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Klsp2018iema Broschuere.Indd
KLANGSPUREN SCHWAZ INTERNATIONAL ENSEMBLE MODERN ACADEMY IN TIROL. REBECCA SAUNDERS COMPOSER IN RESIDENCE. 15TH EDITION 29.08. – 09.09.2018 KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY 2018 KLANGSPUREN SCHWAZ is celebrating its 25th anniversary in 2018. The annual Tyrolean festival of contemporary music provides a stage for performances, encounters, and for the exploration and exchange of new musical ideas. With a different thematic focus each year, KLANGSPUREN aims to present a survey of the fascinating, diverse panorama that the music of our time boasts. KLANGSPUREN values open discourse, participation, and partnership and actively seeks encounters with locals as well as visitors from abroad. The entire beautiful region of Tyrol unfolds as the festival’s playground, where the most cutting-edge and modern forms of music as well as many young composers and musicians are presented. On the occasion of its own milestone anniversary – among other anniversaries that KLANGSPUREN SCHWAZ 2018 will be celebrating this year – the 25th edition of the festival has chosen the motto „Festivities. Places.“ (in German: „Feste. Orte.“). The program emphasizes projects and works that focus on aspects of celebrations, festivities, rituals, and events and have a specific reference to place and situation. KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY is celebrating its 15th anniversary. The Academy is an offshoot of the renowned International Ensemble Modern Academy (IEMA) in Frankfurt and was founded in the same year as IEMA, in 2003. The Academy is central to KLANGSPUREN and has developed into one of the most successful projects of the Tyrolean festival for new music. The high standards of the Academy are vouched for by prominent figures who have acted as Composers in Residence: György Kurtág, Helmut Lachenmann, Steve Reich, Benedict Mason, Michael Gielen, Wolfgang Rihm, Martin Matalon, Johannes Maria Staud, Heinz Holliger, George Benjamin, Unsuk Chin, Hans Zender, Hans Abrahamsen, Wolfgang Mitterer, Beat Furrer, Enno Poppe, and most recently in 2017, Sofia Gubaidulina. -
140117 WEB.Pdf
OPL – Aventure+ Vendredi / Freitag / Friday 17.01.2014 19:00 Grand Auditorium «Africa» Orchestre Philharmonique du Luxembourg Jonathan Stockhammer direction Angélique Kidjo voix Simon Stierle, Benjamin Schäfer timbales Après le concert / Im Anschluss an das Konzert Grand Foyer Mamadou Diabate Quartett Mamadou Diabate, Seydou «Kanazoe» Diabate balafon Zakaria Kone djembé Juan Garcia-Herreros guitare basse électrique Bitte beachten Sie, dass der Bus-Shuttle nach Trier erst im Anschluss an das «Plus» mit dem Mamadou Diabate Quartett abfährt. Traditional / Mzilikazi Khumalo (*1932) Five African Songs (arr. for orchestra by Péter Louis van Dijk from the choral arrangements by Mzilikazi Khumalo, 1992–1994) N° 1: «Banto Be-Afrika Hlanganani» (Mzilikazi Khumalo, 1990s) N° 2: «Bawo Thixo Somandla» (trad. Xhosa, 1960s/1970s) N° 3: «Sizongena Laph’emzini» (trad. Zulu, 1920s/1930s, 1940s/1950s) N° 4: «Ingoma ka Ntsikana» (The Hymn of Ntsikana / The Bell Song, trad. Xhosa, late 19th century) N° 5: «Akhala Amaqhude Amabili» (trad. Zulu, 1920s/1930s) 20’ Philip Glass (*1937) Ifè. Three Yorùbá Songs for Mezzo-Soprano and Orchestra (2013, création / Uraufführung; commande / Kompositionsauftrag Philharmonie Luxembourg & Orchestre Philharmonique du Luxembourg) I. Olodumare II. Yemandja III. Oshumare 20’ — Philip Glass Concerto fantasy for two timpanists and orchestra (2000) I II Cadenza III 27’ Les liens entre le monde de la musique et notre banque sont anciens et multiples. Ils se traduisent par le soutien que nous avons apporté pendant de longues années à la production discographique de l’Orchestre Philharmonique du Luxem- bourg, notre rôle de mécène au lancement des programmes jeune public de la Philharmonie ou les nombreux concerts que nous accueillons au sein de notre auditorium. -
2.157 Konzert-Termine
02.15 MÄRZ APRIL 2015 D: EUR 6,00 / A: EUR 6,60 / CH: SFR 9,00 www.folker.de OMARA PORTUONDO AUSSERDEM MUSIK HAT WE BANJO 3 KEIN ALTER! MARTIN KOLBE MUSIKSTREAMINGDIENSTE BAVARIA VISTA CLUB SZENE VON PILGERN UND PROPHETEN … HIER IST DIE Farbe. Ein bisschen... FISCH UND BÄR BEIM GRAMMY STRICK DIR DEIN EIGENES FESTIVAL HEIMSPIEL REZENSIONEN FOLKER Fünfundzwanzig Jahre TONTRÄGER Magazin für Folk, Lied & Weltmusik Malzhaus Plauen BÜCHER, DVDs PLUS: GASTSPIEL LIEDERBESTENLISTE WORLD MUSIC CHARTS Redaktionsschluss für die Serviceseiten Freies Handeln für Konzerne – auch in der Kultur? der Ausgabe 4.2018 ist der 10.06.2018 GELEGENHEIT:Bitte im Kalender vermerken! 4 194587 606000 02 Serviceseiten U1-U4_folker 2-15.indd 1 18.02.2015 18:51:17 Tourneen 02 # Nix geht über eine hard copy vom Folker?(Künstler von A-Z) Festivals 17 Kurse/Workshops 18 06.17 NOVEMBERDEZEMBER 2017 D: EUR 7,50 / A: EUR 8,30 / CH: CHF 9,50 folker.de Regelmäßige Termine: AUSSERDEM Was für ein blöder Begri, aber am besten wirbt doch immer nochSessions eine gedruckte 20 GLEN HANSARD Tanz 22 TIMO ALAKOTILA & Kleinanzeigen 23 100 JAHRE FINNLAND Ausgabe des Magazins selbst für den Folker. SÍLVIA PÉREZ CRUZ Radio 23 TAKEIFA Richtig? Wie aber kommt Folker an die Frau, den Mann? SZENE RUNRIG MACHEN SCHLUSS MUSIK UND INTEGRATION SCHWEBEKLANG WUPPERTAL HEIMSPIEL 50 JAHRE TRIKONT Wir haben drei Werbe-/Weiterempfehlungsreklameangebote für Euch – einmalig GASTSPIEL DIE SACHE MIT DEM TROPENHOLZ im Sinne: das geht etwa nur bis Ende Februar so: REZENSIONEN TONTRÄGER, BÜCHER PLUS: TOURNEEN, FESTIVALS, KURSE, SESSIONS, RADIOTIPPS 03.17 MAIJUNI 2017 D: EUR 7,50 / A: EUR 8,30 / CH: CHF 9,50 06 folker.de 4 194587 607502 3 Stück von der Ausgabe 4.17: U1_folker 6-17.indd 1 19.10.2017 15:35:57 # für 1 Euro: SCHOTTLAND SPEZIAL REZENSIONEN das eigentliche Rudolstadt-He + Schottland-Spezial TONTRÄGER, BÜCHER, DVDs Finale beim Konzert zur Leipziger Liederszene der Achtziger PLUS: TOURNEEN, FESTIVALS, KURSE, SESSIONS, EHRLICH ZU SICH SELBST RADIOTIPPS UND ZUR TRADITION Foto: Silvia Hauptmann GÄLISCHE SZENE . -
The University of Duisburg-Essen Guide for International Researchers 3
Guide for International Researchers Guide for Welcome to the University of Duisburg-Essen Guide for International Researchers 3 Welcome to the University of Duisburg-Essen Guide for International Researchers This guide has been compiled in collaboration with Technische Universität Dortmund and Ruhr-Universität Bochum. We should also like to thank EURAXESS Germany and the German Aerospace Center (DLR) for their contribution to content. 4 Foreword 5 Dear visiting researchers, Welcome to the University of Duisburg-Essen. I am contribution not only to research and teaching but delighted that you have chosen our university for also to our university’s sense of community. And it is your teaching and research visit and sincerely hope very important to us that you – and your families – that the time you spend here will not only be success- feel at home here. We shall therefore do everything ful academically, but also an enriching and enjoyable we can to make the preparations for your stay in experience. Germany as straightforward as possible: the team at our International Office will be pleased to help you. The University of Duisburg-Essen owes its existence to the merger of the two universities in Duisburg There is lots to discover outside the university as and Essen in 2003. It is thus the youngest, but also well: Duisburg and Essen are part of the Ruhr Met- one of the ten largest universities in Germany with ropolitan Area, which is home to some five million some 40,000 students. Furthermore, it has earned people, and has a wealth of cultural and leisure-time itself a place amongst the world’s 100 best young activities on offer. -
Die Blauen Folker- Termin- Und Serviceseiten
Im Kalender vermerkt? Ausgabe 3/4.2020 ISSN 1435-9634 Unsere blauen Termin- und Postvertriebsstück: Serviceseiten K45876 ...Fassungslosigkeit 01 „Ich bin systemrelevant“ 04 Petition Grundeinkommen 07 Tourneen (Künstler von A-Z) 08 „Schöne“ Termine 23 d Blaue Leit-Gedanken 24 Brief Musikrat an Merkel 30 Etcetera (Komplett) 32 Die blauen Ein Pizzabäcker ist kein Pianist 43 Frauen Musik Büro 44 Wundertütenschätze CD‘s 46 Folker- Mehr vom Folker 48 Redaktionsschluss für die Serviceseiten der Ausgabe 5/20 ist spät. am 10.8.2020. Termin- und Oder schon vorher, wenn wir euch online informieren sollen/wollen. Serviceseiten Moers, Anfang Mai 2020 Dieses Mal beginnen wir die blauen Seiten anders, nämlich mit auch unserer (coronabedingten)... Wut und Fassungslosigkeit entgegen. Denn diejenigen ... Frust, Wut und freischaffenden Künstlerinnen und Künstler, die es am dringendsten bräuchten, erhalten meist keine Fassungslosigkeit unbürokratische Hilfe, und schon gar nicht sofort. Das verhindert das vom Bundeskabinett beschlossene Staatliche Hilfe ist für Kulturschaffende Vergabeverfahren, dem sich auch die meisten ohne Festanstellung oder Betrieb kaum Bundesländer bei ihren Soforthilfe-Programmen angeschlossen haben. Demnach können die nicht zu bekommen zurückzahlbaren Unterstützungen der Corona-Hilfe nur für Liquiditätsengpässe bei den Betriebsausgaben VON TILL BRIEGLEB ausgezahlt werden, nicht aber für Gewinne. Mit Mit freundlicher Genehmigung: SZ Süddeutsche Gewinnen sind ausbleibende Honorargelder gemeint. Zeitung, Feuilleton, vom 16.04.2020 Wer als selbständiger Kulturschaffender den letzten Sondernewsletter #C3 des Kompetenzzentrums Kultur- und Kreativwirtschaft des Bundes erhalten hat, konnte sich offen verhöhnt vorkommen. Lebendige Hunderttausende Einzelunternehmer, die ihren Verwaltung ist zu einem neuen Schlagwort geworden. Lebensunterhalt mit Dienstleistungen ohne eigene Diese Tatsache hätten einige vor Corona vielleicht Betriebsräume bestreiten, dürfen demnach höchstens nicht für möglich gehalten. -
2013 Winter/Spring Season FEB 2013
2013 Winter/Spring Season FEB 2013 Duke Riley, Farewell, All Joys! More Fools than Wise, 2013 Published by: BAM 2013 Winter/Spring sponsor: New York City Opera presents Powder Her Face Music by Thomas Adès Libretto by Philip Hensher Conducted by Jonathan Stockhammer* Directed by Jay Scheib* BAM Howard Gilman Opera House Feb 15, 21 & 23 at 7:30pm Feb 17 at 1:30pm Approximate running time: two hours and 15 minutes, including one intermission Sets by Marsha Ginsberg* Costumes by Alba Clemente* Lighting by Thomas Dunn* Projections by Josh Higgason* Supertitles by Kelley Rourke Assistant scenic designers Tim McMath, Brett Banakis Assistant costume designer Sidney Shannon Musical preparation Susan Woodruff Versage, William Barto Jones English diction coach Lynn Baker Stage managers Anne Dechêne, Peggy Imbrie, Jenny Lazar Assistant directors Mike Phillips, Kate Downey Assistant to the director Laine Rettmer* * Denotes New York City Opera debut Powder Her Face is used by arrangement with European American Music Distributors Company, US and Canadian Leadership support for agent for Faber Music Ltd., publisher and copyright owner. Powder Her Face is provided by The Virginia B. Toulmin Foundation. Intimate Apparel for the Duchess was provided by La Perla. New York City Opera Allison Cook Nili Riemer William Ferguson Matt Boehler Kaneza Schaal Jon Morris Powder Her Face CAST Duchess Allison Cook* Maid Nili Riemer* Electrician William Ferguson Hotel Manager Matt Boehler* Waiter Jon Morris* Nurse Kaneza Schaal* Camera operator Chelsey Blackmon* Corps of Lovers Thomas Andy Allen Miles G. Jackson Christopher Augustine Robert Javinett John Joseph Ball Matthew Napoli Reginald Barnes Peter Daniel Oliver Kevin Bunge Thompson R. -
Berio Morton Feldman
NEWS AND IMUSIKNFORMATION FROM UNIVERSAL EDITIOBLATTERN 4 Umberto Eco on LuCIANO BERIO MORTON “American Sublime” FELDMAN ARNOLD 100th anniversary of the “scandal concert” SCHÖnbERG JAY “Metamorphosis of sound” SCHWARTZ Kim Kowalke on KURT WEILL JANUARY SUNDAY 14; 18:00 Sunday 28; 18:00 • OMAGGIO A BERIO IV OMAGGIO A BERIO VII FRIDAY 18; 21:30 ANDREA LUCCHESINI piano REMIX ENSEMBLE CASA DA MÚSICA OMAGGIO A BERIO I Programme: Jonathan Stockhammer conductor ORQUESTRA SINFÓNICA DO PORTO CASA DA MÚSICA Luciano Berio: 2 Encores: Brin, Leaf Programme: Christoph König conductor Luciano Berio: 2 Encores: Erdenklavier, Luciano Berio: Tempi Concertati Programme: Wasserklavier Luciano Berio: 4 Dédicaces Luciano Berio: 1 Encore: Luftklavier Luciano Berio: 1 Encore: Feuerklavier SATURDAY 19; 18:00 JUNE OMAGGIO A BERIO II FRIDAY 26; 21:00 • REMIX ENSEMBLE CASA DA MÚSICA OMAGGIO A BERIO V TUESDAY 11; 21:00 Peter Rundel conductor 1st part OMAGGIO A BERIO VIII Lise Milne voice REMIX ENSEMBLE CASA DA MÚSICA REMIX ENSEMBLE CASA DA MÚSICA Programme: Jonathan Stockhammer conductor Emilio Pomàrico conductor Luciano Berio: Recital for Cathy Jonathan Ayerst piano Stephanie Wagner flute Programme: Programme: Luciano Berio: Points on the curve to find… Luciano Berio: Serenata for flute 2nd part and 14 instruments ORQUESTRA SINFÓNICA DO PORTO CASA DA MÚSICA APRIL THEATRE OF VOICES • Lothar Zagrosek conductor SATURDAY 13; 18:00 Programme: OMAGGIO A BERIO III Luciano Berio: Sinfonia OCTOBER ORQUESTRA SINFÓNICA DO PORTO CASA DA MÚSICA • Olari Elts conductor SATURDAY -
Oltrenota La Fondazione Informa
OLTRENOTA LA FONDAZIONE INFORMA Bari 3 giugno 2014 Fondazione Petruzzelli: Jonathan Stockhammer dirige l’Orchestra, solista Emanuele Arciuli Mercoledì 11 giugno alle 21.00 al Teatro Petruzzelli è in programma un nuovo appuntamento della Stagione Sinfonica 2014: il concerto “Downtown stories one”. Dirigerà l’Orchestra del Teatro il maestro Jonathan Stockhammer, al pianoforte un solista d’eccezione: Emanuele Arciuli. In programma: Triple quartet, version for string orchestra e City life, for ensemble di Steve Reich e il Concerto n. 4 in sol maggiore, op. 58 per pianoforte e orchestra di Ludvig van Beethoven. Biglietti in vendita al botteghino del Teatro Petruzzelli e su www.bookingshow.it. Informazioni: 080.975.28.10. Jonathan Stockhammer, direttore Nato a Los Angeles, Jonathan Stockhammer si è presto affermato nel panorama internazionale della lirica, della musica classica e contemporanea. Ha studiato cinese e scienze politiche per poi dedicarsi, nella sua città natale, alla composizione ed alla direzione d’orchestra. Al percorso didattico ha affiancato gli impegni artistici con la Los Angeles Philharmonic. Successivamente si è trasferito in Germania dove ha collaborato con noti gruppi europei tra cui l’Ensemble Modern e l’Ensemble Resonanz. Ha lavorato con numerose e celebri formazioni tra cui Oslo Philharmonic, NDR Symphony Orchestra Hamburg, Czech Philharmonic Orchestra, Sydney Symphony Orchestra. Si è esibito al Salzburg Festival e al Wien Modern. Oltre a dirigere capolavori romantici ed opere contemporanee, dedica la sua attività alle nuove sonorità al confine tra musica classica, rock, pop e hip- hop. Il suo cd Greggery Peccary & Other Persuasions con l’Ensemble Modern (RCA, 2003), con musiche di Frank Zappa, ha vinto un Echo Klassik Award. -
June 2013 at BFI Southbank
13/19 June 2013 at BFI Southbank Werner Herzog, Nikkatsu Studios, Rita Hayworth, Yoko Ono’s Meltdown, Tony Garnett Werner Herzog is a truly prolific filmmaker having directed, produced, written and acted in a number of features and documentaries now deemed legendary in cinematic history, such as Fitzcarraldo, Grizzly Man and Cave of Forgotten Dreams. This month BFI Southbank presents Part One of an in-depth focus on his films, also including an Extended Run of Aguirre, Wrath of God, which will be re-released by the BFI on June 7. Rita Hayworth, known to fans as ‘The Love Goddess’, was one of the biggest stars of the 40s; this month a selection of her finest films will illustrate why she earned this moniker, with Only Angels Have Wings, Cover Girl and, of course, Gilda With Seasons in the Sun: The Heyday of Nikkatsu Studios, we screen some of the most popular Japanese films of the 50s and 60s to mark the centenary anniversary of the studios. Cult classics Branded to Kill and Stray Cat Rock: Sex Hunter have influenced John Woo and Quentin Tarantino, and play alongside lesser known gems This month our Tony Garnett season Seeing Red concludes with a rare on-stage interview – with Mark Lawson, on Tuesday 4 June – alongside defining examples of his work as a producer, writer and director, such as Law and Order (a pre-cursor to The Wire), the first episode of This Life and the rarely screened films Prostitute and Handgun This year’s Meltdown festival is curated by Yoko Ono and she has curated a selection of films to screen at BFI Southbank, including Grave of the Fireflies and Battleship Potemkin with a score by Pet Shop Boys. -
Orquestra Sinfónica Do Porto Casa Da Música
Orquestra Sinfónica do Porto Casa da Música Jonathan Stockhammer direcção musical 23 Abr 2021 · 19:30 Sala Suggia MÚSICA & REVOLUÇÃO ANO ITÁLIA Maestro Jonathan Stockhammer sobre o programa do concerto. VIMEO.COM/539583940 A CASA DA MÚSICA É MEMBRO DE Luigi Nono Variazioni canoniche sulla serie dell’op. 41 di Arnold Schönberg (1950; c.20min) Arnold Schoenberg Sinfonia de Câmara n.º 2, op. 38 (1906-1939; c.21min) 1. Adagio 2. Con fuoco sido recomendada pelo conhecido maestro Hermann Scherchen, nada poderia levar a imaginar que ele se tornaria, juntamente com Maderna, Stockhausen e Boulez, uma das figu- ras centrais dos cursos de Darmstadt ao longo da década de 50. Na verdade, nem se pode dizer que a estreia tenha corrido bem. De acordo com Martin Iddon (no livro New Music at Darmstadt: Nono, Stock- hausen, Cage, and Boulez), “a performance foi um desastre, ou pelo menos um grande escân- dalo”. O autor cita um crítico da época, Hans Heinz Stuckenschmidt, segundo o qual “quase toda a audiência se juntou em vaias e asso- bios”. Para esse crítico, o estilo dissonante e fragmentado da música era “incompreensível para quem não estivesse preparado”, e ape- nas compreensível, para os outros, como uma experiência — não como música. Segundo um relato posterior do próprio Nono, Scherchen, Luigi Nono em 1970, fotografado por Joost Evers fotografado Nono em 1970, Luigi o maestro que dirigiu a peça, voltou-se a dada altura para trás, aos gritos, chamando “bando Luigi Nono de porcos” aos membros da audiência. VENEZA, 29 DE JANEIRO DE 1924 Tal nível de animosidade face à nova música VENEZA, 8 DE MAIO DE 1990 poderá parecer surpreendente à luz da ideia que normalmente temos destes cursos de Variazioni canoniche sulla serie dell’op. -
Full Programme
COMPOSERS’ ACADEMY SUN 2 JUN 2019, 6pm FREE, no ticket required – just turn up! Royal Festival Hall MUSIC please note venue Geoffrey Paterson conductor OF TODAY WU WEI ARTIST PORTRAIT FRIDAY 5 APRIL 2019 CHIA-YING LIN Rubato the wider life of the Philharmonia and the expertise 2018-19 within its membership. As part of the Philharmonia’s 6pm, Queen Elizabeth Hall ALEX WOOLF Octet for mixed ensemble INSPIRING broader Emerging Artists programme, the Orchestra BENJAMIN ASHBY Some Mad Ideas also delivers a range of specialist projects to Introduced by Dr Cheng Yu of SOAS, support the progression and development of young NEW University of London Hear world premieres by three emerging instrumentalists in a variety of contexts, supporting composers in the culminating concert of the the work of our partner music education hubs, MUSIC Philharmonia Orchestra’s Composers’ Academy. schools, universities and conservatoires. This UNSUK CHIN Jonathan Stockhammer conductor programme seeks to encourage young people from Wu Wei sheng Over the course of the year, our composers work diverse backgrounds to continue learning, to join ARTISTIC DIRECTOR closely with Philharmonia musicians, visiting ensembles, and to develop and improve technique composers and Unsuk Chin, Artistic Director of and musicality through coaching, masterclasses, JUKKA TIENSUU Music of Today. This is an exciting opportunity to side-by-side projects and instrumental tuition. hear the work of the newest generation of Hehkuu for sheng and ensemble composers in the UK today. (UK premiere) 20mins The Philharmonia Orchestra is committed to The Philharmonia’s Composers’ Academy is GUOPING JIA providing opportunities to nurture, showcase and developed in partnership with The Wind Sounds in the Sky for sheng, stretch the next generation of artistic talent. -
American Record Guide & Independent Critics Reviewing Classical Recordings and Music in Concert
Amer & Independent Crican R itics Re ecor viewing Classical Recor d G dings and Music uidein Concer t American Record Guide Side 1 San Francisco Ring—3 Views Carnegie's “Spring for Music” Buffalo Phil's 2 premieres L.A. Master Chorale Montreal Piano Competition Festivals: Boston Early Music Spoleto USA Fayetteville Chamber Music Montreal Chamber Music Mahler's 100th: MTT's Nos. 2, 6, 9 Crakow Phil Festival September/October 2011 us $7.99 Over 500 Re views Sig01arg.qxd 7/22/2011 4:46 PM Page 1 Contents Sullivan & Dalton Carnegie’s “Spring for Music” Festival 4 Seven Orchestras, Adventurous Programs Gil French Cracow’s Mahler Festival 7 Discoveries Abound Jason Victor Serinus MTT and the San Francisco Symphony 10 Mahler Recapped Brodie, Serinus & Ginell San Francisco Opera’s Ring Cycle 12 Three Views Brodie & Kandell Ascension’s New Pascal Quoirin Organ 16 French and Baroque Traditions on Display Perry Tannenbaum Spoleto USA 19 Renewed Venues, Renewed Spirit John Ehrlich Boston Early Music Festival 22 Dart and Deller Would Be Proud Richard S Ginell Mighty Los Angeles Master Chorale 24 Triumphing in Brahms to Ellington Herman Trotter Buffalo Philharmonic 26 Tyberg Symphony, Hagen Concerto Melinda Bargreen Schwarz’s 26 Year Seattle Legacy 28 Au Revoir But Not Good-Bye Bill Rankin Edmonton’s Summer Solstice Festival 30 Chamber Music for All Tastes Gil French Fayetteville Chamber Music Festival 32 The World Comes to Central Texas Robert Markow Bang! You’ve Won 34 Montreal Music Competition Robert Markow Osaka's Competitions and Orchestras 35