Under Western Eyes Revisited
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A Postcolonial Feminist Critique of the 2030 Agenda for Sustainable Development: a South African Application
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stellenbosch University SUNScholar Repository A Postcolonial Feminist Critique of the 2030 Agenda for Sustainable Development: A South African Application by Christiane Struckmann Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in International Studies in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof Pieter Fourie Co-supervisor: Prof Amanda Gouws March 2017 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2017 Copyright © 2017 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za ABSTRACT The United Nations 2030 Agenda for Sustainable Development, more commonly known as the Sustainable Development Goals (SDGs), was launched in September 2015. The SDGs are a global target-setting development agenda aimed at ending poverty, protecting the planet, and ensuring peace and prosperity for all by 2030. The SDGs have been lauded for vastly improving on their predecessor, the Millennium Development Goals (MDGs), by broadening the global development agenda to include environmental, social, economic and political concerns, and for, in the process of their formulation, engaging with member states and civil society groups. -
Gender, War and Conflict, INTL 200-02/WMST 276-01 Tuesdays and Thursday 3-4:20, Fellows 203 Denison University, Spring 2007
Gender, War and Conflict, INTL 200-02/WMST 276-01 Tuesdays and Thursday 3-4:20, Fellows 203 Denison University, Spring 2007 Instructor: Isis Nusair Email: [email protected] Office: Knapp 210C, Phone: x8537 Office Hours: Tuesdays and Thursdays 4:30-6 pm Course Description This course aims to make feminist sense of contemporary wars and conflicts. It analyzes the intersections between gender, race, class, and ethnicity in national conflicts. The class traces the gendered processes of defining citizenship, national identity and security, and examines the role of institutions like the military in the construction of femininity and masculinity. The course focuses on the gendered impact of war and conflict through examining torture, mass rape, genocide, and refugee displacement. It analyzes the strategies used by women’s and feminist movements to oppose war and conflict, and the gendered impact of war prevention, peacekeeping, and post-war reconstruction. The class draws on cases from Africa, the Americas, Asia, Europe, and the Middle East and North Africa. The class is interdisciplinary and gives equal weight to theory and practice while drawing on writings by local and global activists and theorists. Class Requirements Students in addition to reading the course material, attending screening sessions, and participating in class discussion will monitor at least one media outlet and trace the representation of gender, war and conflict. The course requirements also include 2 class presentations, 5 papers, and a final research paper. Papers constitute 50% of the evaluation, the final research paper constitutes 30% of the evaluation, class presentations constitute 10% of the evaluation, and class participation and web-postings constitute 10% of the evaluation. -
Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times
FEMINIST MEDIA STUDIES, 2016 VOL. 16, NO. 4, 610–630 http://dx.doi.org/10.1080/14680777.2016.1193293 Post-postfeminism?: new feminist visibilities in postfeminist times Rosalind Gill Department of Sociology, City University, London, UK ABSTRACT KEYWORDS This article contributes to debates about the value and utility Postfeminism; neoliberalism; of the notion of postfeminism for a seemingly “new” moment feminism; media magazines marked by a resurgence of interest in feminism in the media and among young women. The paper reviews current understandings of postfeminism and criticisms of the term’s failure to speak to or connect with contemporary feminism. It offers a defence of the continued importance of a critical notion of postfeminism, used as an analytical category to capture a distinctive contradictory-but- patterned sensibility intimately connected to neoliberalism. The paper raises questions about the meaning of the apparent new visibility of feminism and highlights the multiplicity of different feminisms currently circulating in mainstream media culture—which exist in tension with each other. I argue for the importance of being able to “think together” the rise of popular feminism alongside and in tandem with intensified misogyny. I further show how a postfeminist sensibility informs even those media productions that ostensibly celebrate the new feminism. Ultimately, the paper argues that claims that we have moved “beyond” postfeminism are (sadly) premature, and the notion still has much to offer feminist cultural critics. Introduction: feminism, postfeminism and generation On October 2, 2015 the London Evening Standard (ES) published its first glossy magazine of the new academic year. With a striking red, white, and black cover design it showed model Neelam Gill in a bright red coat, upon which the words “NEW (GEN) FEM” were superimposed in bold. -
9780295744117.Pdf (3.082Mb)
Feminist Technosciences Rebecca Herzig and Banu Subramaniam, Series Editors 1r.Roy, Molecular Feminisms.indd 1 1/28/19 1:10 PM 1r.Roy, Molecular Feminisms.indd 2 1/28/19 1:10 PM Molecular Feminisms BIOLOGY, BECOMINGS, AND LIFE IN THE LAB DEBOLEENA ROY University of Washington Press Seattle 1r.Roy, Molecular Feminisms.indd 3 1/28/19 1:10 PM Publication of this open monograph was the result of Emory University’s participa- tion in TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. TOME aims to expand the reach of long-form humanities and social science scholarship including digital scholarship. Additionally, the program looks to ensure the sustainability of university press monograph pub- lishing by supporting the highest quality scholarship and promoting a new ecology of scholarly publishing in which authors’ institutions bear the publication costs. Funding from Emory University and the Andrew W. Mellon Foundation made it possible to open this publication to the world. www.openmonographs.org Copyright © 2018 by Deboleena Roy Printed and bound in the United States of America Interior design by Thomas Eykemans Composed in Chaparral, typeface designed by Carol Twombly Cover design by Katrina Noble Cover photograph by Kheyal Roy-Meighoo and Koan Roy-Meighoo 22 21 20 19 5 4 3 2 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. -
Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality. -
Under Western Eyes Revisited: Feminist Solidarity Through
“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles Author(s): Chandra Talpade Mohanty Reviewed work(s): Source: Signs, Vol. 28, No. 2 (Winter 2003), pp. 499-535 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/342914 . Accessed: 11/04/2012 00:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org Chandra Talpade Mohanty “Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles write this essay at the urging of a number of friends and with some trepidation, revisiting the themes and arguments of an essay written I some sixteen years ago. This is a difficult essay to write, and I undertake it hesitantly and with humility—yet feeling that I must do so to take fuller responsibility for my ideas, and perhaps to explain whatever influence they have had on debates in feminist theory. “Under Western Eyes” (1986) was not only my very first “feminist stud- ies” publication; it remains the one that marks my presence in the inter- national feminist community.1 I had barely completed my Ph.D. -
Dr. Chandra Talpade Mohanty Greater Philadelphia Women’S Studies Consortium Scholar in Residence
THE DEPARTMENT OF WOMEN AND GENDER STUDIES PRESENTS Dr. Chandra Talpade Mohanty Greater Philadelphia Women’s Studies Consortium Scholar in Residence “Wars, Walls, Borders: Anatomies of Violence and Transnational Feminist Critique” Wednesday, April 6, 2016 5:00-6:00 pm Gore Recital Hall in Roselle Center for the Arts Reception to follow Dr. Chandra Talpade Mohanty, Distinguished Professor of Women’s and Gender Studies and Dean’s Professor of the Humanities at Syracuse University, offers a postcolonial, anti-imperialist feminist critique that connects struggles for liberation across different geographies and develops a vision for transnational feminist praxis and solidarity work. Dr. Mohanty examines three securitized regimes—the US, Israel, and India—and three specific geopolitical sites—US/Mexico, Israel/ Palestine and India/Kashmir—as zones of normalized violence. Dr. Mohanty argues that at these sites, neoliberal and militarized state and imperial practices are often sustained by development/peace-keeping/humanitarian projects, thus illuminating the new contours of securitized states that function as imperial democracies. Dr. Chandra Talpade Mohanty is Distinguished Professor of Women’s and Gender Studies and Dean’s Professor of the Humanities at Syracuse University. Her work focuses on transnational feminist theory, anti-capitalist feminist praxis, anti-racist education, and the politics of knowledge. She is author of Feminism Without Borders: Decolonizing Theory, Practicing Solidarity and co-editor of Third World Women and the Politics of Feminism, Feminist Genealogies, Colonial Legacies, Democratic Futures, Feminism and War: Confronting U.S. Imperialism, and The Sage Handbook on Identities (Sage Publications, 2010). Her work has been translated into Arabic, German, Dutch, French, Italian, Spanish, Farsi, Chinese, Russian, Swedish, Thai, Korean, Turkish, Slovenian, Hindi, Czech, and Japanese. -
Transnational Forced Prostitution, African Female Bodies and Corporeal Resistance
DISLOCATED SUBJECTS: TRANSNATIONAL FORCED PROSTITUTION, AFRICAN FEMALE BODIES AND CORPOREAL RESISTANCE A Thesis Submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Laura E. Chasen, B.A. Washington, DC April 23, 2010 Copyright 2010 by Laura E. Chasen All Rights Reserved ii TABLE OF CONTENTS Introduction: Feminist Praxis, Corporeal Progress………………………………………1 Chapter 1: The Geography of Form - Bodies, Space and Capitalist Desire in Amma Darko’s Beyond the Horizon .....………………………………………………................9 Chapter 2: Reinscribing Power – Corporeal Acts and Body Inscription in Chris Abani’s, Becoming Abigail ……………………………………………………………………….26 Conclusion: What Can the Body Do for Transnational Feminism? – From the Individual to the Collective………………………………………………………………………...48 Bibliography………………………………………………………………………….....56 iii Introduction: Feminist Praxis, Corporeal Progress When I was working (in Nigeria), a friend told me that she had a friend, a woman, who arranged visas to Europe for girls who wanted to study … I went to my parents one day and we chatted about the matter. I am their first daughter and they wanted me to study … When I knew what was going on, you know, what could I do? I knew what they wanted me for in just a few hours after I arrived here and I was trapped. How could I escape, with no money, no car, no airplane ticket? … I didn’t even speak the language! Oh! It was impossible! … I still write my family, I have since I have been here. At first I told them that my life is fine here, I was working and studying. -
Judith Butler's Notion of Gender Performativity
Judith Butler’s Notion of Gender Performativity To What Extent Does Gender Performativity Exclude a Stable Gender Identity? J.T. Ton MSc 3702286 Faculty Humanities Department of Philosophy and Religious Studies Research Group Philosophy Date: 25-06-2018 Supervisor: Dr. J.E. de Jong Second reviewer: Dr. H.L.W. Hendriks Content ABSTRACT 2 INTRODUCTION 3 CONTEXT 3 RESEARCH QUESTION 3 METHOD 3 OUTLINE 4 1. IS THERE A DIFFERENCE BETWEEN GENDER AND SEX? 6 1.1 THE DISTINCTION BETWEEN GENDER AND SEX 6 1.2 BUTLER’S CRITIQUE OF THE DISTINCTION BETWEEN GENDER AND SEX 7 2. BUTLER’S NOTION OF GENDER PERFORMATIVITY 8 2.1 GENDER AS A SOCIAL CONSTRUCT 8 2.2 WHAT IT MEANS TO BE PERFORMATIVE 9 3. GENDER IDENTITY IS UNSTABLE 11 3.1 GENDER IDENTITY BEING UNSTABLE IS PROBLEMATIC 11 3.2 BUTLER’S EXAMPLE OF TRANSGENDER PEOPLE IS PROBLEMATIC 12 3.3 BUTLER’S EXAMPLE OF DRAG IS PROBLEMATIC 13 CONCLUSION 14 RESEARCH QUESTION 14 IMPLICATIONS IN A BROADER CONTEXT 15 METHOD 15 FURTHER RESEARCH 16 REFERENCES 17 APPENDIX 1 – FORM COGNIZANCE PLAGIARISM 18 1 Abstract The idea that gender is socially constructed has been accepted as common knowledge for a long time. This raises the question how does the construction of gender work. Judith Butler proposed that gender is performative. What does Butler (1999, 2004, 2011) mean when she uses the term gender performativity and to what extent does her view of gender being performative leave room for gender as a stable identity? In this thesis I argue that Butler’s notion of gender performativity implies that that gender identity is unstable. -
Developing a Corporeal Cyberfeminism: Beyond Cyberutopia
Article new media & society 12(6) 929–945 Developing a corporeal © The Author(s) 2010 Reprints and permission: http://www. cyberfeminism: beyond sagepub.co.uk/journalsPermission.nav DOI: 10.1177/1461444809350901 cyberutopia http://nms.sagepub.com Jessica E. Brophy University of Maine, USA Abstract This article discusses – and rejects – cyberutopia, an idealized theory of internet use that requires users to leave their bodies behind when online. The author instead calls for a cyberfeminist perspective in relation to studying the internet and other new media, centrally locating corporeality and embodiment. The underutilized concept of intra-agency is then employed to develop liminality in relation to the experience of going online. The author then outlines different versions of cyberfeminism and endorses that which addresses the relationships between the lived experiences of users and the technology itself. The article concludes with a call for theorists to expand and enrich the concepts used to study new media. Key words body, corporeality, cyberfeminism, dualism, gender, ntra-agency, liminality, torsion There are no utopian spaces anywhere except in the imagination. (Grosz, 2001: 19) Many of the early discourses surrounding the internet were utopian in nature, claiming that the disembodied nature of online spaces creates an egalitarian online experience, devoid of the discrimination attributed to the embodied experience. Feminists, in particular, have been quick to assess the possibilities of gender bending (Danet, 1998), online activism and connectivity (Hawthorne and Klein, 1999), though not all feminists have uncritically accepted the internet as a potentially utopian medium (Kramarae, 1998; Stabile, 1994). This article recognizes the importance of exploring the feminist potentialities of disembodied and dislocated online interaction, yet calls for a more nuanced approach to understanding the role of the body and materialism in studies of the internet. -
Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature
12 Cyberfeminist Theories and the Benefits of Teaching Cyberfeminist Literature Maya Zalbidea Paniagua Camilo José Cela University of Madrid Spain 1. Introduction In 2010 I had the opportunity to interview Julianne Pierce, writer and artist who took part of the first cyberfeminist group called VNS Matrix, at the conference "Riot Girls Techno Queen: the Rise of Laptop Generation Women" at the Reina Sofía Museum in Madrid. When I asked her what she thought about present day cyberfeminism she answered melancholically: "Cyberfeminist movements are not as visible as they used to be during the 90s" ("Personal Interview with Julianne Pierce by Maya Zalbidea Paniagua" n/p) It is certainly true that the 80s and 90s supposed the golden age of cybercultures. Cybernetics arrived in the 1960s (Wiener 1968) but the glorious age of the Internet started in the 80s. In 1984 William Gibson coined the term cyberspace and anticipated the Internet revolution in his novel Neuromancer (1984). Other cyberpunk novels also illustrated a post-apocalyptic future such as: Do Androids Dream of Electric Sheep? (1968) by Philip K. Dick. Cyberpunk films such as Blade Runner (1982) and The Terminator (1984) received enormous impact. And some years later the Web was invented by British scientist Tim Berners-Lee in 1989, CERN publicized the new World Wide Web project in 1991, and during the 90s cyberfeminist theories and movements spread internationally. Unfortunately a climax of disillusion and a crisis of moral values has influenced negatively cyberfeminist thought, promoted by the idea that women in the third world cannot have access to the Internet, the battle between ecofeminists and cyberfeminists, and the ecological awareness of the difficulty to eliminate electronic garbage. -
Postcolonial Feminism in Margaret Atwood's Fiction
International Journal of Linguistics and Literature (IJLL) ISSN 2319-3956 Vol. 2, Issue 3, July 2013, 11-20 © IASET POSTCOLONIAL FEMINISM IN MARGARET ATWOOD'S FICTION ASHRAF IBRAHIM ZIDAN Faculty of Arts, Port Said University, Port Said, Egypt ABSTRACT Margaret Atwood's fiction is greatly concerned with women‟s equality, the violence committed against women, and the convergence of Canada and women with reference to their comparable colonization. Her clear situation, insight vision, and well-determination enable her to be contiguous to women/Canada's wounds, defects, and corruption. This study highlights the natural close relationship between feminism and postcolonialism in Atwood's fiction. These concepts are classified as political, economic and social tools for fighting oppression, patriarchy/colonization, and injustice. This article also stresses the following issues: how women are colonized, victimized and silenced; how they themselves can be predators; how they may be responsible for their humiliation, downfall and disruption; and finally how they could achieve survival and freedom. KEYWORDS: Ethnocentrism, Feminism, Gender, Identity, Oligarchy, Oppression, Postcolonialism, Postfeminism, Separation, Survival, Theocracy INTRODUCTION This article explores the close relationship between feminism and postcolonialism in Margaret Atwood's fiction. These terms are classified as political, economic and social terms fighting oppression, patriarchy/colonization, and injustice. The article also stresses significant issues: how women are colonized, victimized and silenced; how women themselves are predators, as Atwood sometimes seems to be unconsciously anti-feminist though she is a staunch feminist; how they are responsible for their humiliation, downfall and disruption; and finally how they could achieve survival and freedom. I will limit my study to three novels of Atwood's, namely, The Edible Woman (1969), Surfacing (1972) and The Handmaid's Tale (1985), for many reasons.