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The Life of Marie Antoinette, Queen of France
1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. 2 CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. The Life of Marie Antoinette, Queen of France 3 CHAPTER V<p> CHAPTER VI<p> CHAPTER VII<p> CHAPTER VIII<p> CHAPTER IX<p> CHAPTER X<p> CHAPTER XI<p> CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. The Life of Marie Antoinette, Queen of France The Project Gutenberg EBook of The Life of Marie Antoinette, Queen of France, by Charles Duke Yonge This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. -
Albret, Jean D' Entries Châlons-En-Champagne (1487)
Index Abbeville 113, 182 Albret, Jean d’ Entries Entries Charles de Bourbon (1520) 183 Châlons-en-Champagne (1487) 181 Charles VIII (1493) 26–27, 35, 41, Albret, Jeanne d’ 50–51, 81, 97, 112 Entries Eleanor of Austria (1531) 60, 139, Limoges (1556) 202 148n64, 160–61 Alençon, Charles, duke of (d.1525) 186, Henry VI (1430) 136 188–89 Louis XI (1463) 53, 86n43, 97n90 Almanni, Luigi 109 Repurchased by Louis XI (1463) 53 Altars 43, 44 Abigail, wife of King David 96 Ambassadors 9–10, 76, 97, 146, 156 Albon de Saint André, Jean d’ 134 Amboise 135, 154 Entries Amboise, Edict of (1563) 67 Lyon (1550) 192, 197, 198–99, 201, 209, Amboise, Georges d’, cardinal and archbishop 214 of Rouen (d.1510) 64–65, 130, 194 Abraham 96 Entries Accounts, financial 15, 16 Noyon (1508) 204 Aeneas 107 Paris (1502) 194 Agamemnon 108 Saint-Quentin (1508) 204 Agen Amelot, Jacques-Charles 218 Entries Amiens 143, 182 Catherine de Medici (1578) 171 Bishop of Charles IX (1565) 125–26, 151–52 Entries Governors 183–84 Nicholas de Pellevé (1555) 28 Oath to Louis XI 185 Captain of 120 Preparing entry for Francis I (1542) 79 Claubaut family 91 Agricol, Saint 184 Confirmation of liberties at court 44, Aire-sur-la-Lys 225 63–64 Aix-en-Provence Entries Confirmation of liberties at court 63n156 Anne of Beaujeu (1493) 105, 175 Entries Antoine de Bourbon (1541) 143, 192, Charles IX (1564) 66n167 209 Bernard de Nogaret de La Valette (1587) Charles VI and Dauphin Louis (1414) 196n79 97n90, 139, 211n164 Françoise de Foix-Candale (1547) Léonor dʼOrléans, duke of Longueville 213–14 (1571) -
H-France Review Volume 16 (2016) Page 1
H-France Review Volume 16 (2016) Page 1 H-France Review Vol. 16 (September 2016), No. 180 Thierry Crépin-Leblond and Monique Chatenet, eds., Anne de France: art et pouvoir en 1500: actes du colloque organisé par Moulins, Ville d’art et d’histoire, le 30 et 31 mars 2012. Paris: Picard, 2014. 221 pp. Illustrations, plans, genealogical tables, bibliography. 69.00€ (pb). ISBN 978-2-7084-0962-0. Review by Nicola Courtright, Amherst College. Anne de France: Art et pouvoir en 1500, acts of a colloquium that took place in Moulins in March 2012, edited by Thierry Crépin-Leblond and Monique Chatenet, contains relatively brief but invaluable chapters stocked with new information and original interpretations. It is divided in two: the first half is dedicated to studies about Anne of France, daughter of Louis XI and sister of his son Charles VIII, and the other half to her patronage and that of other notable, politically active noblewomen--regents and queens--influenced by Anne circa 1500. Throughout the entire volume, the authors seek to indicate ways in which these women’s acts and patronage of art and architecture exhibit some kind of political authority. They unearth documents, explore the visual valence of objects and architecture, and examine literary texts to argue that Anne of France, Margaret of Austria, and Anne of Brittany played a significant role in the history of Europe in the late fifteenth and early sixteenth centuries. A major strength of this collection is how authors are deeply engaged with drilling down into the documents to find new material to apply to the questions they pose or offer new interpretations of little-known material. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus. -
Of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun
Court in the Market: The ‘Business’ of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun Hee Cho Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Jun Hee Cho All rights reserved ABSTRACT Court in the Market: The ‘Business’ of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun Hee Cho This dissertation examines the relations between court and commerce in Europe at the onset of the modern era. Focusing on one of the most powerful princely courts of the period, the court of Charles the Bold, duke of Burgundy, which ruled over one of the most advanced economic regions in Europe, the greater Low Countries, it argues that the Burgundian court was, both in its institutional operations and its cultural aspirations, a commercial enterprise. Based primarily on fiscal accounts, corroborated with court correspondence, municipal records, official chronicles, and contemporary literary sources, this dissertation argues that the court was fully engaged in the commercial economy and furthermore that the culture of the court, in enacting the ideals of a largely imaginary feudal past, was also presenting the ideals of a commercial future. It uncovers courtiers who, despite their low rank yet because of their market expertise, were close to the duke and in charge of acquiring and maintaining the material goods that made possible the pageants and ceremonies so central to the self- representation of the Burgundian court. It exposes the wider network of court officials, urban merchants and artisans who, tied by marriage and business relationships, together produced and managed the ducal liveries, jewelries, tapestries and finances that realized the splendor of the court. -
Is Jean Bourdichon the Designer of the Hunt of the Unicorn Tapestries?
HISTORY Is Jean Bourdichon the Designer of the Hunt of the Unicorn Tapestries? Jules Janick XII (third husband of Anne), and François I. The designer of the Hunt of the Unicorn tapestries located in the Cloisters, a branch of the Bourdichon, best known for the illustration Metropolitan Museum of Art, is unknown. The conjecture that they were made to commemorate of two personal prayer books, one for Anne the marriage of Anne of Brittany to Louis XII of France in 1499 was proposed by James J. Roriman known as Horae ad usum romanum and gener- in 1942. If true, a logical designer for the tapestries would have been Jean (Jehan) Bourdichon ally referred to as Grandes Heures d’Anne de (1457-1521), the illustrator and miniaturist associated with the French courts of Louis XI, Charles Bretagne, and the other for Louis XII known VIII, Louis XII, and François I, and best known as the illustrator of a personal prayer Grandes in English as the Hours of Louis XII. The object Heures for Anne made between 1503-1508. This conjecture was tested by comparing style ele- of this paper is to present and consider the ments including dress, fauna, and flora of the tapestries with illustrations in the Grandes Heures. assumption that Jean Bourdichon or his work- A cryptic inscription in a horn in Tapestry 2 was rearranged to contain the initials A and reverse E shop is the designer/artist of the cartoon associ- (prominent in the tapestry) and the names Jean, Jehan, and Bourdichon in anagramatic form. The ated with the Hunt of the Unicorn tapestries. -
November 2012 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 29, No. 2 November 2012 Jan and/or Hubert van Eyck, The Three Marys at the Tomb, c. 1425-1435. Oil on panel. Museum Boijmans Van Beuningen, Rotterdam. In the exhibition “De weg naar Van Eyck,” Museum Boijmans Van Beuningen, October 13, 2012 – February 10, 2013. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Paul Crenshaw (2012-2016) HNA News ............................................................................1 Wayne Franits (2009-2013) Personalia ............................................................................... 2 Martha Hollander (2012-2016) Exhibitions ............................................................................ 3 Henry Luttikhuizen (2009 and 2010-2014) -
The Columbian Exchange: a History of Disease, Food, and Ideas
Journal of Economic Perspectives—Volume 24, Number 2—Spring 2010—Pages 163–188 The Columbian Exchange: A History of Disease, Food, and Ideas Nathan Nunn and Nancy Qian hhee CColumbianolumbian ExchangeExchange refersrefers toto thethe exchangeexchange ofof diseases,diseases, ideas,ideas, foodfood ccrops,rops, aandnd populationspopulations betweenbetween thethe NewNew WorldWorld andand thethe OldOld WWorldorld T ffollowingollowing thethe voyagevoyage ttoo tthehe AAmericasmericas bbyy ChristoChristo ppherher CColumbusolumbus inin 1492.1492. TThehe OldOld WWorld—byorld—by wwhichhich wwee mmeanean nnotot jjustust EEurope,urope, bbutut tthehe eentirentire EEasternastern HHemisphere—gainedemisphere—gained fromfrom tthehe CColumbianolumbian EExchangexchange iinn a nnumberumber ooff wways.ays. DDiscov-iscov- eeriesries ooff nnewew ssuppliesupplies ofof metalsmetals areare perhapsperhaps thethe bestbest kknown.nown. BButut thethe OldOld WWorldorld aalsolso ggainedained newnew staplestaple ccrops,rops, ssuchuch asas potatoes,potatoes, sweetsweet potatoes,potatoes, maize,maize, andand cassava.cassava. LessLess ccalorie-intensivealorie-intensive ffoods,oods, suchsuch asas tomatoes,tomatoes, chilichili peppers,peppers, cacao,cacao, peanuts,peanuts, andand pineap-pineap- pplesles wwereere aalsolso iintroduced,ntroduced, andand areare nownow culinaryculinary centerpiecescenterpieces inin manymany OldOld WorldWorld ccountries,ountries, namelynamely IItaly,taly, GGreece,reece, andand otherother MediterraneanMediterranean countriescountries (tomatoes),(tomatoes), -
The Loire Valley Ladies
Atout France – Press release THE LOIRE VALLEY LADIES The Renaissance tends to be dominated by men: kings, noblemen, artists. But who were the women of the time? The French Renaissance was, in fact, one of the few periods in French history when a strong concentration of women ruled the country alone, or in collaboration with kings or on behalf of sons. Many of these women had a strong connection to the Loire Valley, along with female artists. Influential women in the Loire Valley are also thriving today. Here we look at some of the most important female figures, both past and present. WOMEN OF THE RENAISSANCE The Mona Lisa She may not have lived in the Loire Valley – but she is probably the most famous woman in the world, and a symbol of the French Renaissance. Lisa Gherardini was a Italian noblewoman born in 1479 and the model for ‘La Joconde’, the famous portrait by Leonardo da Vinci commissioned by her husband, Francesco del Giocondo in 1503. In 1516, Leonardo came to France at the French king’s request and brought the painting with him. Francois I, who was passionate about Leonardo’s talent, named him ‘first painter, engineer and architect of the king’ and gave him the Chateau de Clos-Lucé in the Loire Valley, near his own residence at Amboise. Leonardo lived at Clos-Lucé until his death in 1519. Following his death, Francois I placed the Mona Lisa in the Palais de Fontainebleau where it remained for a century. Louis XIV moved it to Versailles and, after the French Revolution, it was moved to the Musée du Louvre – having also spent a brief period in Napoleon’s bedroom at the Tuileries Palace. -
Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries
Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted. -
Submissions for the 2020 Book Award
Barbara Adair. WILL, The Passenger Delaying Flight... (Modjaji Books) Susan Anthony-Tolbert. Adrienne: La Fayette’s Sweet Fire! (Singing Cat and Mule Publishing) Deirdre Bair. Parisian Lives: Samuel Beckett, Simone De Beauvoir, and Me: A Memoir (Nan A. Talese) Maude Bass-Krueger and Sophie Kurkdjian. French Fashion, Women, and the First World War (Bard College Center / Yale University Press) Cara Black. Three Hours in Paris (Soho Crime) James Bourhill. The Killing Fields of Provence: Occupation, Resistance and Liberation in the South of France (Pen & Sword Military) Bill Buford. Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking (Knopf US / Jonathan Cape UK) Mary Byrne. Plugging the Causal Breach: And Other Stories (Regal House Publishing) Carolyn Campbell and Joe Cornish. City of Immortals: Père-Lachaise Cemetery, Paris (ORO Editions) Francesca Cartier Brickell. The Cartiers: The Untold Story of the Family Behind the Jewelry Empire (Ballantine Books) Dario Cestaro and Franca Lugato. Paris: The City of Lights (Marsilio Editori) Tom Chaffin. Revolutionary Brothers: Thomas Jefferson, the Marquis de Lafayette, and the Friendship That Helped Forge Two Nations (St. Martin’s Press) Anne De Courcy. Chanel’s Riviera: Glamour, Decadence, and Survival in Peace and War, 1930–1944 (St. Martin’s Press) Emma Donoghue. Akin: A Novel (Little, Brown and Company) Therese Doucet. The Prisoner of the Castle of Enlightenment (D.X. Varos, LTD) William Drozdiak. The Last President of Europe: Emmanuel Macron’s Race To Revive France and Save the World (PublicAffairs) Chris Eaton. Symphony No. 3 (Book*hug Press) Dylan Fisher. -
Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France.