The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index 1

Total Page:16

File Type:pdf, Size:1020Kb

The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index 1 The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index A, BESSIE C. A.L.O.E. CECIL DEAN. SHEPHERD OF BETHLEHEM. LONDON. 1853 LONDON. 1862 Reel: 167, No. 4 Reel: 539, No. 6 A.L.O.E. A.L.O.E. ESTHER PARSONS. SILVER CASKET. NEW YORK. 1864 NEW YORK. 1864 Reel: 694, No. 6 Reel: 668, No. 2 A.L.O.E. A.L.O.E. FAIRY KNOW-A-BIT. STORIES FROM JEWISH HISTORY. LONDON. 1866 LONDON. 1863 Reel: 773, No. 3 Reel: 651, No. 5 A.L.O.E. A.L.O.E. GIANT KILLER. STORY OF A NEEDLE. LONDON. 1856 LONDON. 1858 Reel: 319, No. 2 Reel: 454, No. 5 A.L.O.E. A.L.O.E. HARRY DANGERFIELD, THE POACHER. TWO PATHS. NEW YORK. 1862 NEW YORK. 1859 Reel: 561, No. 6 Reel: 476, No. 12 A.L.O.E. A.L.O.E. MINE, OR, DARKNESS AND LIGHT. WALTER BINNING, THE ADOPTED SON. NEW YORK. 1861 NEW YORK. 1859 Reel: 642, No. 5 Reel: 473, No. 1 A.L.O.E. A.L.O.E. NED MANTON. WINGS AND STINGS. NEW YORK. 1863 LONDON. 1856 Reel: 598, No. 2 Reel: 355, No. 10 A.L.O.E. A., E.S. PARLIAMENT IN THE PLAY-ROOM. FAIRYLAND & FAIRIES. LONDON. 1861 LONDON. 1867 Reel: 641, No. 3 Reel: 870, No. 1 A.L.O.E. A., F.S. PARLIAMENT IN THE PLAY-ROOM. SILVER LINING. NEW YORK. 1861 BOSTON. 1866 Reel: 642, No. 4 Reel: 812, No. 2 A.L.O.E. A., R.P. PRECEPTS IN PRACTICE. SISTER RUTH'S STORIES FOR THE YOUNG. LONDON. 1859 PHILADELPHIA. 1865 Reel: 450, No. 3 Reel: 739, No. 1 A.L.O.E. A.H.K. RAMBLES OF A RAT. TOM TRACY. LONDON. 1857 LONDON. 1868 Reel: 388, No. 1 Reel: 980, No. 6 A.L.O.E. A.L.O.E. RAMBLES OF A RAT. ANGUS TARLTON. NEW YORK. 1861 NEW YORK. 1862 Reel: 645, No. 9 Reel: 557, No. 3 A.L.O.E. A.L.O.E. ROBY FAMILY. BOUGHT WITH A PRICE. LONDON. 1861 EDINBURGH. 1860 Reel: 617, No. 3 Reel: 537, No. 13 1 The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index A.L.O.E. A.L.O.E. BROKEN CHAIN. GIANT KILLER. NEW YORK. 1862 NEW YORK. 1857 Reel: 562, No. 6 Reel: 381, No. 4 A.L.O.E. A.L.O.E. CHILDRENS TREASURY OF NEW STORIES. GIANT KILLER. NEW YORK. 1869 NEW YORK. 1869 Reel: 933, No. 1 Reel: 919, No. 3 A.L.O.E. A.L.O.E. CHRISTIAN LOVE AND LOYALTY. GILES OLDHAM. NEW YORK. 1863 NEW YORK. 1865 Reel: 580, No. 3 Reel: 747, No. 2 A.L.O.E. A.L.O.E. CHRISTIANS MIRROR. GOLDEN FLEECE. NEW YORK. 1861 BOSTON. 1869 Reel: 621, No. 1 Reel: 910, No. 4 A.L.O.E. A.L.O.E. CROWN OF SUCCESS. GOLDEN FLEECE. LONDON. 1863 LONDON. 1869 Reel: 581, No. 1 Reel: 891, No. 4 A.L.O.E. A.L.O.E. CROWN OF SUCCESS. GOLDEN FLEECE. NEW YORK. 1869 NEW YORK. 1869 Reel: 893, No. 3 Reel: 911, No. 3 A.L.O.E. A.L.O.E. DAVID ASPINALL THE WANDERER IN GOOD FOR EVIL. AFRICA. NEW YORK. 1864 NEW YORK. 1867 Reel: 667, No. 4 Reel: 838, No. 7 A.L.O.E. A.L.O.E. HARRY DANGERFIELD THE POACHER. EDDY ELLERSLIE. NEW YORK. 1862 NEW YORK. 1863 Reel: 557, No. 2 Reel: 586, No. 3 A.L.O.E. A.L.O.E. HOLIDAY CHAPLET OF STORIES. ESTHER PARSONS. LONDON. 1867 NEW YORK. 1869 Reel: 841, No. 2 Reel: 935, No. 2 A.L.O.E. A.L.O.E. HOUSE BEAUTIFUL. FLORA SELF DECEPTION. LONDON. 1868 NEW YORK. 1858 Reel: 971, No. 2 Reel: 422, No. 1 A.L.O.E. A.L.O.E. HOUSE BEAUTIFUL. GIANT KILLER. NEW YORK. 1869 BOSTON. 1864 Reel: 910, No. 3 Reel: 678, No. 5 A.L.O.E. A.L.O.E. IDOLS IN THE HEART. GIANT KILLER. NEW YORK. 1869 LONDON. 1860 Reel: 907, No. 2 Reel: 529, No. 7 A.L.O.E. A.L.O.E. JOHN CAREY. GIANT KILLER. NEW YORK. 1869 NEW YORK. 1857 Reel: 910, No. 2 Reel: 371, No. 4 2 The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index A.L.O.E. A.L.O.E. MINE DARKNESS AND LIGHT. PRIDE AND HIS PRISONERS. LONDON. 1858 NEW YORK. 1868 Reel: 422, No. 4 Reel: 987, No. 2 A.L.O.E. A.L.O.E. MINE OR DARKNESS AND LIGHT. PROMISE. BOSTON. 1862 EDINBURGH. 1860 Reel: 545, No. 4 Reel: 537, No. 12 A.L.O.E. A.L.O.E. MINE OR DARKNESS AND LIGHT. RESCUED FROM EGYPT. NEW YORK. 1863 LONDON. 1866 Reel: 586, No. 4 Reel: 808, No. 3 A.L.O.E. A.L.O.E. MY NEIGHBORS SHOES. ROBBERS CAVE. LONDON. 1862 LONDON. 1867 Reel: 555, No. 4 Reel: 866, No. 5 A.L.O.E. A.L.O.E. MY NEIGHBORS SHOES. ROBY FAMILY. NEW YORK. 1862 BOSTON. 1865 Reel: 560, No. 1 Reel: 732, No. 2 A.L.O.E. A.L.O.E. MY NEIGHBOURS SHOES. ROBY FAMILY. LONDON. 1869 NEW YORK. 1862 Reel: 879, No. 3 Reel: 561, No. 7 A.L.O.E. A.L.O.E. NEW STORIES. ROBY FAMILY. NEW YORK. 1865 NEW YORK. 1869 Reel: 742, No. 6 Reel: 919, No. 4 A.L.O.E. A.L.O.E. NEW STORIES. SHEER OFF. NEW YORK. 1866 NEW YORK. 1868 Reel: 771, No. 7 Reel: 979, No. 2 A.L.O.E. A.L.O.E. NUTSHELL OF KNOWLEDGE. SILVER CASKET. NEW YORK. 1869 LONDON. 1869 Reel: 934, No. 4 Reel: 910, No. 1 A.L.O.E. A.L.O.E. OLD FRIENDS WITH NEW FACES. STRAIGHT ROAD IS SHORTEST AND LONDON. 1858 SUREST. Reel: 424, No. 6 LONDON. 1866 Reel: 826, No. 11 A.L.O.E. OLD FRIENDS WITH NEW FACES. A.L.O.E. LONDON. 1867 SUNDAY CHAPLET OF STORIES. Reel: 837, No. 6 LONDON. 1867 Reel: 859, No. 5 A.L.O.E. ON THE WAY. A.L.O.E. NEW YORK. 1868 SUNDAY CHAPLET OF STORIES. Reel: 981, No. 3 NEW YORK. 1867 Reel: 869, No. 3 A.L.O.E. PAYING DEAR. A.L.O.E. NEW YORK. 1869 SUNDAY CHAPLET OF STORIES. Reel: 935, No. 3 NEW YORK. 1869 Reel: 920, No. 3 3 The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index A.L.O.E. ABBIE, AUNT. TRUE HEROISM. SCHOOLMATES. NEW YORK. 1869 PHILADELPHIA. 1854 Reel: 996, No. 3 Reel: 211, No. 6 A.L.O.E. ABBOT, ANNE W. UPWARDS AND DOWNWARDS. IMPULSE AND PRINCIPLE. LONDON. 1857 NEW YORK. 1864 Reel: 398, No. 7 Reel: 687, No. 2 A.L.O.E. ABBOTT, JACOB. WALTER BINNING. AGNES. NEW YORK. 1868 NEW YORK. 1853 Reel: 996, No. 1 Reel: 165, No. 3 A.L.O.E. ABBOTT, JACOB. WAR AND PEACE. ALCOVE. LONDON. 1866 NEW YORK. 1856 Reel: 808, No. 2 Reel: 343, No. 4 A.L.O.E. ABBOTT, JACOB. WHISPERING UNSEEN. AMERICAN HISTORY. LONDON. 1865 NEW YORK. 1860 Reel: 712, No. 5 Reel: 503, No. 1 A.L.O.E. ABBOTT, JACOB. WINGS AND STINGS. AMERICAN HISTORY. LONDON. 1863 NEW YORK. 1860 Reel: 581, No. 2 Reel: 503, No. 1 A.L.O.E. ABBOTT, JACOB. WINGS AND STINGS. AMERICAN HISTORY. LONDON. 1865 NEW YORK. 1860 Reel: 711, No. 5 Reel: 503, No. 1 A.L.O.E. ABBOTT, JACOB. WINGS AND STINGS. AMERICAN HISTORY. NEW YORK. 1863 NEW YORK. 1860 Reel: 594, No. 6 Reel: 503, No. 1 A.L.O.E. ABBOTT, JACOB. WINGS AND STRINGS. AMERICAN HISTORY. NEW YORK. 1869 NEW YORK. 1860 Reel: 996, No. 2 Reel: 503, No. 1 A.L.O.E. ABBOTT, JACOB. YOUNG PILGRIM. AMERICAN HISTORY. LONDON. 1864 NEW YORK. 1860 Reel: 675, No. 1 Reel: 503, No. 1 A.W.H. ABBOTT, JACOB. GOLD AND SILVER. AMERICAN HISTORY. NEW YORK. 1857 NEW YORK. 1860 Reel: 372, No. 3 Reel: 504, No. 1 ABBEY. ABBOTT, JACOB. PHILADELPHIA. 1867 AMERICAN HISTORY. Reel: 876, No. 4 NEW YORK. 1860 Reel: 504, No. 1 ABBIE, AUNT. ED LEE AND SAILOR DICK. ABBOTT, JACOB. BOSTON. 1866 AMERICAN HISTORY. Reel: 819, No. 4 NEW YORK. 1860 Reel: 504, No. 1 4 The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index ABBOTT, JACOB. ABBOTT, JACOB. APPLE GATHERING. CARL AND JOCKO. BOSTON. 1857 NEW YORK. 1857 Reel: 380, No. 5 Reel: 379, No. 1 ABBOTT, JACOB. ABBOTT, JACOB. APPLE GATHERING. CARLO. NEW YORK. 1864 PHILADELPHIA. 1864 Reel: 696, No. 3 Reel: 696, No. 1 ABBOTT, JACOB. ABBOTT, JACOB. AUNT MARGARET. CAROLINE. NEW YORK. 1856 LONDON. 1855 Reel: 347, No. 2 Reel: 203, No. 5 ABBOTT, JACOB. ABBOTT, JACOB. AUNT MARGARET. CAROLINE. NEW YORK. 1856 NEW YORK. 1853 Reel: 353, No. 8 Reel: 167, No. 5 ABBOTT, JACOB. ABBOTT, JACOB. BEECHNUT. CAUSEY BUILDING. NEW YORK. 1850 BOSTON. 1857 Reel: 26, No. 2 Reel: 376, No. 8 ABBOTT, JACOB. ABBOTT, JACOB. BLUEBERRYING. CAUSEY BUILDING. NEW YORK. 1866 NEW YORK. 1864 Reel: 813, No. 9 Reel: 699, No. 3 ABBOTT, JACOB. ABBOTT, JACOB. BOYS OWN WORKSHOP. CONGO. EDINBURGH. 1866 NEW YORK. 1857 Reel: 768, No. 6 Reel: 376, No. 3 ABBOTT, JACOB. ABBOTT, JACOB. BRUNO, OR, LESSONS OF FIDELITY.... CONGO. NEW YORK. 1854 NEW YORK. 1857 Reel: 246, No. 2 Reel: 387, No. 2 ABBOTT, JACOB.
Recommended publications
  • Muslim Women's Pilgrimage to Mecca and Beyond
    Muslim Women’s Pilgrimage to Mecca and Beyond This book investigates female Muslims pilgrimage practices and how these relate to women’s mobility, social relations, identities, and the power struc- tures that shape women’s lives. Bringing together scholars from different disciplines and regional expertise, it offers in-depth investigation of the gendered dimensions of Muslim pilgrimage and the life-worlds of female pilgrims. With a variety of case studies, the contributors explore the expe- riences of female pilgrims to Mecca and other pilgrimage sites, and how these are embedded in historical and current contexts of globalisation and transnational mobility. This volume will be relevant to a broad audience of researchers across pilgrimage, gender, religious, and Islamic studies. Marjo Buitelaar is an anthropologist and Professor of Contemporary Islam at the University of Groningen, The Netherlands. She is programme-leader of the research project ‘Modern Articulations of Pilgrimage to Mecca’, funded by the Netherlands Organisation for Scientific Research (NWO). Manja Stephan-Emmrich is Professor of Transregional Central Asian Stud- ies, with a special focus on Islam and migration, at the Institute for Asian and African Studies at Humboldt-Universität zu Berlin, Germany, and a socio-cultural anthropologist. She is a Principal Investigator at the Berlin Graduate School Muslim Cultures and Societies (BGSMCS) and co-leader of the research project ‘Women’s Pathways to Professionalization in Mus- lim Asia. Reconfiguring religious knowledge, gender, and connectivity’, which is part of the Shaping Asia network initiative (2020–2023, funded by the German Research Foundation, DFG). Viola Thimm is Professorial Candidate (Habilitandin) at the Institute of Anthropology, University of Heidelberg, Germany.
    [Show full text]
  • “Writing About Music” Vol
    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure.
    [Show full text]
  • Deutsche Nationalbibliografie 2012 T 12
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 12 Stand: 19. Dezember 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT12_2012-3 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 46106 73-26,887
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings of^pitterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Tyler the Creator Släpper Det Efterlängtade Albumet IGOR
    2019-05-17 11:03 CEST Tyler The Creator släpper det efterlängtade albumet IGOR LYSSNA: https://lnk.to/TylerIGOREC IGOR (uttalas eee-gor) är Tyler The Creators första album sen hans Grammy- nominerade Flower Boy som släpptes 2017, och som kom att bli en vändpunkt i hans karriär. Förutom den rapparen han är, är Tyler även producent, regissör och en sann popkulturell influencer. Bortsett från hans musik har Tyler byggt ett imperium med sin egen musikfestival Camp Flog Gnaw som hållts i Los Angeles varje år sen 2012, och GOLF som är hans egna klädmärke men även sitt omtalade samarbete med Converse. Bland credits på IGOR finns Kanye West,Lil Uzi Vert, Playboi Carti, Al Green och CullenOmori (Smith Westerns). Visa inbäddat innehåll här Följ Tyler på Instagram och Twitter, där han även förklarar hur han vill man ska lyssna på IGOR: IGOR. THIS IS NOT BASTARD. THIS IS NOT GOBLIN. THIS IS NOT WOLF. THIS IS NOT CHERRY BOMB. THIS IS NOT FLOWER BOY. THIS IS IGOR. PRONOUNCED EEE-GORE. DONT GO INTO THIS EXPECTING A RAP ALBUM. DONT GO INTO THIS EXPECTING ANY ALBUM. JUST GO, JUMP INTO IT. I BELIEVE THE FIRST LISTEN WORKS BEST ALL THE WAY THROUGH, NO SKIPS. FRONT TO BACK. NO DISTRACTIONS EITHER. NO CHECKING YOUR PHONE NO WATCHING TV NO HOLDING CONVO, FULL ATTN TOWARDS THE SOUNDS WHERE YOU CAN FORM YOUR OWN OPINIONS AND FEELINGS TOWARDS THE ALBUM. SOME GO ON WALS, SOME DRIVE, SOME LAY IN BED AND SPONGE IT ALL UP. WHATEVER IT IS YOU CHOOSE, FULLY INDULGE. WITH VOLUME.
    [Show full text]
  • View / Open OURJ Spring 2018 Lelkins.Pdf
    Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression.
    [Show full text]
  • An Anthology of Maritime Reading Experiences
    An Anthology of Maritime Reading Experiences A book that has been read at sea has a near claim on our friendship, and is a thing one is loath to part with, or change, even for a better book. But the well-tried friend of many voyages is, oh, so hard to part with at sea. A resting-place in the solemn sea of sameness—in the trackless ocean, marked only by imaginary lines and circles—is a cheerless spot to look to; yet, how many have treasures there! (Voyage of the Liberdade, by Joshua Slocum. Boston, Robinson & Stephenson, 1890. p. 30) Allen, Everett S. Children of the Light: The Rise and Fall of New Bedford Whaling and the Death of the Arctic Fleet. Boston: Little, Brown, 1973. A somewhat elegiac tale of the decline of whaling and New Bedford, contrasted with descriptions of the life of the Inuit, before and after the coming of the whalers to the Beaufort Sea area. Main focus at end is on the disastrous season at Pt. Barrow of the whaling fleet which abandoned over 25 ships, but managed to rescue over 1200 whalemen. p. 89: When a library was donated to New Bedford by the Friends Society in 1813, a committee of members went over the list of books and discarded many, such as several foremost English poets and Shakespeare's works, as unfit for young people to read. This opposition to certain aspects of culture and the arts, implemented by the influential Quaker leadership, was dominant in the New Bedford area for many years.
    [Show full text]
  • Unrealistic Weeds of Love and Romance: the Korean Drama and the "Flower Boy" Genre
    UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2015 Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre Colby Y. Miyose University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Korean Studies Commons, and the Mass Communication Commons Repository Citation Miyose, Colby Y., "Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre" (2015). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2390. http://dx.doi.org/10.34917/7645975 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. UNREALISTIC WEEDS OF LOVE AND ROMANCE: THE KOREAN DRAMA AND THE “FLOWER BOY” GENRE By Colby Y. Miyose Bachelor of Arts in Communication Studies and Sociology University of Nevada, Las Vegas 2013 A thesis submitted in partial fulfillment of the requirements for the Master of Arts -- Communication Studies Department of Communication Studies Greenspun College of Urban Affairs The Graduate College University of Nevada, Las Vegas May 2015 Copyright by Colby Y.
    [Show full text]
  • Kennedy, W. C. Collegiate Institute Yearbook 1966-1967
    University of Windsor Scholarship at UWindsor Essex County (Ontario) High School Yearbooks Southwestern Ontario Digital Archive 1967 Kennedy, W. C. Collegiate Institute Yearbook 1966-1967 Kennedy, W. C. Collegiate Institute (Windsor, Ontario) Follow this and additional works at: https://scholar.uwindsor.ca/essexcountyontariohighschoolyearbooks Part of the Public History Commons Recommended Citation Kennedy, W. C. Collegiate Institute (Windsor, Ontario), "Kennedy, W. C. Collegiate Institute Yearbook 1966-1967" (1967). Essex County (Ontario) High School Yearbooks. 83. https://scholar.uwindsor.ca/essexcountyontariohighschoolyearbooks/83 This Book is brought to you for free and open access by the Southwestern Ontario Digital Archive at Scholarship at UWindsor. It has been accepted for inclusion in Essex County (Ontario) High School Yearbooks by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Essex County Branch of The Ontario Genealogical Society (EssexOGS) Active Members: Preserving Family History; Networking & Collaborating; Advocates for Archives and Cemeteries This yearbook was scanned by the Essex County Branch of The Ontario Genealogical Society in conjunction with the Leddy Library on the campus of the University of Windsor for the owners of the book. The EssexOGS yearbook scanning project is for preservation and family history research purposes by the Essex County Branch membership. This document is made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder and cannot be used for any commercial purposes, and may not be altered.
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:06 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Morgan and I wanted to kick off 2020, and the 2020s in general, with a look back at the decade we just left behind, and to do so the two of us have compiled our favorite ten of the 2010s. 00:00:24 Music Music [The following songs play in rapid succession, crossfading into each other with no gap between them] “Fall in Love (Your Funeral)” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Up-tempo, grooving R&B/soul. You don't wanna fall in love [Fades into…] 00:00:28 Music Music “See You Again” off the album Flower Boy by Tyler, the Creator. A short instrumental section with soaring horns. Fades into… 00:00:35 Music Music “Ah Yeah” off the album Black Radio by Robert Glasper Experiment. Slow, harmonized vocalizing over snaps. Fades into… 00:00:44 Music Music “Momma” off the album To Pimp a Butterfly by Kendrick Lamar. Mid-tempo rap. Sun beaming on his beady beads exhausted Tossing footballs with his ashy black ankles [Fades into…] 00:00:50 Music Music “Drunk in Love” off the album Beyoncé by Beyoncé. Poppy hip-hop. Surfboard, surfboard Graining on that wood, graining, graining on that wood [Fades into…] 00:00:56 Music Music “Nights” off the album Blond by Frank Ocean.
    [Show full text]
  • Bristol.Ac.Uk/Events Lecture Mon 24 October
    What’s on at the University of Bristol October 2011 Public events bristol.ac.uk/events Lecture Mon 24 October Lecture Thu 20 October Talk Tue 25 October Concert Wed 26 October PUBLIC EVENTS THURSDAY 13 OCTOBER 6 pm INAUGURAL LECTURE A thimble, a pimple, or an egg on legs? Working out how working memory works Psychologists assume that humans use working memory to carry out complex tasks, but what form does our working memory take and does it really do anything useful for us? In this talk Professor Jarrold will answer these questions, drawing particularly on research with children and with individuals with developmental conditions. Speaker Professor Chris Jarrold, School of Experimental Psychology Venue Wills Memorial Building, Queen’s Road, BS8 1RJ Admission Free, no booking required. For further information contact Nicola Fry tel: +44 (0)117 92 88515, email: [email protected], web: bristol.ac.uk/pace/public-lectures/inaugural/2011/jarrold.html Organised by the Public and Ceremonial Events Office MONDAY 17 OCTOBER 6 pm TWILIGHT TALK Photography and the discovery of the universe In 2009 we celebrated the 400th anniversary of Galileo’s use of the telescope to usher in the era of modern astronomy. The second major revolution in our understanding the nature of the Universe came with the invention of photography in 1839. This enabled us to see the unseen and allowed astrophysics to flourish. Eventually it also allowed us to photograph the Universe in colour, revealing cosmic landscapes of surprising beauty and variety. This talk is a profusely illustrated, non- technical description of photographic developments to capture the universe and the interesting characters and unexpected ideas that were involved.
    [Show full text]
  • The Aura in the Age of Digital Materiality
    THE AURA IN THE AGE OF DIGITAL MATERIALITY RETHINKING PRESERVATION IN THE SHADOW OF AN UNCERTAIN FUTURE The project is part of the exhibition LA RISCOPERTA DI UN CAPOLAVORO 12 March – 28 June 2020 Palazzo Fava, Palazzo delle Esposizioni, Bologna A project of: Under the patronage of: A collection of essays assembled by Factum Foundation All projects carried out by the Factum Foundation are collaborative to accompany the exhibition and there are many people to thank. This is not the place to name everyone but some people have done a great deal to make all this The Materiality of the Aura: work possible including: Charlotte Skene Catling, Otto Lowe, New Technologies for Preservation Tarek Waly, Simon Schaffer, Pasquale Gagliardi, Fondazione Giorgio Cini and everyone in ARCHiVe, Bruno Latour, Hartwig Fischer, Palazzo Fava, Bologna Jerry Brotton, Roberto Terra, Cat Warsi, John Tchalenko, Manuela 12 March – 28 June 2020 Mena, Peter Glidewell, The Griffi th Institute, Emma Duncan, Lord Pontificio Consiglio della Cultura Rothschild, Fabia Bromofsky, Ana Botín, Paloma Botín, Lady Helen Hamlyn, Ziyavudin and Olga Magomedov, Rachid Koraïchi, Andrew ‘Factum Arte’ can be translated from the Latin as ‘made with Edmunds, Colin Franklin, Ed Maggs, the Hereford Mappa Mundi skill’. Factum’s practice lies in mediating and transforming material. Trust, Rosemary Firman, Philip Hewat-Jaboor, Helen Dorey, Peter In collaboration with: Its approach has emerged from an ability to record and respond to Glidewell, Purdy Rubin, Fernando Caruncho, Susanne Bickel, the subtle visual information manifest in the physical world around Markus Leitner and everyone at the Swiss Embassy in Cairo, Jim us.
    [Show full text]