Canadian Studies Collection Collection En Études Canadiennes
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Getyourbuttseen Runway Gala
THE COLORECTAL CANCER ASSOCIATION OF CANADA ANNOUNCES ITS DAZZLING GETYOURBUTTSEEN RUNWAY GALA MONTREAL, November 22nd, 2010 /CNW/ - The Colorectal Cancer Association of Canada (CCAC) is delighted to announce its upcoming GetYourButtSeen Runway Gala, an edgy and provocative fundraising endeavour taking place in Montreal on December 1st, 2010 at Théâtre L’Olympia. Inspired by the worldwide success of their award winning on line campaign www.getyourbuttseen.ca the CCAC is bringing the fashion world to colorectal cancer. Fashion will take centre stage during the opening runway spectacular, produced by Hans Koechling and styled by Christina Louiso. Co-emceed by Jeanne Beker, the face of CTV’s FashionTelevision and Isabelle Hudon, President of Sun Life Financial, Quebec, the event will welcome Montreal’s chicest benefactors and generous members of the fashion industry as they come together to honour courageous colorectal cancer patients and raise funds for the organization’s awareness campaigns, education initiatives, patient support programs and advocacy efforts. "At Sun Life Financial we're proud to support innovative initiatives like the GetYourButtSeen Runway Gala that help raise community awareness through education on issues such as how a healthy lifestyle can help prevent disease," said Isabelle Hudon, president, Sun Life Financial, Quebec. “I always adore the way fashion often finds its way to the heart of an issue--in this case, bringing much needed awareness to something some people have an awkward time with--the subject of getting your butt examined!!! In a light-hearted, wonderfully human way, our fashion show aims to both entertain AND edify... And what a fabulous excuse to feast your eyes on some beautiful backsides, while raising funds and awareness for this vital cause.” Said Jeanne Beker, Host of Fashion Television CTV. -
Toronto Has No History!’
‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY By Victoria Jane Freeman A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto ©Copyright by Victoria Jane Freeman 2010 ABSTRACT ‘TORONTO HAS NO HISTORY!’ ABSTRACT ‘TORONTO HAS NO HISTORY!’ INDIGENEITY, SETTLER COLONIALISM AND HISTORICAL MEMORY IN CANADA’S LARGEST CITY Doctor of Philosophy 2010 Victoria Jane Freeman Graduate Department of History University of Toronto The Indigenous past is largely absent from settler representations of the history of the city of Toronto, Canada. Nineteenth and twentieth century historical chroniclers often downplayed the historic presence of the Mississaugas and their Indigenous predecessors by drawing on doctrines of terra nullius , ignoring the significance of the Toronto Purchase, and changing the city’s foundational story from the establishment of York in 1793 to the incorporation of the City of Toronto in 1834. These chroniclers usually assumed that “real Indians” and urban life were inimical. Often their representations implied that local Indigenous peoples had no significant history and thus the region had little or no history before the arrival of Europeans. Alternatively, narratives of ethical settler indigenization positioned the Indigenous past as the uncivilized starting point in a monological European theory of historical development. i i iii In many civic discourses, the city stood in for the nation as a symbol of its future, and national history stood in for the region’s local history. The national replaced ‘the Indigenous’ in an ideological process that peaked between the 1880s and the 1930s. -
Canadian Official Historians and the Writing of the World Wars Tim Cook
Canadian Official Historians and the Writing of the World Wars Tim Cook BA Hons (Trent), War Studies (RMC) This thesis is submitted in fulfillment of the requirements for the degree of Doctor of Philosophy School of Humanities and Social Sciences UNSW@ADFA 2005 Acknowledgements Sir Winston Churchill described the act of writing a book as to surviving a long and debilitating illness. As with all illnesses, the afflicted are forced to rely heavily on many to see them through their suffering. Thanks must go to my joint supervisors, Dr. Jeffrey Grey and Dr. Steve Harris. Dr. Grey agreed to supervise the thesis having only met me briefly at a conference. With the unenviable task of working with a student more than 10,000 kilometres away, he was harassed by far too many lengthy emails emanating from Canada. He allowed me to carve out the thesis topic and research with little constraints, but eventually reined me in and helped tighten and cut down the thesis to an acceptable length. Closer to home, Dr. Harris has offered significant support over several years, leading back to my first book, to which he provided careful editorial and historical advice. He has supported a host of other historians over the last two decades, and is the finest public historian working in Canada. His expertise at balancing the trials of writing official history and managing ongoing crises at the Directorate of History and Heritage are a model for other historians in public institutions, and he took this dissertation on as one more burden. I am a far better historian for having known him. -
The Canadian Militia in the Interwar Years, 1919-39
THE POLICY OF NEGLECT: THE CANADIAN MILITIA IN THE INTERWAR YEARS, 1919-39 ___________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ___________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY __________________________________________________________ by Britton Wade MacDonald January, 2009 iii © Copyright 2008 by Britton W. MacDonald iv ABSTRACT The Policy of Neglect: The Canadian Militia in the Interwar Years, 1919-1939 Britton W. MacDonald Doctor of Philosophy Temple University, 2008 Dr. Gregory J. W. Urwin The Canadian Militia, since its beginning, has been underfunded and under-supported by the government, no matter which political party was in power. This trend continued throughout the interwar years of 1919 to 1939. During these years, the Militia’s members had to improvise a great deal of the time in their efforts to attain military effectiveness. This included much of their training, which they often funded with their own pay. They created their own training apparatuses, such as mock tanks, so that their preparations had a hint of realism. Officers designed interesting and unique exercises to challenge their personnel. All these actions helped create esprit de corps in the Militia, particularly the half composed of citizen soldiers, the Non- Permanent Active Militia. The regulars, the Permanent Active Militia (or Permanent Force), also relied on their own efforts to improve themselves as soldiers. They found intellectual nourishment in an excellent service journal, the Canadian Defence Quarterly, and British schools. The Militia learned to endure in these years because of all the trials its members faced. The interwar years are important for their impact on how the Canadian Army (as it was known after 1940) would fight the Second World War. -
Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle
PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: Article 14 On the Cusp of Change 2009 Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle Anna Marie Brown Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation Brown, Anna Marie (2009) "Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 14. https://doi.org/10.15760/mcnair.2009.25 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. Portland State University McNair Research Journal 2009 Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle by Anna Marie Brown Faculty Mentor: Jennifer Perlmutter Citation: Brown, Anna Marie. Victor‐Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle. Portland State University McNair Scholars Online Journal, Vol. 3, 2009: pages [25‐55] McNair Online Journal Page 1 of 31 Victor-Lévy Beaulieu and Québec's Linguistic and Cultural Identity Struggle Anna Marie Brown Jennifer Perlmutter, Faculty Mentor Six months ago, the latest literary work from Québécois author Victor-Lévy Beaulieu came off the presses. Known by his fans as simply VLB, Beaulieu is considered to be among the greatest contemporary Québec writers,1 and this most recent work, La Grande tribu, marks his seventieth. -
September 17, 2018 Guideinsider’S
The Hill Times’ September 17, 2018 guideInsider’s The THE100 th TOP LOBBYISTS 26 by Beatrice Paez ANNUAL Nancy Peckford Politically Savvy on women in politics by NEIL MOSS Emily Haws: a primer on fall parties The 17th Annual AFN Chief TERRIFIC Perry Bellegarde 25 Staffers, ON HIS VISION by NEIL MOSS Lisa Van Dusen Joe Jordan’s guide on Washington, D.C. The Prime Minister’s Office in Ottawa. TO THE FALL SESSION The Hill Times photograph by Andrew Meade 2 MONDAY, SEPTEMBER 17, 2018 | THE HILL TIMES INSIDER’S GUIDE Feature Insider’s Guide EDITOR Kate Malloy MANAGING EDITOR Kristen Shane DEPUTY EDITORS Peter Mazereeuw, Charelle Evelyn ASSISTANT DEPUTY EDITOR Abbas Rana DIGITAL EDITOR Beatrice Paez PUBLISHED EVERY MONDAY AND WEDNESDAY BY HILL TIMES PUBLISHING INC. 246 Queen Street, Ottawa, Ontario K1P 5E4 PUBLISHERS Anne Marie Creskey, Jim Creskey, Ross Dickson PUBLISHER/VICE PRESIDENT Don Turner GENERAL MANAGER, CFO Andrew Morrow EDITORIAL SENIOR REPORTER Laura Ryckewaert NEWS REPORTERS Emily Haws, Jolson Lim, Neil Moss, Samantha Wright Allen PHOTOGRAPHERS Sam Garcia, Andrew Meade and Cynthia Münster EDITORIAL CARTOONIST Michael De Adder CONTRIBUTING WRITERS Christopher Guly, Leslie MacKinnon, Cynthia Münster COLUMNISTS Keith Brooks, Karl Bélanger, Andrew Caddell, Andrew Cardozo, John Chenier, David Coletto, Sheila Copps, David Crane, Jim Creskey, Darryl T. Davies, Murray Dobbin, Gwynne Dyer, Michael Geist, Greg Elmer, Riccardo Filippone, Alice Funke, Dennis Gruending, Cory Hann, Chantal Hébert, Joe Jordan, Warren Kinsella, Alex Marland, Gillian McEachern, Arthur Milnes, Dan Palmer, Nancy Peckford, Angelo Persichilli, Kate Purchase, Tim Powers, Jeremy Richler, Susan Riley, Ken Rubin, Sarah Schmidt, Rick Smith, Evan Sotiropoulos, Mathieu R. -
Sinai Health System Annual Report 2018/19
CELEBRATING OUR COMMUNITY REPORT TO THE COMMUNITY 2018/19 WHAT’S INSIDE 7 4 8 A Community of Care ................................. 1 Sinai Health System Letter ........................2 Sinai Health Foundation Letter ..................3 Women’s & Infants’ ....................................4 Urgent & Critical Care ................................6 10 Surgery & Oncology ...................................8 Rehab/Complex Continuing Care ............ 10 Research ................................................. 12 12 Quality ..................................................... 14 Community Impact .................................. 16 Board of Directors ................................... 18 Financials ...............................................20 Our Donors ..............................................22 Sinai Health’s vibrant and dedicated community has a profound impact on people’s lives. Our employees, physicians, nurses, scientists, learners and volunteers have a relentless drive to do better, to pursue bold ideas and to provide the best care imaginable. As Canada’s leading integrated health system, we are connecting people to the right type of care and creating a seamless health care journey for our patients and families. We are thankful to those in our community who support our organization through philanthropy. At Sinai Health, we are leveraging the power of community to break down barriers, push boundaries and provide high-quality health care for all. A MESSAGE FROM SINAI HEALTH SYSTEM LEADERSHIP Since our amalgamation, Sinai -
Educators' Catalogue
The Azrieli Foundation’s Holocaust Survivor Memoirs Program Educators’ Catalogue 2021 Programme des mémoires de survivants de l’Holocauste de la Fondation Azrieli Catalogue des enseignants 2021 2 Le Programme des mémoires de survivants de l’Holocauste de la Fondation Azrieli En racontant leur histoire, les auteurs ont pu se libérer. Pendant de longues années, nous n’en avons pas parlé, même une fois devenus citoyens de sociétés libres. Aujourd’hui, alors qu’enfin nous écrivons sur les expériences qui furent les nôtres durant cette période sombre de l’Histoire, conscients que nos récits seront lus et qu’ils nous survivront, il nous est possible de nous sentir complètement libérés. David J. Azrieli, C.M., C.Q., M.Arch. Survivant de l’Holocauste et philanthrope Le Programme des mémoires de survivants de l’Holocauste de la Fondation Azrieli a été créé en 2005 afin de collecter, conserver et partager les mémoires et journaux in- times rédigés par des survivants de l’Holocauste qui ont immigré au Canada. Les mé- moires invitent le lecteur à engager une réflexion à la fois approfondie et éclairée sur les événements complexes de l’Holocauste et à établir des liens porteurs de sens avec les t émoins canadiens qui l’ont vécu. De récit en récit, le lecteur découvre des parcours très différents dont la diversité même permet de mieux saisir l’ampleur de cet événement historique. Ces mémoires — publiés en français et en anglais — sont distribués gratuitement aux établissements scolaires et aux bibliothèques à travers le Canada. L’équipe d’éditeurs et de chercheurs du Programme vérifie avec soin l’exactitude des faits relatés et propose aux lecteurs du matériel supplémentaire : des glossaires, des introductions rédigées par des chercheurs spécialisés, ainsi que des cartes. -
Inspired by Jewish Values and the Vision and Resilience of Our Founder, David J
Inspired by Jewish values and the vision and resilience of our founder, David J. Azrieli z”l, the Azrieli Foundation’s mission is to improve the lives of present and future generations through Education, Research, Healthcare and the Arts mainly in Canada and Israel. The foundation has eight priority funding areas with support reaching a diversity of people, places and needs. Our vision is to remember the past, heal the present and enhance the future of the Jewish people and all humanity. The publication of the Azrieli Series of Holocaust Survivor Memoirs is guid- ed by the conviction that each survivor of the Holocaust has a remarkable story to tell, and that the personal accounts of those who survived against all odds are as different as the people who wrote them. Recognizing that most survivor memoirs never find a publisher, the Azrieli Foundation established the not-for-profit Holocaust Survivor Memoirs Program to collect, archive and publish these distinctive records. All revenues to the Azrieli Foundation from the sale of the Azrieli Series of Holocaust Survivor Memoirs go toward continuing the publication and edu- cational work of the Holocaust Survivor Memoirs Program. In telling these stories, the writers have liberated themselves. For so many years we did not speak about it, even when we became free people living in a free society. Now, when at last we are writing about what happened to us in this dark period of history, knowing that our stories will be read and live on, it is possible for us to feel truly free. These unique historical documents put a face on what was lost, and allow readers to grasp the enormity of what happened to six million Jews – one story at a time. -
Margaret Atwood: a Canadian Novelist
Margaret Atwood: A Canadian Novelist Introduction Contents Margaret Atwood is a name nearly all Canadians know, and now that she has finally won the prestigious Booker Prize her already considerable international Introduction reputation is greatly enhanced. Canadians, however, are often criticized for not celebrating our cultural icons, whether it be from a collective sense of modesty or The Range of The Blind uncertainty as to the elusive Canadian identity. Be that as it may, we do recognize Assassin Margaret Atwood as one of our greatest writers, and this international win for her latest novel, The Blind Assassin, certainly gives us reason to reappraise her Not Just A Novelist considerable contribution to that genre of literature referred to as CanLit. The Booker Prize-considered one of the world's most important literary awards-is given each year to what is judged the best original full-length novel written by a citizen of Subjectivity, Literature, the British Commonwealth or the Republic of Ireland. Atwood's novels have been and The Blind Assassin nominated for the Booker three times, and now The Blind Assassin takes its place among the very best literary works of fiction in the world. As Canadians, we have Themes of Margaret good reason to recognize and validate the talent and achievements of our artists, Atwood and we do so. "Canadian content" is a standard qualifier and indicator of success for us, whether in the form of a Jim Carrey movie, the music of Céline Dion, or the Portraying Women's Lives comedy of John Candy or Dan Ackroyd. -
Paperny Films Fonds
Paperny Films fonds Compiled by Melanie Hardbattle and Christopher Hives (2007) Revised by Emma Wendel (2009) Last revised May 2011 University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Administrative History o Scope and Content o Notes Series Descriptions o Paperny Film Inc. series o David Paperny series o A Canadian in Korea: A Memoir series o A Flag for Canada series o B.C. Times series o Call Me Average series o Celluloid Dreams series o Chasing the Cure series o Crash Test Mommy (Season I) series o Every Body series o Fallen Hero: The Tommy Prince Story series o Forced March to Freedom series o Indie Truth series o Mordecai: The Life and Times of Mordecai Richler series o Murder in Normandy series o On the Edge: The Life and Times of Nancy Greene series o On Wings and Dreams series o Prairie Fire: The Winnipeg General Strike of 1919 series o Singles series o Spring series o Star Spangled Canadians series o The Boys of Buchenwald series o The Dealmaker: The Life and Times of Jimmy Pattison series o The Life and Times of Henry Morgentaler series o Titans series o To Love, Honour and Obey series o To Russia with Fries series o Transplant Tourism series o Victory 1945 series o Brewery Creek series o Burn Baby Burn series o Crash Test Mommy, Season II-III series o Glutton for Punishment, Season I series o Kink, Season I-V series o Life and Times: The Making of Ivan Reitman series o My Fabulous Gay Wedding (First Comes Love), Season I series o New Classics, Season II-V series o Prisoner 88 series o Road Hockey Rumble, Season I series o The Blonde Mystique series o The Broadcast Tapes of Dr. -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery.