Reading Comprehension Based Upon Viking Gods. Have You Heard About
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Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Dana Miller Georgia State University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University Graduate English Association New Voices English Department Conferences Conference 2007 9-2007 Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Dana Miller Georgia State University, [email protected] Follow this and additional works at: http://scholarworks.gsu.edu/english_conf_newvoice_2007 Part of the English Language and Literature Commons Recommended Citation Miller, Dana, "Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas" (2007). Graduate English Association New Voices Conference 2007. Paper 10. http://scholarworks.gsu.edu/english_conf_newvoice_2007/10 This Conference Proceeding is brought to you for free and open access by the English Department Conferences at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Graduate English Association New Voices Conference 2007 by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Miller, Dana Dr. Carey—Spring 2007: English 8900 2007 New voices Conference September 27-29 Graduate English Association English Department, Georgia State University Atlanta, Georgia Horses of Agency, Element, and Godliness in Tolkien and the Germanic Sagas Where now the horse and rider? Where is the horn that was blowing? Where is the hair and the hauberk, and the bright hair flowing? Where is the hand on the harpstring, and the red fire glowing? They have passed like rain on the mountain, like a wind in the meadow; The days have gone down in the West behind the hills into shadow. -
ADMINISTRATION GUIDE Version 7.2
GUIDE STORMSHIELD ENDPOINT SECURITY ADMINISTRATION GUIDE Version 7.2 Document last update: June 2, 2021 Reference: ses-en-administration_guide-v7.2 SES - ADMINISTRATION GUIDE - V 7.2 Table of contents Preface 9 Thanks! 9 What is the target audience? 9 Contact 9 1. Use environment 10 1.1 Recommendations on security watch 10 1.2 Recommendations on keys and certificates 10 1.3 Recommendations on algorithms 10 1.4 Recommendations on administrators 10 1.5 Recommendations on workstations 10 1.6 Recommendations on administration workstations 11 1.7 Certification and qualification environment 11 2. Stormshield Endpoint Security Overview 12 2.1 Concepts 12 2.1.1 Concept 1: Integrated security 12 2.1.2 Concept 2: Proactive protection 12 2.1.3 Concept 3: Adaptive control 13 2.1.4 Concept 4: Flexible policy control 13 2.1.5 Concept 5: Application of policies based on the organization's directory 13 2.1.6 Concept 6: Information feedback 13 2.1.7 Concept 7: Data encryption 13 2.2 Protection mechanisms 13 2.2.1 Rule-based protection 14 2.2.2 Automatic protections 14 2.3 Architecture 15 2.3.1 Concepts 15 2.3.2 Stormshield Endpoint Security components 15 2.4 Packages and licenses 18 2.4.1 Packages 18 2.4.2 Licenses 21 3. Stormshield Endpoint Security Installation and Uninstallation 24 3.1 Downloading the Stormshield Endpoint Security software 24 3.1.1 Downloading from the client area 24 3.1.2 Checking software authenticity 24 3.2 System prerequisites for Stormshield Endpoint Security under Windows 25 3.2.1 Active Directory prerequisites 25 3.2.2 Stormshield -
Sample Pages to Thor
1 only A Stranger Arrives The air was dry and cold near the small town of Puente Antiguo, New Mexico. Darcy Lewis sat in the driver’s seatReview of an old van full of expensive scientic equipment. She was a college student working with scientist Jane Foster. Another scientist, ForDr. Erik Selvig, sat in the passenger seat. In the back of the van, Jane- opened the roof and climbed onto it. Selvig followed her, and they looked up into the darkness. “So what exactly are we looking for?” Selvig asked. He was a friend of Jane’s father and knew her well. “Why did you ask me to join you here in New Mexico?” “I told youSample. Something strange is happening in the night sky and I need your help,” Jane replied. “It’s a little dierent each time. Once it was a pool of stars in a corner of the sky. But last week it was a rainbow—” A noise from her computer stopped her. “Wait for it!” she said excitedly. Nothing happened. The sky above them stayed calm and black. Darcy put her head out of the window and looked up at Jane. “Can I turn on the radio?” she asked. She sounded bored. “No!” Jane replied angrily. She and Selvig climbed back inside the van. “I don’t understand,” she said. She opened a small book and looked at her notes. She always carried this notebook—inside it was her life’s work. M01_THOR_SB3_GLB_05991.indd 1 3/6/18 1:53 PM 2 “These changes have happened many times, always at night, Erik!” She checked her computer. -
Viking Tales Chris Rose
Elementary Level Listening Worksheet Viking Tales Chris Rose The story step by step 1 Listen to The World of the Vikings’ Tales (from ‘The Vikings were people who lived in Scandinavia ...’ to ‘... at the bottom of it.’). Label the picture with the words you hear in the box. Check your answers on p.4 of the book or in the answer key. Asgard Bifrost Hel Midgard Niflheim Yggdrasil ______________________ ______________________ ______________________ Yggdrasil ______________________ ______________________ Macmillan Readers Viking Tales 1 This page has been downloaded from www.macmillanenglish.com. It is photocopiable, but all copies must be complete pages. © Macmillan Publishers Limited 2014. Elementary Level Listening Worksheet 2 Listen to The World of the Vikings’ Tales again (from ‘Odin was the chief of the gods.’ to ‘... they died’). Complete the missing information you hear about the people who lived in the Viking world. Check your answers on pp.4–7 of the book or in the answer key. Name Role/ability Character Appearance Odin Chief of the gods. _______ and _______. He only had one _______ , wore a big hat , a _______ cloak and had a _______ spear and two ravens on his _______ . Thor The god of _______ and Angry, _______, not as _______ as Very _______, had red hair and a _______ . Odin, very _______ and always big, red _______ . told the _______ . Loki Could change Very _______, played jokes or _______ and became a _______ on people or the other _______, or an insect or a _______ and liked to make _______ so he could _______ trouble for them. -
Rune Warriors: Shield of Odin James Jennewein & Tom S. Parker
Rune Warriors: Shield of Odin James Jennewein & Tom S. Parker Reviewed by: Enzo Takagi, 16 Star Teen Book Reviewer of Be the Star You Are! Charity www.bethestaryouare.org This book was very entertaining and funny. I would recommend it for mostly boys because it contains flatulence jokes and other humor along those lines. There is also reference to alcohol consumption and much violence. This book is recommended either as a gift or a book to be borrowed from the library. I liked the humor and the plentiful action a lot, and there were interesting references to Vikings and Norse mythology. The protagonist is Dane, a young man who has recently gone on his first hunt, a rite of passage. The very beginning of the book is about Dane growing up and the influences on his, as well as the love and care given to him. However, the story takes a turn after that. There is an evil king named Thidrek who likes to execute people and rule them by fear. He obviously is not liked by his people, and everyone is afraid of him. In Dane's village, there is an annual competition for Viking sports like axe throwing and archery. One year, Thidrek comes to this celebration and humiliates Dane's father and the rest of the village as well. Then things get worse. Dane's girlfriend, Astrid is kidnapped by Thidrek, and his village is razed to the ground and many people are killed. Dane's father is killed, and the Shield of Odin is stolen. This shield is given from Odin, the Norse god of tactics, and this shield blocks all attacks to the holder. -
Troyw Breakdown.Doc
Thor / Odin Shader Development Thor Shader Development Captain America and Shield Shader Development Environment Light Look Development Thor and Mjolnir Hammer Shader Development Thor Skin Lighting Development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer Shader Development Strucker and Zola Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Strucker Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Iceborn Lighting and Look development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Captain America and Shield Shader Development Environment Light Look Development Environment Lighting and Shading Development Ymir Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer and Shader Development Environment Lighting and Shader Development Hale Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Exo-Suit Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
God of Warriors and Battle. Odin Rides an 8-Legged Horse Called Sleipnir
Odin God of warriors and battle. Odin rides an 8-legged horse called Sleipnir. In Old English, Odin is known as ‘Woden’ and Wednesday is named after him (Woden’s Day). visit twinkl.com Freya (or Freyja) Goddess of love, war and death. Freya rides in a chariot pulled by cats. Her twin brother is the god Frey. visit twinkl.com Thor God of thunder. Thor has a magical hammer called Mjolnir which he uses to summon thunderbolts. Thursday is named after Thor (Thor’s Day). visit twinkl.com Loki God of mischief. Loki likes to play tricks on the other gods and make trouble. Loki was born in Jotunheim, the land of the giants, not on Asgard. visit twinkl.com Frey (or Freyr) God of fertility. Frey is the twin brother of the goddess Freya. He brings peace and good fortune to men as well as making crops grow. visit twinkl.com Frigg Goddess of motherhood. Frigg is the wife of the god Odin. Friday is named after her (Frigg’s Day). visit twinkl.com Heimdall The guardian god. Heimdall watches over the rainbow bridge to Asgard, the Bifrost. He has strong hearing and sight and keeps watch for approaching enemies. He uses a horn to summon the other gods to fight. visit twinkl.com Baldr (or Baldur) God of light and purity. Baldr is so bright that light shines from him and he is so beautiful that flowers bow to him. visit twinkl.com Týr God of single-handed combat. Týr has one hand after the other was bitten off by the giant wolf Fenrir. -
MA Ritgerð in Search of Askr Yggdrasill
MA ritgerð Norræn trú In Search of askr Yggdrasill A Phenomenological Approach to the Role of Trees in Old Nordic Religions Jan Aksel Harder Klitgaard Leiðbeinandi: Terry Adrian Gunnell Júní 2018 In Search of askr Yggdrasill A Phenomenological Approach to the Role of Trees in Old Nordic Religions Jan Aksel Harder Klitgaard Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Júni, 2018 In Search of askr Yggdrasill Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Jan Aksel Harder Klitgaard, 2018 Prentun: Háskólaprent Reykjavík, Ísland, 2018 Abstract This thesis contains a study of the role of trees in Old Nordic religions during the Iron Age and Viking Age from a phenomenological and comparative perspective and includes three discussion chapters, each with its own main topic: the world-tree; trees as people and vice versa; and real living trees. It has been conducted in order to clarify certain issues regarding how ancient Scandinavians might have perceived the world and then in particular trees, metaphysical trees and real trees. In the discussion chapters, the thesis reflects upon narratives in the extant written source material which would have been part of the phenomenology of trees, in the light of the ever-growing bulk of archaeological material reflecting remnants of symbolic and ritualistic behaviour relating to trees. The project argues that we need to sidestep with our modern perception of the world if we wish to understand how trees might have been understood in a religious sense in the Old Nordic world. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated December 2016 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
The Myth of Skadi and Njord Characters Skadi Njord
THE MYTH OF SKADI AND NJORD CHARACTERS SKADI NJORD ODIN LOKI GOAT HEIMDALL NARRATOR The Aesir rejoiced in celebration and song at the return of their beloved Idunn, goddess of youth. Their festive cries echoed throughout the halls of Asgard and all the Nine Realms. The smoldering carcass of Thiazi, the giant who kidnapped fair Idunn, served as fuel for the magnificent bonfire that lit up the night sky. However, beyond the farthest reaches of the icy grey waters, past the depths of the ancient magma rivers that heat the barren peaks, Skadi waited in her lonely home of Thrymheim for her father’s return; he had gone after Idunn, his escaped captive. The sun cycled through canvases of night and day, with still no sign of Thiazi’s return. Skadi’s eyes soon turned cold, yet her irises burned with fury. SKADI: How long must I wait for an answer I already have? My father is not one to find delay from wind or snow. No, there is only one explanation for the emptiness of these halls. My father is dead, and none but the Aesir could have killed him. Copyright @ Alex Schweich 2020. This play may be performed freely but the text may not be reproduced without permission of the author, and the author must be credited. Enraged, Skadi swept through each room of her home like a hurricane, donning her family’s finest armaments. Wielding a magical sword and ancient spear and shield, Skadi stood atop the highest peak, defiantly facing the heavens. SKADI: I swear, Father, I shall not let your death go unavenged.