When Routine Bites Hard and Ambitions Are Low and Resentment
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Nicaraguans Support Government, Speaker Says Fee-Payment Date
the weekly news magazine of IUPUI L “ M 3 American people misinformed Nicaraguans support government, speaker says by Kim Lanier The Indiana Council of Chur before As a reault. the Contras Seminary at chat sponsored a senes of lectures have little internal The Zavala • last at IUPUI on Central American af Has the neither fairs Nov. 27 thorufh Disc 4 to of a majority of the aar the tttfedti information on this area of Nicaraguan people because It me world due to me increasing len- sectors of the population that arete According to Roger Zavala, rec ocrorvl neL - tain 1 -i tor of the Baptist Seminary in has been trying to No problem for eld reefaents Managua. Nicaragua, the ■how the urorid that the members of the conference decided Is freely to carry out the lecture tour in the to end the premure, but out Fee-payment date moved up United States because the feel that ssdt influences are preventing it. the North Zavala said The threat from the are given all the information Contras positioned along the on the on U.S policy toward the Con- The real threat comm from US trae. the U.S backed counter military tmd economic support of hi revolutionary government Since the countenevohitinnanm The 1979, he said, Nicaragua has feh (am. Zavala aiad. is that the US are increasiag pressure from Americans, and Zavala said in his country it is m l the Reagan administration took of not the American peo| fice that is op- separation of Church and 'l l is the whole series of it doee not know means separation of pressures which is making bfe dif what It Is doing If Nicaraguans pohtks This, he said. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Two Louies September 2003
OREGON MUSIC photo Chauncene Page 2 - TWO LOUIES, September 2003 TWO LOUIES, September 2003 - Page 3 photo David Ackerman Beauty Stab upstairs at Eli’s. The band lasted about a year but earned drummer Courtney Taylor a reputation as a rocker on the rise. “He always said he was going to the top,” says former Beauty Stab manager Tony DeMicoli. Taylor also worked the door at Tony’s club the Key Largo. “Courtney says the wide variety of acts at the Key had a big infl uence on his musical tastes”. This month Courtney and the Dandy Warhols set out to conquer the world with their new Capitol album “Welcome To The Monkey House” (See Jonny Hollywood page 8.) the music business. part of MusicFest NW, an expert from the AFM I wondered if any of these bands would like to (American Federation of Musicians) will be sitting regain the song rights that they signed away. At fi rst on a panel at the Roseland Grill. The panel discus- glance, there seems to be no legal way to achieve sion is titled “Sign on the Dotted Line”. The date this. Certainly, there could be a public outcry and is September 6, 2003, from 12-4 PM. As one of an attempt to shine some light on these predatory six panelists, there should be much insight offered promoters. Strangely, however, no one that entered regarding protection of your music. Secondly, I AFM ON KUFO this contest seems to be outraged. They should be. would like to invite all musicians interested in Dear Editor, The music business offers enough challenges with- improving their working environment to join me I was stunned upon learning the details of the “It’s Your Fault Band Search” contest, sponsored “I was stunned upon learning the details of the ‘It’s by Infi nity Broadcasting’s KUFO. -
Culture Vulture 2011
Culture Vulture 2011 PJ Harvey – Let England Speak (CD + DVD) White Denim – D Bon Iver – Bon Iver Elbow – Build A Rocket Boys! Vinicio Caposella – Marinai, Profeti e Balene (2CD) Spinvis & Hanco Kolk – Tot Ziens, Justine Keller (CD + boek) King Creosote & Jon Hopkins – Diamond Mine DeWolff – Orchards/Lupine Kiran Ahluwalia – Aam Zameen: Common Ground Lucas Santtana – Sem Nostalgia Chris Chameleon – As Jy Weer Skryf Raghu Dixit – Raghu Dixit The Amazing – Gentle Stream Danger Mouse & Daniele Luppi – Rome Nils Frahm – Felt Raphael Saadiq – Stone Rollin’ June Tabor & Oysterband – Ragged Kingdom Ry Cooder – Pull Up Some Dust And Sit Down Patrick Wolf – Lupercalia Gruff Rhys – Hotel Shampoo Samenstelling: Hans Verbakel (4.1.2012) Culture Vulture 2011 100 shorts De eerste twintig zijn favoriete nummers van mijn album top 20. De resterende tachtig staan in “redelijk” willekeurige shuffle volgorde. PJ Harvey – The Words That Maketh Murder Tom Russell – Farewell Never Never Land White Denim – River To Consider Tim Knol – Days Bon Iver – Holocene Beirut – East Harlem Elbow – Lippy Kids Aaron Wright – Trampoline Vinicio Caposella – Lord Jim The Middle East – Hunger Song Spinvis – Kom Terug Thurston Moore – Benediction King Creosote & Jon Hopkins – Bats In The Attic Kurt Vile – Ghost Town DeWolff – Everything Everywhere Nicolas Jaar – Too Many Kids Finding Rain In The Dust Kiran Ahluwalia – Saffar Radiohead – Codex Lucas Santtana – Super Violão Mashup Adele – Someone Like You Chris Chameleon – Daar Is Net Een Vir Altyd Jessie J (feat. B.o.B.) – Price Tag Raghu Dixit – In Mumbai, Waiting for a Miracle Iness Mezel – Amazone The Amazing – Flashlight Dengue Fever – Mr Bubbles Danger Mouse & Daniele Luppi feat. -
Jarboe Indemnity Mp3, Flac, Wma
Jarboe Indemnity mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Indemnity Country: Netherlands Released: 2013 Style: Experimental MP3 version RAR size: 1860 mb FLAC version RAR size: 1695 mb WMA version RAR size: 1121 mb Rating: 4.9 Votes: 151 Other Formats: FLAC VOX AA DMF AC3 VOC MPC Tracklist A1 Universal Emptiness 7:26 A2 Holy Money 8:29 A3 The Childs Right 3:42 A4 Blood & Honey 4:43 B1 Celebrity Lifestyle 5:44 B2 Miracle Of Love 6:43 B3 I Am The Sun 5:44 B4 My Tall Man (Live) 5:44 Credits Mastered By – Brian Castillo Sleeve – Maurice de Jong Notes Interpretations of classics from Swans and World Of Skin selected from Jarboe albums Indemnity 1 & 2 All keyboards, additional instrumentation, voices performed, recorded, arranged by Jarboe except Holy Money drum programming and The Child's Right guitars, mix, mastering by Brian Castillo. Jarboe logo designed by www.discreelcases.com From thelivingjarboe.com: My Tall Man co-written by M.Gira and Jarboe years ago and never officially recorded or released. LPs arrived in vinyl sleeve (no shrink wrap). Sticker on vinyl sleeve has barcode, title,description and Burning World Records logo and the lps catalog number. Barcode and Other Identifiers Barcode: 432425262334 Other versions Category Artist Title (Format) Label Category Country Year none Jarboe Indemnity (CDr) The Living Jarboe none US 2011 BWR033 Jarboe Indemnity (LP, Album, Gol) Burning World Records BWR033 Netherlands 2013 BWR033 Jarboe Indemnity (LP, TP) Burning World Records BWR033 Netherlands 2013 Related Music albums to Indemnity by Jarboe 1. -
JOY DIVISION Re-Releases På Vinyl På Mandag D. 29. Juni !
2015-06-23 12:36 CEST JOY DIVISION re-releases på vinyl på mandag d. 29. juni ! Rhino will reissue Joy Division‘s two studio albums Unknown Pleasures andCloser on vinyl, followed closely by similar vinyl re-releases of compilations Still and Substance (with the latter newly expanded). All these 180g records use the 2007 remasters except Substance which uses a 2010 remastering. Both Still and Substance will be gatefold two-LP sets and for the first time on vinyl, the expanded track listing from the original CD release of Substance is used here PLUS plus two additional songs: As You Said and the Pennine version ofLove Will Tear Us Apart. This 19-track version will also be issued on CD. Rhino have promised that “each design replicates the original in painstaking detail”andUnknown Pleasures and Closer will be re-released on 29 June with the two vinyl compilations and the new CD edition of Substance following on July 24 2015. Track listing Unknown Pleasures Side A 1. “Disorder” 2. “Day of the Lords” 3. “Candidate” 4. “Insight” 5. “New Dawn Fades” Side B 1. “She’s Lost Control” 2. “Shadowplay” 3. “Wilderness” 4. “Interzone” 5. “I Remember Nothing” Closer Side A 1. “Atrocity Exhibition” 2. “Isolation” 3. “Passover” 4. “Colony” 5. “A Means to an End” Side B 1. “Heart and Soul” 2. “Twenty Four Hours” 3. “The Eternal” 4. “Decades” Still (2LP) Side A 1. “Exercise One” 2. “Ice Age” 3. “The Sound of Music” 4. “Glass” 5. “The Only Mistake” Side B 1. “Walked in Line” 2. -
A Musicological and Theological Analysis of Sufjan Stevens's Song, "Christmas Unicorn"
ABSTRACT I'm a Christmas Unicorn: A musicological and theological analysis of Sufjan Stevens's song, "Christmas Unicorn" Janna Martindale Director: Jean Boyd, Ph.D. The purpose of this thesis is to introduce the reader to Sufjan Stevens’s 2012 fifty- eight track album Silver & Gold, and specifically the final song, “Christmas Unicorn,” a twelve and half minute anti-epic pop song that starts off in a folk style and builds to an electronic, symphonic climax. The album presents many styles of Christmas songs, including Bach chorales, hymns, original songs, “Jingle Bells,” and a Prince cover. I argue that this album is a post-modern presentation demonstrating all the different expressions of Christmas are valid, no matter how commercial or humble. “Christmas Unicorn” synthesizes all these styles through the metaphor of the unicorn, which is a medieval symbol of Christ in the Nativity and the Crucifixion. Stevens uses the symbol of the unicorn to represent Christ as well as all humans and all the different attributes of Christmas. APPROVED BY DIRECTOR OF HONORS THESIS: __________________________________________ Dr. Jean Boyd, Department of School of Music APPROVED BY THE HONORS PROGRAM: ___________________________________________ Dr. Andrew Wisely, Director DATE: __________________________________ I’M A CHRISTMAS UNICORN: A MUSICOLOGICAL AND THEOLOGICAL ANALYSIS OF SUFJAN STEVEN’S SONG, “CHRISTMAS UNICORN” A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Janna Martindale Waco, Texas ! TABLE OF CONTENTS Chapter One: Introduction . 1 Chapter Two: Biography of Sufjan Stevens . 7 Chapter Three: Silver and Gold . 19 Chapter Four: Symbolism of the Unicorn . -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment. -
The Guardian, January 12, 1984
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 1-12-1984 The Guardian, January 12, 1984 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1984). The Guardian, January 12, 1984. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Thursday, January 1J. 'IM4 Flight film airs on NBC back and make a 16mm copy we could use on campos," he said. -v Despite the recent acquisition of a rare The archives department also made-a Wright Brothers' flight film, the Wright videotape, which can be signed out by State University archives Vve had "no anyone who wants to view the film. significant increase in the humber of "We've hact rnaybe a half-dozen calls inquiries" on the Wright collection, and a few letters from people interested in reported Patrick Nolan, head of archives seeing the film, but co one has come in ind.special collections. yet," Nolan said, NBC's "Today" show featured the "There's not a whole lot of interest in . WSU collection on- Dec. 16 to com- doing research on the Wright Brothers over memorate the 80th anniversary of the first the Christmas holidays,'' he said. Wright Brothers'flight. The archives plan to.