A Remembrance of George Orwell (1974), P
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"The Problem of Predicting What Will Last"
Allan Massie, "The Problem of Predicting What Will Last" Booksonline, with Amazon.co.uk (An Electronic Telegraph Publication) 4 January 2000 As our Book of the Century series concludes, Allan Massie compares the list with one published by The Daily Telegraph 100 years ago EACH WEEK for the past two years The Daily Telegraph’s literary editor has asked a contributor to name and describe his or her "Book of the Century", and today the series concludes with Arthur C. Clarke’s choice. The full selection invites comparison with a list drawn up by The Telegraph a century ago; we print both here. The comparison cannot, however, be exact. All the books chosen in 1899 were fiction - the paper offered its readers the "100 Best Novels in the World", selected by the editor "with the assistance of Sir Edwin Arnold, K. C. I. E, H. D. Traill, D. C. L, and W. L. Courtney, LL. D.". The modern list includes poetry, plays, history, diaries, philosophy, economics, memoirs, biography and travel writing. It is certainly eclectic, ranging from Wittgenstein’s Tractatus Logico-Philosophicus, selected by David Sylvester, to The Wind in the Willows, chosen by John Bayley, and Down with Skool, Wendy Cope’s Book of the Century. The 1899 list, on offer at the time in a cloth-bound edition at nine guineas the lot (easy terms available), is homogeneous, as the modern one is not, not only because it consists entirely of works of fiction but also because the selection was made by a small group. And since they were picking the 100 Best Novels, they were able to include books that nobody might name as a single "Book of the Century" but which many might put in their top 20 or so. -
Marcelo Pelissioli from Allegory Into Symbol: Revisiting George Orwell's Animal Farm and Nineteen Eighty-Four in the Light Of
MARCELO PELISSIOLI FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM PORTO ALEGRE 2008 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÊNFASE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM MESTRANDO: PROF. MARCELO PELISSIOLI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO PORTO ALEGRE 2008 3 4 PELISSIOLI, Marcelo FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM Marcelo Pelissioli Porto Alegre: UFRGS, Instituto de Letras, 2008. 112 p. Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1.Totalitarismo, 2.Animal Farm, 3. Nineteen Eighty-Four, 4. Alegoria, 5. Símbolo. 5 Acknowledgements To my dear professor and adviser Dr. Sandra Maggio, for the intellectual and motivational support; To professors Jane Brodbeck, Valéria Salomon, Vicente Saldanha, Paulo Ramos, Miriam Jardim, José Édil and Edgar Kirchof, professors who guided me to follow the way of Literature; To my bosses Antonio Daltro Costa, Gerson Costa and Mary Sieben, for their cooperation and understanding; To my friends Anderson Correa, Bruno Albo Amedei and Fernando Muniz, for their sense of companionship; To my family, especially my mother and grandmother, who always believed in my capacity; To my wife Ana Paula, who has always stayed by my side along these long years of study that culminate in the handing of this thesis; And, finally, to God, who has proved to me along the years that He really is the God of the brave. -
Orwell George
The Collected Essays, Journalism and Letters of George Orwell Volume II: My Country Right or Left 1940-1943 by George Orwell Edited by Sonia Orwell and Ian Angus a.b.e-book v3.0 / Notes at EOF Back Cover: "He was a man, like Lawrence, whose personality shines out in everything he said or wrote." -- Cyril Connolly George Orwell requested in his will that no biography of him should be written. This collection of essays, reviews, articles, and letters which he wrote between the ages of seventeen and forty-six (when he died) is arranged in chronological order. The four volumes provide at once a wonderfully intimate impression of, and a "splendid monument" to, one of the most honest and individual writers of this century -- a man who forged a unique literary manner from the process of thinking aloud, who possessed an unerring gift for going straight to the point, and who elevated political writing to an art. The second volume principally covers the two years when George Orwell worked as a Talks Assistant (and later Producer) in the Indian section of the B.B.C. At the same time he was writing for Horizon, New Statesman and other periodicals. His war-time diaries are included here. Penguin Books Ltd, Harmondsworth, Middlesex, England Penguin Books Australia Ltd, Ringwood, Victoria, Australia First published in England by Seeker & Warburg 1968 Published in Penguin Books 1970 Reprinted 1971 Copyright © Sonia Brownell Orwell, 1968 Made and printed in Great Britain by Hazell Watson & Viney Ltd, Aylesbury, Bucks Set in Linotype Times This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser Contents Acknowledgements A Note on the Editing 1940 1. -
George Orwell in Our Time Braja Kishore Sahoo, Ph.D
================================================================= Language in India www.languageinindia.com ISSN 1930-2940 Vol. 16:6 June 2016 ================================================================= George Orwell in Our Time Braja Kishore Sahoo, Ph.D. ================================================================== George Orwell Courtesy: https://en.wikipedia.org/wiki/George_Orwell Abstract George Orwell (1903-1950) occupies a significant place in the English literary imagination. A political and cultural commentator, as well as an accomplished novelist, Orwell is one of the most widely-read essayists of the 20th century. He is best remembered for his two novels written towards the end of his life: Animal Farm (1945) and Nineteen Eighty-Four (1949). In this paper I intend to focus on some of his representative essays and non-fiction writings to suggest that Orwell is very much alive to the vital issues of our time through his extensive range of interests ranging from politics, war, and sports, to issues such as language and literature. We can say that history has treated him well, proving him right about the key issues of the twentieth century. In the bipolar political climate of the 1930s and 1940s, when intellectuals on the left and right were getting ready to confront the evils of totalitarianism and fascism, Orwell saw that the choice between Stalinism and fascism was in fact no choice at all, that the real struggle was between freedom and tyranny. Language in India www.languageinindia.com ISSN 1930-2940 16:6 June 2016 Braja Kishore Sahoo, Ph.D. George Orwell in Our Time 145 Keywords: Animal Farm, George Orwell, totalitarianism, fascism, tyranny, freedom George Orwell A conservative by upbringing, and a socialist and a dissident by nature, he did not believe in politics as a matter of allegiance to a party or camp. -
George Orwell John Rodden and John Rossi Frontmatter More Information
Cambridge University Press 978-0-521-76923-5 - The Cambridge Introduction to George Orwell John Rodden and John Rossi Frontmatter More information The Cambridge Introduction to George Orwell Arguably the most influential political writer of the twentieth century, George Orwell remains a crucial voice for our times. Known worldwide for his two bestselling masterpieces – Nineteen Eighty-Four, a gripping portrait of a dystopian future, and Animal Farm, a brilliant satire on the Russian Revolution – Orwell has been revered as an essayist, journalist, and literary-political intellectual, and his works have exerted a powerful international impact in the post-World War II era. The Cambridge Introduction examines Orwell’s life, work, and legacy, addressing his towering achievement and his ongoing appeal. Combining biographical detail with close analysis of his writings, the book considers the various genres in which Orwell wrote: realistic novel, essay, reportage, fable, and anti-utopia. Written for both new and for already well-informed readers of Orwell’s work, the present study concludes with an extended reflection on why George Orwell has enjoyed a literary afterlife unpre- cedented among modern authors in any language. JOHN RODDEN has taught at the University of Virginia and the University of Texas at Austin. He is currently Visiting Professor in the Department of Foreign Languages at Tunghai University, Taiwan. He has published nine books on Orwell, including The Cambridge Companion to George Orwell (2007). He is presently working on a co-edited volume, Orwell: Orienting Asian Perspectives, with Henk Vynckier, Professor at Tunghai University. JOHN ROSSI is Professor Emeritus of History at La Salle University, Philadelphia. -
The Anarcho-Syndicalist Genesis of Orwell's Revolutionary Years
The Anarcho-Syndicalist Genesis of Orwell’s Revolutionary Years Raymond S. Solomon 2016 Contents Phase One .................................. 3 The Second Phase .............................. 4 Third phase of Orwell’s revolutionary years, after he was severely wounded 4 Orwell’s Metamorphosis .......................... 5 Orwell’s post-revolutionary socialism ................... 6 Conclusions ................................. 7 Bibliography and References ........................ 8 2 Orwell had four phases during his revolutionary years, lasting from late Decem- ber 1936 until about the early fall of 1940. Each was significant, but all were rooted in Orwell’s observations of Spain’s, and especially Catalonia’s, anarcho-syndicalist revolution. When Orwell went to Spain he did not know exactly what he would find. He had a letter of introduction from the Independent Labour Party. Hewanted to fight against fascism, defend democracy, and support workers. Orwell found what perhaps was the most far-reaching revolution in history. It had economic, sociological and psychological dimensions. It had far-reaching sig- nificance in his interpersonal relationships. (See Orwell’s ”Looking Back onthe Spanish War,” Section III.) Orwell said that according to his basic inclinations he would have joined the anarchists and that among the non-foreign troops, the an- archists were the most effective fighters in loyalist Spain. Phase One The first phase began when he came to loyalist Spain (lasting until theMay Days [1937] events) when he was enchanted with the workers’ revolution. Fac- tories had been taken over by workers. Agricultural estates were collectivized by peasants. Specifically he witnessed the early period of the anarcho-syndicalist so- ciety. Anarcho-syndicalist symbols were painted on walls. There was a revolution- ary and comradely feeling among the people in Barcelona. -
Exploring the Dilemma and Dynamics of Modernity in George Orwell's
Concentric: Literary and Cultural Studies 40.1 March 2014: 79-95 DOI: 10.6240/concentric.lit.2014.40.1.05 Against the “Uprush of Modern Progress”: Exploring the Dilemma and Dynamics of Modernity in George Orwell’s Burmese Days Angelia Poon National Institute of Education Nanyang Technological University, Singapore Abstract Published in 1934, George Orwell’s first novel Burmese Days was the result of his five years in Burma doing “the dirty work of empire” and oiling the “actual machinery of despotism” (Wigan Pier 147). This article considers the specific relationship in the novel between anti-imperialist politics and what it means to be modern in the early part of the twentieth century. How, for example, does modernity as a structure of feeling about breaking away from the past and tradition play out within the framework of a political dispensation of the imperial coupled with colonial governmentality? And what particular conception of culture and humanity might such a modernity be premised on? In Burmese Days, I argue that Orwell expresses the dilemma and dynamics of modernity through his use of a self-conscious narrative voice, and the story of his main character Flory, specifically the latter’s failure as a colonial, masculine subject. Orwell attempts to propose an alternative to the hegemonic version of European modernity that is based on the presence of an Other and the equation between colonialism and modernization. He explores a humanism written on and expressed through the body as part of the struggle with prejudice and bias that underlies Flory’s yearning for an alternative modernity. -
George Orwell Why I Write
George Orwell Why I Write [d] From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. I was the middle child of three, but there was a gap of five years on either side, and I barely saw my father before I was eight. For this and other reasons I was somewhat lonely, and I soon developed disagreeable mannerisms which made me unpopular throughout my schooldays. I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. I knew that I had a facility with words and a power of facing unpleasant facts, and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life. Nevertheless the volume of serious — i.e. seriously intended — writing which I produced all through my childhood and boyhood would not amount to half a dozen pages. I wrote my first poem at the age of four or five, my mother taking it down to dictation. I cannot remember anything about it except that it was about a tiger and the tiger had ‘chair-like teeth’ — a good enough phrase, but I fancy the poem was a plagiarism of Blake's ‘Tiger, Tiger’. -
Chapter 18: P.G. Wodehouse 109 He Ever Had
18 P.G. Wodehouse Heresy can mean doing obstinately what you do best, and doing it in the most improbable places. Jeeves, for example, was conceived and born in New York. At least P.G. Wodehouse was living there when he À rst thought of him. That may sound like an odd place to do it, but the fact is not in doubt. After two discontented years in a London bank and a little journalism, Wodehouse settled in Greenwich Village (off and on) in 1909. He had first visited America in 1904, drawn by its boxing tradition, but he soon came to believe he could write for it; and it was there in the autumn of 1914 that he met and married a young English widow called Ethel, whose daughter he adopted. War was breaking out in Europe, but his poor eyesight made him unfit for active duty, so he wrote on. There was to be another world war in his lifetime, as unexpected to him as the first, and after than he settled again in America, dying in 1975 on Long Island in his nineties. So New York was as much home to him as anywhere, though you sometimes wonder if anywhere was. He casually inhabited the whole world. Born in Guildford in 1881, his first infant years had been in Hong Kong, where his father was a magistrate, and his middle years, after New York and Hollywood, were spent in France. Like many EnglishmenSAMPLE down the centuries he had the carefree talent of being mostly somewhere else and yet never losing sense of who he was. -
The Cultural Cold War the CIA and the World of Arts and Letters
The Cultural Cold War The CIA and the World of Arts and Letters FRANCES STONOR SAUNDERS by Frances Stonor Saunders Originally published in the United Kingdom under the title Who Paid the Piper? by Granta Publications, 1999 Published in the United States by The New Press, New York, 2000 Distributed by W. W. Norton & Company, Inc., New York The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press oper- ates in the public interest rather than for private gain, and is committed to publishing, in in- novative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. The New Press, 450 West 41st Street, 6th floor. New York, NY 10036 www.thenewpres.com Printed in the United States of America ‘What fate or fortune led Thee down into this place, ere thy last day? Who is it that thy steps hath piloted?’ ‘Above there in the clear world on my way,’ I answered him, ‘lost in a vale of gloom, Before my age was full, I went astray.’ Dante’s Inferno, Canto XV I know that’s a secret, for it’s whispered everywhere. William Congreve, Love for Love Contents Acknowledgements .......................................................... v Introduction ....................................................................1 1 Exquisite Corpse ...........................................................5 2 Destiny’s Elect .............................................................20 3 Marxists at -
A Study of Politics and Literature In
Murray Arnold Sperbfr • J -. I 'MARX: G. O.'S DOG': A STUDY OF POLITICS I AND LITERATURE IN GEORGE ORWELL'S I HOMAGE TO CATALONIA I That was about as far as my thoughts [about the Spanish Civil War} went. [ did not make any of the correct political reflections. I never do when things are happening. It seems to be always the case when I get mixed up in war or politics-I am conscious of nothing save physical discomfort and a deep desire for this damned nonsense to be over. Afterwards [ can see the significance of events, but while they are happening I merely want to be out of them-an ignoble trait, perhaps.1 After Orwetl returned from Spain, he struggled to write Homage to Catalonia. As he tells us in that work, the Barcelona police had raided his hotel room and seized his Spanish diary and notes. (From a literary point of view, this was probably fortunate: Homage has an organic quality that Orwell's previous work, The Road to Wigan Pier, lacks; the latter, mainly transcribed from notes, shows its patch.work composition.) Orwell spent the first six months back in England trying to write his Spanish experiences and at the same time study the historical background of the war. Being a part· time journalist and book reviewer, he was able to turn his study to profit and in so doing leave a complete record of his growing understanding of the Spanish Civil War. In An Age Like This we can follow Orwell's attempt to define his political position on the Spanish Civil War after he returned from Spain (Vol. -
Abrahams, William, See Stansky and Abrahams Adam, Eugene, 12
Cambridge University Press 978-0-521-76923-5 - The Cambridge Introduction to George Orwell John Rodden and John Rossi Index More information Index Abrahams, William, see Stansky Brace, Harcourt, 79, 84 and Abrahams Brailsford, Noel, 20 Adam, Eugene, 12, 13 British Empire, 1, 6, 10, 11, 33, 34, 50, Adelphi, 13, 14, 17, 39, 40, 46, 47, 52, 55, 71, 116 61, 64, 86, 87, 88, 92 Brockway, Fenner, 57 Allen, Woody, 107 Brownell, Sonia, 30 Allways, H. Lewis, 48, 101 Buddicom, Jacintha, 74, 106 Amis, Kingsley, 42 Bukharin, Nikolai, 82 Lucky Jim, 42 Burdekin, Katherine, 81 “Angry Young Men,” 42 Burma, 6, 10, 11, 12, 14, 15, 18, 27, 31, Angus, Ian, 108 32, 33, 34, 35, 50, 64, 65, 73, Arvin, Newton, 95 86, 106 Astor, David, 29, 77 Burnham, James, 4, 80 Atkins, John, 28 The Managerial Revolution 80 Auden, W. H., 65, 68, 69 Burton, Richard, 102 Barbusse, Henri, 12 Calder-Marshall, Arthur, 89, 96 Basic English, 95 Cambridge, 9, 13, 106, 116, 124 Battle of Britain, 26 Cape, Jonathan, 15, 47 BBC, xiv, 27, 28, 69, 73, 91, 93, 98, 99, Castro brothers, 112 103, 106, 107 Church, Richard, 41 Beirman, Robert, film adaptation of Churchill, Winston, 51, 105 Keep the Aspidistra Flying, 103 CIA, 98, 99, 106 Bengal Province, 6 Cobbett, William, 3, 47 Bentley, Eric, 94 Cold War, 4, 76, 79, 100, 104, 112 Bevan, Aneurin, 73 Collins, Norman, 35 Big Three, 74 Collins, William, 77 Blake, William, “The Tiger,” 7 Commentary, 97, 110 Blitz, 26 communism, 4, 21, 56, 57, 59, 60, 78, Book-of-the-Month Club, xiv, 79 79, 81, 82, 85 Booklover’s Corner, 16, 38, 108 Communist Party,