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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
The Netmagazine
Anna Loutfi Feminism, biography and cheshire cat stories A geopolitical journey through a biographical dictionary Anna Loutfi reflects on the use of the nation−state as an organizing principle for central and eastern European feminist history of the nineteenth and twentieth centuries. She detects what she calls feminism's "imperial ironies": feminists in central and eastern Europe acted within international feminist networks, while at the same time were confronted with emerging nationalism in territories that had been parts of former empires. This paper was first presented in June 2007 at the international L'Homme−conference "Imaginary borders in Europe from the perspective of women's and gender history"1. I was invited to participate as one of the co−editors of A Biographical Dictionary of Women's Movements and Feminisms, Central, East and South Eastern Europe, nineteenth and twentieth Centuries −− hereafter referred to as the Biographical Dictionary2. The initial aim of my paper was to clarify the dictionary's concept of Central, South and South Eastern Europe, but, in the end, I decided that the difficulty of developing any coherent criteria for such a definition would make for more interesting discussion −− especially with respect to the fascinating, dynamic interplay of geography and what I call "geopolitics', biography/biographical narrative, and gender identity that one can trace through the Biographical Dictionary as a whole. This paper, then, has been developed −− from an original intention to clarify geographical borders, and justify points of geographical exclusions/inclusions regarding the selection criteria of the Biographical Dictionary −− into an exploration of the ways in which the biographical genre (particularly vis−à−vis feminist experience) exposes the political instability of the nation state and its borders as an interpretive framework for personal identity. -
Love Kills Church.Pdf
FFreeree yourself from the Patriarchal chains !! Abolish Patriarchy !! INSTITUTION OF HYPOCRISY, CORRUPTION, OPPRESSION AND MANIPULATION – L oo v e THE ORTHODOX K ii ll l H l HURCH l CHURCH l CHURCH ss 2 0 0 8 Study case on Romanian Context – ––– BOR BOR The brochure you are holding is a study case on the ordeals performed by the Romanian Orthodox Church – Biserica Ortodoxă Română, abbreviated BOR (hereafter). It is a study that required a documentation for more than half an year, being extremely difficult to acquire accurate needed information. I believe that this aspect is relevant to the Romanian context regarding freedom of expression, freedom of thought and freedom of consciousness, and nevertheless regarding the interests of patriarchal-corporatist media. I am not trying to emphasize a presumptive su- premacy of BOR’s noxiousness within the frame- The only work of world’s religions and churches. The op- tion for discussing this exclusive Romanian con- text is motivated by my own experience which had profoundly affected my personal develop- ment in such a specifically repressive context. Being a woman (the gender category although not consciously and/or voluntarily assumed and enlightening accepted, was of course inflicted and imposed from the moment of birth) throughout my devel- opment, I had to face a genuine and frankly bru- tal mysoginism, which I later on discovered to have it’s origins in how orthodox morality is per- ceived and practiced in Romania. church is the one The study is divided in four sections: BOR – STATE BOR – ARMY BOR – EXTREME RIGHT WING on fire BOR – OPRESSION OF WOMEN The brochure is published and distributed by Collective. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
2016-03-23 Dt-Michel
1 WDR 3 Jazz & World Redaktion: Dagmar Töpfer Mittwoch, 22.05-24.00 Uhr Datum: 23.03.2016 Klezmer for my love - Feidman, Avital, Kasbek & Co. Moderation: Babette Michel ___________________________________________________________________________ UNSERE KONZERTTIPPS: Giora Feidman & Rastrelli Cello Quartett: Jubiläumstournee zum 80. Geburtstag 11.04.2016 Philharmonie, Köln 13.04.2016 Ev. St. Reinoldikirche, Dortmund Wirbeley 29.06.2016 Domforum, Köln Juriy Gurzhy: „Born in UA“ 09.04.2016 Stadtgarten, Köln Zion 80 (Jon Madof, Frank London, Matt Darriau u.a.) 08.05.2016 Acht Brücken Festival, Stadtgarten Köln Äl Jawala 13.04.2016 Bahnhof Langendreer, Bochum Beckmann spielt Cello Vol. II 26.03.2016 Schumannsaal, Düsseldorf 27.03.2016 Schumannsaal, Düsseldorf 01.04.2016 St. Maria im Kapitol, Köln Mikail Aslan im Radio 09.04.2016, 20.05.-22.00 Uhr WDR 3 Konzert (Aufnahme des Konzertes bei Klanglandschaften Mülheim/Ruhr) ********************************************************** MUSIKLISTE: Titel: Fuga y misterio Interpret: Avi Avital Komp. / Text / Bearb.: Astor Piazzolla / Bearb.: Juan Esteban Cuacci CD-Titel: Between Worlds, track 10 Verlag / Label / Bestell-Nr. / LC-Nr.: Deutsche Grammophon / 4791069 GH / LC 00173 / EAN: 028947910695 Zeit: 7'30 Titel: So they dance in Safad Interpret: Giora Feidman Komp. / Text / Bearb.: traditionell / Bearb.: Giora Feidman CD-Titel: The incredible clarinet, track 13 Verlag / Label / Bestell-Nr. / LC-Nr.: Pläne / PLÄNE 88725 / LC 00972 / EAN: 4007198838381 Zeit: 2'30 Titel: Moanin Interpret: Giora Feidman & Rastrelli Cello Quartett Komp. / Text / Bearb.: Bobby Timmons / Bearb.: Peter Breiner CD-Titel: Klezmer Bridges, track 1 Verlag / Label / Bestell-Nr. / LC-Nr.: Pianissimo Musik GmbH / PM 0934 / LC 20164 / EAN: 4260184040469 Zeit: 4'41 2 Titel: Di grine kuzine - Sher Interpret: Yxalag Komp. -
Nigel Kennedy Is Back and He's Showing No Signs of Mellowing
Still playing the rebel: Nigel Kennedy is back and he's showing no signs of mellowing Nigel Kennedy returns for a gig at London's Tower Festival as his seminal Vivaldi album gets a 20th anniversary re- release. He still has the haircut, the attitude, and he's still angry – about conductors, the price of CDs, Palestine, country music, Margaret Thatcher, and much more. Jessica Duchen met him, and then partied... Friday, 4 September 2009 Sunset over the Brandenburg Gate, Berlin, and Nigel Kennedy is giving a special performance with his jazz quintet to mark the conclusion of the World Athletics Championships. "Berlin – nummer eins!" the mohican-crested renegade fiddler shouts to the crowd from a stage opposite the landmark. He takes a spoof bow, flapping his hands while pony-galloping forward and back, telling the crowd that this is "Shakespearean". "Oh, Nigel," his manager sighs, "what are you doing?" Later, after his trademark greeting, "monster!", we settle in his dressing-room tent, Kennedy nursing an outsize tumbler of neat vodka, to discuss what he really is doing. At 52, outwardly the bad boy of the violin hasn't changed much since his ever-controversial recording of Vivaldi's The Four Seasons 20 years ago, when it got into The Guinness Book of Records as the highest-selling classical album ever and caused near-apoplexy in the classical world. The record industry is marking the anniversary with a special re-release, but Kennedy has long since moved on. He works hard, plays hard – the night before he'd been partying until 9am – and never stops dreaming up new projects. -
Alexandrina Cantacuzino Si Miscarea Feminista Din Anii Interbelici
ARHIVETE NATIONALE ALE ROMANIEI -; t.ir-*."q8 " r^i r-g :l r'1:F ALEXAND RINA CANTACUZIN O $I MI$CAREA FEMINISTA DIN ANII INTERBETICI vot. II -- Edilie de documente elaborati de: ANEMARI MONICA NEGRU CETATEA DE SCAUN bV*p*: CUPRINS fficr !a.-ptuo"i$t , I f r {t ffis7a1t<\l rcit sfurea ne aut o rizatd t n ffior. STUDIU INTRODUCTIV Documente privind activitatea Alexandrinei Gr. Cantacuzino in cadrul organizafiilor: I. Uniunea Intelectuali Romini Despre istoria Uniunii Intelectuale RomAne (UIR) se cunosc pufine aminunte, de aceea informaliile furnizate de documentele pistrate in fondul familial Cantacuzino la Arhivele Nalionale ale RomAniei sunt deosebit de valoroase. in special dosarele Bg qi 2ry, care integreazi procesele verbale originale ale gedinqelor UIR, de la intemeiere (4 octombrie 19z6), pAni in 1937, constituie izvoarele reprezentative ale istoriei asociafiei. Pe baza acestor surse arhivistice, am incercat si reconstitui, cronologic, uneori fragmentar, activit5lile gi evolufia Uniunii Intelectuale RomAne. Uniunea IntelectualS RomAni a fost infiinlati la 4 octombrie 1926, cAnd s-au reunit in casele principesei Alexandrina Gr. Cantacuzino din Calea Victoriei nr. zz4 (vezi Anexa Nr. r), intelectuali de prestigiu. Atunci s-a stabilit la conducerea UIR un comitet de patronaj . Pregedinte de onoare a fost desemnatd Regina Maria a RomAniei, iarin calitate de membrii erau invitali prelafi - Patriarhul Miron Cristea, Mitropolitul Suciu al Blajului -, feministe active precum Elena Vicirescu, Adela Xenopol, Callpso Botez, Sabina Cantacuzino, academicienii Vasile PArvan, vice-presedinte al Academiei RomAne, Ioan A1. Britescu-Voinegti, Ion Nistor, Iacob Negruzzi, finanfigtii Mihail Oromolu, guvernatorul Bincii Nafionale, Gheorghe Buzdugan, prezident la Curtea de Casalie, scriitorii Mihail Sadoveanu, Octavian Goga, politicienii Nicolae Titulescu, Ministru plenipotenfiar, delegat al RomAniei la Societatea Nafiunilor, P. -
No. 15 TRONDHEIM STUDIES on EAST EUROPEAN CULTURES
No. 15 TRONDHEIM STUDIES ON EAST EUROPEAN CULTURES & SOCIETIES Constantin Iordachi CHARISMA, POLITICS AND VIOLENCE: THE LEGION OF THE “ARCHANGEL MICHAEL” IN INTER-WAR ROMANIA December 2004 Constantin Iordachi is Assistant Professor of Comparative History at the Central (XURSHDQ8QLYHUVLW\ &(8 %XGDSHVW+HJUDGXDWHGIURPWKH8QLYHUVLW\RI %XFKDUHVW %$ DQGWKH,QVWLWXWHRI,QWHUQDWLRQDO6WXGLHV8QLYHUVLW\RI/HHGV 0$ DQGKDVHDUQHGKLV3K'LQKLVWRU\DWWKH&(8,RUGDFKLLVVSHFLDOL]LQJ in the comparative social and institutional history of Central and Southeastern Europe, with an emphasis on citizenship studies, fascism and the history of historiography. He published numerous articles in various scholarly journals and edited books, mainly in Romanian, Hungarian and English. His book The Making of Citizenship in Southeastern Europe during the Long Nineteenth Ceuntry: The Case of Romania, is forthcoming with the CEU Press. ISSN 1501-6684 ISBN 82-995792-3-6 © 2004 Constantin Iordachi and the Program on East European Culture and Societies, a program of the faculty of Arts. Norwegian University of science and Technology. Trondheim studies on East European Cultures and Societies Editor: György Péteri Editorial board: Trond Berge, Tanja Ellingsen, Knut Andreas Grimstad, Arne Halvorsen, Sabrina P. Ramet We encourage submission to the Trondheim Studies on East European Culture and Societies. Inconclusion in the series will be based on anonymous review. Manuscripts are expected to be in English (exception is made for Norwegian 0DVWHUCVDQG3K'WKHVLV DQGQRWH[FHHGGRXEOHVSDFHGSDJHV3RVWDODGGUHVV -
December 2000 Vol
V:J 'ONSffild Z9Z ·oN l!lillgd 1008-0PL£6 V'J 'OUS;}Jd PHd S/W .;}AV Ja)(~~g .N ~PZS OIVd UIRI~OJd S;}!J)fllS ~!U;)UIJV gg~1sod ·s·n '1f1 UO!l~ZfiiB~JQ SlU;}pOlS U~!U;)UIJV lYOJd-UON OUS;}Jd '[lS'J ;}ql JO J;}d~dSM;}N ;}q~ HYE SHARZHOOM nd Arme·nian Action .:.us cu.Pc~-n-,.zr Year December 2000 Vol. 22, No. 2 (72) Supplement to the Collegian ASP Hosts Catholicos Aram I at Fresno State . By John-Jabagchourian ship that is not based on ethical, Editor moral, and spiritual values," His Holiness Aram I said. "Unprec edented economic, technological · natriptothe United States, and industrial progreS&With unlim His Holiness Aram I, ited use of earth's limited resources Catholicos of the Great House of Cilicia, made a special has greatly jeopardized the ecosys stop at California State University, tem that sustains our universe." Fresno on the morning of October His speech demonstrated a link 23, 2000 to speak to students and between theology and the preser faculty on ''The Ecological Crisis, · vation of the environment. Its Causes and Implications: A His Holiness stressed that the Christian View." earth, its resources and all life are Dressed in the traditional black God's creation; however, human -robe with purple cuffs, His Holi ity has distorted this concept and ness Aram I arrived on campus has exploited God's creation by with an entourage of bishops and misusing its limited resources for local religious leaders of the Arme purposes of greed rather than satis nian Church at the invitation of and fying the needs of survival. -
Faculty Scholarship May 2015-May 2016
FACULTY SCHOLARSHIP MAY 2015-MAY 2016 Faculty Scholarship at Whitworth in the 21st century, and explore the work of WHO WE ARE Teresa of Avila. Social scientists compare The Whitworth faculty comprises 154 Christian religious and secular HIV-prevention NGOs in teacher-scholars who engage in research, Kenya and present on hope in a consumerist writing, and creative performance to advance culture. Faculty in the arts perform, contribute their understanding of the world, to enrich to exhibits, write about microcontrollers and their teaching, to share their discoveries, and music, create arrangements for jazz ensembles, to bring new information and insights into and compose hymns. Economists write about their classrooms. Organizations beyond our household economics, and educators present campus recognize the high quality of our faculty their research on programs for high-ability scholarship; many support Whitworth research learners. programs. Whitworth faculty members have received grants from a broad range of funders WHY WE DO IT including federal grants from the National At Whitworth, teaching and scholarship are Science Foundation, the National Institutes not seen as separate and competing spheres. of Health and the U.S. State Department’s Faculty members model lifelong learning for Fulbright program; state funding from our students while staying immersed in the the Office of the Superintendent of Public joy of discovery and connected to the broader Instruction; support from private regional and conversations of their academic disciplines. national foundations such as the M. J. Murdock Some faculty members conduct research and Charitable Trust and the Lilly Endowment; write monographs with their undergraduate and funding from local corporate foundations students in special research programs that including Spokane Teachers Credit Union and mentor students for graduate study. -
Femmes Et Politique En Roumanie Et En Belgique Dans L'entre-Deux-Guerres Petrescu, Alexandra
www.ssoar.info Femmes et politique en Roumanie et en Belgique dans l'entre-deux-guerres Petrescu, Alexandra Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Petrescu, A. (2006). Femmes et politique en Roumanie et en Belgique dans l'entre-deux-guerres. Studia Politica: Romanian Political Science Review, 6(3), 641-665. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-56228-8 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/1.0 https://creativecommons.org/licenses/by-nc-nd/1.0/deed.de Femmes et politique en Roumanie et en Belgique 641 Femmes et politique en Roumanie et en Belgique dans l’entre-deux-guerres ALEXANDRA PETRESCU Pendant la période de l’entre-deux-guerres le droit de vote des femmes a été, pour tous les pays européens, une cible des féministes qui ont mené une activité continuelle pour la reconnaissance des droits politiques des femmes. Ce qui nous intéresse dans notre recherche est le cas de la Roumanie et de la Belgique, deux pays où les féministes ont lutté, pareillement ou différemment, pour obtenir les droits politiques. La comparaison entre les types d’action utilisés par les femmes belges et roumaines est un des buts de notre travail, qui utilise à la fois l’approche sociologique et historique, en essayant de trouver une lecture plurielle du fémi- nisme et de sa lutte pour les droits politiques.