The Subtle Arbitrios of Cervantes: Don Quijote As a Cautionary Tale for Leaders
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Edition Bounces Back at Newmarket Cont
SUNDAY, 12 AUGUST 2018 ALPHA ATTRACTION MAIN EDITION BOUNCES Like the stars of the silver screen alighting on the Cannes Film BACK AT NEWMARKET Festival, the Niarchos Family=s Alpha Centauri (Ire) (Mastercraftsman {Ire}) is the prime head-turner on display in Deauville on Sunday as she bids to extend her summer dominance in the G1 Prix du Haras de Fresnay-le-Buffard Jacques le Marois, a >Win and You=re In= qualifier for the GI Breeders= Cup Mile. Guided to easy wins in the June 22 G1 Coronation S. and July 13 G1 Falmouth S. by Colm O=Donoghue following her breakthrough success in the G1 Irish 1000 Guineas, the homebred >TDN Rising Star> has ground conditions in her favour here and a comfortable cushion on ratings. AI=m looking forward to it, she=s in good form and came out of the Falmouth really well,@ her rider commented. AObviously she=s flying over there for the first time and group ones are never easy to win, but we are going there full of confidence.@ Cont. p5 Main Edition is now four wins from five starts | Racing Post IN TDN AMERICA TODAY ANOTHER BROWN-LETTER DAY IN CHICAGO For the second year in a row, trainer Chad Brown came to Arlington Putting her most recent disappointment in the G2 Duchess of Park and conquerered, leaving with wins in the GI Arlington Million Cambridge S. behind her, Main Edition (Ire) (Zoffany {Ire}) and GI Beverly D. S. Click or tap here to go straight to TDN returned to winning ways by leading at every step of America. -
“Ella Pelea En Mí Y Vence En Mí”: Dulcinea, Ideal Amoroso Del Caballero De La Voluntad
“Ella pelea en mí y vence en mí”: Dulcinea, ideal amoroso del Caballero de la Voluntad CARLOS MATA INDURÁIN* ulcinea es un personaje complejo, cuyo análisis puede ser abordado –así D lo ha hecho la crítica– desde muy diversas perspectivas: se puede anali- zar su figura como componente de la materia amorosa, que forma junto con la materia caballeresca y la literaria los tres grandes núcleos temáticos del Quijote; se puede estudiar su función estructural (Dulcinea al servicio de la narración: pienso especialmente en todo lo relacionado con su encantamien- to y su desencantamiento en la Segunda Parte); se puede poner en relación con el estatus de la locura de don Quijote y la evolución de su carácter en las dos Partes, y con la problemática relación que se establece en la novela entre realidad y ficción, o entre apariencia y realidad; en este sentido, Dulcinea es también un factor determinante en la relación entre el caballero y su escude- ro Sancho Panza; la dualidad Dulcinea-Aldonza brinda abundantes momen- tos para la comicidad y la parodia, en pasajes que permiten la conformación de un mundo carnavalesco; se puede abordar el estudio de Dulcinea desde el psicoanálisis y la sexualidad1, etc., etc. Además, debemos partir del hecho fundamental de que Dulcinea es un personaje que no existe, que es la creación de una creación: Dulcinea es una invención de don Quijote de la Mancha, que a su vez es una invención de Alonso Quijano (que, a su vez, es una invención de Cervantes). Incluso po- * GRISO-Universidad de Navarra 1 Véase la Bibliografía final, y especialmente Javier S. -
Politics and Power in the Gothic Drama of MG Lewis
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF LAW, ARTS & SOCIAL SCIENCES School of Humanities Politics and Power in the Gothic Drama of M.G. Lewis By Rachael Pearson Thesis for the degree of Doctor of Philosophy December 2011 1 2 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF LAW, ARTS AND SOCIAL SCIENCES SCHOOL OF HUMANITIES Thesis submitted for the degree of Doctor of Philosophy POLITICS AND POWER IN THE GOTHIC DRAMA OF M.G. LEWIS Rachael Pearson Matthew Lewis‟s 1796 novel The Monk continues to attract critical attention, but the accusation that it was blasphemous has overshadowed the rest of his writing career. He was also a playwright, M. P. and slave-owner. This thesis considers the need to reassess the presentation of social power, primarily that of a conservative paternalism, in Lewis‟s dramas and the impact of biographical issues upon this. -
Las Transformaciones De Aldonza Lorenzo
Lemir 14 (2010): 205-215 ISSN: 1579-735X ISSN: Las transformaciones de Aldonza Lorenzo Mario M. González Universidade de São Paulo RESUMEN: Aldonza Lorenzo aparece en el Quijote tan solo como la base real en que se apoya la creación de la dama del caballero andante, Dulcinea del Toboso, a partir del pasado enamoramiento del hidalgo por la labradora. No obstante, permanece en la novela como una referencia tanto para don Quijote como para su escudero. Para el caballero, lo que permite esa aproximación es la hermosura y la honestidad de una y otra, exacta- mente los atributos que Sancho Panza niega radicalmente en Aldonza para crear lo que puede llamarse una «antidulcinea». A la obsesión de don Quijote por desencantar a Dulcinea, parecería subyacer la de salvar la hermosura y honestidad de Aldonza Lorenzo. De hecho, cuando todos los elementos de la realidad son paulatinamente recuperados por el caballero en su vuelta a la cordura, la única excepción es Aldonza Lo- renzo, de quien Alonso Quijano sugestivamente nada dice antes de morir. ABSTRACT: Aldonza Lorenzo appears in Cervantes’s Don Quixote merely as the source that gave birth to the knight- errant’s imagined ladylove Dulcinea del Toboso ever since the Hidalgo fell in love with the farm girl in the past. However, Aldonza Lorenzo remains a reference to Don Quixote and his squire Sancho Panza throughout the novel. For the knight, beauty and honesty aproximate both girls, the real and the imagi- nary, while his squire denies those virtues in Aldonza creating what can be defined as an «anti-dulcinea». -
Span-300: Cervantes' Don Quixote
SPAN-300: CERVANTES' DON QUIXOTE Lecture 21 - Don Quixote, Part II: Chapters LIV-LXX [November 17, 2009] Chapter 1. Improvisation, International Dimension and Influence of Art on Reality [00:00:00] Professor Roberto González Echevarría: There are three issues that I want to bring up as I begin today's lecture that will determine my general themes today: improvisation, the international dimension that the fiction of the novel acquires, and the influence of art or of literature on reality; those are the general topics. As we move to the conclusion of the Quixote, the issue of how to bring the novel to a close must have loomed large in Cervantes' mind. The plot of the novel is repetitive, more than sequential, with a vague quest of the protagonist to revive the age of chivalry, concretely, to participate in the jousts in Saragossa as goals, but there is no obvious or impending goal to the characters' wonderings. Although, one could argue, with Williamson, the critic I mentioned in the last lecture, that the disenchantment of Dulcinea is the main purpose of Don Quixote and Sancho set by Merlin's prophecy and involving the three thousand lashes that Sancho must apply to his bottom, and the interplay between the two about accomplishing that goal of disenchanting Dulcinea. Yet, even, this is no clear mission whose accomplishment would bring the novel to an end. What if Dulcinea is disenchanted? How could she be disenchanted? What would that mean? Would she and Don Quixote, then, marry? This is not mentioned by the protagonist, nor is marriage normally a desired end to courtly love. -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Guías Diarias Para El Quijote Parte I, Cap
Guías diarias para el Quijote Parte I, cap. 3 RESUMEN: Don Quixote begs the innkeeper, whom he mistakes for the warden of the castle, to make him a knight the next day. Don Quixote says Parte I, cap. 1 that he will watch over his armor until the morning in the chapel, which, RESUMEN: Don Quixote is a fan of “books of chivalry” and spends most he learns, is being restored. A muleteer comes to water his mules and of his time and money on these books. These tales of knight-errantry drive tosses aside the armor and is attacked by Don Quixote. A second muleteer him crazy trying to fathom them and he resolves to resuscitate this does the same thing with the same result. Made nervous by all this, the forgotten ancient order in his modern day in order to help the needy. He innkeeper makes Don Quixote a knight before the morning arrives. cleans his ancestor’s armor, names himself Don Quixote, names his horse, and finds a lady to be in love with. PREGUNTAS: 1. ¿Qué le pide don Quijote al ventero? PREGUNTAS: 2. ¿Por qué quiere hacer esto el ventero? 1. ¿De dónde es don Quijote? 3. ¿Qué aventuras ha tenido el ventero? 2. ¿Era rico don Quijote? 4. ¿Por qué busca don Quijote la capilla? 3. ¿Quiénes vivían con don Quijote? 5. ¿Qué consejos prácticos le da el ventero a don Quijote? 4. ¿Por qué quería tomar la pluma don Quijote? 6. ¿Qué quería hacer el primer arriero al acercarse a don Quijote por la 5. -
Love and Contracts in Don Quixote Martha Ertman
Don Quixote: Interdisciplinary Connections Edited by Matthew D. Warshawsky and James A. Parr On the cover: Santiago Moix “Señores” said Don Quixote, “let us go slowly, for there are no birds today in yesterday’s nests” (Don Quixote series, hand colored), 2008, Drypoint with hand-coloring, Paper Size: 19 1/2 x 25 inches, Image Size: 14 7/8 x 20 7/8 inches, Edition of 5. Courtesy the artist and Pace Prints. Copyright © 2013 LinguaText, Ltd. All rights reserved Juan de la Cuesta—Hispanic Monographs An imprint of LinguaText, Ltd. 10 3 Wa l ker Way Newark, Delaware 19711-6119 usa (302) 453-8695 Fax: (302) 453-8601 www.JuandelaCuesta.com Manufactured in the United States of America isbn: 978-1-58871-235-6 11 Love and Contracts in Don Quixote Martha Ertman iewing love as a contract seems, initially, like mistaking windmills for giants, or a peasant girl for a grand lady. This paper seeks, like Don Quixote, to convince you to suspend Vyour practiced views of everyday relationships in order to see them in a new light. What seems crazy at first glance may come to look as good, and sometimes better, than the more conventional view. As a law pro- fessor, I usually write about love and contracts by focusing on legal opinions and statutes, and recently I have added real-life stories from books and newspapers, as well as my friends, family, colleagues, and students.1 But if I am right that love and contracts often complement instead of oppose each other, then my argument that contracts shape the beginning, middle, and demise of love relationships ought to hold true in fiction as well, especially for the jump-off-the-page characters and situations in Don Quixote. -
Fiction Excerpt 2: from the Adventures of Don Quixote
Fiction Excerpt 2: From The Adventures of Don Quixote (retold with excerpts from the novel by Miguel de Cervantes) Once upon a time, in a village in La Mancha, there lived a lean, thin-faced old gentleman whose favorite pastime was to read books about knights in armor. He loved to read about their daring exploits, strange adventures, bold rescues of damsels in distress, and intense devotion to their ladies. In fact, he became so caught up in the subject of chivalry that he neglected every other interest and even sold many acres of good farmland so that he might buy all the books he could get on the subject. He would lie awake at night, absorbed in every detail of these fantastic adventures. He would often engage in arguments with the village priest or the barber over who was the greatest knight of all time. Was it Amadis of Gaul or Palmerin of England? Or was it perhaps the Knight of the Sun? As time went on, the old gentleman crammed his head so full of these stories and lost so much sleep from reading through the night that he lost his wits completely. He began to believe that all the fantastic and romantic tales he read about enchantments, challenges, battles, wounds, and wooings were true histories. At last he fell into the strangest fancy that any madman has ever had: he resolved to become himself a knight errant, to travel through the world with horse and armor in search of adventures. First he got out some rust-eaten armor that had belonged to his ancestors, then cleaned and repaired it as best he could. -
Fall 2015 CERVANTES' DON QUIXOTE Prof. Julio Baena Syllabus
Fall 2015 SPAN 3700: SELECTED READINGS. SPANISH LITERATURE IN TRANSLATION. CERVANTES’ DON QUIXOTE Prof. Julio Baena Office: McKenna 24 Office hours: Mondays 10-12; Wednesdays 1-3, and by appointment e-mail address: [email protected] Syllabus Don Quixote de la Mancha is one of the most important books ever written. No literary critic in the world, or cultural critic, or even philosopher fails to mention it, to analyze it to interpret it. It has been influential to thinkers from Lukács to Foucault to Bakhtin to Girard to the Frankfurt School, and to writers from Sterne to Nabokov to Borges to Flaubert. No other book in the world, except for the Bible, has been translated to more languages, or undergone more editions and reprints, or generated so many books and articles about it. It is, of course, a novel, the first modern novel according to most critics, a herald of modernity, but it is also a book that scrutinizes the human psyche, the nature of empire and domination, the reality of the real, or the way in which it is reality that imitates fiction as much as the other way around. The purpose of this course is to read and comment this one book. Or it can be argued that it is two books, because Cervantes published Part I in 1605, and Part II in 1615… or it can be argued that it is three books, because a “fake” Don Quixote was published in 1614, which Cervantes incorporates in a brilliant intertextual exercise, or it can even be argued—following Borges—that we are dealing with an unlimited number of Don Quixotes. -
Don Quijote De La Mancha
Don Quijote de la Mancha Página !1 de !7 Índice 1. Introducción 2. Descripción de Don Quijote 3. Descripción de Sancho Panza 4. Argumentos de los episodios principales de la primera parte 1. Introducción Don Quijote de la Mancha es una novela escrita por Miguel de Cervantes Saavedra, que aparece en el libro como narrador homodiegético, esto es, que interviene a la par como narrador y personaje, explica (en el capítulo 9) que no tenía los manuscritos de la continuación de la novela que, como ingenioso recurso literario, atribuye a un autor árabe (Cide Hamete Benengeli), pero que los encontró casualmente paseando en Toledo, de modo que podrá seguir relatando las aventuras de don Quijote, después de que consiga quien le traduzca los "caracteres que conocí ser arábigos". Tiene dos partes; la primera, que es en la que nos vamos a centrar, se titula: El ingenioso hidalgo don Quijote de la Mancha, escrito a comienzos de 1605, que consta de 52 capítulos, separados en 4 partes de 8, 6, 14 y 24 capítulos. La primera parte comienza describiendo a un hidalgo pobre en un lugar de la mancha indeterminado, entonces aquí hay que destacar el famoso verso: “En algún lugar de la Mancha de cuyo nombre no quiero acordarme no ha mucho tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua, rocín flaco y galgo corredor.” Con la palabra hidalgo se refiere a un noble no titulado, es decir, no reconocido. Cuando dice “lanza en astillero” quiere decir que tiene olvidada su lanza, es decir, que no la usa y la tiene en el astillero que era una estantería para colocar lanzas. -
Unamuno's “Quixotism”
The Pennsylvania State University The Graduate School College of the Liberal Arts FLESH AND BONE: UNAMUNO’S “QUIXOTISM” AS AN INCARNATION OF KIERKEGAARD’S “RELIGIOUSNESS A” A Dissertation in Philosophy By Mary Ann Alessandri © 2010 Mary Ann Alessandri Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 ii The dissertation of Mary Ann Alessandri was reviewed and approved* by the following: Shannon Sullivan Professor of Philosophy, Women’s Studies and African and African American Studies Head of the Department of Philosophy Dissertation Adviser Co-Chair of Committee Daniel Conway, Professor and Department Head Philosophy Department, Texas A&M University Co-Chair of Committee Special Member Brady Bowman Assistant Professor of Philosophy John P. Christman Associate Professor of Philosophy and Political Science Nicolás Fernández-Medina Assistant Professor of Spanish Literature, Department of Spanish, Italian and Portuguese *Signatures are on file in the Graduate School. iii ABSTRACT My dissertation explores the philosophical kinship between the existentialist thinkers Søren Kierkegaard (1813-1855) and Miguel de Unamuno (1864-1936) in an attempt to resurrect an ethically religious way of life. In Kierkegaard’s writings one can find a description of a passionately committed way of life that is distinguishable from both his conception of ethics and his version of Christianity. He calls this form of ethical religion or religious ethics “Religiousness A,” but he fails to give a vivid illustration of it that definitively distinguishes it from ethics and Christianity. As a result, the scholarship on Religiousness A is impoverished, and what would otherwise amount to a promising new way of being religious in a secular world has been largely regarded as unimportant or simply a watered-down version of Christianity.