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Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Dana Miller Georgia State University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University Graduate English Association New Voices English Department Conferences Conference 2007 9-2007 Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Dana Miller Georgia State University, [email protected] Follow this and additional works at: http://scholarworks.gsu.edu/english_conf_newvoice_2007 Part of the English Language and Literature Commons Recommended Citation Miller, Dana, "Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas" (2007). Graduate English Association New Voices Conference 2007. Paper 10. http://scholarworks.gsu.edu/english_conf_newvoice_2007/10 This Conference Proceeding is brought to you for free and open access by the English Department Conferences at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Graduate English Association New Voices Conference 2007 by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Miller, Dana Dr. Carey—Spring 2007: English 8900 2007 New voices Conference September 27-29 Graduate English Association English Department, Georgia State University Atlanta, Georgia Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Where now the horse and rider? Where is the horn that was blowing? Where is the hair and the hauberk, and the bright hair flowing? Where is the hand on the harpstring, and the red fire glowing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. -
What I Learned in Pittsburgh Forestalling Ecocide with the Age of Stupid
North of CeNter Wednesday, OctOber 7, 2009 Free take home and read VOluMe I, Issue 11 Faust summoned What I learned in Pittsburgh to set Lex ablaze The 2009 G20 summit and protests, part 1 Krautrockers play Boomslang By Trevor Tremaine In the mid 1990s, I was a subur- ban teenager entering a lifelong obses- sion with strange, adventurous music. before Myspace, peer-to-peer fileshar- ing, Mutant sounds and other blogs of its ilk , and without regular access to many interesting all-ages gigs or the sorts of fantastic record stores that were found in louisville or cincinnati (each requiring an hour-plus drive), discovering such sounds was a rather labor-intensive process. Often, I would just peruse the CDs in (the legendary, long-gone lexington record store) cut corner’s scant, rarely- restocked avant-garde section and select a disc based solely on the cover art, the description, or the instrumen- tation, if the credits were visible (i.e. if personnel were attributed with “tapes and electronics,” I knew I had to check it out—an axiom that still holds true today). For guidance, I sought The Wire magazine, a UK journal of experimen- tal music from around the world. One memorable issue listed “100 records that set the World on Fire (While no One Was listening),” and I made it my MICHAEL MARCHMAN mission to hear as many of these very, Crowds of protestors gather in downtown Pittsburgh during the recent G20 meetings. very obscure records as I could find. Faust was a name that popped up By Michael Dean Benton gesture of political optimism. -
God of Warriors and Battle. Odin Rides an 8-Legged Horse Called Sleipnir
Odin God of warriors and battle. Odin rides an 8-legged horse called Sleipnir. In Old English, Odin is known as ‘Woden’ and Wednesday is named after him (Woden’s Day). visit twinkl.com Freya (or Freyja) Goddess of love, war and death. Freya rides in a chariot pulled by cats. Her twin brother is the god Frey. visit twinkl.com Thor God of thunder. Thor has a magical hammer called Mjolnir which he uses to summon thunderbolts. Thursday is named after Thor (Thor’s Day). visit twinkl.com Loki God of mischief. Loki likes to play tricks on the other gods and make trouble. Loki was born in Jotunheim, the land of the giants, not on Asgard. visit twinkl.com Frey (or Freyr) God of fertility. Frey is the twin brother of the goddess Freya. He brings peace and good fortune to men as well as making crops grow. visit twinkl.com Frigg Goddess of motherhood. Frigg is the wife of the god Odin. Friday is named after her (Frigg’s Day). visit twinkl.com Heimdall The guardian god. Heimdall watches over the rainbow bridge to Asgard, the Bifrost. He has strong hearing and sight and keeps watch for approaching enemies. He uses a horn to summon the other gods to fight. visit twinkl.com Baldr (or Baldur) God of light and purity. Baldr is so bright that light shines from him and he is so beautiful that flowers bow to him. visit twinkl.com Týr God of single-handed combat. Týr has one hand after the other was bitten off by the giant wolf Fenrir. -
SEPTEMBERFULL.Pdf
1 C:\Users\Stuart\Desktop\DOCUMENTS\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS REVIEWS 5. Zontek Turntable 14. Timestep T-01MC Phonostage 20. Transfiguration Axia S Cartridge www.hifipig.com 25. Devialet Ensemble Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] 31. Primare I32 Integrated Amplifier With DAC and Media Board 37. Tisbury Audio Passive Pre Mk 2 MUSIC 40. Etalon Solo DAC/PRE 82-103 MUSIC AND GIG 46. Ophidian Minimo Loudspeakers REVIEWS 50. WAY Cables Silver 1 and 4 Interconnects 104. THE CLASSICS. JOHN SCOTT DIGS LOVE’S FOREVER 55. Triangle Titus Loudspeakers CHANGES OFF THE SHELF 57. Flare Audio R2Pro and R2A Earphones INTERVIEWS 106. HIFI PIG GOES BEHIND THE BRANDS WITH FREDERIK DAVIES, CREATOR OF THE AXJET LOUDSPEAKER SYSTEM COLUMNS 60. RETRO BITES JANINE ELLIOT DUSTS OFF HER PHILIPS DCC900 Digital Compact Casette Player 64. THE VOICE OF DOM DOMINIC MARSH TALKS MAINS CABLES (PART 1) 67. FIDELITY MATTERS IAN RINGSTEAD IS BOXING CLEVER 70. THE VIEWS OF STU STUART SMITH AVOIDS A STICKY SITUATION 73. BIRDS EYE VIEW LINETTE SMITH TELLS THE BLOKES TO PUT IT AWAY 76. DEALERS VIEW WITH MIKE TWOMEY 78. READERS LIVES WITH FATHER AND SON DAVE AND ROB STEVENSON 3 Hifi Pig www.hifipig.com WELCOME TO HIFI PIG EXTRA 4 Hifi Pig www.hifipig.com ZONTEK TURNTABLE Polish Vinyl Spinner Janine Elliot takes a listen to this beautifully finished, £11,990 turntable and arm from Polish artisan manufacturer Zontek. 5 Hifi Pig www.hifipig.com ZONTEK TURNTABLE hat does the Transcriptors Hydraulic Transcriptors (as well as the JBE Series 3 and even a Reference and the new Zontek turntable Strathearn turntable, if my memory goes back that Whave in common? Very little, apart from far) with the strobe on the edges perhaps more akin large round belt traversing the platter – or in the case to a Technics. -
Can You Hear Me Yet?
[FREE] Serving Philipstown and Beacon Feminist Cabaret PAGE 7 JANUARY 11, 2019 161 MAIN ST., COLD SPRING, N.Y. | highlandscurrent.org Go-Go Pops to Close Owners will shift focus to vegetarian restaurant Pops made with cucumber, lime juice, By Michael Turton organic cane sugar and minced serrano chilies o-Go Pops, the Cold Spring main- stay known for its handmade (and G handheld) fruit pops, will close its Main Street location at the end of January. “We love Cold Spring and wanted to keep the business here but couldn’t make it hap- pen,” said Lynn Miller, who owns the shop at 64 Main St. with her husband, Greg, which Lynn Miller at Go-Go Pops, which will close at the end of the month Photo by M. Turton they run with help from their son, Jack. The family will shift its focus to Veggie Go-Go, a larger restaurant on Route 9 in well as Go-Go Pops’ menu. said Miller, who is a village trustee. “The Wappingers Falls that opened a year ago “We’re hoping someone might take over store is very well equipped.” She noted that, and offers vegetarian and vegan foods as Go-Go Pops and put their own stamp on it,” (Continued on Page 13) Mango hibiscus pops Photos provided placed on top of buildings or on utility poles rather than standalone high-rise towers. An Can You attorney representing Verizon told the coun- cil last year that the units can boost wireless Hear Me Yet? signals for 500 to 1,000 feet and are used to fill coverage gaps in high-traffic areas. -
4KQ's Australia Day
4KQ's Australia Day A FOOL IN LOVE JEFF ST JOHN A LITTLE RAY OF SUNSHINE AXIOM A MATTER OF TIME RAILROAD GIN ALL MY FRIENDS ARE GETTING MARRIED SKYHOOKS ALL OUT OF LOVE AIR SUPPLY ALL THE GOOD THINGS CAROL LLOYD BAND AM I EVER GONNA SEE YOUR FACE AGAIN THE ANGELS APRIL SUN IN CUBA DRAGON ARE YOU OLD ENOUGH DRAGON ARKANSAW GRASS AXIOM AS THE DAYS GO BY DARYL BRAITHWAITE BABY WITHOUT YOU JOHN FARNHAM/ALLISON DURBAN BANKS OF THE OHIO OLIVIA NEWTON-JOHN BE GOOD JOHNNY MEN AT WORK BECAUSE I LOVE YOU MASTER'S APPRENTICES BIG TIME OPERATOR THE ID/JEFF ST JOHN BLACK EYED BRUISER STEVIE WRIGHT BODY AND SOUL JO KENNEDY BOM BOM DADDY COOL BOOM SHA LA-LA-LO HANS POULSEN BOPPIN THE BLUES BLACKFEATHER CASSANDRA SHERBET CHAIN REACTION JOHN FARNHAM CHEAP WINE COLD CHISEL CIAO BABY LYNNE RANDELL COME AROUND MENTAL AS ANYTHING COME BACK AGAIN DADDY COOL COME SAID THE BOY MONDO ROCK COMMON GROUND GOANNA COOL WORLD MONDO ROCK CRAZY ICEHOUSE CURIOSITY (KILLED THE CAT) LITTLE RIVER BAND DARKTOWN STRUTTERS BALL TED MULRY GANG DEEP WATER RICHARD CLAPTON DO WHAT YOU DO AIR SUPPLY DON'T FALL IN LOVE FERRETS DON'T YOU KNOW YOU'RE CHANGING BILLY THORPE/AZTECS DOWN AMONG THE DEAD MEN FLASH & THE PAN DOWN IN THE LUCKY CO RICHARD CLAPTON DOWN ON THE BORDER LITTLE RIVER BAND DOWN UNDER MEN AT WORK DOWNHEARTED JOHN FARNHAM EAGLE ROCK DADDY COOL EGO (IS NOT A DIRTY WORD) SKYHOOKS ELECTRIC BLUE ICEHOUSE ELEVATOR DRIVER MASTER'S APPRENTICES EMOTION SAMANTHA SANG EVIE (PART 1, 2 & 3) STEVIE WRIGHT FIVE .10 MAN MASTER'S APPRENTICES FLAME TREES COLD CHISEL FORTUNE TELLER THE -
Book LBF Bastiat Law.Indb
“The Law,” “The State,” and Other Political Writings, 1843–1850 The Collected Works of Frédéric Bastiat Jacques de Guenin, General Editor The Man and the Statesman: The Correspondence and Articles on Politics “The Law,” “The State,” and Other Political Writings, 1843–1850 Economic Sophisms and “What Is Seen and What Is Not Seen” Miscellaneous Works on Economics: From “Jacques-Bonhomme” to Le Journal des Économistes Economic Harmonies The Struggle Against Protectionism: The English and French Free-Trade Movements Frédéric Bastiat “The Law,” “The State,” and Other Political Writings, 1843–1850 frédéric bastiat Jacques de Guenin, General Editor Translated fr om the French by Jane Willems and Michel Willems with an introduction by Pascal Salin Annotations and Glossaries by Jacques de Guenin, Jean-Claude Paul-Dejean, and David M. Hart Translation Editor Dennis O’Keeff e Academic Editor David M. Hart Liberty Fund Indianapolis This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. © 2012 by Liberty Fund, Inc. All rights reserved Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 Cover art: Image of the village of Mugron, France, the town where Bastiat spent most of his adult life, from a postcard at www.communes.com / www.notrefamille.com. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
History and Technology
This article was downloaded by:[Forman, Paul] [Forman, Paul] On: 23 April 2007 Access Details: [subscription number 777307305] Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK History and Technology An International Journal Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713643058 The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology To cite this Article: , 'The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology', History and Technology, 23:1, 1 - 152 To link to this article: DOI: 10.1080/07341510601092191 URL: http://dx.doi.org/10.1080/07341510601092191 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article maybe used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Going to Hel: the Consequences of a Heathen Life
Going to Hel: The Consequences of a Heathen Life by William P. Reaves © 2014 For a moral code to remain in effect in any religion, there must be consequences for not following that code. Since Heathenism has a highly developed moral code, it stands to reason that it also spoke of the consequences of leading a life in accordance with or in opposition to its own moral standards, yet according to popular belief there is no mechanism for that to happen — primarily because Snorri’s Edda doesn’t mention a court to judge the dead or any reward for leading a pious heathen life; warriors go to Valhalla and everyone else goes to Hel, a dreary, dismal place. Do the sources of Heathen belief confirm this view? Fáfnismál 10 informs us: því at einu sinni “For there is a time skal alda hverr when every man fara til heljar heðan. shall journey hence to Hel." Fáfnismál unequivocally states that all men eventually travel to Hel. It names no exceptions. Other sources confirm that in heathen times, the way and its features were well known. Gylfaginning 49 (A. Broedur tr.): “Frigg spoke, and asked who there might be among the Æsir who would fain have for his own all her love and favor: let him ride the road to Hel, and seek if he may find Baldr, and offer Hel a ransom if she will let Baldr come home to Ásgard." And later in the same narrative: “…Now this is to be told concerning Hermódr, that he rode nine nights through dark dales and deep, so that he saw not before he was come to the river Gjöll and rode onto the Gjöll-Bridge; which bridge is thatched with glittering gold. -
The Picture Stones of Gotland: Type C and D Stones As Death Memorials
THE PICTURE STONES OF GOTLAND: TYPE C AND D STONES AS DEATH MEMORIALS _______________ A Thesis Presented to The Faculty of the Department of Comparative Cultural Studies University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________ By Kelsie H. Spears May, 2016 THE PICTURE STONES OF GOTLAND: TYPE C AND D STONES AS DEATH MEMORIALS _______________ An Abstract of a Thesis Presented to The Faculty of the Department of Comparative Cultural Studies University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________ By Kelsie H. Spears May, 2016 ABSTRACT This thesis focuses on the picture stones of Gotland, Sweden dating to the Viking Age. The Viking Age picture stones are made up of two groups, C and D, as delineated by Sune Lindqvist, dating to 700-1000 AD. Utilizing a basic hypothesis by Björn Varenius, which was applied to Early Iron Age picture stones, a research plan was created and applied to the stones of the Viking Age. An iconographic analysis was performed on six well-known stones found in the Gotland Museum and Swedish National Antiquity Museum. This iconographic analysis used the frequency of individual images and a correlation of images appearing together to interpret the basic thematic meaning of the iconography. A landscape discussion and context analysis was done on three sites, Buttle Änge, Fröjel Stenstugu, and Visne ängar, which had in situ picture stones. The landscape discussion sought to find significant features which could be connected to the stones and interpreted. -
MEIEA 2015 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 15, Number 1 (2015) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor University of Southern Mississippi David Schreiber, Associate Editor Belmont University Published with Support from The MEIEA Journal is published annually by the Music & Entertain- ment Industry Educators Association (MEIEA) in order to increase public awareness of the music industry and to foster music business education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music indus- try and is designed as a resource for anyone currently involved or interest- ed in the music industry. Topics include issues that affect music industry education and the music industry such as curriculum design, pedagogy, technological innovation, intellectual property matters, industry-related legislation, arts administration, industry analysis, and historical perspec- tives. Ideas and opinions expressed in the MEIEA Journal do not necessar- ily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opinions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2015 Music & Entertainment Industry Educators Association All rights reserved