DOCSLIB.ORG

Text for the Leonardo Da Vinci Society

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Text for the Leonardo Da Vinci Society LA BELLA PRINCIPESSA and THE WARSAW SFORZIAD Circumstances of Rebinding and Excision of the Portrait Katarzyna Woźniak 10.05.2015 In the study titled La Bella Principessa and the Warsaw Sforziad, published in January 2011, Professor Kemp provided evidence that the portrait of Bianca Sforza was a part of an illuminated book printed on vellum - La Sforziada by Giovannni Simonetta, stored in the National Library in Warsaw1. The excision took place, most probably, during the process of rebinding. This was done meticulously, as his paper showed, although the knife slipped at near the bottom of the left edge2. At that moment, the portrait and the book were separated from each other and ceased to share the same fortune. 1. Images indicating that portrait of La Bella Principessa was part of a bound volume Author: Pascal Cotte My research initiated as a result of this discovery shows that the most probable date of rebinding of the Warsaw copy of La Sforziada was the turn of the 18th and 19th century3. The following text is an introduction to the first general analysis of the problems concerning 1 Martin Kemp and Pascal Cotte, La Bella Principessa and the Warsaw Sforziad (2010), The Leonardo da Vinci Society: http://www.bbk.ac.uk/hosted/leonardo/#MM 2 M. Kemp and P. Cotte, op. cit., p. 5 3 Extensive study of the history of the Zamoyski book collection as well as scrupulous analysis of alterations to the original volume – decoration of new leather cover, watermarks on inserted sheets, bookplates, existing and obliterated inscriptions - will be presented in the book published by the British publishing house Ashgate. circumstances of rebinding and the contemporaneous excision of the portrait of La Bella Principessa. The findings will be extensively presented in a forthcoming book4. 2. La Sforziada. Book cover – front and two inscriptions by a different hand on the inserted sheet of paper5 The widely quoted, yet unproved theory is that La Sforziada was brought to Poland by Bona Sforza in 1518 on the occasion of her wedding with Sigismund I6. An alternative provenance will be introduced by Prof. Wright in the same publication7. Equally uncertain is whether this copy of the Italian book was part of the book collection of her son, King Sigismund II Augustus' (1520-1572) book collection. Several decades later, it was definitely a part of the collection of Jan Zamoyski (1542-1605), Royal Secretary, Great Royal Chancellor and Great Royal Hetman, and entered the Academy of Zamosc, which he established in the ideal city of Zamosc in 1594. The Sforziada was without doubt a part of the Library of the Academy. Current research has revealed that the first mention of this volume appears in an inventory of the Library of the Academy made in 1675; the next listing is in 1766. It remained a part of this collection until late 18th century, that is, until the Academy was closed down, as a result of the gradual and 4 This book will also contain meticulous analysis of the illumination by Giovanni Pietro Birago written by D. R. Edward Wright, Emeritus Professor of Art History at the University of South Florida. 5 Photographs: National Library in Warsaw 6 Katarzyna Woźniak, The Warsaw Sforziad, The Leonardo da Vinci Society: http://www.bbk.ac.uk/hosted/leonardo/#HH 7 Prof. Wright’s hypothetical reconstruction states that Bona Sforza could not have owned Sforziad and that it was sent to the Kingdom of Poland via king of France. irreversible decline of academic standards of the university, during the partition by the Austrian rulers in 17848. 3. “Plan de la Fortresse de Zamosc (…) Leipsic 1774” (C on the plan – “l’Academie”) 4. Main square with the building of the Academy in the top right corner 5. Aerial view of Zamosc a. Rectangular shape of the Academy in the middle on top b. Palace of Zamosc in the top left corner. Photo credit: http://www.ajsblo.pl/ 6. Aerial view of Zamosc with the rectangle of the Academy. Photo credit: Wojciech Gorgolewski The beginning of the 19th century brought numerous changes which will constitute the main topic of this paper. The most comprehensive and in-depth revival of the idea of the academic centre in Zamosc was conceived by Stanisław Zamoyski (1775-1856), the 12th Lord of Zamosc. As a bibliophile, who collected rare books and precious documents he envisioned a thoroughgoing cultural and economic reform of the Estate, including the restoration of his family seat in Zamosc and the reestablishment and revival of traditions of the once prestigious Zamoyski Academy. Hippaeum Zamoscianum and its library laid at the symbolic heart of the Count's cultural undertakings and was the most complex renovation since the 16th century. Although the Library of the Academy was formed in 1594, it is Count Stanislaw Zamoyski who, two centuries later, is described in literature as the actual founder of the Library of the 8 Part of the book collection may have been separated shortly before or after the Academy was closed down and transferred to the palace of the Lords of Zamosc. This subject will be discussed in the mentioned book. Entailed Estate of Zamość. 7. Stanislaw Kostka Zamoyski by Jean-Baptiste Augustin (1759-1832) Painted between 1803 and 1804, oil on canvas, 40×35cm Lost9 It remains uncertain whether it was him or his elder brother, Aleksander August Zamoyski, the 11th Lord of Zamosc in the years between 1792 and 1800, who ordered Mr Benoit, the concierge of the Academy, to create a catalogue of the library dated 180010. La Sforziada cannot be recognised in his catalogue, but it may have been concealed by the many oversimplifications. An alternative explanation is that Sforziad was part of the private library in the castle of Zamosc, the family seat of lords of the estate11. The beginning of the 19th century also witnessed also a significant attempt to unify the most valuable Polish aristocratic book collections – of the Zamoyski and Ossolinski families. From 1795 onwards, the year of the third and final partition of the Res Publica Serenissima - the Most Serene Republic - by Prussia, Russia and Austria - Earl Jozef Maksymilian Ossolinski (1748-1826) lived in Vienna. He was an erudite, bibliophile and a passionate art collector, whose book holdings consisted of almost thirty thousand volumes. At the end of his life he intended to bring them back to his home country, but since his book collection would have been endangered in partitioned Poland, as his collections were endangered by uncertain political situation, he was searching for a new and safe location. 9 Listed in the national catalogue of the objects lost in result of the Second World War: http://dzielautracone.gov.pl/katalog-strat-wojennych/obiekt/?obid=35636 10 The 11th Lord of Zamosc passed away suddenly and untimely in 1800 being only 28 years old. 11 One of the details that may confirm this theory is the partly obliterated inscription in Sforziad which will be discussed by me in detail in the mentioned book. 8. Polish-Lithuanian Commonwealth (1569-1795) on the contemporary map of Europe. Image credit: Augustinas Žemaitis 9. Partitions of Poland (1772, 1793, 1795). Image source: Encyclopaedia Britannica Initially, Count Ossolinski intended to choose Cracow as the most suitable site for his extensive collections, but later, after he had asked Prince Adam Czartoryski (1734-1823) for advice, who heartily recommended Stanislaw, he decided on Zamosc - already the seat of another magnificent library12. The final agreement with Count Ossolinski regarding the location of the united libraries was reached in 1804 and a number of books from his collection still carry a bookplate with this date13. However, numerous preparations on the part of Count Zamoyski took place before this date. The Count intensively searched for faculty to join the former academy, which he turned into the High School of Zamosc, an institution whose scope was better suited for the town at the turn of the centuries. The printing house in the Academy had already been renovated by him in 1802. By 1804 he had not found a suitable librarian, but continued correspondence shows how much effort he put into finding the most suitable candidate in Europe, with the help of a number of distinguished scholars. It needs to be underlined that Stanislaw Zamoyski was not only taking care of the collections he already owned, but also put very intense efforts in purchasing new valuable manuscripts and early printed books with the help of agents and dealers in Europe and through extensive family connections14. 12 T. Makowski, Biblioteka Jana Zamojskiego, kanclerza i hetmana wielkiego koronnego. Założenia projektu badawczego, Wokół Biblioteki Ordynacji Zamojskiej, Biblioteka Narodowa, p. 13 13 There are significantly fewer books marked with this ex libris and the year “1804” than there are those marked with "1815", like Sforziada. Extensive study regarding these bookplates, watermarks, leather cover and its decoration, as well as numbers and inscriptions added later to this volume will be discussed in the mentioned book. 14 “He wished not only to become acquainted with foreign libraries, museums, and bookstores, to make promising contacts, but also to make appropriate purchases, impressions, and notes which later would be helpful in the management of the properties in country"14. Quotation after K. Ajewski, Stanisława Kostki Zamoyskiego życie i działalność, Warszawa 2010. Eventually, after several years of intense preparations, the plans for the unification of the major Polish libraries were thwarted by the conquest of the fortress of Zamosc by the Austrian army on May 20th 1809. His attempts were the last, before the library was transferred to Warsaw in the same year, where it was established as the Library of the Estate of Zamosc, operating under the same name until 1944.
Load more

Recommended publications
  • Catalogo Leonardo
    LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY There is no artist more legendary than Leonardo. In the whole History of Art, no other name has created more discussions, debates and studies than the genius born in Vinci in 1452. Self-Portrait, 1515 Red Chalk on paper 33.3 x 21.6 cm. Biblioteca Reale Torino As far as we know, this extraordinary dra- wing is the only surviving self-portrait by the master. The Annunciation, 1474 tempera on panel 98 X 217 cm. Galleria degli Uffizi THE BATTLE OF ANGHIARI The Battle of Anghiari is a lost painting by Leonardo da Vinci. This is the finest known copy of Leonardo’s lost Battle of Anghiari fresco. It was made in the mid-16th century and then extended at the edges in the early 17th century by Rubens. The Benois Madonna, 1478 Oil on canvas 49.5x33 cm Hermitage Museum Originally painted on wood, It was transferred to canvas when It entered the Hermitage, during which time it was severely demaged GOLD LEAF FRAME DETAIL Woman Head, 1470-76 La Scapigliata, 1508 Paper 28 x 20 cm Oil on canvas 24.7 x 21 cm Galleria degli Uffizi Firenze Parma Galleria Nazionale Lady with an ermine, 1489-90 Oil on wood panel 54 x 39 cm Czartoryski Museum The subject of the portrait is identified as Cecilia Gallerani and was probably painted at a time when she was the mi- stress of Lodovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. Carved gold frame Ritratto di una sforza, 1495 Uomo vitruviano, 1490 Gesso e inchistro su pergamena Matita e inchiostro su carta 34x24 cm.
    [Show full text]
  • 3 LEONARDO Di Strinati Tancredi ING.Key
    THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE THEORETICAL BACKGROUND The Impossible Exhibitions project derives from an instance of cultural democracy that has its precursors in Paul Valéry, Walter Benjamin and André Malraux. The project is also born of the awareness that in the age of the digital reproducibility of the work of art, the concepts of safeguarding and (cultural and economic) evaluation of the artistic patrimony inevitably enter not only the work as itself, but also its reproduction: “For a hundred years here, as soon as the history of art has escaped specialists, it has been the history of what can be photographed” (André Malraux). When one artist's work is spread over various museums, churches and private collections in different continents, it becomes almost impossible to mount monograph exhibitions that give a significant overall vision of the great past artist's work. It is even harder to create great exhibitions due to the museum directors’ growing – and understandable – unwillingness to loan the works, as well as the exorbitant costs of insurance and special security measures, which are inevitable for works of incalculable value. Impossible Exhibitions start from these premises. Chicago, Loyola University Museum of Art, 2005 Naples, San Domenico Maggiore, 2013/2014 THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE PROJECT In a single exhibition space, Impossible Exhibitions present a painter's entire oeuvre in the form of very high definition reproductions, making use of digital technology permitting reproductions that fully correspond to the original works. Utmost detail resolution, the rigorously 1:1 format (Leonardo's Last Supper reproduction occupies around 45 square meters!), the correct print tone – certified by a renowned art scholar – make these reproductions extraordinarily close to the originals.
    [Show full text]
  • Pan Tadeusz by Adam Mickiewicz
    The Project Gutenberg EBook of Pan Tadeusz by Adam Mickiewicz This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Pan Tadeusz Author: Adam Mickiewicz Release Date: [Ebook 28240] Language: English ***START OF THE PROJECT GUTENBERG EBOOK PAN TADEUSZ*** PAN TADEUSZ OR THE LAST FORAY IN LITHUANIA All rights reserved PAN TADEUSZ OR THE LAST FORAY IN LITHUANIA A STORY OF LIFE AMONG POLISH GENTLEFOLK IN THE YEARS 1811 AND 1812 IN TWELVE BOOKS BY ADAM MICKIEWICZ TRANSLATED FROM THE POLISH BY GEORGE RAPALL NOYES 1917 LONDON AND TORONTO J. M. DENT & SONS LTD. PARIS: J. M. DENT ET FILS NEW YORK: E. P. DUTTON & CO. Contents PREFACE . 1 INTRODUCTION . 3 LIST OF THE PRINCIPAL CHARACTERS IN “PAN TADEUSZ” WITH NOTES ON POLISH PRONUN- CIATION . 14 BOOK I.—THE FARM . 17 BOOK II.—THE CASTLE . 45 BOOK III.—FLIRTATION . 69 BOOK IV—DIPLOMACY AND THE CHASE . 91 BOOK V.—THE BRAWL . 120 BOOK VI.—THE HAMLET . 146 BOOK VII.—THE CONSULTATION . 164 BOOK VIII.—THE FORAY . 181 BOOK IX.—THE BATTLE . 204 BOOK X—THE EMIGRATION. JACEK . 226 BOOK XI.—THE YEAR 1812 . 253 BOOK XII.—LET US LOVE ONE ANOTHER! . 273 NOTES . 299 [v] PREFACE THE present translation of Pan Tadeusz is based on the editions of Biegeleisen (Lemberg, 1893) and Kallenbach (Brody, 1911). I have had constantly by me the German translation by Lipiner (ed.
    [Show full text]
  • Izabela Fleming - Wikipedia, the Free Encyclopedia 06/02/2007 05:30 PM
    Izabela Fleming - Wikipedia, the free encyclopedia 06/02/2007 05:30 PM Izabela Fleming From Wikipedia, the free encyclopedia (Redirected from Izabela Czartoryska) Princess Izabela Czartoryska (née Countess Fleming) (1746-1835) was a Polish noble lady, writer, collector of art, founder of the Izabela Fleming first Polish museum. She was the daughter of Count Jerzy Detloff Fleming and Princess Antonina Czartoryska. She married Prince Adam Kazimierz Czartoryski on November 18, 1761 in Wołczyn. It is rumoured that she had an affair with the Russian ambassador to Poland, Nikolai Vasilyevich Repnin [1] (http://books.google.com/books?ie=UTF- Noble Fleming Family Coat of Fleming Arms Jerzy Detloff Fleming Parents Antonina Czartoryska Adam Kazimierz Consorts Czartoryski with Adam Kazimierz Czartoryski Teresa Czartoryska Maria Anna Czartoryski Children Adam Jerzy Czartoryski Konstanty Adam Czartoryski Gabriela Czartoryska Zofia Czartoryska Date of March 3, 1746 Birth Place of Warsaw, Poland Birth Date of July 15, 1835 Death Place of Wysock, Poland Death 8&vid=ISBN0195161009&id=oMpmAjRFh88C&pg=PA210&lpg=PA210&dq=repnin+Czartoryski&vq=Repnin+illegitimate+son&sig=wcrYcFQ3pRoLjA_WFYokW4nTv7M) . In Paris in 1772 she met Benjamin Franklin, one of the leaders of the American Revolution, and the French philosophers Jean-Jacques Rousseau and Voltaire, who at the time brought new ideas to the old order. In 1775 she completely transformed (together with her husband) the Czartoryski Palace at Puławy into an intellectual and political meeting place. Izabela discovered the talent of the young painter Aleksander Orlowski and financed him. In 1784 she jointed the Patriotic Party. After the Kosciuszko Uprising two of her sons were taken by Catharine of Russia as political hostages.
    [Show full text]
  • Ossoliński, Moskorzowski, Sarbiewski - Mowy Pogrzebowe : Teksty W Dialogu
    Title: Ossoliński, Moskorzowski, Sarbiewski - mowy pogrzebowe : teksty w dialogu Author: Maria Barłowska Citation style: Barłowska Maria. (2008). Ossoliński, Moskorzowski, Sarbiewski - mowy pogrzebowe : teksty w dialogu. Katowice : Wydawnictwo Uniwersytetu Śląskiego. Maria Barło\cska OSSOLIŃSKI. MOSKORZOWSKI. SARBIEWSKI ; i : i— M OW Y POGRZEBOWE Teksty w dialogu OSSOLIŃSKI, MOSKORZOWSKI, SARBIEWSKI - MOWY POGRZEBOWE Teksty w dialogu śp. Stefanii Jankowskiej (30 X 1914-31 I 2008) PRACE NAUKOWE UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH NR 2586 4 ° LAT v / ^ p r U niwersytetu ŚLĄSKIEGO Maria Barłowska OSSOLIŃSKI, MOSKORZOWSKI, SARBIEWSKI - MOWY POGRZEBOWE Teksty w dialogu Redaktor serii: Historia Literatury Polskiej Marek Piechota Recenzent Krystyna Płachcińska Finansowanie: Grant KBN nr PB-550/Fil/2005 Redaktor: Barbara Konopka Projektant okładki: Lucjan Dyląg Redaktor techniczny: Małgorzata Pleśniar Korektor: Wiesława Piskor Copyright © 2008 by Wydawnictwo Uniwersytetu Śląskiego Wszelkie prawa zastrzeżone ISSN 0208-6336 ISBN 978-83-226-1739-7 Wydawca Wydawnictwo Uniwersytetu Śląskiego ul. Bankowa 12B, 40-007 Katowice www.wydawnictwo.us.edu.pl e-mail: [email protected] Wydanie I. Nakład: 250 + 50 egz. Ark. druk. 11,25. Ark. wyd. 9,0. Przekazano do łamania w grudniu 2007 r. Pod­ pisano do druku w kwietniu 2008 r. Papier offset. kl. III, 80 g Cena 14 zł Łamanie: Pracownia Składu Komputerowego Wydawnictwa Uniwersytetu Śląskiego Druk i oprawa: Czerny Marian. Firma Prywatna GREG Zakład Poligraficzny ul. Wrocławska 10, 44-100 Gliwice Spis treści W
    [Show full text]
  • N E W S L E T T E R September 2014 Nr 11
    N.E.S.T. New Europe with Stronger Ties N e w s l e t t e r September 2014 nr 11 N.E.S.T. WORKING MEETING Maria Rosaria Grasso for teachers Patrizia Campana POLAND 2014 Natalia Mikheeva Participants: Julija Musakova Doina Druta Maria Amparo Salcedo Andreu Luminita Ciocaru Ana Montiel Muñoz Manuel Gonzalez Garcia Georgia Kourakou Leonidas Leventis Konstantinos Papagiannopoulos Ewelina Ciemięga Paweł Ciemięga Paweł Pruś Kerim Koray Berktaş Ahmet Ertürk Sandomierz Page 8: Kozłówka Contents: (September 30th) (October 2nd) Page 2/3: Krzczonów, Page 6: Lublin Lublin and Pszczela Wola (October 1st) (September 29th) Page 7: Kazimierz Dolny Page 4/5: Baranów (October 2nd) Sandomierski and www.europroject.edu.pl troops took three bells from the local church – among September 29th them there was the royal one. The name Krzczonow- Sołtysy is connected with the reign of Stephen Batory. It was derived from the term “sołtysi łanowi” KRZCZONÓW – peasants who were granted with land and released from the duty of work for the head of the district The history of the settlement of (starosta). Their special rights were confirmed later Krzczonow dates back to ancient times. It is proved by other Polish kings – Michał Korybut Wiśniowiecki by archeological finds such as over 2000-year-old and August III. In the 16 th century Krzczonow and flint axes or knives and earthenware. The other neighbouring villages suffered severely from evidence is a “pagan barrow” which is known Swedish, Cossack and Tatar raids. In February 1656 nowadays as “Swedish mounds”. It is believed that Polish royal troops together with peasant’s guerilla they were made in the 10 th defeated a large unit of Swedish troops.
    [Show full text]
  • Kochański and the Jesuits
    ORGANON 14 LA SCIENCE BAROQUE ET WILANÓW Ludwik Grzebień (Poland) KOCHAŃSKI AND THE JESUITS Adam Kochański belongs to those Polish Jesuits about whom we do not have much information. The works he devoted himself to extend beyond the usual limits of the work undertaken by the Jesuits, they were not very striking, and did not afford the college chroniclers the material they required. Besides, frequent changes of his permanent place of residence did not promote his glorification in domestic annals. The few archival documents were destroyed or scattered as a result of the suppression of the Society of Jesus, wars and national cataclysms. None the less, it is possible today to trace fairly clearly the changes in his life, to present his works, acquaint oneself with his troubles and problems, and finally to become acquainted with his influence upon the environment in which he lived and worked1. Kochański was born on the 5th August, 16312 in Dobrzyń district (or in Dobrzyń itself). He completed his secondary education in the Jesuit College in Toruń where in the lower classes he took grammar, syntax, poetics and rhetoric3. The Jesuit College in Toruń was not especially remarkable at that time. But Copernican traditions were strong in Toruń and there was a well established Protestant School there during this period. On the 24th August, 1652 Kochański entered the noviciate of the Society of Jesus in Wilno4. Why was Wilno his choice? The Jesuits had two provinces at this time. The Polish one, to which Toruń belonged, and the Lithuanian with Wilno and Warsaw. The noviciates were only in Wilno and Cracow.
    [Show full text]
  • Citylife - Page 16 Citylife - Page 12 Citylife Green Paths for Krakow Region Locals Consider Ecological Angles
    FREE APRIL 2009 Edition 54 ISSN 1898-4762 krakow POST www.krakowpost.com OFF Plus Camera '09 O.S.T.R. inside CityLife - Page 16 CityLife - Page 12 Citylife Green Paths for Krakow Region Locals consider ecological angles Magdalena Matyjaszek eing open to an ecological life- style seems to be not enough for a contemporary society that is demanding more and more engagementB in ecological issues. These days, being directly involved in the green way of life seems to be the answer. As a result, a growing number of initia- tives are spreading throughout Krakow and the Małopolska region with the aim of promoting a more hands-on involve- ment. While considering the city and look- ing for evidence of activities promoting local food production, some end up be- Visualisation of the Płaszów labour camp, from the forthcoming exhibition at the Schindler Factory / photo MHK lieving that products sold at the Kleparz market are all healthy, while others try and save up in advance when planning INSIDE a visit to a health food shop. The motto SCHINDLER WILL SHINE “you are what you eat” provokes much Krakow more consideration now than several years ago. Armenian anniversary As a result of Polish participation in First phase of factory revamp complete commemorated in Krakow the Kyoto protocol, many initiatives fil- >> page 4 ter down to smaller scale communities. Alexandra Szaflarska from the Aeris Nick Hodge Futuro Foundation, an NGO founded Poland in Krakow, organises campaigns and activities across the country: "We try to he centre-piece is ent Krakow in the period of changed its character fol- Football: Showing racism keep ourselves active on the home front, yet to come, but the Second World War: how lowing the years 1939-1945.
    [Show full text]
  • Financing and Deregulation in Higher Education – Case Studies 1.1
    INSTITUTE OF KNOWLEDGE SOCIETY POLISH RECTORS FOUNDATION Financing and Deregulation in Higher Education Edited by Jerzy Woźnicki Warsaw 2013 Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-06 Reviewer Bogusław Fiedor Text editor Katarzyna Kopij Graphic composition Andrzej Kowalczyk Institute of Knowledge Society Polish Rectors Foundation ul. Górnośląska 14 00-432 Warszaw email: [email protected] phone +48 22 621 09 72 fax +48 22 621 09 73 This book, as the outcome of pro publico bono activity, carried out for the benefit of the institutions of higher education, is distributed free of charge. No part of this book may be reproduced or distributed by any means, whether electronic, me- chanical, copying, taping or others, without the written permission of the copyright holder. © Copyright by Institute of Knowledge Society, Warsaw 2013 © Copyright by Polish Rectors Foundation, Warsaw 2013 ISBN 978-83-7814-125-9 Printed and bound by Oficyna Wydawnicza Politechniki Warszawskiej Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-06 On behalf of the Institute of Knowledge Society and the Polish Rectors Foundation we express our gratitude to PKN Orlen – the strategic partner, whose contribution and involvement made the publication of this monograph possible Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-06 Pobrano z http://repo.pw.edu.pl / Downloaded from Repository of Warsaw University of Technology 2021-10-06 Contents Preface – Jerzy Woźnicki .....................................................................................................7 Part I Financing and Deregulation In Higher Education – Case Studies 1.1.
    [Show full text]
  • Literatura I Sztuka W Katalogu Pamiątek Złożonych W Domu Gotyckim W Puławach Izabeli Czartoryskiej
    Zeszyty Naukowe Towarzystwa Doktorantów UJ Nauki Humanistyczne, Nr 6 (1/2013) ANETA KWIATEK (Uniwersytet Jagielloński) LITERATURA I SZTUKA W KATALOGU PAMIĄTEK ZŁOŻONYCH W DOMU GOTYCKIM W PUŁAWACH IZABELI CZARTORYSKIEJ. REKONESANS I Katalog pamiątek złożonych w Domu Gotyckim w Puławach jest ukoronowa- niem działalności Izabeli Czartoryskiej, związanej z prowadzonym przez nią opisem zbiorów muzealnych. Dzieło ma formę trzytomowego ilustrowanego rękopisu. Ilustracje do niego, często kopie zmieszczonych w Domu Gotyckim portretów, wykonał Józef Richter, malarz związany z książęcą parą, zwłaszcza po roku 1804, w którym Polskę opuścił Jan Piotr Norblin. Zanim dzieło Czar- toryskiej uzyskało ostateczny kształt, miało dwie wersje wstępne i formę skró- coną, będącą inwentarzem pamiątek. Pierwszy wariant wstępny to wersja francuskojęzyczna: Cataloque historique et détaillé des objets réunis à la Maison Gotique à Puławy, achevé l’an 1809, drugi stanowi jej tłumaczenie: Katalog rozumowany Domu Gotyckiego. Wersją będącą tylko rejestrem pamią- tek opisanych w dziele Czartoryskiej jest Poczet pamiątek zachowanych w Domu Gotyckim w Puławach, z którego Przedmowy wynika, że w roku wydania książki, a więc w 1828, Katalog pamiątek złożonych w Domu Gotyc- kim w Puławach był dziełem ukończonym, powstającym, jak większość przy- gotowywanych przez Czartoryską opisów pamiątek, z myślą o publikacji1. Praktykę opisu pamiątek rozpoczęła Czartoryska wraz z powstaniem Świą- tyni Sybilli i Domu Gotyckiego. Sam zamysł utworzenia zbiorów Świątyni 1 Spis wszystkich wersji opisów pamiątek Domu Gotyckiego wraz z sygnaturami sporządził Z. Żygulski. Zob. Z. Żygulski (jun), Dzieje zbiorów puławskich (Świątynia Sybilli i Dom Gotycki), „Rozprawy i Sprawozdania Muzeum Narodowego w Krakowie” 1962, t. VII. 99 Aneta Kwiatek Sybilli narodził się zapewne w latach osiemdziesiątych XVIII wieku, gdyż pierwsze udokumentowane zabytki muzealne pochodzą z podróży Czartory- skiej do Szwajcarii, Anglii i Szkocji odbytej w latach 1789–17912.
    [Show full text]
  • "National Composer": Chopin and Polish Exiles in Paris, 1831-49 Author(S): Jolanta T
    Deconstructing a "National Composer": Chopin and Polish Exiles in Paris, 1831-49 Author(s): Jolanta T. Pekacz Source: 19th-Century Music, Vol. 24, No. 2, Special Issue: Nineteenth-Century Pianism (Autumn, 2000), pp. 161-172 Published by: University of California Press Stable URL: http://www.jstor.org/stable/746840 Accessed: 08-08-2016 14:21 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/746840?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to 19th-Century Music This content downloaded from 129.173.74.49 on Mon, 08 Aug 2016 14:21:42 UTC All use subject to http://about.jstor.org/terms Deconstructing a "National Composer": Chopin and Polish Exiles in Paris, 1831-49 JOLANTA T. PEKACZ If a biography of an artist is supposed to inform practices have coexisted in works on Chopin criticism and analysis of his output, the lack of since his death. In view of the recent prolifera- a thoroughly researched biography of Fr6d6ric tion of analytical approaches.
    [Show full text]
  • Polski-Prezentacja-Jan-Zamoyski.Pdf
    Jan Zamoyski Dzieciostwo i młodośd Jan Sariusz Zamoyski urodził się 19 marca 1542 roku w Skokówce. Był synem Stanisława Zamoyskiego i Anny Herburt-Zamoyskiej. Uczył się w szkole katedralnej w Krasnymstawie, a następnie wyjechał na naukę do Paryża. Studiował też w Strasburgu i Padwie. W 1563 został wybrany rektorem akademii padewskiej. Tam też napisał po łacinie swe dzieło „De Senatu Romano Libri II” („O Senacie Rzymskim Księgi Dwie”). Dwór królewski i elekcja viritim Po powrocie z Włoch został przyjęty na dwór królewski w Krakowie jako sekretarz Zygmunta Augusta. Sumiennie wykonywał swoje obowiązki takie jak np. redagowanie listów i pism władcy, uczestniczenie w obradach senatu czy porządkowanie archiwum skarbca. Dzięki temu otrzymywał od króla kolejne majątki ziemskie. Po śmierci władcy w 1572 roku, Zamoyski wysunął koncepcję elekcji viritim. Był przejęty sytuacją Rzeczypospolitej i chciał, aby cała szlachta decydowała o wyborze nowego króla. Elekcja została przyjęta, a Zamoyski jako przywódca szlachty stał się aktywnym politykiem. Tron na krótki czas objął Henryk Walezy, a następnie Stefan Batory, który uczynił Zamoyskiego podkanclerzym koronnym i swym doradcą. Współpraca ze Stefanem Batorym Zamoyski pomagał królowi w realizacji jego śmiałych planów. 1 marca 1578 roku został kanclerzem wielkim koronnym. Wkrótce stał się także potężnym magnatem i zmienił swoje poglądy polityczne w kierunku władzy monarszej. Zaczął naukę sztuki wojennej, a od 1579 r. uczestniczył w wojnie z Moskwą. W 1580 r. stał się założycielem Zamościa, gdzie później utworzył Akademię Zamojską. 11 sierpnia 1581 r. został mianowany hetmanem wielkim koronnym. Po zwycięskiej wojnie z Moskwą doprowadził do traktatu pokojowego. Opozycja do władzy W 1586 r. umarł Stefan Batory, a nowym królem miał zostad Zygmunt Waza.
    [Show full text]