The Costs of Exclusionary Practices in Women's Studies
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Under Western Eyes Revisited: Feminist Solidarity Through
“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles Author(s): Chandra Talpade Mohanty Reviewed work(s): Source: Signs, Vol. 28, No. 2 (Winter 2003), pp. 499-535 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/342914 . Accessed: 11/04/2012 00:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org Chandra Talpade Mohanty “Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles write this essay at the urging of a number of friends and with some trepidation, revisiting the themes and arguments of an essay written I some sixteen years ago. This is a difficult essay to write, and I undertake it hesitantly and with humility—yet feeling that I must do so to take fuller responsibility for my ideas, and perhaps to explain whatever influence they have had on debates in feminist theory. “Under Western Eyes” (1986) was not only my very first “feminist stud- ies” publication; it remains the one that marks my presence in the inter- national feminist community.1 I had barely completed my Ph.D. -
Judith Butler's Notion of Gender Performativity
Judith Butler’s Notion of Gender Performativity To What Extent Does Gender Performativity Exclude a Stable Gender Identity? J.T. Ton MSc 3702286 Faculty Humanities Department of Philosophy and Religious Studies Research Group Philosophy Date: 25-06-2018 Supervisor: Dr. J.E. de Jong Second reviewer: Dr. H.L.W. Hendriks Content ABSTRACT 2 INTRODUCTION 3 CONTEXT 3 RESEARCH QUESTION 3 METHOD 3 OUTLINE 4 1. IS THERE A DIFFERENCE BETWEEN GENDER AND SEX? 6 1.1 THE DISTINCTION BETWEEN GENDER AND SEX 6 1.2 BUTLER’S CRITIQUE OF THE DISTINCTION BETWEEN GENDER AND SEX 7 2. BUTLER’S NOTION OF GENDER PERFORMATIVITY 8 2.1 GENDER AS A SOCIAL CONSTRUCT 8 2.2 WHAT IT MEANS TO BE PERFORMATIVE 9 3. GENDER IDENTITY IS UNSTABLE 11 3.1 GENDER IDENTITY BEING UNSTABLE IS PROBLEMATIC 11 3.2 BUTLER’S EXAMPLE OF TRANSGENDER PEOPLE IS PROBLEMATIC 12 3.3 BUTLER’S EXAMPLE OF DRAG IS PROBLEMATIC 13 CONCLUSION 14 RESEARCH QUESTION 14 IMPLICATIONS IN A BROADER CONTEXT 15 METHOD 15 FURTHER RESEARCH 16 REFERENCES 17 APPENDIX 1 – FORM COGNIZANCE PLAGIARISM 18 1 Abstract The idea that gender is socially constructed has been accepted as common knowledge for a long time. This raises the question how does the construction of gender work. Judith Butler proposed that gender is performative. What does Butler (1999, 2004, 2011) mean when she uses the term gender performativity and to what extent does her view of gender being performative leave room for gender as a stable identity? In this thesis I argue that Butler’s notion of gender performativity implies that that gender identity is unstable. -
Developing a Corporeal Cyberfeminism: Beyond Cyberutopia
Article new media & society 12(6) 929–945 Developing a corporeal © The Author(s) 2010 Reprints and permission: http://www. cyberfeminism: beyond sagepub.co.uk/journalsPermission.nav DOI: 10.1177/1461444809350901 cyberutopia http://nms.sagepub.com Jessica E. Brophy University of Maine, USA Abstract This article discusses – and rejects – cyberutopia, an idealized theory of internet use that requires users to leave their bodies behind when online. The author instead calls for a cyberfeminist perspective in relation to studying the internet and other new media, centrally locating corporeality and embodiment. The underutilized concept of intra-agency is then employed to develop liminality in relation to the experience of going online. The author then outlines different versions of cyberfeminism and endorses that which addresses the relationships between the lived experiences of users and the technology itself. The article concludes with a call for theorists to expand and enrich the concepts used to study new media. Key words body, corporeality, cyberfeminism, dualism, gender, ntra-agency, liminality, torsion There are no utopian spaces anywhere except in the imagination. (Grosz, 2001: 19) Many of the early discourses surrounding the internet were utopian in nature, claiming that the disembodied nature of online spaces creates an egalitarian online experience, devoid of the discrimination attributed to the embodied experience. Feminists, in particular, have been quick to assess the possibilities of gender bending (Danet, 1998), online activism and connectivity (Hawthorne and Klein, 1999), though not all feminists have uncritically accepted the internet as a potentially utopian medium (Kramarae, 1998; Stabile, 1994). This article recognizes the importance of exploring the feminist potentialities of disembodied and dislocated online interaction, yet calls for a more nuanced approach to understanding the role of the body and materialism in studies of the internet. -
Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature
12 Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature Maya Zalbidea Paniagua Camilo José Cela University of Madrid Spain 1. Introduction In 2010 I had the opportunity to interview Julianne Pierce, writer and artist who took part of the first cyberfeminist group called VNS Matrix, at the conference "Riot Girls Techno Queen: the Rise of Laptop Generation Women" at the Reina Sofía Museum in Madrid. When I asked her what she thought about present day cyberfeminism she answered melancholically: "Cyberfeminist movements are not as visible as they used to be during the 90s" ("Personal Interview with Julianne Pierce by Maya Zalbidea Paniagua" n/p) It is certainly true that the 80s and 90s supposed the golden age of cybercultures. Cybernetics arrived in the 1960s (Wiener 1968) but the glorious age of the Internet started in the 80s. In 1984 William Gibson coined the term cyberspace and anticipated the Internet revolution in his novel Neuromancer (1984). Other cyberpunk novels also illustrated a post-apocalyptic future such as: Do Androids Dream of Electric Sheep? (1968) by Philip K. Dick. Cyberpunk films such as Blade Runner (1982) and The Terminator (1984) received enormous impact. And some years later the Web was invented by British scientist Tim Berners-Lee in 1989, CERN publicized the new World Wide Web project in 1991, and during the 90s cyberfeminist theories and movements spread internationally. Unfortunately a climax of disillusion and a crisis of moral values has influenced negatively cyberfeminist thought, promoted by the idea that women in the third world cannot have access to the Internet, the battle between ecofeminists and cyberfeminists, and the ecological awareness of the difficulty to eliminate electronic garbage. -
Under Western Eyes Revisited
“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles Author(s): Chandra Talpade Mohanty Reviewed work(s): Source: Signs, Vol. 28, No. 2 (Winter 2003), pp. 499-535 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/342914 . Accessed: 06/12/2011 07:28 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org Chandra Talpade Mohanty “Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles write this essay at the urging of a number of friends and with some trepidation, revisiting the themes and arguments of an essay written I some sixteen years ago. This is a difficult essay to write, and I undertake it hesitantly and with humility—yet feeling that I must do so to take fuller responsibility for my ideas, and perhaps to explain whatever influence they have had on debates in feminist theory. “Under Western Eyes” (1986) was not only my very first “feminist stud- ies” publication; it remains the one that marks my presence in the inter- national feminist community.1 I had barely completed my Ph.D. -
The Question of Power and Authority in Gender Performance: Judith Butler’S Drag Strategy Charlotte Coles (University of Edinburgh)
eSharp Issue 9 Gender: Power and Authority The Question of Power and Authority in Gender Performance: Judith Butler’s Drag Strategy Charlotte Coles (University of Edinburgh) Once I went through a border with a drag queen, who was dressed butch to Pass as a man. I was dressed femme to pass as a girl They pulled us over and wanted to see our suitcases. So we switched suitcases. He got my suitcase, with suits and ties and letters to girls. And I got his suitcase with dresses and high heels and poems to boys. They passed us through as normal. (P. Shaw cited in Senelick, 2000, p.490) So I thought I’d carry another woman’s eggs for her. I don’t mean I had a market stall. No, for lesbian couples who couldn’t have children, I had eighteen babies in a period of three years. I was prolific, I had to have me pelvic floor laminated. (L. Savage, 2006) Debates surrounding drag have proved controversial within feminist thought. When drag queens first emerged as proud symbols of the gay liberation movement, many felt a need to distance themselves from what, as they saw it, was a mocking of women. Although drag drew on the transparent performance of gendered imagery to challenge stereotypes of gender and sexuality, those performances were (and continue to be) defined primarily by male mastery of the depiction of highly selective feminine identities that focus on surface aesthetics (hair, clothing, make-up) rather than social narratives of family or reproduction. Consequently, feminist criticism has critiqued drag as the reproduction of a specifically sexualized rendering of feminine identity, which reflects persistent hierarchies of desire and desirability: of men dressing as the male-oriented version of women. -
Transnational Feminist Crossings: on Neoliberalism and Radical Critique Author(S): Chandra Talpade Mohanty Source: Signs, Vol
Transnational Feminist Crossings: On Neoliberalism and Radical Critique Author(s): Chandra Talpade Mohanty Source: Signs, Vol. 38, No. 4, Intersectionality: Theorizing Power, Empowering Theory (Summer 2013), pp. 967-991 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/669576 Accessed: 04-04-2017 03:00 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs This content downloaded from 133.30.212.88 on Tue, 04 Apr 2017 03:00:52 UTC All use subject to http://about.jstor.org/terms Chandra Talpade Mohanty Transnational Feminist Crossings: On Neoliberalism and Radical Critique hat happens to feminist scholarship and theory in our neoliberal aca- W demic culture? Have global and domestic shifts in social movement ac- tivism and feminist scholarly projects depoliticized antiracist, women- of-color, and transnational feminist intellectual projects? By considering how my own work has traveled, and what has been lost ðand foundÞ in translation into various contexts, I offer some thoughts about the effects of neoliberal, national-security-driven geopolitical landscapes and postmodern intellectual framings of transnational, intersectional feminist theorizing and solidarity work. -
Feminist Futures: Trauma, the Post-9/11 World and a Fourth Feminism? E
Journal of International Women's Studies Volume 4 Issue 2 Harvesting our Strengths: Third Wave Article 5 Feminism and Women’s Studies Apr-2003 Feminist Futures: Trauma, the Post-9/11 World and a Fourth Feminism? E. Ann Kaplan Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Kaplan, E. Ann (2003). Feminist Futures: Trauma, the Post-9/11 World and a Fourth Feminism?. Journal of International Women's Studies, 4(2), 46-59. Available at: http://vc.bridgew.edu/jiws/vol4/iss2/5 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2003 Journal of International Women’s Studies. Feminist Futures: Trauma, the Post-9/11 World and a Fourth Feminism? By E. Ann Kaplani Abstract This article will engage with the possibilities of feminist futures. That there is no monolithic feminism is a good, it at times uncomfortable, fact: positions, actions and knowledge – constantly being contested, questioned, and debated – mean that feminism is alive and well, and always changing in accord with larger social, historical and political changes. However, the ways in which social and political conditions on both local and global levels are impacting on feminism must be addressed. The post-9/11 world is one in which we need to re-think what feminisms have achieved and how the various groups positioned under the term “feminisms” can move forward. -
Cyberfeminism
Cyberfeminism Kira Hall Rutgers University, Camden This is an offprint from: Susan C. Herring (ed.) Computer-Mediated Communication 1. Introduction* John Benjamins Publishing Company Amsterdam/Philadelphia In her now classic "A Manifesto for Cyborgs", Donna Haraway ([1985]1990) brings together a number of disparate philosophical responses to the increasing 1996 sophistication of technology, and identifies a new feminism. Arguing that the (Published as Vol. 39 of the series blurring of the boundaries between human and machine will eventually make the PRAGMATICS AND BEYOND NEW SERIES, categories of female and male obsolete, she contemplates the ''utopian dream for ISSN 0922-842X) the hope of a monstrous world without gender" (610). Her futuristic vision, inspired in part by the gender-free utopias of feminist science fiction, I is an ISBN 90 272 5051 0 (Hb: Eur.) I 1-55619-800-0 (Hb; US) extension of the postmodern interest in challenging essentialist and dualistic understandings of gender. With her concluding pronunciation ''I would rather be ©Copyright 1996 - John Benjamins B.V. a cyborg than a goddess''. Haraway urges feminists to give up their gender emphasizing icons in favor of gender-neutralizing ones. ''This is a dream not of . No part of this book may be reproduced in any fonn, by a common language," she explains, ''but of a powerful infidel heteroglossia'' print, photoprint, microfilm or any other means, without written permission (610). from the publisher. Haraway's dream of heteroglossia is born from the theoretical tenets of postmodernism, which Jacquelyn Zita (1992) claims "make[s] possible the transmutation of male to female as a matter of shifting contextual locations that 'reinvent' the body'' (110). -
Kristen Ghodsee Feminism-By-Design: Emerging
Kristen Ghodsee Feminism-by-Design: Emerging Capitalisms, Cultural Feminism, and Women’s Nongovernmental Organizations in Postsocialist Eastern Europe Whatever happens in my part of the world, I see it in terms of class for- mation or the formation of income inequalities. I see gender and national sentiment as only helping these class formations.1 omen of color within the United States as well as women from de- veloping countries have attacked the hegemony of Western cultural W feminism. The idea of a global sisterhood erases important differ- ences in power and access to resources among women of varying races, ethnicities, and nationalities. These critiques, however, have often gone unheeded in the reconstruction projects of the former “second world.” Western feminists and their nongovernmental organizations (NGOs) have been employed by the multilateral and bilateral aid communities to help women in former socialist countries survive the process of economic trans- formation. At the same time, many local women throughout Central and Eastern Europe (CEE) have resisted the importation of cultural feminist ideologies. They have stubbornly refused to develop a collective gendered identity to advocate for their own rights. I wish to extend special thanks to Caren Kaplan, Inderpal Grewal, Pedro Noguera, and Irene Tinker, all of whom read and gave extensive comments on early drafts of this article. I would also like to thank Gail Kligman, Elissa Helms, Valentine Moghadam, Rebecca Do- linhow, Vangelis Stefatos, Anne Clifford, Jennifer Scanlon, and Christian Filipov for various forms of help with the manuscript. The research for this article was made possible by the generous support of the Bulgarian-American Fulbright Commission, the International Re- search and Exchanges Board, the Eastern European Studies Program at the Woodrow Wilson International Center for Scholars, the University of California, Berkeley, and Bowdoin Col- lege. -
<1>Black Cyberfeminism: Ways Forward for Intersectionality and Digital Sociology </1> Tressie Mcmillan Cottom This P
<1>Black CyberFeminism: Ways Forward for Intersectionality and Digital Sociology </1> In Daniels, J., Gregory, K. & McMillan Cottom, T. (Eds.). (2016). Digital sociologies. Policy Press. Tressie McMillan Cottom This paper considers what intersectionality brings to digital sociology. I will use digital sociology to mean: observing social processes at the micro, meso, and macro level that are transformed or mediated by digital logics, technologies and platforms. The most common application of intersectionality in studies of the Internet or the digital is to social media. Millions of people use social media to navigate identities that are more complex than single analytical frames like race, class, gender and sexuality can fully capture. We are messy and complicated and we seem to want our digital tools to reflect that. But, intersectionality was never just an analytical tool to describe the lived experiences. Intersectionality was to be an account of power as much as it was an account of identities (Crenshaw 1991). Here, the potential of intersectionality to understand the reproduction of unequal power relations have not yet been fully realized. This is especially true of macro and meso, or institutional, analyses. Drawing on my research of online and for-profit education, I argue that black cyberfeminist theory can refine digital sociology’s understanding of identities, institutions and political economies in the data age by centering intersectionality. Specifically, I examine how privacy debates benefit when intersectional analysis reveals how different groups use strategic hypervisibility and resist forced context collapse. Classification situations offers a refinement of black cyberfeminism themes to examine how one mechanism, algorithmic stratification, differently access to and returns from digitally mediated interactions. -
Simone De Beauvoir & Existential Phenomenology: a Bibliography
Simone De Beauvoir & Existential Phenomenology: A Bibliography Ted Toadvine Emporia State University I. Primary Sources (Listed Chronologically) The following have been consulted for primary sources by Simone de Beauvoir: Bennett, Joy, and Gabriella Hochrnann. Simone de Beauvoir: An Annotated Bibliography. New York: Garland, 1988. (Interviews only.) Cayron, Claire. La nature chez Simone de Beauvoir. Paris: Gallirnard, 1973. Francis, Claude and Femande Gontier. Les ecrits de Simone de Beauvoir. Paris: Gallirnard, 1979. Simons, Margaret A., ed. Feminist Interpretations ofSimone de Beauvoir. University Park: The Pennsylvania State University, 1995. Moi, ToriI. Simone de Beauvoir: The Making ofan Intellectual Woman. Cambridge: Blackwell Publishers, 1994. Zephir, Jacques J. Le neo-feminisme de Simone de Beauvoir. Paris: Denoel-Gonthier, 1982. Of these, Les ecrits de Simone de Beauvoir, edited by Francis and Gontier, is the most comprehensive through 1977 and contains many useful summaries and quotations from obscure sources. 1926 Camet. Holograph Manuscript. Bibliotheque Nationale de France, Paris. 1927 Camet #4. Holograph Manuscript. Bibliotheque Nationale de France, Paris. 1928-29 Camet #6. Holograph Manuscript. Bibliotheque Nationale de France, Paris . 1929-30 Camet #7. Holograph Manuscript. Bibliotheque Nationale de France , Paris . 1943 L 'invitee. Paris: Gallimard. Translated as She Came To Stay, by Yvonne Moyse and Roger Senhouse. Cleveland: World Publishing, 1954. 206 TED TOADVINE 1944 "Jeunes agregee de philosophie de Beauvoirva presentersa premiere piece," interviewed by Yves Bonnat. Le Soir (13 October). "Un promeneur dans Paris insurge," in collaboration with J.-P. Sartre. Combat (28, 29, and 30 August; 1,2, and 4 September). Pyrrhus et Cineas . Paris: Gallimard. 1945 Les bouches inutiles. Paris : Gallimard.