Below 83 Happy Hour Hunting 2010
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Places to Go, People to See Thursday, Feb
Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night. -
Vampire Weekend Album Download Vampire Weekend Start '2021' with New 40:42 EP Featuring Two New Reinterpretations of Their Song
vampire weekend album download Vampire Weekend start '2021' with new 40:42 EP featuring two new reinterpretations of their song. For their new 40:42 EP released Thursday, the Grammy-winning band commissioned acclaimed jazz saxophonist Sam Gendel and the Connecticut rock quintet Goose to both create their own reinterpretations of the Father of the Bride album track. One twist though: Vampire Weekend gave Gendel and Goose the directive to turn their one minute and thirty-nine second long song into two twenty minute and twenty-one second versions (hence the title 40:42 ). In addition to fans being able to hear the two unique interpretations, Gendel and Goose both came with their own visuals. While Gendel's jazzy take comes with some improvisational animation, Goose chose to film themselves performing an intimate, up-close take on the song. Watch both Sam Gendel and Goose's versions of Vampire Weekend's "2021" above. The 40:42 EP is now available to stream across all digital platforms. Vampire Weekend. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £12.49. With the Internet able to build up or tear down artists almost as soon as they start practicing, the advance word and intense scrutiny doesn't always do a band any favors. By the time they've got a full-length album ready to go, the trend-spotters are already several Hot New Bands past them. Vampire Weekend started generating buzz in 2006 -- not long after they formed -- but their self-titled debut album didn't arrive until early 2008. -
President Munson His Successful Past Hints at RIT’S Future
The University Magazine Fall 2017 Introducing President Munson His successful past hints at RIT’s future Record number of alumni heading to medical school • First in their families to graduate government policy, designing a new piece of technology, initiating a social movement or launching a start-up company, every student can be involved in creating things that never before existed, and then putting the result into play, in an effort to improve the world. One can never underestimate the power of students and their ideas, supported by outstanding faculty and staff. By working together, we can turn big dreams into real- ity. That’s why I am excited and honored to become this great university’s 10th president. What a thrill and privilege this is for me and for Nancy. We are energized by the cutting- RIT: The University Magazine edge nature of RIT, including its talented and Executive Editors ambitious students, faculty, staff and alumni. Bob Finnerty ’07, Marketing and Communications RIT has been rapidly ascending for Deborah M. Stendardi, Government and Community Relations many years, under the leadership of President John Trierweiler, Marketing and Communications Bill Destler and his predecessors, and is now Editor one of the top few universities in the nation Mindy Mozer, Marketing and Communications Lamark Photo by Elizabeth working at the intersection of technology, Contributing Editors RIT President David Munson began in July. the arts and design. We can continue to use Lisa Cauda, Development and Alumni Relations these strengths—the core of the university— Kim Slusser, Development and Alumni Relations Craig Smith, Development and Alumni Relations to help build important and unique programs Cindy Sobieraj, Development and Alumni Relations FROM THE PRESIDENT in all disciplines, including business, the Art Director health sciences and the liberal arts. -
Set List Select Several Songs to Be Played at Your Event / Party
FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO ELO - Mr. Blue Sky Lykke Li - I follow Rivers St. Vincent - Digital Witness Elton John - Tiny Dancer Major Lazer – Lean On Stealers Wheel - Stuck in the Middle With You Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Empire of the Sun - Walking On a Dream Mariah Carey - Fantasy Steely Dan - Hey Nineteen Belle and Sebastian - Your Covers Blown 90's R&B Medley Amy Winehouse - Valerie Feist - 1,2,3,4 Mark Morrison - Return of the Mack Steely Dan - Peg Black Keys - Gold On the Ceiling TLC Ariel Pink - Round + Round Feist - Sea Lion Woman Mark Ronson - Uptown Funk Stevie Nicks - Stand Back Bon Iver – Holocene Usher Beach Boys - God Only Knows Fleetwood Mac - Dreams Marvin Gaye - Ain't No Mountain High Enough Stevie Wonder - Higher Ground Bon Iver - Re: Stacks Montell Jordan Beck - Debra Fleetwood Mac - Never Going Back MGMT - Electric Feel Stevie Wonder - Sir Duke Bon Iver - Skinny Love Mark Morrison Beck - Where It’s At Fleetwood Mac - Say You Love Me Michael Jackson - Human Nature Stevie Wonder- Superstition Christopher Cross - Sailing Next Belle and Sebastian - Your Covers Blown Fleetwood Mac - You Make Lovin Fun Michael Jackson - Don’t Stop Til You Get Enough Supremes - You Can't Hurry Love David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Billy Preston - Nothing From Nothing Frank Ocean – Lost Michael Jackson - Human Nature Talking Heads - Burning Down the House Eagles - Hotel California New Order Black Keys - Gold On the Ceiling Frankie Vailli - December 1963 (Oh What A Night) Michael Jackson - O The Wall Talking Heads - Girlfriend is Better ELO - Mr. -
US, JAPANESE, and UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, and the CONSTRUCTION of TEEN IDENTITY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories BLOCKING THE SCHOOL PLAY: US, JAPANESE, AND UK TELEVISUAL HIGH SCHOOLS, SPATIALITY, AND THE CONSTRUCTION OF TEEN IDENTITY by Jennifer Bomford B.A., University of Northern British Columbia, 1999 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2016 © Jennifer Bomford, 2016 ABSTRACT School spaces differ regionally and internationally, and this difference can be seen in television programmes featuring high schools. As television must always create its spaces and places on the screen, what, then, is the significance of the varying emphases as well as the commonalities constructed in televisual high school settings in UK, US, and Japanese television shows? This master’s thesis considers how fictional televisual high schools both contest and construct national identity. In order to do this, it posits the existence of the televisual school story, a descendant of the literary school story. It then compares the formal and narrative ways in which Glee (2009-2015), Hex (2004-2005), and Ouran koukou hosutobu (2006) deploy space and place to create identity on the screen. In particular, it examines how heteronormativity and gender roles affect the abilities of characters to move through spaces, across boundaries, and gain secure places of their own. ii TABLE OF CONTENTS Abstract ii Table of Contents iii Acknowledgement v Introduction Orientation 1 Space and Place in Schools 5 Schools on TV 11 Schools on TV from Japan, 12 the U.S., and the U.K. -
Network TEN – RADIO SCRIPT
Network TEN – RADIO SCRIPT PROGRAMME GLEE CAST RADIO VERSIONS / DUR ALL VERSIONS. 30-45s PRODUCER ANDREW GARRICK: 0416 026 408 SUE SYLVESTER SOURCE AUDIO JANE LYNCH AUDIO TEN'S GLEE PROMO TAKE 1. [BEEP] OKAY SUE… ENG SUE WAIT A MOMENT…SNIFFS THE AIR. I CAN SMELL SYLVESTER SOMETHING IN HERE. AUDIO UMMM ENG SUE HAVE YOU HAD A GEEK HERE IN THE BOOTH? SYLVESTER AUDIO UMM, YEAH ENG SUE OKAY, LET ME STOP YOU THERE, BUTTON PUSHER. I SYLVESTER DON'T DO THIS. I DON'T GET IN CRAMPED SPACES WHERE PEOPLE WHO ARE BELOW ME HAVE BEEN. I DON'T SIT IN PHONE BOXES WITH MY GARDNER JORGE AND I DON'T DO THIS. AUDIO AHHH..OKAY. ENG SUE YOU DO IT. I WILL NOT BE A PART OF THIS…DISRESPECT. SYLVESTER AUDI HIT NEW SERIOUS GLEE. TONIGHT, ON TEN. ENGINEER SUE SERIOUSGLEE SYLVESTER Network TEN – RADIO SCRIPT FINN HUDSON SOURCE AUDIO CORY MONTEITH FEMALE TEN'S GLEE PROMO TAKE 1. [BEEP] AUDIO ENG FINN OKAY. THANKS. HI AUSTRALIA, IT'S FINN HUSON HERE, HUDSON FROM TEN'S NEW SHOW GLEE. FEMALE IT'S REALLY GREAT, AND I CAN ONLY TELL YOU THAT IT'S FINN COOL TO BE A GLEEK. I'M A GLEEK, YOU SHOULD BE TOO. HUDSON FEMALE OKAY, THAT'S PRETTY GOOD FINN. CAN YOU MAYBE DO IT AUDIO WITH YOUR SHIRT OFF? ENG FINN WHAT? HUDSON FEMALE NOTHING. AUDIO ENG FINN OKAY… HUDSON FEMALE MAYBE JUST THE LAST LINE AUDIO ENG FINN OKAY. UMM. GLEE – 730 TONIGHT, ON TEN. SERIOUSGLEE HUDSON FINN OKAY. -
Promotional Process for the Gwinnet
Oral Examination Preparation Guide for the rank of Ambulance Commander in the City of Chicago Fire Department Copyright © 2017, IOS, Inc. Copyright © 2016, IOS, Inc. 1 Page intentionally left blank. Table of Contents Table of Contents ............................................................................................................................... 2 Welcome! ............................................................................................................................................. 3 Introduction ......................................................................................................................................... 4 Contents of This Guide ..................................................................................................................... 5 The Oral Examination ........................................................................................................................ 6 Measurement Areas ....................................................................................................................... 6 Preparation Period ......................................................................................................................... 6 Administration Mode ..................................................................................................................... 6 Scenarios and Questions Asked.................................................................................................. 7 Scoring ............................................................................................................................................. -
Drama, the Body, and Primitive Accumulation in Early Modern
RUDE MECHANICALS: STAGING LABOR IN THE EARLY MODERN ENGLISH THEATER by Matthew Kendrick BA, English, University of New Hampshire, 2005 MA, English, University of Rochester, 2006 Submitted to the Graduate Faculty of the University of Pittsburgh in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Matthew Kendrick It was defended on September 29, 2011 and approved by John Twyning, Professor, Department of English, University of Pittsburgh Jennifer Waldron, Professor, Department of English, University of Pittsburgh Nicholas Coles, Professor, Department of English, University of Pittsburgh Rachel Trubowitz, Professor, Department of English, University of New Hampshire Dissertation Co-Chair: Jennifer Waldron, Professor, Department of English, University of Pittsburgh Dissertation Co-Chair: John Twyning, Professor, Department of English, University of Pittsburgh ii Copyright © by Matthew Kendrick 2011 iii Rude Mechanicals: Staging Labor in the Early Modern English Theater Matthew Kendrick, PhD University of Pittsburgh, 2011 This dissertation explores the relationship between the early modern theater and changing conceptions of labor. Current interpretations of the theater’s economic dimensions stress the correlation between acting and vagrant labor. I build on these approaches to argue that the theater’s connection to questions of labor was far more dynamic than is often thought. In particular, I argue that a full understanding of the relationship between the theater and labor requires that we take into account the theater’s guild origins. If theatricality was often associated with features of vagrant labor, especially cony-catching and rogue duplicity, the theater also drew significantly from medieval guild practices that valued labor as a social good and a creative force. -
Zespoły Portale
Kinga Śmigielska Zespoły portale jako miejsce wymiany muzycznych inspiracji w czasach kultury realnej wirtualności Kinga Śmigielska iększość badaczy zajmujących się mobilnoś- Doktorantka w Instytucie Wcią dźwięku 1 skupia się głównie na przestrzen- Kulturoznawstwa nym i technicznym aspekcie tego zjawiska. Interesu- Uniwersytetu im. Adama Mickiewicza w Poznaniu. je ich przede wszystkim obieg muzyki w materialnej =DMPXMHVLÛDQDOL]ÇNXOWXU\ formie poprzez wykorzystanie przenośnych urządzeń popularnej, szczególnie (jak telefony komórkowe, odtwarzacze MP3, table- PX]\NLRUD]ZVSµĄF]HVQ\PL ty), dystrybucja nagrań (zarówno w postaci fizycz- przejawami nostalgii. nych nośników, jak i plików cyfrowych) czy praktyki słuchania w uchu. Nie są to jednak jedyne przejawy mobilności występujące w sferze audialnej. Muzyka może „poruszać się” także na poziomie znaczenio- wym – poprzez wymianę inspiracji i wpływów mię- .LQJDĜPLJLHOVND dzy gatunkami i różnymi kulturami muzycznymi pochodzącymi zarówno z teraźniejszości, jak i prze- szłości. Widoczne jest to szczególnie w opisywanym przez brytyjskiego dziennikarza muzycznego Simona Reynoldsa zjawisku retromanii, czyli nostalgicznym zwrocie ku przeszłości występującym w muzyce ostat- nich kilkunastu lat, które wyraża się między innymi poprzez ponowne zainteresowanie nośnikami analo- gowymi, reaktywacje zespołów, a przede wszystkim różnego rodzaju nawiązania intertekstualne ( revival, sampling, remiks, cover). Retromania może być w du- żym stopniu powiązana z przemianami zachodzący- mi w społeczeństwie sieciowym, którymi zajmował się Manuel Castells. Współczesna kultura opiera się na zjawiskach bezczasowego czasu i przestrzeni prze- pływów, gdzie zatarte zostają granice między przeszło- 1 Zob. The Oxford Handbook of Mobile Music Studies, red. S. Gopinath, J. Stanyek, Oxford University Press, Oxford 2014; ,,Wi: Journal of Mobile Me- dia” 1(7)/2013; ,,Wi: Journal of Mobile Media” 2(9)/2015. 172 ścią, teraźniejszością i przyszłością. -
Confinement: a Memoir of Abortion
CONFINEMENT: A MEMOIR OF ABORTION by Jessica Hadley Woolford A Thesis Submitted to the Faculty of Graduate Studies in Partiat Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of Manitoba Winnipeg, Manitoba @ Copyright Jessica Hadley Woolford 2005 0-494-08994-6 Library and Bibliothèque et a*I Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellinqton Street 395, rue Wellinoton Ottawa ON-K1A 0N4 Ottawa ON K1A-0N4 Canada Canada Your file Votre référence /SB¡úi ourfrle Notre ré\érence /SB/Vi NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclus¡ve exclusive license alloWing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publÍsh, preserve, arch¡ve, conserve, sauvegarder! conserver, transmettre au public communicate to the public by par télécommunication ou par I'lnternet, prêter, telecommunication or on the lnternet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commerc¡al or non- sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author reta¡ns copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwíse reproduits sans son autorisation. -
RIT in Croatia
The University Magazine Fall 2007 RIT in Croatia Clinton speaks Baja blast New president More than Thrills, spills at Bill Destler shares 13,000 hear international his vision for former president competition RIT’s future A word from the new president Imagine what RIT can be I am so pleased (and complimented!) to be graduate and undergraduate students, writing this as RIT’s new president and to and facilities available to companies to begin a conversation about how we might, carry out short- and medium-term corpo- working together, take RIT to the next rate research and development projects at level. This wonderful institution, born of a low cost and without the usual intellectual RIT: The University Magazine merger between the Rochester Athenaeum, property fights that usually derail such where local businessmen gathered to efforts. Imagine a “Corporate R&D at RIT” Executive Editors improve themselves through educational program in which hundreds of companies Deborah M. Stendardi Government and Community Relations programming, and the Mechanics Insti- discover that they can once again afford to Bob Finnerty ’07, University News Services tute, again initiated by local businessmen do new product to train workers for local industries, has research and de- Editor Kathy Lindsley, University News Services evolved under the leadership of President velopment, while Simone and his predecessors into one of the identifying future Contributing Editors Lisa Cauda, Development and Alumni Relations nation’s best and most unique universities. employees at the Craig Smith, Development For it is not just the career-orienta- same time. Lydia Palmer, Development tion of RIT that makes the university so Imagine, Kelly Redder, Alumni Relations Alumni Relations Staff unusual. -
Fury Vs. WVU (Right) Haley Knauf Wins Another Faceoff for the Fury
1 **ecrwss Postal Customer **ecrwss Postal Independent- U.S. Postage U.S. 1 • Wednesday, Feb. 13, 2019 - The Independent-Register STD PRSRT Register Paid FREE! TAKE ONE Albertson Memorial Library The Brodhead welcomes new director ................ 3 Pastor’s corner .................................. 5 • Independent Register Obituaries ........................................... 6 608•897•2193 SHOPPING NEWS 922 W. EXCHANGE STREET, BRODHEAD, WI 53520 WEDNESDAY, FEB. 13, 2019 Pets of the week ..............................8 Fury vs. WVU (Right) Haley Knauf wins another faceoff for The Fury. SUSIE KNAUF PHOTO Brodhead Independent-Register Fury falls twice, earns second seed Fury earns sectional second seed The WIAA has set regional/sec- tional seedings for girls high school hockey! The Rock County Fury earns second seed and will first take on seventh seed Badger Lightning in Regional Finals on Thursday, Feb. 14, at 7 p.m. in Beloit. Future sec- tional games will be posted to WIAA girls hockey website: http://halftime. wiaawi.org/CustomApps/Tourna- ments/Brackets/HTML/2019_Hock- ey_Girls_Div1_Sec3_4.html Fury falls to Arrowhead On another snowy evening the Fury traveled to Hartland to take on the Arrowhead Warhawks on Feb. 5. The first period ended in a 0-0 tie. The second period proved to be the most active of the evening with three penalties to Fury’s one in that peri- od alone. The Warhawks pulled to a 2-0 lead halfway through the second. With less than three minutes of the period remaining, the Fury went to work on a power play. Cammi Gan- shert fired a shot from the blueline. Alyssa Knauf was there for the pass to her sister Haley who passed the puck to Anika Einbeck for the Fury goal to cut the Warhawks lead in half.