Chapter 20 Wicca, Witchcraft and the Goddess Revival
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The Light That Shines in the Darkness Rev. Bruce Taylor December 20, 2020
Page 1 of 5 The Light That Shines in the Darkness Rev. Bruce Taylor December 20, 2020 I remember the Christmas of my childhood: a time of anticipation, looking forward to the gifts on Christmas morning; the story of baby Jesus born in Bethlehem; baby Jesus as a gift. I remember music: Christmas carols sung on cold clear nights; Christmas lights like stars shining out against a pure dark sky. Music coming out of the silence, and always leading back to silence. Stillness. It was an experience that repeated year after year on the clock of the seasons, the hour hand approaching midnight once again. The seasons circled again as I grew and unfolded, my capacities growing wider. The circle of time became a spiral moving out, ever forward, ever wider. I opened out from the seeds of the Christian tradition I was raised in. I gained perspective. Half-in, half-out of that tradition I could reflect, reconnect. This was the beginning of my shift towards Unitarian Universalism. It gave me questions. Where does Christmas come from? Whence the rituals? Whence the hope for a new heaven and a new Earth? It gave me options. Hearing the story of the Earth as a living being. A spiritual being. I tentatively explored the Pagan outlook not as an oddity from the past but as a living, Earth-centered tradition. I saw there is a “there” there, through my reading of Margot Adler, through the teaching and example of Starhawk. I affirmed the connection between ancient spiritualties and my own love of the woods and mountains; the urge to address Mother Earth as “thou”. -
An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
Adyar Pamphlets Theories About Reincarnation and Spirits No. 144 Theories About Reincarnation and Spirits by H.P
Adyar Pamphlets Theories About Reincarnation and Spirits No. 144 Theories About Reincarnation and Spirits by H.P. Blavatsky From The Path, November, 1886 Published in 1930 Theosophical Publishing House, Adyar, Chennai [Madras] India The Theosophist Office, Adyar, Madras. India OVER and over again the abstruse and mooted question of Rebirth or Reincarnation has crept out during the first ten years of the Theosophical Society's existence. It has been alleged on prima facie evidence, that a notable discrepancy was found between statements made in Isis Unveiled, Volume I, pp. 351-2, and later teachings from the same pen and under the inspiration of the same Master.[ See charge and answer, in Theosophist. August 1882] In Isis it was held, reincarnation is denied. An occasional return, only of “depraved spirits" is allowed. ' Exclusive of that rare and doubtful possibility, Isis allows only three cases - abortion, very early death, and idiocy - in which reincarnation on this earth occurs." (“C. C. M." in Light, 1882.) The charge was answered then and there as every one who will turn to the Theosophist of August, 1882, can see for himself. Nevertheless, the answer either failed to satisfy some readers or passed unnoticed. Leaving aside the strangeness of the assertion that reincarnation - i.e., the serial and periodical rebirth of every individual monad from pralaya to pralaya - [The cycle of existence during the manvantara - period before and after the beginning and completion of which every such "Monad" is absorbed and reabsorbed in the ONE -
Pentagram As a Symbol of Paganism: Symbols : Here the Differences Are Obvious
Symbolic meaning of the pentagram The Pentagram is a symbol of a star encased in a circle. Always with 5 points (one pointing upward), each has its own meaning. The upward point of the star is representative of the spirit. The other four points all represent an element; earth, air, fire, and water. All these things contribute to life and are a part of each of us. To wear a pentagram necklace or other form of jewelry, is to say you feel the connection with the elements and respect the earth. The number 5 The number 5 has always been regarded as mystical and magical, yet essentially 'human'. We have five fingers/toes on each limb extremity. We commonly note five senses - sight, hearing, smell, touch and taste. We perceive five stages or initiations in our lives - eg. birth, adolescence, coitus, parenthood and death. (There are other numbers / initiations / stages / attributions). Pentagram as a symbol of paganism: http://www.webcom.com/~lstead/wicatru.html Symbols : Here the differences are obvious. The predominant symbol for Wicca (and for many, Paganism in general) is the pentagram. The predominant Ásatrú symbol is, of course, the hammer. While various interpretations for the pentagram abound, a common understanding of the religious meaning of the symbol is that it represents five equidistant elements: Earth, Air, Fire, Water, and Spirit, each bound within the circle of life, death, and rebirth. Here then is a display of a central ideology behind Wicca: to live one's life in harmony with these elements, representative of features of the self, and in union with the cycles of nature. -
Wicca 1739 Have Allowed for His Continued Popularity
Wicca 1739 have allowed for his continued popularity. Whitman’s According to Gardner, witchcraft had survived the per- willingness to break out of hegemonic culture and its secutions of early modern Europe and persisted in secret, mores in order to celebrate the mundane and following the thesis of British folklorist and Egyptologist unconventional has ensured his relevance today. His belief Margaret Murray (1862–1963). Murray argued in her in the organic connection of all things, coupled with his book, The Witch Cult in Western Europe (1921), that an old organic development of a poetic style that breaks with religion involving a horned god who represented the fertil- many formal conventions have caused many scholars and ity of nature had survived the persecutions and existed critics to celebrate him for his innovation. His idea of uni- throughout Western Europe. Murray wrote that the versal connection and belief in the spirituality present in a religion was divided into covens that held regular meet- blade of grass succeeded in transmitting a popularized ings based on the phases of the moon and the changes of version of Eastern theology and Whitman’s own brand of the seasons. Their rituals included feasting, dancing, sac- environmentalism for generations of readers. rifices, ritualized sexual intercourse, and worship of the horned god. In The God of the Witches (1933) Murray Kathryn Miles traced the development of this god and connected the witch cult to fairy tales and Robin Hood legends. She used Further Reading images from art and architecture to support her view that Greenspan, Ezra, ed. The Cambridge Companion to Whit- an ancient vegetation god and a fertility goddess formed man. -
Love, Lora & Pooka
Pooka's Page for Grownups Each year we try to make the Yule issue a little bit special, taking care that it includes all the parts of the magazine you've told us are your favorites. This year was a bit difficult - in fact it was "touch & go" whether we'd get this issue out at all. My Lover of the past 8 years had a massive stroke on Nov. 4th, leaving him paralyzed, speechless and confused - and so, of course, I've had to be with him almost constantly. My presence & support right now is critical to his recovery. And on top of the holidays being a busy time for everyone, two of our Team Members with regular columns had their own emergencies - Christine is busy helping her father care for her mother and Calunna's horse suffered a serious injury. So, in addition to my own time-consuming crisis, we were also short-handed. However, I think the rest of the Team and I have pulled off a small Yuletide Miracle....and here is your Pooka Pages Issue! To be honest, I don't know what the future holds for this little magazine. I don't know what the future holds for ME. The Gods have suddenly tossed Life's Cards into the air and who knows where they'll land - or how their positions, when they fall, will affect the Pooka Pages. But, the new-born Sun of Yule is a symbolic promise for All of us . It's the beginning of a Growing Light in the middle of the of the Dark Winter. -
Echoes of the Orient: the Writings of William Quan Judge
ECHOES ORIENTof the VOLUME I The Writings of William Quan Judge Echoes are heard in every age of and their fellow creatures — man and a timeless path that leads to divine beast — out of the thoughtless jog trot wisdom and to knowledge of our pur- of selfish everyday life.” To this end pose in the universal design. Today’s and until he died, Judge wrote about resurgent awareness of our physical the Way spoken of by the sages of old, and spiritual inter dependence on this its signposts and pitfalls, and its rel- grand evolutionary journey affirms evance to the practical affairs of daily those pioneering keynotes set forth in life. HPB called his journal “pure Bud- the writings of H. P. Blavatsky. Her dhi” (awakened insight). task was to re-present the broad This first volume of Echoes of the panorama of the “anciently universal Orient comprises about 170 articles Wisdom-Religion,” to show its under- from The Path magazine, chronologi- lying expression in the world’s myths, cally arranged and supplemented by legends, and spiritual traditions, and his popular “Occult Tales.” A glance to show its scientific basis — with at the contents pages will show the the overarching goal of furthering the wide range of subjects covered. Also cause of universal brotherhood. included are a well-documented 50- Some people, however, have page biography, numerous illustra- found her books diffi cult and ask for tions, photographs, and facsimiles, as something simpler. In the writings of well as a bibliography and index. William Q. Judge, one of the Theosophical Society’s co-founders with HPB and a close personal colleague, many have found a certain William Quan Judge (1851-1896) was human element which, though not born in Dublin, Ireland, and emigrated lacking in HPB’s works, is here more with his family to America in 1864. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
A Christian Psychologist Looks at the Da Vinci Code
A Christian Psychologist Looks at The Da Vinci Code April 2006 Stephen Farra, PhD, LP, Columbia International University For information about reprinting this article, please contact Dr. Farra at [email protected] Understanding the Agenda behind The Da Vinci Code A number of scholarly, thoughtful responses to The Da Vinci Code have already been produced by other members of the Christian community. These other responses, though, tend to concentrate on historical and factual errors, and the false conclusions these errors can produce. This response is different. While this response also highlights several historical/factual errors in the text of The Da Vinci Code, this response attempts to go to the conceptual and spiritual essence of the book. Instead of focusing on mistakes, and what is obviously distorted and deliberately left out, this response focuses on what is actually being presented and sold in the book. It is the thesis of this review that what is being presented and sold in The Da Vinci Code is Wicca – Neo-paganism, modern Witchcraft, “the Wiccan Way.” People need to make up their own minds on this important issue, however. A comparative chart, and numerous other quotations / examples are employed to present the evidence, and make the case. The Da Vinci Code is not just a novel. If that is all it was or is, there would be no need for the page boldly labeled "FACT” (all capital letters). The FACT page is page 1 in the book, the last printed page before the Prologue, the true beginning of the story. On the FACT page, the author(s) try to convince you that they have done a good job of researching and fairly representing both the Priory of Sion and Opus Dei, and then go on to boldly proclaim: "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate." This "novel" is really a deconstructionist, post-modern attempt to re-write history, with a hidden agenda deeply embedded within the deconstructionist effort. -
Renee: 0:01 This Is Renee Cyr Doing an Interview with Camille on July 11 2019, Discussing Paganism in Lawrence
Renee: 0:01 This is Renee Cyr doing an interview with Camille on July 11 2019, discussing Paganism in Lawrence. How do you define your religion and spiritual path? Camille: 0:19 To define my religion would be, the umbrella term is Paganism. But that means anything that's out of Judaism, or Christianity, or Catholicism. Technically I would be classified as a Wiccan. I'm very nature based, but I also incorporate a specific goddess that I like to make offerings to her. She makes me feel protected and safe. And I think everybody deep down inside, spiritually humans need to believe in something higher than themselves. Not just for accountability of what happens to them in life, but the idea that we're just here alone on this big planet, it's kind of sad. I think people are naturally drawn to religious idols. Mine would be Hekate. Renee: 1:03 How long have you practiced Paganism? Camille: 1:06 Since 2002. I discovered it when I was going to high school. When I was younger, I was forced to go to Catholic school. My family is Romani Gypsy, and Italians on my mom's side. So they're very much about adopting a major religion to kind of help us blend in more. And my grandmother and my mother actually really did take it to heart. It wasn't just like, a chameleon tactic to blend in. Going to Catholic school I realized that it just didn't feel right. Like I would leave church feeling worse than when I went in. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
Episode #030 – the Inspiring Wendy Rule
“The Infinite and the Beyond” hosted by Chris Orapello Episode #030 – The Inspiring Wendy Rule 1 Episode #030 – The Inspiring Wendy Rule The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Underline Theme: Awen and Inspiration Show Introduction MM, BB, 93, Hello and Welcome to the 30th Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. In this episode… We speak with Australian Visionary Songstress Wendy Rule and get to enjoy some of her music. “Creator Destroyer” from her album The Wolf Sky “Guided by Venus” from her album Guided by Venus “My Sister the Moon” from her album Guided by Venus “The Wolf Sky (Live)” from her album Live at the Castle on the Hill “Circle Open (Live)” from her album Live at the Castle on the Hill We learn about the controversial, “King of the Witches,” Alex Sanders in A Corner in the Occult. In the spirit of creativity we learn about the Awen in The Essence of Magic, but first lets hear “Creator Destroyer” a haunting track by Wendy Rule. Featured Artist “Creator Destroyer” by Wendy Rule Interview Part 1 : Wendy Rule ➢ Wild, passionate and empowering, Australian Visionary Songstress Wendy Rule, weaves together music, mythology and ritual to take her audience on an otherworldly journey of depth and passion. Drawing on her deep love of Nature and lifelong fascination with the worlds of Faerie and Magic, Wendy’s songs combine irresistible melodies with rich aural textures and a rare personal honesty.