Yale Journal of Music & Religion Volume 5 Number 2 Music, Sound, and the Aurality of the Environment in the Anthropocene: Spiritual and Article 10 Religious Perspectives 2019 Singing Yoruba Christianity: Music, Media, and Morality Olabode Festus Omojola Mount Holyoke College Follow this and additional works at: https://elischolar.library.yale.edu/yjmr Recommended Citation Omojola, Olabode Festus (2019) "Singing Yoruba Christianity: Music, Media, and Morality," Yale Journal of Music & Religion: Vol. 5: No. 2, Article 10. DOI: https://doi.org/10.17132/2377-231X.1182 This Review is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale Journal of Music & Religion by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact
[email protected]. Vicki L. Brennan Singing Yoruba Christianity: Music, Media, and Morality Bloomington: Indiana University Press, 2018. 210 pp. ISBN 978-0-253-03209-6 The Aladura movement, an Africanist were able to simultaneously affirm Christian group that began in western their Christian convictions and Yoruba- Nigeria in the early twentieth century, grounded practices of spirituality. emerged partly in response to what Set against the general history of the Yoruba Christians perceived as cultural Aladura movement, and building on the domination within the Anglican Church of pioneering work of scholars like John the colonial era. Interracial tensions began Peel and Akinyede Omoyajowo,1 Vicky L. to develop within the church because of Brennan’s well-written and well-researched complaints by Yoruba Christians that they ethnographic study focuses on one of the were denied administrative roles, rarely movement’s prominent branches, the appointed as priests, and disallowed from Cherubim and Seraphim (C&S) or Ayo ni o using Yoruba music in Christian worship church, based in Lagos.