33-108 Determinism As a Defining Element in Fitzgerald's Oeuvre
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In the Last Year Or So, Scholarship in American Literature Has Been
REVIEWS In the last year or so, scholarship in American Literature has been extended by the appearance of three exciting series which reassess, synthesize, and clarify the work and reputation of major American writers and literary groups. MASAJ begins with this issue reviews of representative titles in Twayne's United States Authors Series (Sylvia Bowman, Indiana University, General Editor); Barnes & Noble's American Authors and Critics Series (Foster Provost and John Mahoney, Duquesne University, General Editors); and The University of Minnesota Pamphlets on American Writers (William Van O'Connor, Allen Tate, Leonard Unger, and Robert Penn Warren, Editors), and will continue such reviews until the various series are completed. Twayne's United States Authors Series (TUSAS), (Hardback Editions) JOHN GREENLEAF WHITTIER. By Lewis Leary. New York: Twayne Pub lishers, Inc. 1961. $3.50. As a long overdue reappraisal, this book places Whittier squarely within the cultural context_of his age and then sympathetically, but objectively, ana lyzes his poetic achievement. Leary * s easy style and skillful use of quotations freshen the well-known facts of Whittier's life. Unlike previous biographers he never loses sight of the poet while considering Whittier's varied career as editor, politician and abolitionist. One whole chapter, "The Beauty of Holi ness ," presents Whittier1 s artistic beliefs and stands as one of the few extended treatments of his aesthetics in this century. Also Leary is not afraid to measure Whittier Ts limitations against major poets like Whitman and Emerson, and this approach does much to highlight Whittier's poetic successes. How ever, the book's real contribution is its illuminating examination of Whittier's artistry: the intricate expansion of theme by structure in "Snow-Bound," the tensions created by subtle Biblical references in "Ichabod, " and the graphic blending of legend and New England background in "Skipper Ireson's Ride." Even long forgotten poems like "The Cypress-Tree of Ceylon" reveal surprising poetic qualities. -
Psychoanalytic Criticism of the Life and Works of Henry James. Mary Clark Yost Hallab Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 Psychoanalytic Criticism of the Life and Works of Henry James. Mary Clark yost Hallab Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hallab, Mary Clark yost, "Psychoanalytic Criticism of the Life and Works of Henry James." (1971). LSU Historical Dissertations and Theses. 1925. https://digitalcommons.lsu.edu/gradschool_disstheses/1925 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71- 20,597 HALLAB, Mary Clark Yost, 19H-0- PSYCHOANALYTIC CRITICISM OF THE LIFE AND WORKS OF HENRY JAMES. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED PSYCHOANALYTIC CRITICISM OF THE LIFE AND WORKS OF HENRY JAMES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Mary Clark Yost Hallab B.A., Louisiana State University, 1961 M.A., Louisiana State University, 1965 January, 1971 ACKNOWLED GMENT S I wish to acknowledge my major professor Dr. Donald E. Stanford and the members of my committee, Drs. Fabian Gudas and Thomas A. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Creation, Memory, and Time in Faulkner's Mosquitoes
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Fall 12-14-2017 Cunningly Sweated: Creation, Memory, and Time in Faulkner's Mosquitoes Joseph C. Morecraft IV Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Morecraft, Joseph C. IV, "Cunningly Sweated: Creation, Memory, and Time in Faulkner's Mosquitoes." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/english_diss/186 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CUNNINGLY SWEATED: CREATION, MEMORY, AND TIME IN FAULKNER’S MOSQUITOES by JOSEPH MORECRAFT, IV Under the Direction of Pearl McHaney, PhD ABSTRACT This study focuses on the early fiction of William Faulkner, particularly Mosquitoes. Understood in critical context, this novel suffers from retrospective bias. That is, I believe that the brilliant work that immediately (and continually) succeeded this novel provided a critical comparison that made it impossible to ascribe the appropriate value that this second novel truly deserves. Mosquitoes was not only a necessary portal and stepping stone to his later/greater fiction, but it also stands on its own as a brilliant experiment allowing Faulkner to free himself from bonds of fragmented mimesis by submerging himself in his own social, literary, theological, and psychological influences, both past and present. Faulkner created a balance between the tension he felt of a traditional Christianity that was deeply ingrained into his southern psyche and a modern influence that consisted of Nietzsche, Freud, Bergson, and others. -
0192804685.Oxford.University.Press.USA.The.New.Oxford.Book.Of
THE NEW OXFORD BOOK OF LITERARY ANECDOTES This page intentionally left blank THE NEW OXFORD BOOK OF LITERARY ANECDOTES Edited by JOHN GROSS OXTORD UNIVERSITY PRESS 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York Introduction and selection © John Gross 2006 Additional copyright information appears on pp. 357–70 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2006 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data The new Oxford book of literary anecdotes / edited by John Gross. -
The Image of Journalism in American Poetry
The Image of Journalism in American Poetry By Howard Good Distinguished American poets of the past century and a half have portrayed journalism either ambivalently or negatively. Their view of the press, particular- ly of the mass-circulation newspaper and television, has been anything but un- biased. As their voices have been increasingly drowned out by shrill headlines and fast-talking newscasters, and as they have felt their cultural authority erod- ing, they have grown increasingly distraught and resentful. Poetry and journal- ism have seemed to most of them to occupy opposite ends of the spectrum, and if poetry were the inner temple of literature, the sanctum sanctorum, then jour- nalism was the red-light district. This study analyzes American poems about popular journalism published from the 1840s to the 1980s. The poems were selected partly because of the critical re- putations of their authors and partly because they follow a fairly straight evolu- tionary path.^ Another historian might have chosen other poems. Certainly oth- ers on the subject exist, some of which sing the praises of the press and its prac- titioners. A number appeared in the trade magazine The Journalist in the last dec- ade of the nineteenth and the first decade of the twentieth centuries: for example, A.E. Jessop's "Who Makes the Paper?" (1891), the anonymous "The Editor" (1902), and L.F. Burton's "A Night With the City Editor" (1904). But these were poems by unknown or little-known writers; and, in any case, they are peri- pheral to the central concern here, which is to examine the wounds the explosive rise of the mass media inflicted on the poetic imagination, the traumas and scars that speak with dark eloquence of the impact of a powerful new order of journal- ism. -
Commencement1986.Pdf
The Johns Hopkins University Conferring of Degrees At the Close of the 110th Academic Year May 30, 1986 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1986 CONTENTS Order of Procession 1 Order of Events 2 Johns Hopkins Society of Scholars 8 Honorary Degree Citations 12 Academic Regalia 15 Awards 17 Honor Societies 22 Student Honors 24 Degree Candidates 27 ORDER OF PROCESSION MARSHALS Edward J. Bouwer Marion Panyan Paul R. Daniels Owen M. Phillips Andrew S. Douglas Fred S. Schock Bruce Hamilton Henry Seidel Martha Hill Nathaniel B. Thayer Susan D. Horn James C. Walker Jean Eichelbercer Ivey M. Gordon Wolman THE GRADUATES MARSHALS Frederic Davidson Jerome B. Schneewind THE FACULTIES * MARSHALS Marc D. Donohue Lloyd Armstrong THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES CHIEF MARSHAL Paul R. McHugh THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding PRELUDE Colonel Bogie March Homage March Kenneth Alford Edvard Grieg (1881-1945) (1843-1907) Sonata 22 Contrapunctus HI JOHANN PEZEL J. S. Bach (1639-1694) (1685-1750) Fanfare from LaPerie Paul Dukas (1865-1935) PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation Marches from Belshazzar, Floridante, Ezio, Judas Maccabaeus, Saint Cecilia's Day and Rinaldo Georg Friedrich Handel (1685-1759) THE PRESIDENT'S PROCESSION Fanfare Walter Piston 1894-1976) March from Scipione Georg Friedrich Handel (1685-1759) INVOCATION GRETCHEN VAN UTT Chaplain The Johns Hopkins University THE NATIONAL ANTHEM * GREETINGS GEORGE G. -
Outline of AMERICAN LITERATURE ❦ REVISED EDITION
Outline of AMERICAN LITERATURE ❦ REVISED EDITION AMERICAN LITERATURE REVISED EDITION Early PUBLISHED BY THE UNITED STATES DEPARTMENT OF STATE amErican and colonial PEriod to 1776 3 STAFF dEmocratic origins and rEvolutionary WritErs, WRITTEN BY: KATHRYN VANSPANCKEREN EXECUTIVE EDITOR: GEORGE CLACK 1776-1820 14 MANAGING EDITOR: PAUL MALAMUD CONTRIBUTING EDITOR: KATHLEEN HUG ART DIRECTOR / DESIGNER: hE omantic Eriod t r P , 1820-1860: THADDEUS A. MIKSINSKI, JR. Essayists and PoEts 26 PICTURE EDITOR: JOANN STERN thE romantic PEriod, Front Cover: © 1994 Christopher Little 1820-1860: Fiction 36 ABOUT THE AUTHOR Kathryn VanSpanckeren is thE risE oF rEalism: Professor of English at the 1860-1914 47 University of Tampa, has lectured in American literature widely abroad, and is former modErnism and director of the Fulbright- ExPErimEntation: 1914-1945 60 sponsored Summer Institute in American Literature for international scholars. Her amErican PoEtry, publications include poetry and scholarship. She received 1945 –1990: thE anti-tradition 79 her Bachelors degree from the University of California, Berkeley, and her Ph.D. from amErican ProsE, 1945–1990: Harvard University. rEalism and ExPErimEntation 97 ISBN (paper) 978-1-625-92035-5 contEmPorary amErican PoEtry 121 ISBN (ePub) 978-1-625-92036-2 ISBN (mobi) 978-1-625-92037-9 contEmPorary amErican litEraturE 136 glossary 157 indEx 163 The following text materials may not be reproduced without permission of the copyright holder. “In a Station of the Metro” (page 63) by Ezra Pound. From Ezra Pound Personae. Copyright © 1926 by Ezra Pound. Translated and reprinted by permission of New Directions Publishing Corporation. “Stopping by Woods on a Snowy Evening” (page 65) by Robert Frost. -
Stuart Sherman; His Consistency and Some of His Battles
Stuart Sherman; his consistency and some of his battles Item Type text; Thesis-Reproduction (electronic) Authors Clarke, Sarah Mason, 1901- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 03:40:46 Link to Item http://hdl.handle.net/10150/553469 STUART SHERMAN: HIS CONSISTENCY and Some of His Battles By Sarah Mason Clarke A Thesis Submitted to the Faculty of the Department of English In partial fulfillment of the requirement for the degree of Master of Arte in the Graduate College University of Arizona 1939 Approved: Major Professor x$®$£i&ro3 etH V J ‘ X j r f R A l t ^ / 18IOV tffV ■ %-* v AJU : b Q v & i r _:4 :0R8& ^ 9 Z t/ 9 8TUAHT SKERL1AN: HIS CONSIST EH CY and Some of His Battles •• TABLE OF CONTENTS PAGE I. THE CRITIC IN THE MAKING 1. Roots - - » - - - 1 2. Branches 10 II. CRITICAL THEX)R1C- - - - - - - - - 19 III. CRITICAL BATTLES 1. The Field - - - - - - - 67 2. The First David - - - - 80 3. The Second mvld - - - - - 87 4. The Embattled Aristocrat - - 99 ************ ACKKOWLEDSMKK? To Professor Sidney F. Pattison go my warm thanks for his aeslstance in the preparation of this papW, and my sincere appreciation of M s sympathetlo direction and encour agement. 1 THE CRITIC IN THE HAKIHG Root# In 1903, v/hen Stmrt Sherman was a senior at Will lams, he wrote $ - ■■ ‘ • ' ' They have come with bag and baggage. -
The Criticism of the Red Badge of Courage
The Woman's College of The University of North Carolina LIBRARY COLLEGE COLLECTION Gift of JUDITH ANN BUTLER THE CRITICISM OF THE RED BADGE OF COURAGE by Judith Ann Butler A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro July, 1966 Approved by ■*2'lT L <=, *£a. -7<V I APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School at The University of North Carolina at Greensboro. Thesis Director '&nvi JLLL Oral Examination Committee Members fa^^/fA p? jb»Jp.i. A ■v^ '7 /?^ Date of Examination ii 297071 TABLE OF CONTENTS CHAPTER PAGE Introduction ir I Early Criticism of The Red Badge of Courage (189^-1900) 1 II The Criticism of The Ued Badge of Courage Before 1950 9 III Recent Scholarship and Criticism of The Red Badge of Courage (1950-1965) 19 Sources 19 Technique 26 Symbolism and Meaning kO BIBLIOGRAPHY 53 iii BUTLER, JUDITH ANN. The Criticism of The Red Badge of Courage. (1966) Directed by: Dr. James Ellis. Stephen Crane's The Red Badge of Courage was first pub- lished in 189^. From 1895 until 1900 critics in America and England debated whether Crane's novel was good art. .Many of these early critics either praised the book in trite cliches or attacked it for the wrong reasons. None seemed to under- stand Crane's purpose or technique. Crane died in 1900 and his war novel seemed to die with him, but from 1900 to 1950, The Red Badfie was "rediscovered" twice. -
Mcclueb's Magazine, I893-I9o3: a Study Op Popular Culture
MCCLUEB'S MAGAZINE, I893-I9O3: A STUDY OP POPULAR CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By ROBERT ERNEST CHRISTIN,JR., B.A., A.M. The Ohio State University 1958 Approved by William Charvat Department of English 11 TABLE OF CONTENTS PAŒ INTRODUCTION THE MAGAZINE SCENE 1 CHAPTER ONE S.S. MC CLURE AND HIS STAFF 12 CHAPTER TWO PATTERNS IN NON-FICTION 36 CHAPTER THREE PATTERNS IN FICTION 88 CHAPTER FOUR ATTITUDES TOWARD NR ITERS l k 2 APPENDIX A CORRELATION OF VOLUME NUMBERS WITH YEARS AND MONTHS 193 APPENDIX B LIST OF PERSONS DESCRIBED IN INTERVIEWS OR BIOGRAPHICAL ARTICLES 194 BIBLIOGRAPHY OF WORKS CITED AND WORKS USED IN THE PREPARATION OF THIS STUDY 198 AUTOBIOGRAPHY 209 lii PREFACE McClure * s Magazine was one of the earlier monthly magazines in America designed for a mass audience. It can only he compared to a combination of several popular maga zines today - The Saturday Evening Post. The Reader's Digest. Cosmopolitan. the Sunday supplements, and perhaps to some extent, today’s Atlantic or Earner *s. During the years 1893 through 1903, McClure’s achieved a relatively large circula tion, Indicating its success in appealing to a large segment of the reading public of that period. In this study of its contents - fiction and non-fiction - I have attempted to discover what accounted for its popularity, and, more impor tant, what its contents reveal about the conscious and un conscious attitudes of its readers toward the world in which they lived.