ENCOUNTERS Encounters Representations of the Others in Modern European History
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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
Who Caused the Conflict?
2 WAGGGS • WORLD THINKING DAY 2021 • AMGE • JOURNÉE MONDIALE DE LA PENSÉE 2021 • AMGS • DÍA MUNDIAL DEL PENSAMIENTO 2021 • • CONTENTS How to use this pack ........................................... 5 Stand Together What is Peacebuilding? ……………………………..... 8 Thinking About Peace ......................................... 44 World Thinking Day Fund ………………………….... 9 Turn It Around ....................................................... 46 World Thinking Day and Peace …………............. 10 The Memory Coin ................................................ 48 Earn your World Thinking Day badge ............... 12 Pass the Peace ...................................................... 50 Things I Can Change ............................................ 52 Ripples of Peace .................................................... 54 Stand Strong Peace Puzzle …............…………………………..…...… 16 Closing activity Make Or Break ……………………………….............… 18 Our global promise ............................................... 56 Calm Sphere …………………………………………........ 20 Girl Guiding and Girl Scouting around the world 58 Decoder ……………………………………………............ 22 Your Unique Potential …………………………....…... 24 Appendix ................................................................ 60 The Power Of Words ………………………………….. 26 Acknowledgements ............................................. 63 Stand Up On The Other Side Of The Conflict …………..… 30 Who Caused The Conflict? ................................. 32 Lights, Camera, Action ......................................... 34 Peace -
Copyright by Agnieszka Barbara Nance 2004
Copyright by Agnieszka Barbara Nance 2004 The Dissertation Committee for Agnieszka Barbara Nance Certifies that this is the approved version of the following dissertation: Nation without a State: Imagining Poland in the Nineteenth Century Committee: Katherine Arens, Supervisor Janet Swaffar Kirsten Belgum John Hoberman Craig Cravens Nation without a State: Imagining Poland in the Nineteenth Century by Agnieszka Barbara Nance, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Nation without a State: Imagining Poland in the Nineteenth Century Publication No._____________ Agnieszka Barbara Nance, PhD. The University of Texas at Austin, 2004 Supervisor: Katherine Arens This dissertation tests Benedict Anderson’s thesis about the coherence of imagined communities by tracing how Galicia, as the heart of a Polish culture in the nineteenth century that would never be an independent nation state, emerged as an historical, cultural touchstone with present day significance for the people of Europe. After the three Partitions and Poland’s complete disappearance from political maps of Europe, substitute images of Poland were sought that could replace its lost kingdom with alternate forms of national identity grounded in culture and tradition rather than in politics. Not the hereditary dynasty, not Prussia or Russia, but Galicia emerged as the imagined and representative center of a Polish culture without a state. This dissertation juxtaposes political realities with canonical literary texts that provide images of a cultural community among ethnic Germans and Poles sharing the border of Europe. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Coins of Zurich Throughout History
Coins of Zurich throughout History Not so long ago it was assumed that Zurich was founded in Roman times, and that the earliest coins of Zurich dated from the 9th century AD. In the meantime we know that Celtic tribes settled in Zurich long before the Romans – and that the first Zurich coins emerged about 1000 years earlier than hitherto believed, namely in the course of the 1st century BC. Hence our tour through the monetary history of Zurich starts in ancient Celtic times. Afterwards, however, no money was minted in Zurich over centuries indeed. Only under Eastern Frankish rule did the small town on the end of the lake become a mint again. And since then the Zurich mint remained in use – with longer and shorter discontuniations until 1848: then the Swiss franc was created as the single currency of Switzerland, and the coins from Zurich as well as all the rest of the circulating Swiss coins were devaluated and replaced. During the 1000 years between the minting of the first medieval coin of Zurich and the last money of the Canton of Zurich in 1848, our money served the most diverse purposes. It was used as means of payment and as article of trade, as measure of value and as savings and, last but not least, for prestige. The coins of Zurich reflect these various functions perspicuously – but see for yourself. 1 von 33 www.sunflower.ch Helvetia, Tigurini, Potin Coin (Zurich Type), Early 1st Century BC Denomination: AE (Potin Coin) Mint Authority: Tribe of the Tigurini Mint: Undefined Year of Issue: -100 Weight (g): 3.6 Diameter (mm): 19.0 Material: Others Owner: Sunflower Foundation Sometime around the beginning of the 1st century BC, Celts of the Tigurini tribe broke the ground of the Lindenhof in Zurich. -
The Renaissance Collection Six Silver Coin Set
The Renaissance Collection Six Silver Coin Set Image shows typical coins, not to scale, listed from left to right: Hungary, Italy, Lithuania, Poland, Russia, and Austria The European Renaissance was a cultural movement that bridged the gap between the High Middle Ages and the Industrial Revolution, comprising a sea of change in thought that influenced literature, philosophy, art, music, politics, science, religion, and all other intellectual pursuits. It began in Italy in the 14th century, spreading to the rest of Europe over the next 250 years, and changed forever how we look at the world. Historians still debate the causes of the Renaissance. Some argue that a marked increase in trade and finance exposed Europeans to the more advanced cultures of the Middle East and Asia. Others cite the influence of the powerful Medici family in Florence, who financed much of the art for which the period is known. Then there was the fall of Constantinople to the Ottomans and the resulting influx of scholars to Florence and other Italian cities, as well as the efforts of Pope Nicholas V, who sought to compete with the lavish Eastern Orthodox Church by building great cathedrals. Finally, the Black Death, which wiped out half the population of Florence in 1347 alone, altered the prevailing worldview, inspiring a more humanist approach to scientific inquiry. Whatever the reason, the Renaissance had an undeniable and pervasive impact on Western endeavor. A list of famous figures from the period is a veritable Who’s Who of European accomplishment: Leonardo da Vinci, Botticelli, Cervantes, Shakespeare, Dante, Copernicus, Machiavelli, Francis Bacon, Thomas Moore, Walter Raleigh, Christopher Columbus, and Michelangelo. -
Denmark and the Duchy of Schleswig 1587-1920
Denmark and the Duchy of Schleswig 1587-1920 The making of modern Denmark The Duchy of Schleswig Hertugdømmet Slesvig Herzogthum Schleswig c. 1821 The President’s Display to The Royal Philatelic Society London 18th June 2015 Chris King RDP FRPSL 8th July 1587, Entire letter sent from Eckernförde to Stralsund. While there was no formal postal service at this time, the German Hanseatic towns had a messenger service from Hamburg via Lübeck, Rostock, Stettin, Danzig and Königsberg to Riga, and this may have been the service used to carry this letter. RPSL Denmark and the Duchy of Schleswig 1587-1920 The Duchy of Schleswig: Background Speed/Kaerius, 1666-68, from “A Prospect of the Most Famous Parts of the World” The Duchies of Slesvig (Schleswig in German) and Holstein were associated with the Danish Crown from the 15th century, until the Second Schleswig War of 1864 and the seizure by Prussia and Austria. From around 1830 sections of the population began to identify with German or Danish nationality and political movements followed. In Denmark, the National Liberal Party used the Schleswig question as part of their programme and demanded that the Duchy be incorporated in the Danish kingdom under the slogan “Denmark to the Eider". This caused a conflict between Denmark and the German states, which led to the Schleswig-Holstein Question of the 19th century. When the National Liberals came to power in Denmark, in 1848, it provoked an uprising of ethnic Germans who supported Schleswig's ties with Holstein. This led to the First Schleswig War. Denmark was victorious, although more through politics than strength of arms. -
2016-03-23 Dt-Michel
1 WDR 3 Jazz & World Redaktion: Dagmar Töpfer Mittwoch, 22.05-24.00 Uhr Datum: 23.03.2016 Klezmer for my love - Feidman, Avital, Kasbek & Co. Moderation: Babette Michel ___________________________________________________________________________ UNSERE KONZERTTIPPS: Giora Feidman & Rastrelli Cello Quartett: Jubiläumstournee zum 80. Geburtstag 11.04.2016 Philharmonie, Köln 13.04.2016 Ev. St. Reinoldikirche, Dortmund Wirbeley 29.06.2016 Domforum, Köln Juriy Gurzhy: „Born in UA“ 09.04.2016 Stadtgarten, Köln Zion 80 (Jon Madof, Frank London, Matt Darriau u.a.) 08.05.2016 Acht Brücken Festival, Stadtgarten Köln Äl Jawala 13.04.2016 Bahnhof Langendreer, Bochum Beckmann spielt Cello Vol. II 26.03.2016 Schumannsaal, Düsseldorf 27.03.2016 Schumannsaal, Düsseldorf 01.04.2016 St. Maria im Kapitol, Köln Mikail Aslan im Radio 09.04.2016, 20.05.-22.00 Uhr WDR 3 Konzert (Aufnahme des Konzertes bei Klanglandschaften Mülheim/Ruhr) ********************************************************** MUSIKLISTE: Titel: Fuga y misterio Interpret: Avi Avital Komp. / Text / Bearb.: Astor Piazzolla / Bearb.: Juan Esteban Cuacci CD-Titel: Between Worlds, track 10 Verlag / Label / Bestell-Nr. / LC-Nr.: Deutsche Grammophon / 4791069 GH / LC 00173 / EAN: 028947910695 Zeit: 7'30 Titel: So they dance in Safad Interpret: Giora Feidman Komp. / Text / Bearb.: traditionell / Bearb.: Giora Feidman CD-Titel: The incredible clarinet, track 13 Verlag / Label / Bestell-Nr. / LC-Nr.: Pläne / PLÄNE 88725 / LC 00972 / EAN: 4007198838381 Zeit: 2'30 Titel: Moanin Interpret: Giora Feidman & Rastrelli Cello Quartett Komp. / Text / Bearb.: Bobby Timmons / Bearb.: Peter Breiner CD-Titel: Klezmer Bridges, track 1 Verlag / Label / Bestell-Nr. / LC-Nr.: Pianissimo Musik GmbH / PM 0934 / LC 20164 / EAN: 4260184040469 Zeit: 4'41 2 Titel: Di grine kuzine - Sher Interpret: Yxalag Komp. -
ESTONIAN LANGUAGE Kala on Puu Juures A Fish Is Near the Tree Literally: A Fish Is in the Root of a Tree
ESTONIAN LANGUAGE Kala on puu juures A fish is near the tree Literally: A fish is in the root of a tree ISBN 9985-9341-9-9 / Published by the Estonian Institute 2004 / Illustrations: Jaagup Roomet / Design: Aadam Kaarma LABOR Estonian Language Urmas Sutrop Estonian is used in the army... aviation... theatre The Estonian language The ancestors of the Estonians arrived at Finnish, Hungarian and Estonian are the the Baltic Sea 13 000 years ago when the best known of the Finno-Ugric languages; mainland glaciers of the last Ice Age had rather less known are the following retreated from the area now designated smaller languages of the same language as Estonia. The first settlers who followed group: South Estonian, Votian, Livonian, the reindeer herds came here from south, Izhorian, Vepsian, Karelian, Sami, Erzya, from Central Europe. Although the vocab- Moksha, Mari, Udmurt and Komi, spoken ulary and grammar of the language used from Scandinavia to Siberia. by people in those days have changed beyond recognition, the mentality of the Estonian differs from its closest large tundra hunters of thousands of years ago related language, Finnish, at least as can be still perceived in modern Estonian. much as English differs from Frisian. The difference between Estonian and Hungar- The majority of European languages ian is about as significant as between belong to the Indo-European language German and Persian. group (e.g. Spanish, Polish, Lithuanian, Norwegian, Albanian, Romany, Greek or Along with Icelandic, Estonian is at Welsh). Of the ancient European langua- present one of the smallest languages in ges, once so widespread throughout the the world that fulfils all the functions continent, Basque in the Pyrenees, the necessary for an independent state to Finno-Ugric languages in the North and perform linguistically. -
Why Germany's Common Currency Failed, 1549-1556
Economic History Working Papers No: 223/2015 Power Politics and Princely Debts: Why Germany’s Common Currency Failed, 1549-1556 Oliver Volckart London School of Economics Economic History Department, London School of Economics and Political Science, Houghton Street, London, WC2A 2AE, London, UK. T: +44 (0) 20 7955 7084. F: +44 (0) 20 7955 7730 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE DEPARTMENT OF ECONOMIC HISTORY WORKING PAPERS NO. 223- SEPTEMBER 2015 Power Politics and Princely Debts: Why Germany’s Common Currency Failed, 1549-1556 Oliver Volckart London School of Economics [email protected] Abstract The article argues that in the first half of the sixteenth century the need to avoid rounds of competitive debasements was the primary motive for the creation of a common currency valid in the whole Holy Roman Empire. In the years 1549 to 1551, the estates came close to achieving this. In contrast to what is suggested in the literature, their attempt did not fail because the Empire was economically poorly integrated or the will to co-operate was lacking. Rather, it failed because during the talks, the estates lost sight of the original motive, the princes favouring a bimetallic system that they hoped would allow them deflating the real value of their debts, and Charles V undervaluing the taler in the hope that this would weaken political opponents. These decisions antagonised important actors; when it proved impossible to enforce them, the Empire’s common currency failed. Keywords: Monetary history, currency union, early modern Germany JEL codes: E42, E52, N13, N23, N43 I.