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Aeneid 7 Page 1 the BIRTH of WAR -- a Reading of Aeneid 7 Sara Mack
Birth of War – Aeneid 7 page 1 THE BIRTH OF WAR -- A Reading of Aeneid 7 Sara Mack In this essay I will touch on aspects of Book 7 that readers are likely either to have trouble with (the Muse Erato, for one) or not to notice at all (the founding of Ardea is a prime example), rather than on major elements of plot. I will also look at some of the intertexts suggested by Virgil's allusions to other poets and to his own poetry. We know that Virgil wrote with immense care, finishing fewer than three verses a day over a ten-year period, and we know that he is one of the most allusive (and elusive) of Roman poets, all of whom wrote with an eye and an ear on their Greek and Roman predecessors. We twentieth-century readers do not have in our heads what Virgil seems to have expected his Augustan readers to have in theirs (Homer, Aeschylus, Euripides, Apollonius, Lucretius, and Catullus, to name just a few); reading the Aeneid with an eye to what Virgil has "stolen" from others can enhance our enjoyment of the poem. Book 7 is a new beginning. So the Erato invocation, parallel to the invocation of the Muse in Book 1, seems to indicate. I shall begin my discussion of the book with an extended look at some of the implications of the Erato passage. These difficult lines make a good introduction to the themes of the book as a whole (to the themes of the whole second half of the poem, in fact). -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Further Commentary Notes
Virgil Aeneid X Further Commentary Notes Servius, the author of a fourth-century CE commentary on Virgil is mentioned several times. Servius based his notes extensively on the lost commentary composed earlier in the century by Aelius Donatus. A version of Servius, amplified by material apparently taken straight from Donatus, was compiled later, probably in the seventh or eighth century. It was published in 1600 by Pierre Daniel and is variously referred to as Servius Auctus, Servius Danielis, or DServius. Cross-reference may be made to language notes – these are in the printed book. An asterisk against a word means that it is a term explained in ‘Introduction, Style’ in the printed book. A tilde means that the term is explained in ‘Introduction, Metre’ in the printed book. 215 – 6 In epic, descriptions of the time of day, particularly dawn, call forth sometimes surprising poetic flights. In Homer these are recycled as formulae; not so in Virgil (for the most part), although here he is adapting a passage from an earlier first- century epic poet Egnatius, from whose depiction of dawn seems to come the phrase curru noctivago (cited in Macrobius, Sat. 6.5.12). This is the middle of the night following Aeneas’s trip to Caere. The chronology of Books VIII – X is as follows: TWO DAYS AGO Aeneas sails up the Tiber to Evander (VIII). NIGHT BEFORE Aeneas with Evander. Venus and Vulcan (VIII). Nisus and Euryalus (IX). DAY BEFORE Evander sends Aeneas on to Caere; Aneneas receives his armour (VIII). Turnus attacks the Trojan camp (IX, X). -
David Hadbawnik Blackbox Manifold 24.Pdf
Aeneid from Book 9 Translation by David Hadbawnik; images by Omar Al-Nakib [With Aeneas away solidifying allies, the Trojans are hunkered down refusing to leave camp as Turnus and his army threaten. In frustration Turnus attempts to burn the Trojan fleet, only to see it miraculously saved and the ships turned into sea nymphs by Jupiter.] II. ‘Sed periise semel satis est.’ Awe grips the Rutulian minds. Messapus is spooked, also his horses, at the noise of gurgling water. But TURNUS doesn’t flinch. He alone raises their spirits and settles them with his words. “Sure these are bad signs … for the Trojans. Jupiter himself snatches away any expectation of help— and we didn’t have to fight or burn anything. They’ve got nowhere to run. Italy’s up in arms. The Fates? They don’t frighten me. Whatever the Phyrgian oracles twist, Venus is paid in full, because they’ve touched down here. I’ve got my own destiny. And a sharp sword to cut down a crime-ridden race that stole my bride. It’s not just the sons of Atreus that sorrow touches. Myceneans aren’t the only ones allowed to bear arms. But to die once is enough. To sin once is enough, or it would’ve been, if from here on out they hate women (you’d think they would after what happened with Helen), 1 these bastards for whom faith in crappy walls and makeshift fortifications – a slight pause before death – gives courage. Didn’t they just watch Troy’s walls made by Neptune engulfed in flames? But you chosen lot, who’ll come with me to chop down ramparts and invade that quivering camp? There’s no Vulcan-forged arms for me. -
Minor Characters in the Aeneid Page 1
Minor Characters in the Aeneid Page 1 The following characters are described in the pages that follow the list. Page Order Alphabetical Order Aeolus 2 Achaemenides 8 Neptune 2 Achates 2 Achates 2 Aeolus 2 Ilioneus 2 Allecto 19 Cupid 2 Amata 17 Iopas 2 Andromache 8 Laocoon 2 Anna 9 Sinon 3 Arruns 22 Coroebus 3 Caieta 13 Priam 4 Camilla 22 Creusa 6 Celaeno 7 Helen 6 Coroebus 3 Celaeno 7 Creusa 6 Harpies 7 Cupid 2 Polydorus 7 Dēiphobus 11 Achaemenides 8 Drances 30 Andromache 8 Euryalus 27 Helenus 8 Evander 24 Anna 9 Harpies 7 Iarbas 10 Helen 6 Palinurus 10 Helenus 8 Dēiphobus 11 Iarbas 10 Marcellus 12 Ilioneus 2 Caieta 13 Iopas 2 Latinus 13 Juturna 31 Lavinia 15 Laocoon 2 Lavinium 15 Latinus 13 Amata 17 Lausus 20 Allecto 19 Lavinia 15 Mezentius 20 Lavinium 15 Lausus 20 Marcellus 12 Camilla 22 Mezentius 20 Arruns 22 Neptune 2 Evander 24 Nisus 27 Nisus 27 Palinurus 10 Euryalus 27 Polydorus 7 Drances 30 Priam 4 Juturna 31 Sinon 2 An outline of the ACL presentation is at the end of the handout. Minor Characters in the Aeneid Page 2 Aeolus – with Juno as minor god, less than Juno (tributary powers), cliens- patronus relationship; Juno as bargainer and what she offers. Both of them as rulers, in contrast with Neptune, Dido, Aeneas, Latinus, Evander, Mezentius, Turnus, Metabus, Ascanius, Acestes. Neptune – contrast as ruler with Aeolus; especially aposiopesis. Note following sympathy and importance of rhetoric and gravitas to control the people. Is the vir Aeneas (bringing civilization), Augustus (bringing order out of civil war), or Cato (actually -
The Role of Female Characters in Vergil's Aeneid
Durham E-Theses The role of female characters in Vergil's Aeneid Akinluyi, Emmanuel Olusegun How to cite: Akinluyi, Emmanuel Olusegun (1965) The role of female characters in Vergil's Aeneid, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9714/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 1. "THE ROLE OF FEMALE CHARACTERS IN VERGIL 1 S AENEID" DISSERTATION PRESENTED TO THE UNIVERSITY OF DURHAM FOR THE DEGREE OF M.A • . BY EMMANUEL OLUSEGUN AKINLUYI OCTOBER 1965 The copyright of this thesis rests with the author. f . should be published without No quotatiOn rom tt · f t' on derived his prior written consent an d m orma 1 from it should be acknowledged. 2 CONTENTS Page Abstract...................................................... 3 CHAPTER ONE DIDO - 1 furor' and infelix; ~~Tai:~cru: ; alter Aeneas ; ................................• 6 CHAPTER TWO The words pius and pietas in reference to Aeneas and how they affect his relationship with Dido. -
AP® Latin Teaching the Aeneid
Professional Development AP® Latin Teaching The Aeneid Curriculum Module The College Board The College Board is a mission-driven not-for-profit organization that connects students to college success and opportunity. Founded in 1900, the College Board was created to expand access to higher education. Today, the membership association is made up of more than 5,900 of the world’s leading educational institutions and is dedicated to promoting excellence and equity in education. Each year, the College Board helps more than seven million students prepare for a successful transition to college through programs and services in college readiness and college success — including the SAT® and the Advanced Placement Program®. The organization also serves the education community through research and advocacy on behalf of students, educators and schools. For further information, visit www.collegeboard.org. © 2011 The College Board. College Board, Advanced Placement Program, AP, AP Central, SAT, and the acorn logo are registered trademarks of the College Board. All other products and services may be trademarks of their respective owners. Visit the College Board on the Web: www.collegeboard.org. Contents Introduction................................................................................................. 1 Jill Crooker Minor Characters in The Aeneid...........................................................3 Donald Connor Integrating Multiple-Choice Questions into AP® Latin Instruction.................................................................... -
Abbo of Fleury: 19, 122 Abbreviatio
Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index Abbo of Fleury: 19, 122 Adenet le Roi abbreviatio (abbreviation): 55, 57, Berte aus grans pies´ : 449 58, 64, 449 Cleomades´ : 438 methods of: 48, 55 Les Enfances Ogier: 449 and amplificatio: 48, 58 ‘Ad habendam materiam’: 88 Abelard, Peter: 4, 21, 22, 536, 651 adnominatio: 87 Historia calamitatum: 543 Ælfric: 19, 318–20, 322–3 Abrams, M. H.: 285 Catholic Homilies: 318–20 Abu¯ ‘Ubayd al-Bakri:¯ 380 Grammar: 316 Acallam no Senorach´ : 303–4 Latin Preface to Saints’ Lives: accentus: 52 318 accessus ad auctores: 2, 52, 53, 102, Old English Preface to Saint’s 119–20, 123–5, 126, 128, Lives: 319, 322 129, 136, 138–9, 146–7, 148, Æsir: 35 7 150–2, 154, 157, 161, 162, Aelred of Rievaulx: 441 165, 166, 170, 182, 187, 190, aemulatio: 568 191, 192, 193, 197, 199, 203, Aeschines Socraticus: 679 211, 225, 227, 285, 366–7, Aeschylus: 219 369, 375, 378, 385, 404–5, Aesop: 40, 104, 155, 173, 195, 409, 412–14, 417, 418, 419, 375–7, 426, 436 492–3, 505, 509, 522, 529, affectus: 259, 272, 286, 655 530, 566, 568, 578, 583, affective poetics: 157 586–7, 588, 594–8, 608, 609, principalis affectio: 257, 259 610, 677 Afonso Eanes do Coton: 497 accessus ad satiricos: 225, Africa: 108 228 agens (author): 595–8 Accolti, Benedetto: 657 Agli, Peregrino: 646 Accursius: 655 Agliotti, Girolamo: 641 Achilles: 444, 684 Aimeric, Ars lectoria: 122–3 Achilles Tatius: 673, 678, 685 Aiol: 440 Acro, -
The Roman Cultural Memory of the Conquest of Latium
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 The Roman Cultural Memory of the Conquest of Latium Elizabeth Grace Palazzolo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classics Commons Recommended Citation Palazzolo, Elizabeth Grace, "The Roman Cultural Memory of the Conquest of Latium" (2016). Publicly Accessible Penn Dissertations. 1929. https://repository.upenn.edu/edissertations/1929 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1929 For more information, please contact [email protected]. The Roman Cultural Memory of the Conquest of Latium Abstract In this dissertation, I examine the Roman cultural memory of the conquest of Latium and Rome’s earliest expansion through case studies of three Latin cities—Tusculum, Tibur, and Praeneste. Each of these cities underwent the transition from independent civic entity to community of Roman citizens on a different timeline than the majority of Latium: though most Latin cities came under Roman control after being defeated in the Roman-Latin Wars around 338 BCE, Tusculum had already been incorporated as the first municipium cum suffragio after 381 BCE, while Tibur and Praeneste seem to have remained independent allied cities until 90 BCE. I reconstruct the Roman cultural memory of these cities and how it changed over time, incorporating a variety of textual and material sources including literary references, inscriptions, iconography alluding to each city, and monuments or significant sites. I demonstrate that the memory of Tusculum, Tibur, and Praeneste as formerly independent, non-Roman communities persisted through the Late Republic and into the Empire, even as they became completely politically integrated with Rome. -
Virgil's Camilla and the Traditions of Catalogue and Ecphrasis (Aeneid 7.803-17) Author(S): Barbara Weiden Boyd Source: the American Journal of Philology, Vol
Virgil's Camilla and the Traditions of Catalogue and Ecphrasis (Aeneid 7.803-17) Author(s): Barbara Weiden Boyd Source: The American Journal of Philology, Vol. 113, No. 2 (Summer, 1992), pp. 213-234 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/295558 . Accessed: 14/10/2011 17:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to The American Journal of Philology. http://www.jstor.org VIRGIL'S CAMILLA AND THE TRADITIONS OF CATALOGUE AND ECPHRASIS (AENEID 7.803-17) Hos super advenit Volsca de gente Camilla agmen agens equitumet florentisaere catervas, bellatrix, non illa colo calathisve Minervae femineas adsueta manus, sed proelia virgo dura pati cursuquepedum praevertereventos. illa vel intactae segetis per summa volaret graminanec teneras cursu laesisset aristas, vel mare per mediumfluctu suspensa tumenti ferret iter celeris nec tingeret aequore plantas. illam omnis tectis agrisqueeffusa iuventus turbaquemiratur matrum et prospectateuntem, attonitis inhians animis ut regius ostro velet honos levis umeros, ut fibulacrinem auro internectat,Lyciam ut gerat ipsa pharetram et pastoralempraefixa cuspide myrtum. (Aeneid 7.803-17) 1. -
AS Temples and Structures Life of a Roman Slave the Man Behind The
HeLDEANi CLOSEC SCHOOL CLASSICoS DEPARTMENNT MAGAZINE The Wilson Challenge Life of a Roman Slave AS Temples and Structures The Man behind the Muscle Volume 3 | Michaelmas Term 2016 Welcome WELCoME To THE THIRD EDITIon oF THE DEAn CLoSE N CLASSICS DEPARTMEnT MAGAzInE ‘HELICON’ o C i L e elcome to the third edition of the Dean Close Classics Department magazine Helicon. You will find in these pages submissions from teaching colleagues and H the final crossword puzzle from our expert cruciverbalist, Eliot Tottman, who has left us to begin his Classics degree course at Exeter University and also contributes an essay on Plato. We are also sad to say goodbye to Mr Charles Wright, who had been helping us out in his retirement, and Miss Connie Chapman, who moves on to the Classics WDepartment of St John’s, Leatherhead. For the first time, Helicon includes two Contents collections of essays: the first is a set of literary analyses written by members of last year’s GCSE Latin set on a passage from Virgil’s Aeneid; the second is a 3. The Wilson Challenge number of submissions to our annual Wilson Challenge: a competition open to The mystery of Venus de Milo’s missing arms Phidias’ Statue of Zeus at Olympia all members of the school, which at the end of the Trinity Term 2016 required Praxiteles’ Aphrodite of Knidos entrants to investigate any work of art or building from classical antiquity that Forma Urbis Romae Atlantis has been lost to us and, then, to evaluate its significance. Since Mr 9. -
The Power of Prayer: Religious Dialogue in Vergil’S Aeneid Written by Amanda Jane Sherpe Has Been Approved for the Department of Classics
THE POWER OF PRAYER: RELIGIOUS DIALOGUE IN VERGIL’S AENEID by AMANDA JANE SHERPE B.A., University of Wisconsin – Madison, 2001 M.A., University of Arizona, 2004 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Classics 2011 This thesis entitled: The Power of Prayer: Religious Dialogue in Vergil’s Aeneid written by Amanda Jane Sherpe has been approved for the Department of Classics (Professor Peter Knox) (Assistant Professor Jacqueline Elliott) Date 3/15/2011 The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii ABSTRACT Sherpe, Amanda Jane (Ph.D., Classics) The Power of Prayer: Religious Dialogue in Vergil’s Aeneid Thesis directed by Professor Peter Knox This dissertation closely examines direct-speech prayers in Vergil’s Aeneid and how they reflect their source material, and argues that a careful look at their context, intertext and language shows that prayers are a highly allusive dialogue that point to Roman cultural identity. Moreover, the mobilization of this large body of religious language is linked to the ideological function of the Aeneid so that prayers illuminate the complicated nature of the poem’s link to the Augustan regime. This dissertation counters the claim that the poem’s prayers are simply Homeric in their phrasing and instead shows that, although it is clear that Vergil has intentionally entwined Homer’s epic into his own and that the prayers of the Aeneid do, in fact, occasionally resemble Greek models, there is ubiquitous Roman material placed beside the Greek and several to draw from Roman religious precedent that connect specific authors, time periods, Roman rituals and cultural norms.