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Performances As Analyses of Cyclic Macroform in Arnold Schoenberg's
Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg’s Sechs kleine Klavierstücke, op. 19 (1911), in the Recordings of Eduard Steuermann and Other Pianists * Christian U and Thomas Glaser NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.20.26.4/mto.20.26.4.u.php KEYWORDS: analysis and performance, Arnold Schoenberg, corpus study of musical recordings, Eduard Steuermann, history of musical performance, Sechs kleine Klavierstücke, Six Lile Piano Pieces, op. 19 ABSTRACT: Arnold Schoenberg’s Sechs kleine Klavierstücke (Six Lile Piano Pieces), op. 19 (1911), offer a fruitful case study to examine and categorize performers’ strategies in regard to their form- shaping characteristics. A thorough quantitative and qualitative analysis of 46 recordings from 41 pianists (recorded between 1925 to 2018), including six recordings from Eduard Steuermann, the leading pianist of the Second Viennese School, scrutinizes the interdependency between macro- and microformal pianistic approaches to this cycle. In thus tracing varying conceptions of a performance-shaped cyclic form and their historical contexts, the continuous unfurling of the potential of Schoenberg’s musical ideas in both “structuralist” and “rhetorical” performance styles is systematically explored, offering a fresh approach to the controversial discussion on how analysis and performance might relate to one another. DOI: 10.30535/mto.26.4.9 Received January 2020 Volume 26, Number 4, December 2020 Copyright © 2020 Society for Music Theory 1. The Mutual Productivity of Performance and Analysis [1.1] In his 2016 book Performative Analysis, Jeffrey Swinkin, makes the striking observation that it can hardly be the point of a musical performance to project or communicate analytical understanding. -
Welcome to Gelsenkirchen
Welcome to Gelsenkirchen Publisher: City of Gelsenkirchen The Mayor Public Relations Unit in collaboration with Stadtmarketing Gesellschaft Gelsenkirchen mbH Photographs: Gerd Kaemper, Pedro Malinowski, Thomas Robbin, Martin Schmüderich, Caroline Seidel, Franz Weiß, City of Gelsenkirchen Simply select Free WiFi Gelsen- kirchen WLAN and surf away for free at ultra-high speed on the Ruhrgebiet‘s largest hotspot network. freewifi.gelsenkirchen.de Münster/Osnabrück Interesting facts about Gelsenkirchen Gelsenkirchen is situated in the middle of the Ruhr metropolitan region, after Paris and London the third-largest conurbation in Europe. RUHRGEBIET Over five million people live here. For around 30 million people Gelsenkirchen can be reached inside two hours. Around 40 percent of the population of the European Union live within a 500-kilometre radius of the city. Gelsenkirchen has around 265,000 residents. Gelsenkirchen is easy to get to: both by car, via the A2, A42, A52, A31, A40 and A43 motorways, and by local public transport or mainline train. Within a radius of just 100 kilometres there are four airports. In Gelsenkirchen and its immediate vicinity you will findthree golf clubs, including two 18- hole courses. One of Germany‘s biggest solar power residential estates, comprising 422 flats, is located in Gelsenkirchen. There are also other solar power estates within the city and directly adjacent to the VELTINS-Arena 'auf Schalke' the eye is caught by an enormous solar sail. 2 3 ULTRAMARIN Gelsenkirchen and the colour blue belong together. Yes. But it is not the royal blue of FC Schalke 04, as many football fans would like to think. -
Enescu US 3/11/05 11:27 Page 16
660163-64 bk Enescu US 3/11/05 11:27 Page 16 ENESCU 2 CDs Oedipe Pederson • Silins • Damiani • Lipov‰ek Chorus and Orchestra of the Vienna State Opera Michael Gielen Above: Oedipus (Monte Pederson) Right: Michael Gielen 8.660163-64 16 660163-64 bk Enescu US 3/11/05 11:27 Page 2 George ENESCU (1881-1955) Oedipe, Op. 23 (Tragédie lyrique en 4 actes et 6 tableaux) Libretto by Edmond Fleg Below and right: Oedipus (Monte Pederson) Oedipe . Monte Pederson, Bass-baritone Tirésias . Egils Silins, Bass Créon . Davide Damiani, Baritone Le berger (The Shepherd) . Michael Roider, Tenor Le grand prêtre (The High Priest) . Goran Simi´c, Bass Phorbas . Peter Köves, Bass Le veilleur (The Watchman) . Walter Fink, Bass Thésée . Yu Chen, Baritone Laïos . Josef Hopferwieser, Tenor Jocaste/La Sphinge (The Sphinx) . Marjana Lipov‰ek, Mezzo-soprano Antigone . Ruxandra Donose, Soprano Mérope . Mihaela Ungureanu, Mezzo-soprano Chorus of the Vienna State Opera Répétiteur: Erwin Ortner Vienna Boys Choir Orchestra of the Vienna State Opera Stage Orchestra of the Austrian Federal Theatres Michael Gielen 8.660163-64 2 15 8.660163-64 660163-64 bk Enescu US 3/11/05 11:27 Page 14 CD 1 63:53 CD 2 64:33 Act I (Prologue) Act III 1 Prelude 4:31 1 Oh! Oh! Hélas! Hélas! 9:04 (Chorus, Oedipus, High Priest, Creon) 2 Roi Laïos, en ta maison 6:56 (Women, High Priest, Warriors, 2 Divin Tirésias, très cher, très grand 6:02 Shepherds, Creon) (Oedipus, Tiresias, Creon, Chorus) 3 Les Dieux ont béni l’enfant 8:11 3 Qu’entends-je, Oedipe? 12:37 (High Priest, Jocasta, Laius, (Jocasta, -
Reception Documents from the Paul Sacher Foundation Edited by Felix Meyer and Simon Obert
IGNITION: BEETHOVEN Reception Documents from the Paul Sacher Foundation Edited by Felix Meyer and Simon Obert The Boydell Press 2020 ryser_publikation_beethoven_inhalt.indd 3 20.10.20 14:10 IMPRINT A Publication of the Paul Sacher Foundation Catalogue of the Exhibition Ignition: Beethoven – Owing to the coronavirus pandemic the Reception Documents from the Paul Sacher Foundation exhibition had to be postponed. Contrary 13 November 2020 – 2 March 2021 to the dates in the imprint, it will be in the Beethoven-Haus Bonn An exhibition by the Paul Sacher Foundation, shown in the Beethoven-Haus Bonn from curated by Felix Meyer and Simon Obert 1 June to 30 September 2021. Exhibition design: Andrea Gruber, Basel Translations from German: J. Bradford Robinson (texts by Hermann Danuser, Simone Hohmaier, Matthias Kassel, Felix Meyer, Simon Obert, Wolfgang Rathert, Matthias Schmidt, Michelle Ziegler, and Heidy Zimmermann) Translations from Italian: John O’Donnell (texts by Giovanni Cestino and Angela Ida De Benedictis) Copy editing: Kathryn Puffett Index: Liisa Lanzrein and Heidy Zimmermann English language edition published by the Boydell Press German language edition published by Schott Music, Mainz Design and typesetting: Büro für Buchgestaltung Sibylle Ryser, Basel Reproduction: Bildpunkt AG, Münchenstein/Basel Setting of musical notation: Notengrafik Berlin Fonts: FF Scala (Martin Majoor, 1990), LL Brown (Aurèle Sack, 2011) Paper: Profimatt 150 gm2, Algro Design 300 gm2 Printed by Gremper AG, Basel/Pratteln Bound by Grollimund AG, Reinach/Basel Printed in Switzerland © 2020 Paul Sacher Stiftung, Basel First published 2020 The Boydell Press, Woodbridge, UK ISBN 978 1 78327 590 8 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
Konz Ertzy Klus M It Ne Uer M Usik in Ham Burg
konzertzyklus mit neuer musik in Hamburg 2007/2008 samstag, 15.09.2007 Bucerius Kunst Forum 2007 20 uhr solisten des ensemble intercontemporain, paris alain damiens, klarinette Jeanne-marie conquer, Violine 15.09. pierre straucH, Violoncello Hideki nagano, klavier CLAUDE DEBUSSY Sonate für Violoncello und Klavier GERARD GRISEY Charme für Klarinette ier messiaen ier TRISTAN MURAIL V Les ruines circulaires für Violine und Klarinette oliVier MESSIAEN Quatuor pour la fin de temps oli urail m eine koproduktion von NDR das neue werk und ristan ristan t bucerius kunst Forum. octogonale neue musik in der in musik neue 1 Olivier Messiaen ist zweifellos eine Schlüsselfigur der modernen Musik neue musik in der octogonale in Frankreich. Sein „Quatuor pour la fin de temps“, 1940/41 während 15.09.2007 der Inhaftierung in einem deutschen Gefangenenlager bei Görlitz für die dort zufällig anwesenden Musiker entstanden, entwirft ein traumgleiches Geflecht aus Klängen, Farben, Visionen und religiösen Ideen, welche der Musik eine eigentümliche und fesselnde Gestalt verleihen – ein emblema- tisches Werk der Musikgeschichte des 20. Jahrhunderts. Raffiniertes Spiel mit Klanggewichten, Farbqualitäten und Helligkeitswerten offenbart auch die Musik der französischen Spektralisten, zu deren Hauptvertretern Gérard Grisey und Tristan Murail gezählt werden. „Klänge“, so Grisey „scheinen mir wie Kraftfelder in der Zeit. Diese Kräfte sind unendlich bewegt und fluk- tuierend. Wie Zellen kennen sie eine Geburt, ein Leben und einen Tod und neigen zu einer kontinuierlichen -
BERLIN UNDIVIDED Press Release Donald Runnicles
Donald Runnicles Press Release Medium Opera News Date March 2018 Author A. J. Goldmann Link h t t p s : //w w w . o p e r a n e w s . c o m /O p e r a _ N e w s _ M a g a z i n e/ 201 8 /3 / Features/Berlin_Undivided.html BERLIN UNDIVIDED The capital of Germany boasts unparalleled musical riches-including three opera companies. ON OCTOBER 3, BERLIN‘S HISTORIC STAATSOPER UNTER DEN LINDEN RE OPEN ED with Daniel Barenboim conducting Robert Schumann‘s Szenen aus Goethes Faust. lt was the house‘s first performance after being shuttered for renovations for seven years. In any other city on earth, this would have been the event of the year, if not the decade. In music-saturated Berlin, a city with three full-time opera companies and seven full-time orchestras, it seemed like just one highlight among many. When all is said and done, this season Berlin will see hundreds of performances of more than seventy-five different full productions, in- cluding twenty new stagings of works ranging from Monteverdi to world premieres. Four miles west of the Staatsoper is Deutsche Oper Berlin, a 105-ye- ar-old company known for big voices and grand operas, which fielded starry casts during the years when the city was divided. Founded in 1912, in what was then the independent township of Charlottenburg, it was designed as a „Winter Bayreuth“ to show Wagner‘s modern music dra- mas to best possible advantage. The city‘s third opera hause, Komische Oper-located, like the Staatsoper. -
Staatskapelle Dresden
as of March 2020 Staatskapelle Dresden Felicitas Böhm Founded by Prince Elector Moritz von Sachsen in 1548, the Staatskapelle Dresden is PR and Marketing one of the oldest orchestras in the world and thus steeped in tradition. Over its long Sächsische Staatskapelle Dresden history many distinguished conductors and internationally celebrated instrumentalists T 0351 4911 380 [email protected] have left their mark on this one-time court orchestra. Previous directors include www.staatskapelle-dresden.de Heinrich Schütz, Johann Adolf Hasse, Carl Maria von Weber and Richard Wagner, who called the ensemble his »miraculous harp«. The list of prominent conductors of the last 100 years includes Ernst von Schuch, Fritz Reiner, Fritz Busch, Karl Böhm, Joseph Keilberth, Rudolf Kempe, Otmar Suitner, Kurt Sanderling, Herbert Blomstedt and Giuseppe Sinopoli. The orchestra was directed by Bernard Haitink from 2002-2004 and by Fabio Luisi from 2007-2010. Principal Conductor since the 2012/2013 season has been Christian Thielemann. In May 2016 the former Principal Conductor Herbert Blomstedt received the title Conductor Laureate. The only person to previously hold this title was Sir Colin Davis, from 1990 until his death in April 2013. Myung-Whun Chung has been Principal Guest Conductor since the 2012/2013 season. Richard Strauss and the Staatskapelle were closely linked for more than sixty years. Nine of the composer’s operas were premiered in Dresden, including »Salome«, »Elektra« and »Der Rosenkavalier«, while Strauss’s »Alpine Symphony« was dedicated to the orchestra. Countless other famous composers have written works either dedicated to the orchestra or first performed in Dresden. -
Dietrich Fischer-Dieskau, Polar Music Prize Laureate 2005 Fischer
Dietrich Fischer-Dieskau, Polar Music Prize Laureate 2005 Fischer-Dieskau´s talent for music was manifest at an early age. He took piano lessons and started to study singing in 1941 with Prof. Georg A. Walter. The following year he became a student of Prof. Hermann Weissenborn at the College of Music in Berlin. His first public appearance took place in 1942 at the church hall in Berlin- Zehlendorf, where he sang Schubert´s Winterreise with interruptions for air-raid warnings. After graduating from high school in 1943 he was called up for military service and spent the time until 1947 as a prisoner of war in Italy. There he continued with his singing studies on his own. He resumed his studies with Prof. Weissenborn during the years 1947-48. His real career as a singer began in 1947 when, without prior rehearsal, he substituted for a soloist who had taken ill, in Brahms´ “Ein Deutsches Requiem” in Badenweiler. His official debut as a singer took place in the autumn of 1947 with a song recital in Leipzig, and shortly after that he made a successful appearance at the Titania Palace in Berlin. In the same year he made his first phonograph recording of “Winterreise”. In the autumn of 1948 he was engaged as a lyric baritone at the Städtische Oper in Berlin, where his first appearance, as Posa in Verdi´s opera “Don Carlos” under the baton of Ferenc Fricsay, aroused a great deal of public attention. Then there were guest performances at the opera houses in Vienna and Munich, and from 1951 on also in England, Holland, Switzerland, France and Italy. -
The Man and the Music the Man Behind the Music Biography Donald Runnicles
Donald Runnicles Biography The man and the music Conductor Donald Runnicles is the General Music Director of the Deut- sche Oper Berlin and Music Director of the Grand Teton Music Festival (Jackson, Wyoming), as well as the Principal Guest Conductor of the Atlanta Symphony Orchestra. He was recently named Conductor Emeri- tus of the BBC Scottish Symphony Orchestra, having served as its Chief Conductor from 2009-2016. Maestro Runnicles enjoys close and end- uring relationships with several of the most significant opera companies and orchestras, and is especially celebrated for his interpretations of Romantic and post-Romantic symphonic and opera repertoire which are core to his musical identity. As General Music Director of Deutsche Oper since 2009, Mr. Runnicles has primary responsibility for the musical forces of this historic company which produces each season an average of twenty-five productions and more than two hundred performances. In the 2017-18 season, Maest- ro Runnicles is leading the complete “Ring” cycle at the San Francisco Opera, and returns to the Metropolitan Opera to conduct Hansel and Gretel. He guest conducts the Philadelphia Orchestra, Dallas Symphony, National Symphony Orchestra, and the Toronto Symphony. In Europe and elsewhere, he returns to the Tonhalle-Orchester Zürich, Staatska- pelle Dresden, BBC Scottish Symphony, and Sydney Symphony. Opera productions include the world premiere of Aribert Reimann’s L’Invisible and a new production of Die Fledermaus with the Deutsche Oper Berlin. The man behind the music Born and raised in Edinburgh, Mr. Runnicles literally returned home to take up post as Chief Conductor of the BBC Scottish Symphony Or- chestra in September 2009. -
Rheingau Musik Festival Ouvertüre 2017 Das Magazin Des Rheingau Musik Festivals 1/2017 Gesamtprogramm Vom 24.6
Rheingau Musik Festival Ouvertüre 2017 Das Magazin des Rheingau Musik Festivals 1/2017 Gesamtprogramm vom 24.6. bis 2.9.2017 Igor Levit Artist in Residence Aufbruch 30 Jahre Festival 1/2017 · www.rheingau-musik-festival.de Hauptsponsoren: © Jörg Steinmetz © Robbie Lawrence Robbie © Hauptsponsoren 2 Co-Sponsoren Official Airline Medienpartner Premium-Projektpartner Inhalt © Matthias Baus Matthias © Magazin 4 Aufbruch in den 30. Sommer voller Musik 6 Artist in Residence: Igor Levit 12 Fokus: Anna Lucia Richter 16 Fokus Jazz: Michael Wollny 19 Erinnerungen an Prades 24 30 Jahre Rheingau Musik Festival 35 Konzertführer live 36 Next Generation Fokus-Künstler 2017: 38 Tanz!Musik Michael Wollny 40 Expedition Sound Igor Levit Anna Lucia Richter 42 Festival für Kinder und Jugendliche 43 Programm 2017 113 Service Hier können Sie ab Bitte beachten Sie, … 114 Kartenvorverkauf sofort Karten bestellen: … dass Kartenbestellungen ab dem 115 Abonnements 20. Februar 2017 schriftlich oder über die Rheingau Musik Festival Website entgegengenommen werden. 116 Der Rheingau Servicegesellschaft mbH & Co. KG Postfach 1125 … dass der telefonische Vorverkauf erst am 117 Anreise 65367 Oestrich-Winkel 7. März 2017 beginnt. 118 Spielstätten 3 … dass die Mitglieder des Rheingau Musik Am einfachsten mit dem Bestellschein Festival e. V. ein exklusives Vorkaufsrecht 124 Hotelempfehlungen auf den auf Seite 82 folgenden Seiten genießen. Mit der Pressekonferenz am oder über unsere Website: 20. Februar 2017 endet dieses Vorkaufsrecht, 126 Allgemeine Geschäftsbedingungen www.rheingau-musik-festival.de und es beginnt der öffentliche Vorverkauf. Ihre Bestellungen werden in der Reihenfolge 130 Impressum Ab dem 7. März 2017 können Sie des Post- oder E-Mail-Eingangs bearbeitet. Karten auch telefonisch bestellen: Einfach und bequem bestellen Sie Ihre Konzert- karten mit dem Bestellschein auf den auf 0 67 23 / 60 21 70 Seite 82 folgenden Seiten. -
Consol Theater Startet in Neue Spielzeit Mythos Schalke Im Mir
#6 Oktober 2015 Zum mitnehmen! Consol Theater startet in neue Spielzeit Mythos Schalke im MiR . Klavecks, der letzte Emscherläufer . Bogensport . Roman Dell . u.v.m. am Anfang. Timuçin Davras wurde 1928 in Havran/Türkei gebo- ren. Er studierte in Istanbul und Hagen Maschinenbau. Bereits seit seinem 20. Lebensjahr schrieb er Gedichte, seit 1978 auch in deutscher Sprache. In Gelsenkirchen, wo er bis zu seinem Tod im Mai 2014 lebte, kannte man ihn als freundlich-poetischen „Arbeiterdichter“, der seine Gedichte auf Zettel schrieb und oftmals einfach verschenkte. Seine stets fein pointierten Beobachtungen in Versform erzählen vom Alltag, weisen oft aber auch deutlich darüber hinaus. Timuçin Davras hat ohne Frage seinen festen Platz im literarischen Gedächtnis Gelsenkirchens und des Ruhrgebietes. Liegt da nicht die posthume Veröffentlichung eines Sammelbandes mit seinen Gedichten nahe? Wir verraten an dieser Stelle nur: November. Jesse Krauß Illustration: 3 viel drin. 12 14 18 Im Gespräch bleiben Musikalische Botschafterin In der Ruhe liegt die Kraft Schalke hat‘s nicht leicht, aber viele Ideen Begegnung mit Anke Sieloff Beim Bogensport Club Gelsenkirchen e.V. 6 isso gemischt. 11 Am braunen Strom 24 Die Unbekannte mit dem Aktuelles und Interessantes Musiktheater über den letzten Emscherläufer Namen einer griechischen Göttin Eine Bücherei-Erzählung von Roman Dell 7 Lieblingsplatz! 16 Kennst Du den Mythos... Markus Kiefer 111 Jahre FC Schalke 04 29 isso lesenswert. Lesetipps von Michael Ende bis Gregor Gysi 20 Gewinnspiel 8 Treffsicher 30 Gestattet oder abgelehnt? Mit der isso. gewinnen und erleben Die Karikaturistin Stephanie Albers Altes Recht und keine Antwort 9 Wußten Sie schon . 22 ScHLAU 31 KulturKalender Hof Schalke und der Stadtgarten Spaß an Musikinstrumenten Was ist los in GE? Wo steppt der Bär und tanzt die Luzie? 10 Kultur für alle! 25 Iss mal anders Kulturpott.Ruhr feiert fünfjähriges Jubiläum Natalie Schröder schlägt vor 38 Emschermelodie von Inge Meyer-Dietrich Foto: Sascha Kreklau Foto: In eigener Sache Das Foto danach..