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The Most Important Collection of Period Jewels to Be Offered at Christie's New York
For Immediate Release 20 March 2008 Contact: Sara Fox +1 212 636 2680 [email protected] THE MOST IMPORTANT COLLECTION OF PERIOD JEWELS TO BE OFFERED AT CHRISTIE’S NEW YORK Rare Jewels and Gemstones: The Eye of a Connoisseur 15 April 2008 New York — Christie’s is honored to announce the most spectacular and comprehensive collection of period jewels from the 17th century through modern day in the April 15th evening sale in New York, Rare Jewels and Gemstones: The Eye of a Connoisseur. With 115 lots, this extraordinary collection expects to realize record prices for historical jewels, iconic emblems of the Art Nouveau and Art Deco periods and also one of the most important pink diamonds ever to be offered for sale at auction. François Curiel, Christie’s Chairman of Jewellery, commented, "When I reflect upon all that I have seen during my 40-year Christie's career, both at auction and privately, this collection strikes me as unparalleled to virtually any other in the world for its provenance, breadth, size and rarity. Never before have I seen assembled together such a great number of quintessential jewels from the 17th and 18th centuries, all the way to the Art Nouveau and Art Deco periods, and into the 21st century. This unique ensemble represents a walk through some of history’s most prominent figures and their jewels." Empress Eugénie’s Brooch Leading the historically prominent works offered in this collection is a sensational antique diamond bow brooch, by François Kramer which was made for Empress Eugénie and later owned by the Astor family of New York (estimate: $4-6 million). -
Artists` Picture Rooms in Eighteenth-Century Bath
ARTISTS' PICTURE ROOMS IN EIGHTEENTH-CENTURY BATH Susan Legouix Sloman In May 1775 David Garrick described to Hannah More the sense of well being he experienced in Bath: 'I do this, & do that, & do Nothing, & I go here and go there and go nowhere-Such is ye life of Bath & such the Effects of this place upon me-I forget my Cares, & my large family in London, & Every thing ... '. 1 The visitor to Bath in the second half of the eighteenth century had very few decisions to make once he was safely installed in his lodgings. A well-established pattern of bathing, drinking spa water, worship, concert and theatre-going and balls meant that in the early and later parts of each day he was likely to be fully occupied. However he was free to decide how to spend the daylight hours between around lOam when the company generally left the Pump Room and 3pm when most people retired to their lodgings to dine. Contemporary diaries and journals suggest that favourite daytime pursuits included walking on the parades, carriage excursions, visiting libraries (which were usually also bookshops), milliners, toy shops, jewellers and artists' showrooms and of course, sitting for a portrait. At least 160 artists spent some time working in Bath in the eighteenth century,2 a statistic which indicates that sitting for a portrait was indeed one of the most popular activities. Although he did not specifically have Bath in mind, Thomas Bardwell noted in 1756, 'It is well known, that no Nation in the World delights so much in Face-painting, or gives so generous Encouragement to it as our own'.3 In 1760 the Bath writer Daniel Webb noted 'the extraordinary passion which the English have for portraits'.4 Andre Rouquet in his survey of The Present State of the Arts in England of 1755 described how 'Every portrait painter in England has a room to shew his pictures, separate from that in which he works. -
English Radicalism and the Struggle for Reform
English Radicalism and the Struggle for Reform The Library of Sir Geoffrey Bindman, QC. Part I. BERNARD QUARITCH LTD MMXX BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC 1 Churchill Place London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Front cover: from item 106 (Gillray) Rear cover: from item 281 (Peterloo Massacre) Opposite: from item 276 (‘Martial’) List 2020/1 Introduction My father qualified in medicine at Durham University in 1926 and practised in Gateshead on Tyne for the next 43 years – excluding 6 years absence on war service from 1939 to 1945. From his student days he had been an avid book collector. He formed relationships with antiquarian booksellers throughout the north of England. His interests were eclectic but focused on English literature of the 17th and 18th centuries. Several of my father’s books have survived in the present collection. During childhood I paid little attention to his books but in later years I too became a collector. During the war I was evacuated to the Lake District and my school in Keswick incorporated Greta Hall, where Coleridge lived with Robert Southey and his family. So from an early age the Lake Poets were a significant part of my life and a focus of my book collecting. -
The Emergence of a Catholic Identity and the Need For
THE EMERGENCE OF A CATHOLIC IDENTITY AND THE NEED FOR EDUCATIONAL AND SOCIAL PROVISION IN NINETEENTH CENTURY BRIGHTON SANDY KENNEDY UNIVERSITY OF LONDON INSTITUTE OF EDUCATION DECEMBER 2013 MY DECLARATION PLUS WORD COUNT I hereby declare that, except where explicit attribution is made, the work presented in this thesis is entirely my own. Word Count: 84,109 ABSTRACT The 1829 Act of Emancipation was designed to return to Catholics the full rights of citizenship which had been denied them for over two hundred years. In practice, Protestant mistrust and Establishment fears of a revival of popery continued unabated. Yet thirty years earlier, in Regency Brighton, the Catholic community although small seemed to have enjoyed an unprecedented degree of tolerance and acceptance. This thesis questions this apparent anomaly and asks whether in the century that followed, Catholics managed to unite across class and nationality divides and establish their own identity, or if they too were subsumed into the culture of the time, subject to the strict social and hierarchical ethos of the Victorian age. It explores the inevitable tension between 'principle' and 'pragmatism' in a town so heavily dependent upon preserving an image of relaxed and welcoming populism. This is a study of the changing demography of Brighton as the Catholic population expanded and schools and churches were built to meet their needs, mirroring the situation in the country as a whole. It explains the responsibilities of Catholics to themselves and to the wider community. It offers an in-depth analysis of educational provision in terms of the structure, administration and curriculum in the schools, as provided both by the growing number of religious orders and lay teachers engaged in the care and education of both the wealthy and the poor. -
Property from the Portland Collection at Christie's In
For Immediate Release Monday, 8 November 2010 Press Contact: Hannah Schmidt +44 (0) 207 389 2964 [email protected] Matthew Paton +44 (0) 207 389 2965 [email protected] PROPERTY FROM THE PORTLAND COLLECTION AT CHRISTIE’S IN NOVEMBER & DECEMBER Magnificent Jewels, Fabergé, Old Masters and Sculpture The Duchess of Portland in The Combat between Carnival and Lent by Pieter Brueghel II coronation robes, 1902 (Brussels 1564- 1637/8 Antwerp) © gettyimages: Hulton Archive Estimate: £2,000,000–3,000,000 London – Christie’s announce an historic opportunity for connoisseurs around the globe in late November and early December, when a magnificent selection of jewellery, Fabergé, old master paintings and sculpture will be offered from collections of the Dukes of Portland, in a series of auctions in London. 22 lots will be showcased in four auctions over two weeks: Russian Art on Tuesday 29 November; Jewels: The London Sale on Wednesday 1st December; Old Masters & 19th Century Art on Tuesday 7th and 500 Years: Decorative Arts Europe on Thursday 9th. Highlights are led by the re-appearance of The Combat between Carnival and Lent by Pieter Brueghel II (Brussels 1564-1637/8 Antwerp) (estimate: £2,000,000– 3,000,000), illustrated above, a sumptuous antique diamond and natural pearl brooch, with three drops, 1870 (estimate: £500,000-700,000) and an exceptionally rare terracotta bust of John Locke, 1755, by Michael Rysbrack (1694-1770) (estimate: £600,000-900,000). With estimates ranging from £4,000 to £3 million, Property from The Portland Collection is expected to realise in excess of £6 million. -
Simon Beattie
Simon Beattie The 18th Century Books, manuscripts, music November 2012 FINANCING ENLIGHTENMENT 01. [ACADÉMIE DE DIJON.] Mémoire pour l’Académie des Sciences. [Dijon, c.1740.] Manuscript, small folio (285 × 200 mm), pp. 23, [1], stitched with blue silk in a single bifolium wrapper; edges a little dusty, slight fraying to upper cover and first leaf of text, stitching loose; old stamp ‘GG’ and ms inventory number to upper cover. £1300 The Dijon Academy was founded in 1725 by Hector- Bernard Pouffier, doyen of the Parlement de Bourgogne, and subsequently received a large endowment from Pouffier on his death in 1736. As a new foundation, removed from direct influence of church and state, it played an important part in fostering the Enlightenment project, and counted several eminent scholars among its early members, including the pioneering chemist Louis- Bernard Guyton de Morveau, historian and philosopher Charles de Brosses, and naturalists Georges-Louis Leclerc, Comte de Buffon and Bernard Germain, Comte de Lacépède. The Academy’s most enduring contribution to the Enlightenment, however, was in awarding a young Jean-Jacques Rousseau one of its annual prizes in 1750 for his essay Discours sur les sciences et les arts, in which he famously argued that the arts and sciences corrupt human morality. It was this essay which first found him fame as a philosopher and provided the germ for much of his later philosophy on the corruptive power of civilization. The present Mémoire has a good deal to say about the Academy prizes. It is a report, presumably drawn up on behalf of the governors or directors, which sought to clarify the terms of Pouffier’s will. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
This Item Is Held in Loughborough University's Institutional Repository
This item is held in Loughborough University’s Institutional Repository (https://dspace.lboro.ac.uk/) and was harvested from the British Library’s EThOS service (http://www.ethos.bl.uk/). It is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ CAROLINE CHISHOLM 1808-1877 ORDINARY WOMAN - EXTRAORDINARY LIFE IMPOSSIBLE CATEGORY by Carole Ann Walker A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University 2001 Supervisor: Dr. M. Pickering Department of Social Science © Carole Walker, 2001. ABSTRACT Caroline Chisholm Australia Nineteenth century emigration Nineteenth century women's history Philanthropy The purpose of this thesis is to look at the motivations behind the life and work of Caroline Chisholm, nee Jones, 1808-1877, and to ascertain why British historians have chosen to ignore her contribution to the nineteenth century emigration movement, while attending closely to such women as Nightingale for example. The Introduction to the thesis discusses the difficulties of writing a biography of a nineteenth century woman, who lived at the threshold of modernity, from the perspective of the twenty-first century, in the period identified as late modernity or postmodernity. The critical issues of writing a historical biography are explored. Chapter Two continues the debate in relation to the Sources, Methods and Problems that have been met with in writing the thesis. Chapters Three to Seven consider Chisholm's life and work in the more conventional narrative format, detailing where new evidence has been found. -
Ann-Kathrin Deininger and Jasmin Leuchtenberg
STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances -
The 18Th Century Back in Fashion
the palace of veRsailles presents the 18th century back in fashion guide to the exhibition and the grand trianon 8 july – 9 OCTOBer organised with the Grand trianon floor plan the 18th century back in fashion couturiers and fashion designers at the grand trianon The Grand Trianon and the Musée Galliera, the fashion museum of the City of Paris, present in a poetic confrontation costumes from the 18th century and masterpieces of haute couture and fashion design from the 20th and 21st centuries. The 18th century with its floating dresses, its voluminous skirts, flounces and furbelows, its silhouettes of minor marquis in three-piece suits and its immense hairstyles have never ceased to inspire the world of haute couture. The Enlightenment, the age of French Europe according to the famous saying, continues to fascinate. The political and cultural prestige of France was at its highest, when wit, lightness and elegance metamorphosed into a veritable art of fine living. Since 1800, the fashion world has continued to refer back to the 18th century for both women’s and men’s clothing as well as for its textiles and accessories. Like mirrors reflecting each other, the garments exhibited, from haute couture to ready-to-wear, propose Self-guided architecture tour a modern reading of that extravagant century. Each designer adapts the period to his/her sensibility. Some a self-guided architectural tour takes you through the grand quote the 18th century shapes almost literally, while trianon’s most notable places at the same time as the "18th century others deconstruct them, expand their dimensions and back in fashion" exhibition. -
The 'Royal Court'
Kensington Palace: The Mantua For centuries there had been an understanding that clothes worn at court should be special and expensive. The high costs for dressing according to the strict codes served as an entry ticket to court in the 18th century. The ‘royal court’ Only the wealthy elite could afford the elaborate silk garments decorated with exquisite embroidery, delicate lace and precious jewellery. refers to the extended Courtiers also needed to have a number of these garments as not to household of a monarch offend the monarch, and to keep up with the rest of the glittering circle. Other courtiers, equally intent on attracting royal attention, could be and can include viciously critical of their competition at court. thousands of individuals. The court dress worn by women originated in the 1670s, at the court It was made up of lower of Louis XIV in Versailles. Known as grand habit or ‘stiff-bodied gown’, it comprised a heavily boned, pointed bodice with off-the-shoulder status royal servants and neckline and short sleeves, a hooped skirt and a train (Image 1). high ranking ‘courtiers’, In England, this heavy and uncomfortable costume was only worn at the most special occasions such as royal weddings. By the early 18th century, ladies- and gentlemen-in- the grand habit evolved into the mantua and petticoat, which continued waiting who served the to be worn at court right up until Queen Charlotte’s death in 1818 - long after it became unfashionable in wider society. king and queen. The formal mantua started as a loose gown opened at the front with a decorated stomacher that covered the centre front of the bodice. -
The Activity and Influence of the Established Church in England, C. 1800-1837
The Activity and Influence of the Established Church in England, c. 1800-1837 Nicholas Andrew Dixon Pembroke College, Cambridge This dissertation is submitted for the degree of Doctor of Philosophy. November 2018 Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. Nicholas Dixon November 2018 ii Thesis Summary The Activity and Influence of the Established Church in England, c. 1800-1837 Nicholas Andrew Dixon Pembroke College, Cambridge This thesis examines the various ways in which the Church of England engaged with English politics and society from c. 1800 to 1837. Assessments of the early nineteenth-century Church of England remain coloured by a critique originating in radical anti-clerical polemics of the period and reinforced by the writings of the Tractarians and Élie Halévy. It is often assumed that, in consequence of social and political change, the influence of a complacent and reactionary church was irreparably eroded by 1830.