Haisai OAA News 北米沖縄県人会四季報 March 2013 ● No
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
3 Calendar 2015
Tours+ Events & Descriptions 2019 August TOKASHIKI ISLAND BEACH TOUR 7:00 am - 5:00 pm Adult $95 Child (5-11) $77 (3-4) $26, (0-2) Free *No meal included for 1 2children 3 ages 0-4. BATTLE SITES TOUR 10,000 EISA FESTIVAL URASHIMA 9:00 am ‒ 5:00 pm 12:00 pm - 18:00 pm DINNER THEATER Adult $28 Adult $21 5:30 pm - 9:30 pm Child (3-11) $18 Child (3-11) $14 Adult $68 with half lobster (under 3) Free (under 3) Free $52 without lobster HIJI FALLS & OKUMA Child (6-12) $39 8:30 am - 5:00 pm (3-5) $34 Adult $23 4 5 6 7 8(under 9 3) Free* 10 Child (3-11)$16 * no meal included (under 3) Free FUN DAY AT KOURI ISLAND SUMMER BULLFIGHTING 9:30 am - 5:00 pm TOUR Adult $23 11:30 pm - 5:00 pm Child (3-11)$16 Adult $ 35 (under 3) Free Child (13-18) $24, (3-12) $10 OKINAWA WEST COAST TOUR (under 3) Free 10:00 am - 3:00 pm 11 12 13 14 15 16 17Adult $49 Child (7-12) $28, (3-6)$19 (under 3) Free KONGOU HIKE, HEDO POINT SUNSET BBQ SUMMER EVENING FESTIVAL & OKUMA 8:00 am - 4:00 pm DINNER CRUISE AT RYUKYU MURA Adult $33, Child (4-14) $21 4:00 pm - 8:30 pm 5:00 pm - 9:30 pm (under 3) Free Adult $53, Child (6-15) $39 Adult $64 EXPO PARK & AQUARIUM (3-5) $23, (under 3) Free Child (6-12) $57, (3-5) $28 9:00 am - 5:00 pm YANBARU KAYAKING TOUR (under 3) Free* Adult $39 8:00 am - 3:30 pm Child18 (16-17) $34, (6-15) $22 19 20 21 22 23* no meal included 24Adult $55 (3-5) $16, (under 3) Free Child (6-12) $33 BATTLE SITES TOUR NORTHERN HIGHLIGHTS 9:00 am ‒ 5:00 pm 9:00 am - 5:00 pm Adult $28 Adult $ 39, Child (4-12)$24 Child (3-11) $18 (under 4) Free (under 3) Free SHRINES AND GARDENS KERAMA SNORKELING TOUR 9:00 am - 3:00 pm 7:00 am - 4:00 pm Adult $21 25Adult $74 26 27 28 29 30 31Child (3-11) $14 Child (4-11) $41 (under 3) Free CAMP FOSTER | 646-3502 | MON–SAT, 10 A.M.–6 P.M. -
February 2020 Ajet
AJET News & Events, Arts & Culture, Lifestyle, Community FEBRUARY 2020 Riding the Jiu-Jitsu Wave Working for the Kyoryokutai The Changing Colors of the Red and White Singing Battle Journey Through Magic Embarrassing Adventures of an Expat in Tokyo The Japanese Lifestyle & Culture Magazine Written by the International Community in Japan1 In response to ongoing global news, the team at Connect Magazine would like to acknowledge the devastating impact of the 2019-2020 bushfires in Australia. Our thoughts and support are with those suffering. 2 Since September 2019, the raging fires across the eastern and southeastern Australian coastal regions have burned over 17.9 million acres, destroyed over 2000 homes, and killed least 27 people. A billion animals have been caught in the fires, with some species now pushed to the brink of extinction. Skies are reddened from air heavy with smoke— smoke which can be seen 2,000km away in New Zealand and even from Chile, South America, which is more than 11,000km away. Currently, massive efforts are being taken to tackle the bushfires and protect people, animals, and homes in the vicinity. If you would like to be a part of this effort, here are some resources you can use to help: Country Fire Authority Country Fire Service Foundation In Victoria In South Australia New South Wales Rural The Australian Red Cross Fire Service Fire recovery and relief fund World Wildlife Fund GIVIT Caring for injured wildlife and Donating items requested by habitat restoration those affected The Animal Rescue Collective Craft Guild Making bedding and bandaging for injured animals. -
KAKEHASHI Project Okinawa Program the 1 Slot Program Report
Japan’s Friendship Ties Program (USA) KAKEHASHI Project Okinawa Program the 1st slot Program Report 1. Program Overview Under the “KAKEHASHI Project” of Japan’s Friendship Ties Program, 42 high school students and 4 supervisors from the United States visited Japan from December 6th to December 13th, 2016 to participate in the program aimed at promoting their understanding of Japan with regard to Japanese politics, economy, society, culture, history, and foreign policy. Through lecture by ministry, observation of historical sites, school exchange, homestay, and other experiences, the participants enjoyed a wide range of opportunities to improve their understanding of Japan and shared their individual interests and experiences through SNS. Based on their findings and learning in Japan, each group of participants made a presentation in the final session and reported on the action plans to be taken after returning to their home country. 【Participating Countries and Number of Participants】 U.S.A. 46 Participants (A: Illinois University Laboratory High School, B: Fort Hayes Arts and Academic High School) 【Prefectures Visited】 Tokyo, Okinawa 2. Program Schedule December 6th (Tue) Arrival at Narita International Airport December 7th (Wed) [Orientation] [Lecture] North American Affairs Bureau, Ministry of Foreign Affairs “Japan’s Foreign Policy” [Historical Landmark] Imperial Palace Move to Okinawa December 8th (Thu) [Historical Facilities] Okinawa Prefectural Peace Memorial Museum, Peace Memorial Park [Historical Landmark] Shurijo Castle [Observation] Okinawa Prefectural Museum [Cultural Experience] Eisa dance 1 December 9th (Fri) [School Experience・Homestay] Okinawa Prefectural Naha Kokusai High School (Group A), Okinawa Prefectural Nago High School (Group B) December 10th (Sat) [Homestay] December 11th (Sun) [Homestay] Farewell Party [Workshop] December 12nd (Mon) Move to Tokyo [Reporting Session] December 13th (Tue) [Historical Landmark] Asakusa [Historical Landmark] Meiji Jingu Shrine Departure from Narita International Airport 3. -
An Abstract of the Thesis Of
An Abstract of The Thesis of Hideki Yoshikawa for the degree of Maget_ofligs_ in Applied Anthropology presented on October 11. 1996. Title: Living with a Military Base: A Study of the Relationship between a US Military Base and Kin Town, Okinawa. Japan. Abstract approved: /24_41 Nancy R. Rosenberger This thesis is an exploratory and descriptive study of the relationship between a US military base and Kin Town, Okinawa, Japan, presented in the form of ethnography. Guided by James Scott's theory of "weapons of the weak," it explores the relationship between the two in terms of how the townspeople deal with the hegemony of the military base in the context of their daily life. Especially, it attempts to examine whether the townspeople's strategies to live with the base can challenge the hegemonic claim that the base exists to help create peace in the world. This thesis first describes the historical process in which a complex relationship between the two has emerged. Focusing on three important characteristics of pre-war Kin, close knit communal membership, "the home of emigrant pioneers," and communal land management, it illustrates how Kin has changed and/or has not changed in relation to the construction of a military base in the town. Secondly, this thesis describes how the townspeople perceive the base and their relationship with the base. Pointing out that the base is never perceived by the townspeople as a mere military institution, it shows that the base is perceived as both "the root cause of problems" and the most important fmancial resource with imposing international power. -
ASIA PACIFIC DANCE FESTIVAL Stories
2015 ASIA PACIFIC DANCE FESTIVAL Stories LIVING THE ART OF HULA THURSDAY, JULY 16, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa LOCAL MOTION! SUNDAY, JULY 19, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa CHURASA – OKINAWAN DRUM & DANCE THURSDAY, JULY 23, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa WELCOMING CEREMONY FRIDAY, JULY 24, 2015 • 6:00PM East-West Center Friendship Circle STORIES I SATURDAY, JULY 25, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa STORIES II SUNDAY, JULY 26, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa HUMANITIES FORUM SUNDAY, JULY 26, 2015 • 4:45PM East-West Center Imin Center, Jefferson Hall A co-production of the University of Hawai‘i at Ma¯ noa Outreach College and East-West Center Arts Program with the support of the University of Hawai‘i at Ma¯ noa Department of Theatre and Dance. 2015 ASIA PACIFIC DANCE FESTIVAL ASIA PACIFIC DANCE FESTIVAL Director Tim Slaughter Associate Director Eric Chang Organizing Committee William Feltz Kara Miller Michael Pili Pang Amy Lynn Schiffner Yukie Shiroma Judy Van Zile Staff Margret Arakaki, Assistant to Director; Kay Linen, Grant Writer Production Staff M Richard, Production Coordinator; Camille Monson and Anna Reynolds, Festival Assistants; Justin Fragiao, Site Manager; Vince Liem, Lighting Designer; Todd Bodden, Sound Engineer; Samuel Bukoski and Maggie Songer, Production Crew; Stephanie Jones, Costume Crew; Margret Arakaki, Box Office Supervisor; -
Ruins Hold Special Place in Island's History
Business cards, flyers, invitations and more! Contact printshop.stripes.com 042-552-2510 (extension77315) 227-7315 VOLUME 13 NO. 33 AUGUST 8 − AUGUST 14, 2019 SUBMIT STORIES TO: [email protected] STRIPESOKINAWA.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO KATSUREN CHANGES TO MILITARY MAIL MAY BE COMING PAGES 2-3 CASTLE Ruins hold special place in island’s history MARINES GET READY FOR OKINAWA, FUJI PAGE 3 ENJOY THE SIMPLICITY OF INARIZUSHI PAGE 5 PAGES 4 -5 IT’S EISA TIME! PAGE 8 gs rin a Kimodameshi b naw l to Oki hil shopping malls as seasonal attractions. Hor- BY TAKAHIRO TAKIGUCHI,c STRIPES OKINAWA ror movies and reports of haunted locations are televised, while popular kimodameshi uch like Halloween in October in (literally, to test your courage through scared the West, mid-summer is a sea- route) games are enjoyed in schools and local Mson to intersect with the dead in communities throughout summertime. Japan, as deceased ancestors are believed to Just like horror films and scary stories give visit and spend few days with us during tradi- you goosebumps, kimodameshi and haunted Special 8-page tional Obon period (August 13-15). houses make the Japanese cool with fear and Also similar to the U.S., temporary haunt- File photos pullout inside! ed houses are built in amusement parks or SEE KIMODAMESHI ON PAGE 6 2 STRIPES OKINAWA A STARS AND STRIPES COMMUNITY PUBLICATION AUGUST 8 − AUGUST 14, 2019 Military mail may be affected by US treaty withdrawal BY WYATT OLSON, to be counting on a meeting STARS AND STRIPES scheduled for September dur- Max D. -
Recontextualizing Eisa-: Transformations in Religious, Competition, Festival and Tourism Contexts1
9 Recontextualizing Eisa-: Transformations in Religious, Competition, Festival and Tourism Contexts1 Henry Johnson ❖ isā is a dance with accompanying music that has a recognized tradi- E tional context in an annual Okinawan Buddhist ritual. In many con- texts it has dynamic body movements, percussive accompaniment and colourful costuming, which provide a decidedly visible and audible spec- tacle through performance (Plate 22). Eisā can include lines of drummer- dancers who often perform stylized movements in an almost acrobatic way; its drums provide a percussive thundering of sound; its string instruments generate a characteristically Okinawan syncopated soundscape; and its cos- tuming includes bright colours on quasi-trad itional attire that is designed to catch the eye. Eisā provides a highly choreographed display of move- ment, sound and sight with dancer-musicians displaying a distinct emblem of local culture that has captured the local and national imagination. It is not only a dance form through which aspects of Okinawan culture are per- formed, but also one that represents part of the complexity of Japanese identity. Over the last half century, however, eisā has been recontextualized in competition, festival and tourist contexts. While focusing on these con- texts and the processes of cultural transformation, a study of this particu- lar performing art in its traditional and contemporary settings can provide insight into Okinawan identity construction. The specific ethnographic focus of this study is Okinawa, one of Japan’s southwest islands (Ryūkyū rettō or Nansei shotō). The term ‘Okinawa’ Recontextualizing Eisa¯ 197 has several identities (Plate 23). It is a Japanese prefecture of 161 sub- tropical islands;2 it is the largest island of that prefecture; it is a city on that island; and it was once part of the Ryūkyū Kingdom – in this dis- cussion the term ‘Okinawa’ refers primarily to the island unless otherwise indicated. -
30Th Okinawan Festival: Are You Ready?
www.huoa.org May/June 2012 Issue #138 Circulation 9,790 30th Okinawan Festival: Are You Ready? re you ready to experience an unforgettable, energetic, jump-out-of-your-seat show? If so, get ready to enjoy two full days of live entertainment at the Kapiolani Park Bandstand on Saturday and Sunday, September 1 and 2, from 9 a.m. to 5 p.m. This year’s 30th Okinawan Festival will feature special Aperformers from Okinawa along with many of our favorite local artists. One of the featured performers, Chinagu Eisa Hawaii, will be joined by Naha Daiko, its sister group from Okinawa, to celebrate this festive occasion. Although it was formed only three years ago, this will be Chinagu Eisa Hawaii’s third appearance at the Okinawa Festival, while the ever-popular Naha Daiko will be mak- ing its fifth Okinawan Festival appearance. The group’s dynamic and energetic performances have never failed to thrill and delight Festival audiences. As an added bonus, this year the two groups will be joined by prominent Okinawan artist, Ikeda Suguru. was formed in 1997 for the purpose of promot- Ikeda is well known throughout Japan and has performed in the United States Naha Daiko ing cultural exchange and enriching the musical and Canada as well. He played the lead role in the television series, Endo no Hana legacy of youth in Okinawa. This group is known for its exciting, original style of (Flowers by the Wayside). One of his most popular songs, Obaachan no Uta, is Eisa, which is firmly grounded a beautiful ballad dedicated in traditional Okinawan Eisa. -
The Ukwanshin Kabudan – Ryukyu/Okinawa
The Ukwanshin Kabudan – Ryukyu/Okinawa performing arts troupe: Transnational network, Glocal connections Yoko Nitahara Souza – UnB - Brazil Short abstract The Ryukyu kingdom (1372-1879) possessed intense court activities, receiving foreign delegations, and then developed an immense scenic and artistic refinement. The Ukuanshin Kabudan Ryukyu performing arts group work for sake of maintaining alive this arts, in Hawaii and in a transnational network. Long abstract The now called Okinawa ken (province) in southern Japan, was the Ryukyu kingdom (1372-1879) also known as land of Courtesy because of its intense diplomatic and trade relations with Southeast Asian countries. In his long and prosper live possessed so intense court activities, receiving foreign delegations, and then developed an immense scenic and artistic refinement. More than mere distraction for foreign delegations at the court of Shuri Castle, artistic performances in music and dance were sacred songs from the Omoro Soshi. Ukwanshin Kabudan was a ship that carried the crown and dignitaries from Ming Emperor in China to be presented to ascending king of Ryukyu, more than this, has been a symbol of exchange and peace for the people of Okinawa. The Ukwanshin Kabudan Ryukyu performing arts troupe work for sake of maintaining alive this arts, in Hawaii as well in a transnational network. In the website of the troupe we can read: we have chosen to travel on a new 'Ukwanshin' to bring our gift of Aloha and gratitude to the people of Okinawa. Okinawa is known as the land of music and dance, and it is through the expression of sound and movements that we find few differences in human feelings and understanding. -
Rb08c440f-Fenomena Tarian.Pdf
UNIVERSITAS INDONESIA FENOMENA TARIAN EISA DALAM EISA MATSURI DI OKINAWA - JEPANG (Dinamika Ritual Keagamaan dan Budaya Populer) SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar Sarjana Humaniora CUT ANNISA MAULIDYA 0606088204 FAKULTAS ILMU PENGETAHUAN BUDAYA PROGRAM STUDI JEPANG DEPOK JULI 2010 Fenomena tarian..., Cut Annisa Maulidya, FIB UI, 2010 ii Fenomena tarian..., Cut Annisa Maulidya, FIB UI, 2010 iii Fenomena tarian..., Cut Annisa Maulidya, FIB UI, 2010 iv Fenomena tarian..., Cut Annisa Maulidya, FIB UI, 2010 KATA PENGANTAR Puji syukur kehadirat Allah SWT yang telah memberikan rahmat dan berkat -Nya sehingga saya dapat menyelesaikan skripsi ini dengan baik. Penulisan skripsi ini merupakan salah satu syarat untuk mencapai gelar Sarjana Humaniora Program Studi Jepang pada Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia. Saya menyadari bahwa tanpa bantuan dan bimbingan dari berbagai pihak, dari masa perkuliahan sampai pada proses penyusunan skripsi ini, sangatlah sulit bagi saya untuk mengerjakan dan menyelesaikan skripsi ini. Oleh karena itu, saya ingin menyampaikan ucapan terima kasih yang mendalam kepada: 1) Ayah, Bunda, Bundauf, Cikmia, orang tua tercinta yang selalu memberikan dukungan moral maupun materil sepanjang hari sampai saat ini. Untuk adik dan abang tersayang Astrid, Alia, Dede, dan Bang Rauf, atas perhatian dan motivasi yang kalian berikan pagi sore siang malam, skripsi ini akhirnya bisa diselesaikan dengan manis. 2) Etty Sensei selaku dosen pembimbing yang telah menyediakan waktu, tenaga,dan pikiran dalam mengarahkan saya dalam penulisan skripsi ini. Tanpa bantuan Sensei, saya tidak dapat menyelesaikan skripsi ini tepat pada waktunya. Masukan dan nasehat dari Sensei selalu membuat saya merasa optimis dan bersemangat. Saya juga mohon maaf apabila ada kekurangan dan kesalahan selama menulis skripsi di bawah bimbingan Sensei. -
Mon Sun Sat Fri Thu Wed
LET YOUR ADVENTURE BEGIN. mccsokinawa.com/tours CAMP FOSTER 646-3502 JF10 A.M.–6 P.M. CAMP HANSEN 623-6344 J%FG G!G G CAMP KINSER 637-2744 JF10 A.M.–6 P.M. SUN MON TUE WED THU FRI SAT 1 BATTLE SITES TOUR 9 A.M.– 5 P.M. NEO PARK & PINEAPPLE PARK 9 A.M.–3 P.M. 2 3 4 5 6 7 8 KERAMA ISLANDS POLYNESIAN NIGHT FUN DAY AT OKUMA SNORKELING DANCE SHOW 8 A.M.–4 P.M. 8 A.M.–5 P.M. 4:30–8:30 P.M. YANBARU KAYAKING EXPO PARK & TEA CEREMONY W/ 8 A.M.–3:30 P.M. AQUARIUM KIMONO DRESSING 9 A.M.–5 P.M. 3:30–9:30 P.M. 9 10 11 12 13 14 15 NAHA TUG OF WAR URASHIMA URUMA CITY NOON–8 P.M. DINNER THEATER BULLFIGHTING 5:30–9:30 P.M. 11:30 A.M.–5 P.M. FARM & FISH MARKET 9 A.M.–2 P.M. 16 17 18 19 20 21 22 BATTLE SPOOKY SITES SPOOKY SITES SPOOKY SITES SPOOKY SITES SITES TOUR (NORTH) (SOUTH) (NORTH) (SOUTH) 9 A.M.–5 P.M. 6–10 P.M. 6–10 P.M. 6–10 P.M. 6–10 P.M. BIOS ON THE HILL OKINAWA WEST 9 A.M.–2 P.M. COAST TOUR 10 A.M.–3 P.M. 23/30 24/31 25 26 27 28 29 SPOOKY SITES SPOOKY SITES SPOOKY SITES SPOOKY SITES SPOOKY SITES SPOOKY SITES (NORTH) (NORTH) (SOUTH) (NORTH) (SOUTH) (SOUTH) 6–10 P.M. -
Kadena Itt Local Tours
Discount Ticket Prices ADULT STUDENT CHILD Local Attractions •Bios on the Hill Entrance only ¥810 ¥450 (4-12) Entrance & Tour boat ¥1,440 ¥810 (4-12) •Busena Glass Bottom Boat ¥1,850 ¥1,480 (16-18) ¥920 (4-15) & Underwater Observatory Combo •Busena Glass Boat ¥1,380 ¥1,100 (16-18) ¥690 (4-15) •Busena Underwater Observatory ¥920 ¥730 (16-18) ¥460 (4-15) •Butterfly Park ¥400 ¥200 (3-15) •Dino Park ¥720 ¥450 (4-15) •Forest Adventure Park ¥3,500 ¥2,700 (6-17) •Japanese Naval Underground ¥390 ¥190 (6-15) •Kongou Seki Rinzan ¥1,080 ¥500 (4-15) •Neo Park ¥570 ¥290 (13-18) ¥200 (4-12) •Neo Park Family Year Pass ¥1,650 •Ninja Show ¥2,000 ¥500 (4-12) •Okinawa World Gyokusendo Cave & Kingdom Village ¥1,030 ¥520 (4-15) • Okinawa World Gyokusendo Cave, Kingdom Village & Habu Museum / Show ¥1,440 ¥720 (4-15) •Ryukyu Mura ¥1,080 ¥540 (6-15) •Southeast Botanical Garden ¥1.350 ¥900 (16-18) ¥500 (6-15) Entrance & Breakfast ¥2,100 Entrance & Lunch ¥2,500 ¥2,300 (16-18) ¥2,000 (13-15) ¥1,400 (7-12) ¥600 (4-6) KADENA ITT LOCAL TOURS •Southern Hill Ice Skating ¥1,500 ¥1,300 (13-17) ¥1,100 (7-12) ¥1,000 (3-6) •Southern Hill Ice Skating Holiday Special 9 - 12 & 22 - 25 November ¥1,000 ¥900(13-17) ¥800 (7-12) November 2018 ¥700 (2-6) Seasonal with skates • Bullfighting in Uruma • Manza Beach Resort Hotel Lunch and Ocean Park $37 $19 (3-12) • Christmas Fantasy • Battle of Okinawa: Part 1 Ticket Sales start 5 Nov! 22 December – 6 January (Closed on 26 December & 1 January) • 39th Tsuboya Pottery ¥1,800 ¥1,000 (4-12) Dinner Theater •Urashima Dinner Theater ¥3,850 or ¥5,500 ¥2,200 (6-12) •Yotsutake Dinner Theater ¥3,350 or ¥5,300 ¥1,350 (6-12) * Tickets are non-refundable / non-exchangeable.