll examines the malodorous mésalliance of caroline of brunswick and king george iv Not so sweet Caroline arris, i am not well, get me a princesses were deemed eligible, and most of glass of brandy,” the Prince of them were to be found amid the tiny German Wales said curtly. James Harris, duchies. “One damned German frau is as the Earl of Malmesbury, good as another,” George insisted, informing embarrassed for both Caroline and the his father “very abruptly” in August 1794 HPrince, diplomatically endeavoured to that he had “broken all connections with smooth things over. “Sir, had you not better Mrs Fitzherbert” and was ready to begin “a have a glass of water?” more creditable line of life” by marrying the “No,” the Prince replied, adding an oath Princess of Brunswick. presumably too crude for Malmesbury to That autumn the Earl of Malmesbury record in his diary. “I will go directly to the was dispatched to Brunswick, charged Queen.” George then turned on his heels and with escorting Caroline to England. His strode out of the room without another word. diary entry describes her “pretty face – not The astonished 26-year-old Caroline expressive of softness – her figure not graceful of Brunswick, first cousin to the Prince of – fine eyes – tolerable teeth, but going – Wales, inquired of Malmesbury (in French): fair hair and light eyebrows, good bust “My God! Is the Prince always like that? I – short, with what the French call épaules find him very fat and nothing as handsome impertinentes [broad shoulders]… Vastly as his picture.” happy with her future expectations…” The royal match, made first in haste and However, Malmesbury quickly realised then in Hanover, might just as well have that Caroline was thoroughly unsuited to begun in Hell.
    [Show full text]
  • Large Text Labels
    Large Text Labels George IV Art & Spectacle 1 Welcome to the Chambers Gallery The label text follows the order in which works are displayed in the gallery. Please ask a warden for assistance if you have any difficulty. 2 George IV (1762–1830) had a lifelong fascination with art and architecture and formed one of the greatest collections of paintings and decorative arts in Europe. The eldest child of George III and Queen Charlotte, George was clever and wilful, and railed against his parents’ authority. As a young man he became known for his mistresses, drinking and his dandyish clothes. Satirists issued prints which criticised his lifestyle, and his exploits were recounted with horror in newspapers. In 1811, when his father became unable to rule through mental illness, George was appointed Prince Regent. He became King on his father’s death in 1820. He was an unpopular monarch, whose lavish lifestyle was out of touch with a country suffering from economic hardship and political turmoil. 3 George’s collection of art furnished his residences, which themselves were masterpieces designed by leading architects. His carefully choreographed spectacles displayed the magnificence of monarchy, chief among them his coronation. George’s purchases remain some of the greatest works in the Royal Collection. His architectural vision created the palaces in London and Windsor still used today. William Heath, All the World’s a Stage, and one man in his time plays many parts, 1824 © Royal Pavilion & Museums, Brighton & Hove 4 Robert Seymour (1798–1836) The Great Joss and his Playthings c.1829 Etching with hand colouring Seymour’s satirical print was made at the end of George’s life to criticise his extravagant expenditure and love of ‘oriental’-style art and architecture.
    [Show full text]
  • Cardiff Corvey: Reading the Romantic Text 12
    CARDIFF CORVEY READING THE ROMANTIC TEXT Issue 12 (Summer 2004) Centre for Editorial and Intertextual Research Cardiff University Cardiff Corvey is available on the web @ www.cf.ac.uk/encap/corvey ISSN 47-5988 © 2004 Centre for Editorial and Intertextual Research Published by the Centre for Editorial and Intertextual Research, Cardiff University. Typeset in Adobe Garamond Pro / 2.5, using Adobe InDesign CS; images and illustrations prepared using Adobe Illustrator CS and Adobe PhotoShop CS; final output rendered with Ado- be Acrobat 6 Professional. Cardiff Corvey: Reading the Romantic Text is a fully peer-reviewed academic journal (as of Issue 5, November 2000), appearing online in Summer and Winter of each year. Based in Cardiff University’s Centre for Editorial and Intertextual Research, Cardiff Corvey provides a variety of information, including articles, bibliographical material, conference details, and sample texts. Editor: Anthony Mandal. Advisory Editors: Peter Garside (Chair, Cardiff); Jane Aaron (Glamorgan), Stephen Behrendt (Nebraska), Emma Clery (Sheffield Hallam), Ed Copeland (Pomona College), Caroline Franklin (Swansea), Isobel Grundy (Alberta), David Hewitt (Aberdeen), Claire Lamont (Newcastle), Robert Miles (Stirling), Rainer Schöwerling (Paderborn), Christopher Skelton-Foord (Durham), Kathryn Sutherland (Oxford). SUBMISSIONS This periodical is only as substantial as the material it contains: therefore, we more than welcome any contributions that members of the academic community might wish to make. Articles we would be most interested in publishing include those addressing Romantic literary studies with an especial slant on book history, textual and bibliographical studies, the literary marketplace and the publishing world, and so forth. Papers of 5–8,000 words should be submitted by the beginning of April or October in order to make the next issue, if accepted.
    [Show full text]
  • Past and Present 19/7/05 3:53 Pm Page I
    2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity,
    [Show full text]