Untitled Picture; Inventory Number: MASP 6713
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Josepho Saunderso Pranešimas Apie Simono Čechavičiaus Tapybą 33
Laima ŠINKŪNAITĖ Vytauto Didžiojo universitetas, Kaunas JOSEPHO SAUNDERSO PRANEŠIMAS APIE SIMONO ČECHAVIČIAUS TAPYBĄ 33 Reikšminiai žodžiai: Josephas Saundersas, IN LITHUANIA HISTORY ART OF THE BEGINNING Simonas Čechavičius, dailė, pranešimas, paveikslas, restauravimas. Tikra šlovė suleidžia šaknis ir tik auga. pranešimą apie dailininko Simono Čechavičiaus Visa, kas dirbtina, greitai nubyra kaip žiedeliai, gyvenimą ir darbus; ir joks apsimestinis dalykas negali būti il- t BQJCFOESJOUJNFOPUZSJOʐUPKPBUMJLUPT4ɇFDIB galaikis.1 vičiaus kūrybos analizės vertinimą; Ciceronas, Apie pareigas, II knyga, 12 skyrius t BUTLMFJTUJ 4 ɇFDIBWJʊJBVT LʷSZCPT TBNQSBUʇ dabarties kontekste. Žinia, kunigaikščio Adomo Jurgio Čartorys- kio pakviestas, anglų grafikas Josephas Saunder- Dailės istorijos mokslui svarbu nustatyti Lietuvos sas (1773–1845) iš Sankt Peterburgo, kuriame jis dailės istoriografijos pradžią, t. y. atskaitos tašką, keturiolika metų kūrė ne tik originalias graviūras, nuo kurio įmanoma atsispirti tiriant dailės istorio- bet ir raižė jas albumui pagal garsiausius Ermitažo grafinę raidą. Taigi verta prisiminti, kad XIX a. Vil- muziejaus paveikslus2, į Vilniaus universitetą atvyko niaus universitetas kaip profesionalus meno židinys, 1810 m.3 Galima manyti, kad šį, moralės atžvilgiu skatinantis ir menotyros minties raidą, buvo svar- ypač jautrų klasicistą, pritariantį gamtos sekimui bus ne tik Lietuvai, bet ir Gudijai, Ukrainai ar Len- perkuriant ją tauraus grožio idealų požiūriu, gyvas- kijai. Būtent šiame universitete profesorius Josep- tingas ir mainus Vilniaus barokas veikiausiai turėjo has Saundersas per penkerius metus perskaitė dvi sužavėti. Miesto bažnyčių altorius puošę baroki- pirmąsias meno istorijos paskaitas, kurių antroji, niai paveikslai J. Saundersui galėjo būti įdomūs dėl skirta dailininko Simono Čechavičiaus kūrybos stu- daugelio priežasčių; pavyzdžiui, ir dėl didžiulėse dijoms, šiame straipsnyje nagrinėjama pirmą kartą. drobėse juntamo Simono Čechavičiaus kūrybai Šiuo požiūriu tai nauja ir aktualu. -
Who Caused the Conflict?
2 WAGGGS • WORLD THINKING DAY 2021 • AMGE • JOURNÉE MONDIALE DE LA PENSÉE 2021 • AMGS • DÍA MUNDIAL DEL PENSAMIENTO 2021 • • CONTENTS How to use this pack ........................................... 5 Stand Together What is Peacebuilding? ……………………………..... 8 Thinking About Peace ......................................... 44 World Thinking Day Fund ………………………….... 9 Turn It Around ....................................................... 46 World Thinking Day and Peace …………............. 10 The Memory Coin ................................................ 48 Earn your World Thinking Day badge ............... 12 Pass the Peace ...................................................... 50 Things I Can Change ............................................ 52 Ripples of Peace .................................................... 54 Stand Strong Peace Puzzle …............…………………………..…...… 16 Closing activity Make Or Break ……………………………….............… 18 Our global promise ............................................... 56 Calm Sphere …………………………………………........ 20 Girl Guiding and Girl Scouting around the world 58 Decoder ……………………………………………............ 22 Your Unique Potential …………………………....…... 24 Appendix ................................................................ 60 The Power Of Words ………………………………….. 26 Acknowledgements ............................................. 63 Stand Up On The Other Side Of The Conflict …………..… 30 Who Caused The Conflict? ................................. 32 Lights, Camera, Action ......................................... 34 Peace -
New Look Bukovel
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Lviv February - March 2014 New Look In Your Pocket gets a makeover Bukovel The best Ukrainian Ski inyourpocket.com resort N°19 Contents ESSENTIAL CIT Y GUIDES Arrival & Getting around 6 Getting to the city, car rentals and transport Eternal symbol of the city of lions The Basics 8 What to see 33 All you’d better know while in Lviv Essential sights, museums, and famous churches Bukovel 10 Where to stay 40 The best Ukrainian ski resort Lviv accommodation options Culture & Events 12 Shopping 44 Ukraine’s cultural capital Where to spend some money Eat 16 Directory 45 The selection of the best restaurants in the city Medical tourism, lifestyle and business connections Cafes 26 Maps & Index Our choice from dozens of cafes around Lviv City centre map 47 Drink & Party 28 City map 48 City’s best bars, pubs & clubs Street index 50 Country map 51 facebook.com/LvivInYourPocket February - March 2014 3 Foreword Foreword Lviv is probably the most tourist friendly city in Ukraine! Here hospitality is not only a local tradition, but it is the COVER STORY IN YOUR POCKET MOBILE main business of the whole city. The local authorities and inhabitants seem to go out of their way to make Lviv In Your Pocket is proud to In Your Pocket is now available on all smartphones your stay in Lviv unforgettable. give its readers a brand new de- via our responsive mobile platform, found at Publisher Lviv is a city with much to offer, a city of unique old- ESSENTIAL sign. -
Eastern Europe (Torun, 14-16 Sep 10/Kaunas 14-15 Oct 10)
History of Art History in Central,Eastern & South- Eastern Europe (Torun, 14-16 Sep 10/Kaunas 14-15 Oct 10) katja bernhardt Europe (Torun, 14-16 Sep 10/Kaunas 14-15 Oct 10) The Society of Modern Art and The Department of Modern Art, Faculty of Fine Arts, Nicolaus Copernicus University, Torun, www.zhsn.umk.pl, The Polish Society of Oriental Art, Warsaw, www.sztukaorientu.pl The Centre for Lithuanian Cultural Heritage Identity Research, Faculty of Arts, Vytautas Magnus University, Kaunas www.vdu.lt The International Institute for Art Historical Research IRSA, Cracow, www.irsa.com.pl Two Jubilee International Conferences celebrating the 200th Anniversary of the First Lecture on the History of Art at Vilna / Vilnius University (15 September 1810) CALL FOR PAPERS 1) The History of Art History in Central, Eastern and South-Eastern Europe Torun, The Center of Modern Art, September 14-16, 2010 2) The Landmarks of Art History Kaunas, The Vytautas Magnus University, October 14-15, 2010 On September 15, 1810 Professor of "etching and the literature of fine arts" Joseph (Józef) Saunders (London 1773 - Krzemieniec / Kremenets in Volhynia 1854) delivered the first lecture on the history of art at the Faculty of Literature and Art of Vilna University, entitled: Discours sur l'influence ou l'utilité des arts imitatifs / On the Influence and Use of Mimetic Arts (given in French. It was published in Polish in "Pamietnik Magnetyczny", 1815). Saunders also prepared the academic curriculum for the teaching of art history at Vilna University and published the text of his other lecture, Information about the Life and Works of Szymon Czechowicz (a Cracow - born 18th century painter), which was the first scientific article devoted to the art of Poland and Lithuania (published in Polish in the "Dziennik Wilenski", 1815). -
Copyright by Agnieszka Barbara Nance 2004
Copyright by Agnieszka Barbara Nance 2004 The Dissertation Committee for Agnieszka Barbara Nance Certifies that this is the approved version of the following dissertation: Nation without a State: Imagining Poland in the Nineteenth Century Committee: Katherine Arens, Supervisor Janet Swaffar Kirsten Belgum John Hoberman Craig Cravens Nation without a State: Imagining Poland in the Nineteenth Century by Agnieszka Barbara Nance, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Nation without a State: Imagining Poland in the Nineteenth Century Publication No._____________ Agnieszka Barbara Nance, PhD. The University of Texas at Austin, 2004 Supervisor: Katherine Arens This dissertation tests Benedict Anderson’s thesis about the coherence of imagined communities by tracing how Galicia, as the heart of a Polish culture in the nineteenth century that would never be an independent nation state, emerged as an historical, cultural touchstone with present day significance for the people of Europe. After the three Partitions and Poland’s complete disappearance from political maps of Europe, substitute images of Poland were sought that could replace its lost kingdom with alternate forms of national identity grounded in culture and tradition rather than in politics. Not the hereditary dynasty, not Prussia or Russia, but Galicia emerged as the imagined and representative center of a Polish culture without a state. This dissertation juxtaposes political realities with canonical literary texts that provide images of a cultural community among ethnic Germans and Poles sharing the border of Europe. -
Coins of Zurich Throughout History
Coins of Zurich throughout History Not so long ago it was assumed that Zurich was founded in Roman times, and that the earliest coins of Zurich dated from the 9th century AD. In the meantime we know that Celtic tribes settled in Zurich long before the Romans – and that the first Zurich coins emerged about 1000 years earlier than hitherto believed, namely in the course of the 1st century BC. Hence our tour through the monetary history of Zurich starts in ancient Celtic times. Afterwards, however, no money was minted in Zurich over centuries indeed. Only under Eastern Frankish rule did the small town on the end of the lake become a mint again. And since then the Zurich mint remained in use – with longer and shorter discontuniations until 1848: then the Swiss franc was created as the single currency of Switzerland, and the coins from Zurich as well as all the rest of the circulating Swiss coins were devaluated and replaced. During the 1000 years between the minting of the first medieval coin of Zurich and the last money of the Canton of Zurich in 1848, our money served the most diverse purposes. It was used as means of payment and as article of trade, as measure of value and as savings and, last but not least, for prestige. The coins of Zurich reflect these various functions perspicuously – but see for yourself. 1 von 33 www.sunflower.ch Helvetia, Tigurini, Potin Coin (Zurich Type), Early 1st Century BC Denomination: AE (Potin Coin) Mint Authority: Tribe of the Tigurini Mint: Undefined Year of Issue: -100 Weight (g): 3.6 Diameter (mm): 19.0 Material: Others Owner: Sunflower Foundation Sometime around the beginning of the 1st century BC, Celts of the Tigurini tribe broke the ground of the Lindenhof in Zurich. -
The Renaissance Collection Six Silver Coin Set
The Renaissance Collection Six Silver Coin Set Image shows typical coins, not to scale, listed from left to right: Hungary, Italy, Lithuania, Poland, Russia, and Austria The European Renaissance was a cultural movement that bridged the gap between the High Middle Ages and the Industrial Revolution, comprising a sea of change in thought that influenced literature, philosophy, art, music, politics, science, religion, and all other intellectual pursuits. It began in Italy in the 14th century, spreading to the rest of Europe over the next 250 years, and changed forever how we look at the world. Historians still debate the causes of the Renaissance. Some argue that a marked increase in trade and finance exposed Europeans to the more advanced cultures of the Middle East and Asia. Others cite the influence of the powerful Medici family in Florence, who financed much of the art for which the period is known. Then there was the fall of Constantinople to the Ottomans and the resulting influx of scholars to Florence and other Italian cities, as well as the efforts of Pope Nicholas V, who sought to compete with the lavish Eastern Orthodox Church by building great cathedrals. Finally, the Black Death, which wiped out half the population of Florence in 1347 alone, altered the prevailing worldview, inspiring a more humanist approach to scientific inquiry. Whatever the reason, the Renaissance had an undeniable and pervasive impact on Western endeavor. A list of famous figures from the period is a veritable Who’s Who of European accomplishment: Leonardo da Vinci, Botticelli, Cervantes, Shakespeare, Dante, Copernicus, Machiavelli, Francis Bacon, Thomas Moore, Walter Raleigh, Christopher Columbus, and Michelangelo. -
Denmark and the Duchy of Schleswig 1587-1920
Denmark and the Duchy of Schleswig 1587-1920 The making of modern Denmark The Duchy of Schleswig Hertugdømmet Slesvig Herzogthum Schleswig c. 1821 The President’s Display to The Royal Philatelic Society London 18th June 2015 Chris King RDP FRPSL 8th July 1587, Entire letter sent from Eckernförde to Stralsund. While there was no formal postal service at this time, the German Hanseatic towns had a messenger service from Hamburg via Lübeck, Rostock, Stettin, Danzig and Königsberg to Riga, and this may have been the service used to carry this letter. RPSL Denmark and the Duchy of Schleswig 1587-1920 The Duchy of Schleswig: Background Speed/Kaerius, 1666-68, from “A Prospect of the Most Famous Parts of the World” The Duchies of Slesvig (Schleswig in German) and Holstein were associated with the Danish Crown from the 15th century, until the Second Schleswig War of 1864 and the seizure by Prussia and Austria. From around 1830 sections of the population began to identify with German or Danish nationality and political movements followed. In Denmark, the National Liberal Party used the Schleswig question as part of their programme and demanded that the Duchy be incorporated in the Danish kingdom under the slogan “Denmark to the Eider". This caused a conflict between Denmark and the German states, which led to the Schleswig-Holstein Question of the 19th century. When the National Liberals came to power in Denmark, in 1848, it provoked an uprising of ethnic Germans who supported Schleswig's ties with Holstein. This led to the First Schleswig War. Denmark was victorious, although more through politics than strength of arms. -
Defensive Buildings of Monastery Complexes Located Within the Town Areas of Historical Cities in Western Ukraine
DOI: 10.21005/pif.2017.31.E-01 DEFENSIVE BUILDINGS OF MONASTERY COMPLEXES LOCATED WITHIN THE TOWN AREAS OF HISTORICAL CITIES IN WESTERN UKRAINE BUDOWLE OBRONNE KOMPLEKSÓW KLASZTORNYCH POŁOŻONYCH NA OBSZARACH MIAST HISTORYCZNYCH UKRAINY ZACHODNIEJ Oleh Rybchynskyi Dr hab., docent Mykhailo Khokhon Master of Arts, post-graduate student National University “Lviv Polytechnic” Department of Architecture and restoration ABSTRACT The article deals with forty defensive monasteries of the XVII-XVIII centuries in Western Ukraine. It reveals basic types of location of the monasteries in relation to the defensive perimeter within the town area. The article analyzes the peculiarities of the placement of buildings in the structure of town quarters, the regularity of the development of monas- tery territories. It reveals monastery complexes surrounded by their own walls and mon- asteries, which were defended due to town fortifications. Key words: monastery complex defensive buildings, order, natural defence, location, defensive perimeter, within the town area. STRESZCZENIE W artykule zbadano 40 klasztorów obronnych z XVII i XVIII wieku w Ukrainie Zachodniej. Przedstawiono podstawowe typy ulokowania klasztorów w obwodzie obronnym śródmie- ścia. Przeprowadzono analizę osobliwości ulokowania obiektów w strukturze kwartałów, regularność zabudowania terenów klasztornych. Przedstawiono zespoły klasztorne, oto- czone własnymi murami oraz klasztory, które broniły siebie dzięki fortyfikacjom śródmie- ścia. Słowa kluczowe: zespół klasztorny, fortyfikacje, zakon, obrona naturalna, ulokowanie, obwód obronny, śródmieście. 276 s p a c e & FORM | przestrzeń i FORMa ‘31_2017 1. PROBLEM STATEMENT Nowadays, the defensive buildings of monastery complexes, located within the town area, are not subject of a separate research. The typology of their location in the planning spatial structure of a town is still not enough defined. -
ESTONIAN LANGUAGE Kala on Puu Juures A Fish Is Near the Tree Literally: A Fish Is in the Root of a Tree
ESTONIAN LANGUAGE Kala on puu juures A fish is near the tree Literally: A fish is in the root of a tree ISBN 9985-9341-9-9 / Published by the Estonian Institute 2004 / Illustrations: Jaagup Roomet / Design: Aadam Kaarma LABOR Estonian Language Urmas Sutrop Estonian is used in the army... aviation... theatre The Estonian language The ancestors of the Estonians arrived at Finnish, Hungarian and Estonian are the the Baltic Sea 13 000 years ago when the best known of the Finno-Ugric languages; mainland glaciers of the last Ice Age had rather less known are the following retreated from the area now designated smaller languages of the same language as Estonia. The first settlers who followed group: South Estonian, Votian, Livonian, the reindeer herds came here from south, Izhorian, Vepsian, Karelian, Sami, Erzya, from Central Europe. Although the vocab- Moksha, Mari, Udmurt and Komi, spoken ulary and grammar of the language used from Scandinavia to Siberia. by people in those days have changed beyond recognition, the mentality of the Estonian differs from its closest large tundra hunters of thousands of years ago related language, Finnish, at least as can be still perceived in modern Estonian. much as English differs from Frisian. The difference between Estonian and Hungar- The majority of European languages ian is about as significant as between belong to the Indo-European language German and Persian. group (e.g. Spanish, Polish, Lithuanian, Norwegian, Albanian, Romany, Greek or Along with Icelandic, Estonian is at Welsh). Of the ancient European langua- present one of the smallest languages in ges, once so widespread throughout the the world that fulfils all the functions continent, Basque in the Pyrenees, the necessary for an independent state to Finno-Ugric languages in the North and perform linguistically. -
Why Germany's Common Currency Failed, 1549-1556
Economic History Working Papers No: 223/2015 Power Politics and Princely Debts: Why Germany’s Common Currency Failed, 1549-1556 Oliver Volckart London School of Economics Economic History Department, London School of Economics and Political Science, Houghton Street, London, WC2A 2AE, London, UK. T: +44 (0) 20 7955 7084. F: +44 (0) 20 7955 7730 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE DEPARTMENT OF ECONOMIC HISTORY WORKING PAPERS NO. 223- SEPTEMBER 2015 Power Politics and Princely Debts: Why Germany’s Common Currency Failed, 1549-1556 Oliver Volckart London School of Economics [email protected] Abstract The article argues that in the first half of the sixteenth century the need to avoid rounds of competitive debasements was the primary motive for the creation of a common currency valid in the whole Holy Roman Empire. In the years 1549 to 1551, the estates came close to achieving this. In contrast to what is suggested in the literature, their attempt did not fail because the Empire was economically poorly integrated or the will to co-operate was lacking. Rather, it failed because during the talks, the estates lost sight of the original motive, the princes favouring a bimetallic system that they hoped would allow them deflating the real value of their debts, and Charles V undervaluing the taler in the hope that this would weaken political opponents. These decisions antagonised important actors; when it proved impossible to enforce them, the Empire’s common currency failed. Keywords: Monetary history, currency union, early modern Germany JEL codes: E42, E52, N13, N23, N43 I.