George Orwell: the Critical Heritage
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The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
History 600: Public Intellectuals in the US Prof. Ratner-Rosenhagen Office
Hannah Arendt W.E.B. DuBois Noam Chomsky History 600: Public Intellectuals in the U.S. Prof. Ratner-Rosenhagen Lecturer: Ronit Stahl Class Meetings: Office: Mosse Hum. 4112 Office: Mosse Hum. 4112 M 11 a.m.-1 p.m. email: [email protected] email: [email protected] Room: Mosse Hum. 5257 Prof. RR’s Office Hours: R.S.’s Office Hours: T 3- M 9 a.m.-11a.m. 5 p.m. This course is designed for students interested in exploring the life of the mind in the twentieth-century United States. Specifically, we will examine the life of particular minds— intellectuals of different political, moral, and social persuasions and sensibilities, who have played prominent roles in American public life over the course of the last century. Despite the common conception of American culture as profoundly anti-intellectual, we will evaluate how professional thinkers and writers have indeed been forces in American society. Our aim is to investigate the contested meaning, role, and place of the intellectual in a democratic, capitalist culture. We will also examine the cultural conditions, academic and governmental institutions, and the media for the dissemination of ideas, which have both fostered and inhibited intellectual production and exchange. Roughly the first third of the semester will be devoted to reading studies in U.S. and comparative intellectual history, the sociology of knowledge, and critical social theory. In addition, students will explore the varieties of public intellectual life by becoming familiarized with a wide array of prominent American philosophers, political and social theorists, scientists, novelists, artists, and activists. -
Dr. Lionel Trilling Jefferson Lecturer the Blakelock Problem
Humanities New York City, a sheaf of rolled-up canvases under his arm, while Blakelock bargained; as often as not, they’d return to the same dealers with the same pic tures just before closing, Blakelock desperate and willing to accept almost anything for his work. He was a self-taught artist, born and raised in New York City, who headed west after graduation from what is now the City University of New York, sketch ing his way across the plains to the coast, returning by way of Mexico, Panama, and the West Indies. At first he painted pictures in the Hudson River style— romantically colored panoramas identifiable with the locales he had visited. But as the years passed, the children came, and fame, fortune or even a minimal income eluded him, Blakelock started building on canvas a world of his own: dark scenes, heavy with overarching trees Dr. Lionel Trilling brooding over moonlit waters, highly romantic Indian Jefferson Lecturer encampments that never were. Bright colors left his palette, the hues of night dominated. Dr. Lionel Trilling will deliver the first Jefferson Lec Blakelock did build up a modest following of col ture in the Humanities before a distinguished au lectors, but in the 1870’s and 1880’s, $30 to $50 was dience at the National Academy of Sciences Audi a decent price for a sizable painting by an unknown, torium, 2101 Constitution Avenue Northwest, Wash and his fees never caught up with his expenses. Only ington, D. C. on Wednesday, April 26 at eight once did light break through: in 1883, the Toledo o ’clock. -
Marcelo Pelissioli from Allegory Into Symbol: Revisiting George Orwell's Animal Farm and Nineteen Eighty-Four in the Light Of
MARCELO PELISSIOLI FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM PORTO ALEGRE 2008 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÊNFASE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM MESTRANDO: PROF. MARCELO PELISSIOLI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO PORTO ALEGRE 2008 3 4 PELISSIOLI, Marcelo FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM Marcelo Pelissioli Porto Alegre: UFRGS, Instituto de Letras, 2008. 112 p. Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1.Totalitarismo, 2.Animal Farm, 3. Nineteen Eighty-Four, 4. Alegoria, 5. Símbolo. 5 Acknowledgements To my dear professor and adviser Dr. Sandra Maggio, for the intellectual and motivational support; To professors Jane Brodbeck, Valéria Salomon, Vicente Saldanha, Paulo Ramos, Miriam Jardim, José Édil and Edgar Kirchof, professors who guided me to follow the way of Literature; To my bosses Antonio Daltro Costa, Gerson Costa and Mary Sieben, for their cooperation and understanding; To my friends Anderson Correa, Bruno Albo Amedei and Fernando Muniz, for their sense of companionship; To my family, especially my mother and grandmother, who always believed in my capacity; To my wife Ana Paula, who has always stayed by my side along these long years of study that culminate in the handing of this thesis; And, finally, to God, who has proved to me along the years that He really is the God of the brave. -
Lionel Trilling's Existential State
Lionel Trilling’s Existential State Michael Szalay Death is like justice is supposed to be. Ralph Ellison, Three Days Before the Shooting IN 1952, LIONEL TRILLING ANNOUNCED THAT “intellect has associated itself with power, per- haps as never before in history, and is now conceded to be in itself a kind of power.” He was de- scribing what would be his own associations: his personal papers are littered with missives from the stars of postwar politics. Senator James L. Buckley admires his contribution to American let- ters. Jacob J. Javits does the same. Daniel Patrick Moynihan praises him as “the nation’s leading literary critic.” First Lady Jacqueline Kennedy writes from the White House, thanking him for the collection of D. H. Lawrence stories and hoping to see him again soon. Three years later, President Lyndon Johnson sends a telegram asking Trilling to represent him at the funeral of T. S. Eliot. Politicians liked having Trilling around. He confirmed their noble sense of mission as often as they praised him.1 Trilling’s accommodating relation to power alienated many of his peers, like Irving Howe and C. Wright Mills, and later provoked condemnations from historians like Christopher Lasch and MICHAEL SZALAY teaches American literature and culture at UC, Irvine, and is the author of New Deal Modernism and The Hip Figure, forthcoming from Stanford University Press. He is co-editor of Stanford’s “Post*45” Book Series. 1 Trilling thought that the political establishment embraced intellectuals because it was “uneasy with itself” and eager “to apologize for its existence by a show of taste and sensitivity.” Trilling, “The Situation of the American Intellectual at the Present Time,” in The Moral Obligation to Be Intelligent, ed. -
Orwell George
The Collected Essays, Journalism and Letters of George Orwell Volume II: My Country Right or Left 1940-1943 by George Orwell Edited by Sonia Orwell and Ian Angus a.b.e-book v3.0 / Notes at EOF Back Cover: "He was a man, like Lawrence, whose personality shines out in everything he said or wrote." -- Cyril Connolly George Orwell requested in his will that no biography of him should be written. This collection of essays, reviews, articles, and letters which he wrote between the ages of seventeen and forty-six (when he died) is arranged in chronological order. The four volumes provide at once a wonderfully intimate impression of, and a "splendid monument" to, one of the most honest and individual writers of this century -- a man who forged a unique literary manner from the process of thinking aloud, who possessed an unerring gift for going straight to the point, and who elevated political writing to an art. The second volume principally covers the two years when George Orwell worked as a Talks Assistant (and later Producer) in the Indian section of the B.B.C. At the same time he was writing for Horizon, New Statesman and other periodicals. His war-time diaries are included here. Penguin Books Ltd, Harmondsworth, Middlesex, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia First published in England by Seeker & Warburg 1968 Published in Penguin Books 1970 Reprinted 1971 Copyright © Sonia Brownell Orwell, 1968 Made and printed in Great Britain by Hazell Watson & Viney Ltd, Aylesbury, Bucks Set in Linotype Times This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser Contents Acknowledgements A Note on the Editing 1940 1. -
George Orwell John Rodden and John Rossi Frontmatter More Information
Cambridge University Press 978-0-521-76923-5 - The Cambridge Introduction to George Orwell John Rodden and John Rossi Frontmatter More information The Cambridge Introduction to George Orwell Arguably the most influential political writer of the twentieth century, George Orwell remains a crucial voice for our times. Known worldwide for his two bestselling masterpieces – Nineteen Eighty-Four, a gripping portrait of a dystopian future, and Animal Farm, a brilliant satire on the Russian Revolution – Orwell has been revered as an essayist, journalist, and literary-political intellectual, and his works have exerted a powerful international impact in the post-World War II era. The Cambridge Introduction examines Orwell’s life, work, and legacy, addressing his towering achievement and his ongoing appeal. Combining biographical detail with close analysis of his writings, the book considers the various genres in which Orwell wrote: realistic novel, essay, reportage, fable, and anti-utopia. Written for both new and for already well-informed readers of Orwell’s work, the present study concludes with an extended reflection on why George Orwell has enjoyed a literary afterlife unpre- cedented among modern authors in any language. JOHN RODDEN has taught at the University of Virginia and the University of Texas at Austin. He is currently Visiting Professor in the Department of Foreign Languages at Tunghai University, Taiwan. He has published nine books on Orwell, including The Cambridge Companion to George Orwell (2007). He is presently working on a co-edited volume, Orwell: Orienting Asian Perspectives, with Henk Vynckier, Professor at Tunghai University. JOHN ROSSI is Professor Emeritus of History at La Salle University, Philadelphia. -
The Anarcho-Syndicalist Genesis of Orwell's Revolutionary Years
The Anarcho-Syndicalist Genesis of Orwell’s Revolutionary Years Raymond S. Solomon 2016 Contents Phase One .................................. 3 The Second Phase .............................. 4 Third phase of Orwell’s revolutionary years, after he was severely wounded 4 Orwell’s Metamorphosis .......................... 5 Orwell’s post-revolutionary socialism ................... 6 Conclusions ................................. 7 Bibliography and References ........................ 8 2 Orwell had four phases during his revolutionary years, lasting from late Decem- ber 1936 until about the early fall of 1940. Each was significant, but all were rooted in Orwell’s observations of Spain’s, and especially Catalonia’s, anarcho-syndicalist revolution. When Orwell went to Spain he did not know exactly what he would find. He had a letter of introduction from the Independent Labour Party. Hewanted to fight against fascism, defend democracy, and support workers. Orwell found what perhaps was the most far-reaching revolution in history. It had economic, sociological and psychological dimensions. It had far-reaching sig- nificance in his interpersonal relationships. (See Orwell’s ”Looking Back onthe Spanish War,” Section III.) Orwell said that according to his basic inclinations he would have joined the anarchists and that among the non-foreign troops, the an- archists were the most effective fighters in loyalist Spain. Phase One The first phase began when he came to loyalist Spain (lasting until theMay Days [1937] events) when he was enchanted with the workers’ revolution. Fac- tories had been taken over by workers. Agricultural estates were collectivized by peasants. Specifically he witnessed the early period of the anarcho-syndicalist so- ciety. Anarcho-syndicalist symbols were painted on walls. There was a revolution- ary and comradely feeling among the people in Barcelona. -
Neoconservatism Hoover Press : Berkowitz/Conservative Hberkc Ch5 Mp 104 Rev1 Page 104 Hoover Press : Berkowitz/Conservative Hberkc Ch5 Mp 105 Rev1 Page 105
Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_103 rev1 page 103 part iii Neoconservatism Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_104 rev1 page 104 Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_105 rev1 page 105 chapter five The Neoconservative Journey Jacob Heilbrunn The Neoconservative Conspiracy The longer the United States struggles to impose order in postwar Iraq, the harsher indictments of the George W. Bush administration’s foreign policy are becoming. “Acquiring additional burdens by engag- ing in new wars of liberation is the last thing the United States needs,” declared one Bush critic in Foreign Affairs. “The principal problem is the mistaken belief that democracy is a talisman for all the world’s ills, and that the United States has a responsibility to promote dem- ocratic government wherever in the world it is lacking.”1 Does this sound like a Democratic pundit bashing Bush for par- tisan gain? Quite the contrary. The swipe came from Dimitri Simes, president of the Nixon Center and copublisher of National Interest. Simes is not alone in calling on the administration to reclaim the party’s pre-Reagan heritage—to abandon the moralistic, Wilsonian, neoconservative dream of exporting democracy and return to a more limited and realistic foreign policy that avoids the pitfalls of Iraq. 1. Dimitri K. Simes, “America’s Imperial Dilemma,” Foreign Affairs (Novem- ber/December 2003): 97, 100. Hoover Press : Berkowitz/Conservative hberkc ch5 Mp_106 rev1 page 106 106 jacob heilbrunn In fact, critics on the Left and Right are remarkably united in their assessment of the administration. Both believe a neoconservative cabal has hijacked the administration’s foreign policy and has now overplayed its hand. -
Norman Podhoretz: a Biography"
Books Book Review: "Norman Podhoretz: A Biography" By Thomas L. Jeffers (Cambridge University Press). By Saul Rosenberg '93GSAS | Fall 2010 Norman Podhoretz, a maker of friends, ex-friends, and enemies. (David Howells / Corbis) John Gross, the English literary critic, was once in a magazine office in New York when the secretary called across the room to him: “John, there’s a Mr. Podhoretz on the phone for you.” As Gross recalled, “I felt every pair of eyes drilling into me, as though she’d said, ‘There’s a Mr. Himmler on the phone for you.’” This anecdote, retold by Thomas Jeffers in his Norman Podhoretz: A Biography, nicely sums up what many people feel about “Mr. Podhoretz.” He is hated by liberals for his turn to the right at the end of the sixties, and particularly loathed for his energetic support of Ronald Reagan, George W. Bush, and the Iraq War. So it is good someone should remind us, as Jeffers admiringly does, that Podhoretz is a first- class intellectual of enormous culture and considerable humanity. Podhoretz ’50CC was a first-generation American prodigy, an acute reader initially of literature and then politics, whose aggressive intellect took him from beat-up Brownsville through a glittering student career at Columbia College and Cambridge University to the editorship of Commentary at age 30. He edited the monthly from 1960 to 1995 into a publication The Economist once mused might be “the best magazine in the world.” In the last 25 years of his tenure, Podhoretz helped found and lead the neoconservative revolution that insisted, against some popular and much elite opinion, that America was, for all its faults, a clear force for good in the world. -
The Cultural Cold War the CIA and the World of Arts and Letters
The Cultural Cold War The CIA and the World of Arts and Letters FRANCES STONOR SAUNDERS by Frances Stonor Saunders Originally published in the United Kingdom under the title Who Paid the Piper? by Granta Publications, 1999 Published in the United States by The New Press, New York, 2000 Distributed by W. W. Norton & Company, Inc., New York The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press oper- ates in the public interest rather than for private gain, and is committed to publishing, in in- novative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. The New Press, 450 West 41st Street, 6th floor. New York, NY 10036 www.thenewpres.com Printed in the United States of America ‘What fate or fortune led Thee down into this place, ere thy last day? Who is it that thy steps hath piloted?’ ‘Above there in the clear world on my way,’ I answered him, ‘lost in a vale of gloom, Before my age was full, I went astray.’ Dante’s Inferno, Canto XV I know that’s a secret, for it’s whispered everywhere. William Congreve, Love for Love Contents Acknowledgements .......................................................... v Introduction ....................................................................1 1 Exquisite Corpse ...........................................................5 2 Destiny’s Elect .............................................................20 3 Marxists at -
Abrahams, William, See Stansky and Abrahams Adam, Eugene, 12
Cambridge University Press 978-0-521-76923-5 - The Cambridge Introduction to George Orwell John Rodden and John Rossi Index More information Index Abrahams, William, see Stansky Brace, Harcourt, 79, 84 and Abrahams Brailsford, Noel, 20 Adam, Eugene, 12, 13 British Empire, 1, 6, 10, 11, 33, 34, 50, Adelphi, 13, 14, 17, 39, 40, 46, 47, 52, 55, 71, 116 61, 64, 86, 87, 88, 92 Brockway, Fenner, 57 Allen, Woody, 107 Brownell, Sonia, 30 Allways, H. Lewis, 48, 101 Buddicom, Jacintha, 74, 106 Amis, Kingsley, 42 Bukharin, Nikolai, 82 Lucky Jim, 42 Burdekin, Katherine, 81 “Angry Young Men,” 42 Burma, 6, 10, 11, 12, 14, 15, 18, 27, 31, Angus, Ian, 108 32, 33, 34, 35, 50, 64, 65, 73, Arvin, Newton, 95 86, 106 Astor, David, 29, 77 Burnham, James, 4, 80 Atkins, John, 28 The Managerial Revolution 80 Auden, W. H., 65, 68, 69 Burton, Richard, 102 Barbusse, Henri, 12 Calder-Marshall, Arthur, 89, 96 Basic English, 95 Cambridge, 9, 13, 106, 116, 124 Battle of Britain, 26 Cape, Jonathan, 15, 47 BBC, xiv, 27, 28, 69, 73, 91, 93, 98, 99, Castro brothers, 112 103, 106, 107 Church, Richard, 41 Beirman, Robert, film adaptation of Churchill, Winston, 51, 105 Keep the Aspidistra Flying, 103 CIA, 98, 99, 106 Bengal Province, 6 Cobbett, William, 3, 47 Bentley, Eric, 94 Cold War, 4, 76, 79, 100, 104, 112 Bevan, Aneurin, 73 Collins, Norman, 35 Big Three, 74 Collins, William, 77 Blake, William, “The Tiger,” 7 Commentary, 97, 110 Blitz, 26 communism, 4, 21, 56, 57, 59, 60, 78, Book-of-the-Month Club, xiv, 79 79, 81, 82, 85 Booklover’s Corner, 16, 38, 108 Communist Party,