The Enigma of Russian Mortality NICHOLAS EBERSTADT
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FASHION MARKET in RUSSIA and SAINT PETERSBURG FLANDERS INVESTMENT & TRADE MARKET SURVEY Market Study
FASHION MARKET IN RUSSIA AND SAINT PETERSBURG FLANDERS INVESTMENT & TRADE MARKET SURVEY Market study //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// FASHION MARKET IN RUSSIA AND SAINT PETERSBURG //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// www.flandersinvestmentandtrade.com TABLE OF CONTENT 1. Industry profile ....................................................................................................................................................3 2. State of Russian fashion industry ............................................................................................................. 4 3. Market segmentation and consumer profiles .................................................................................. 10 4. Fashion market in Saint Petersburg ....................................................................................................... 11 5. Fashiontech sector in Russia ...................................................................................................................... 14 6. Export opportunities for Belgian companies ................................................................................... 16 7. Sources .................................................................................................................................................................... 17 8. Contact information ....................................................................................................................................... -
The Russian Military Faces “Creeping Disintegration”
The Russian Military Faces “Creeping Disintegration” DALE R. HERSPRING There were virtually no units which were combat ready in 1997. —Defense Minister Igor Sergeyev lthough often ignored by observers and pundits, the Russian military plays A one of the most important roles of any institution in that society. The reason is that the armed forces are always the last bastion against anarchy and chaos in any political system. And Russia now is on the verge of collapse and anarchy. In taking a closer look at the Russian military and the role it plays in the Rus- sian political system, I divide my observations into three categories. First is the question of the armed forces themselves. It is impossible to discuss the role of the military without understanding how serious the situation is in Moscow’s armed forces. As those who have spent time working in the military or analyzing military issues know, reversing conditions like those that now characterize the Russian armed forces is not easy. It will take considerable time. The lead time on many weapons systems exceeds five years from planning to production. A second issue is the question of whether there is a serious danger that the Rus- sian military will become involved in politics. Finally, there is the question of what the West can do and should be doing at this point vis-à-vis the Russian military. The Situation Facing the Russian Military Despite Defense Minister Marshal Igor Sergeyev’s comment on 19 July 1999, to the effect that Russia’s armed forces are “combat ready, controllable and capable of ensuring the military security of the country,” the fact is that their situation is nothing short of disastrous.1 Equipment is outdated, officers and men are dispir- ited, thousands of the “best and brightest” are leaving, the budget is in shambles, generals have been politicized in a way unknown in the past, and talk of reform is a farce. -
Women in Nineteenth-Century Russia: Lives and Culture
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/98 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Wendy Rosslyn is Emeritus Professor of Russian Literature at the University of Nottingham, UK. Her research on Russian women includes Anna Bunina (1774-1829) and the Origins of Women’s Poetry in Russia (1997), Feats of Agreeable Usefulness: Translations by Russian Women Writers 1763- 1825 (2000) and Deeds not Words: The Origins of Female Philantropy in the Russian Empire (2007). Alessandra Tosi is a Fellow at Clare Hall, Cambridge. Her publications include Waiting for Pushkin: Russian Fiction in the Reign of Alexander I (1801-1825) (2006), A. M. Belozel’skii-Belozerskii i ego filosofskoe nasledie (with T. V. Artem’eva et al.) and Women in Russian Culture and Society, 1700-1825 (2007), edited with Wendy Rosslyn. Women in Nineteenth-Century Russia: Lives and Culture Edited by Wendy Rosslyn and Alessandra Tosi Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Wendy Rosslyn and Alessandra Tosi Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial -
Review of "The Modernist Masquerade: Stylizing Life, Literature and Costumes in Russia" by C
Swarthmore College Works Russian Faculty Works Russian Fall 2015 Review Of "The Modernist Masquerade: Stylizing Life, Literature And Costumes In Russia" By C. McQuillen Sibelan E.S. Forrester Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-russian Part of the Slavic Languages and Societies Commons Let us know how access to these works benefits ouy Recommended Citation Sibelan E.S. Forrester. (2015). "Review Of "The Modernist Masquerade: Stylizing Life, Literature And Costumes In Russia" By C. McQuillen". Slavic And East European Journal. Volume 59, Issue 3. 469-471. https://works.swarthmore.edu/fac-russian/188 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Russian Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Reviews 469 open, diverse, and pluralistic environment” (330). The English-speaking reader learns that today Russia “is dominated by market mechanisms [...] largely devoid of censorship,” where “people have numerous venues for self-expression.” During the Thaw “the condemnation of the camps and executions had not yet reached the finality and decisiveness that it would reach three decades later” (230), as this process of working through the past was completed in the 1990s, when the Purges were irrevocably condemned. Today these claims sound like bitter irony, as they certainly did in 2012-2013, when the book was in production. Over the last 15 years, Russian society has developed a new type of a social contract with the authorities, based on a rehabilitation of Soviet times and greased by oil and gas prices. -
Crowned Sisters: Object Analysis of Court Dress During Queen Alexandra and Empress Marie
CROWNED SISTERS: OBJECT ANALYSIS OF COURT DRESS DURING QUEEN ALEXANDRA AND EMPRESS MARIE FEODOROVNA'S INFLUENTIAL REIGNS by Elizabeth Emily Mackey Honours, Bachelor of Arts, 2016, University of Toronto A Major Research Paper presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts, Fashion Studies in the program of Faculty of Communication and Design Toronto, Ontario, Canada, 2019 © Elizabeth Emily Mackey, 2019 Mackey AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii Mackey Crowned Sisters: Object Analysis of Court Dress During Queen Alexandra And Empress Marie Feodorovna's Influential Reigns, Master of Arts, 2019, Elizabeth Emily Mackey, Fashion Studies, Ryerson University Abstract This Major Research Paper examines female court dress regulations during Queen Alexandra of England and her younger sister, Empress Marie Feodorovna of Russia’s tenures as societal heads during the late nineteenth and early twentieth century. Through object analysis of a court gown of Queen Alexandra’s from the Royal Ontario Museum, and a Russian Maid of Honour’s court gown from The Metropolitan Museum of Art, this research compares how each nation utilized court dress to express wealth, and if the court dress of each nation could communicate the wearer’s court rank within a foreign court. -
Fashion Meets Socialism Fashion Industry in the Soviet Union After the Second World War
jukka gronow and sergey zhuravlev Fashion Meets Socialism Fashion industry in the Soviet Union after the Second World War Studia Fennica Historica THE FINNISH LITERATURE SOCIETY (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. STUDIA FENNICA EDITORIAL BOARD Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi J G S Z Fashion Meets Socialism Fashion industry in the Soviet Union after the Second World War Finnish Literature Society • SKS • Helsinki Studia Fennica Historica 20 The publication has undergone a peer review. -
RUSSIAN JOURNAL of COMMUNICATION Volume 4, Numbers 3/4 Summer/Fall 2011
RUSSIAN JOURNAL OF COMMUNICATION Volume 4, Numbers 3/4 Summer/Fall 2011 THE DISCIPLINARY IDENTITY OF THE MEDIA RESEARCHER: A VIEW FROM ST. PETERSBURG FROM THE GUEST EDITOR 157 Sergey G. Korkonosenko Introductory Note ARTICLES 159 Sergey G. Korkonosenko Journalism in Russia as a National Cultural Value 177 Gennady V. Zhirkov Journalism and Journalism Theory in Russia: A Historical Overview from the 18th to the Early 20th Century 198 Victor A. Sidorov Theory of Journalism as an Open System 213 Boris Ya. Misonzhnikov Media Text in Socio-cultural Environment: The Anthropocentric Issue 229 Liliya R. Duskaeva Media Stylistics: The New Concept or New Phenomenon? 251 Dmitri P. Gavra and Alena S. Savitskaya Mass Media in Interstate Conflicts: Typological Model "Peace-conflict Journalism Multidimensional Approach" BOOK REVIEWS 266 Igor N. Blokhin reviews Sergey G. Korkonosenko’s Journalism Theory: Modeling and Applying 269 Yury V. Klyuyev reviews Marina A. Berezhnaya’s Social Sphere Issues in the Algorithms of TV Journalism 272 Nikolay N. Kolodiev reviews Igor N. Blokhin’s Journalism in the World of National Relations: Political Functioning and Professional Participation 274 Nikolay S. Labush reviews editorA.S. Puyu’s Contemporary Foreign Journalism: Glocalization in the Western Media Practice. 277 Sergey N. Uschipovsky reviews Gennady V. Zhirkov’s Leo Tolstoy and Censorship *** *** *** ARTICLES 280 Leonora A. Chernyakhovskaya The Structure of Text Contents 301 Olga Baysha and Andrew Calabrese The Construction of Fear: The New York Times Deliberation on the USA-Russia Nuclear Dialogue 322 Greg Simons Attempting to Re-brand the Branded: Russia's International Image in the 21st Century 351 Leonardo Custódio Participatory Media as an Alternative Approach to Civic Action in Russia BOOK REVIEWS 371 Vyacheslav Konovalov reviews Timofey Agarin’s A Cat's Lick: Democratisation and Minority Communities in the Post-Soviet Baltic 373 Anna Kushkova reviews Alison K. -
Flappers and Foxtrotters Soviet Youth in the "Roaring Twenties"
The Carl Beck Papers in Russian & East European Studies Number lI02 Anne E. Gorsuch Flappers and Foxtrotters Soviet Youth in the "Roaring Twenties" ~EES THI C.NT .... '0..,. "USIIAN ••"IT aU"'OPGAN STUDISS UNIVIiRS ITY OF "TTSIURGH Anne E. Gorsuch is Assistant Professor of History at Hamilton College in Clinton, New York. She received her PhD from the University of Michigan in 1992. She is the author of "Soviet Youth and the Politics of Popular Culture" (Social History 17:2, May 1992). She is currently at work on a book on Soviet youth cultures in the 1920s. No. 1102, March 1994 e 1994 by The Center for Russian and East European Studies, University of Pittsburgh ISSN 08899-275X The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Martha Snodgrass Assistant Editor: Mitchell Bjerke Cover design: Mike Savitski Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and less than 120 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4G-21 Forbes Quadrangle, University of Pittsburgh, Pittsburgh, PA 15260. A cartoon in the Soviet satirical magazine Bich [Rowdy] showed a young couple dressed in flapper fashions dancing the Charleston. One asks the other: "So Vasia, what class do you consider yourself coming from?" Vasia responds, "frankly speaking, the dance class!" With the introduction of the New Economic Policy in March 1921, cities such as Moscow and Leningrad appeared to change overnight. Expensive food and clothing stores, flashy nightclubs, gambling casinos, and other manifestations of the changing economic climate resurfaced for the first time since the war. -
Soviet America: Popular Responses to the United States in Post-World War II Soviet Union
Soviet America: Popular Responses to the United States in Post-World War II Soviet Union By Copyright 2012 Konstantin Valentinovich Avramov Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Eve Levin ________________________________ Nathaniel D. Wood ________________________________ David Stone ________________________________ Theodore A. Wilson ________________________________ Edith W. Clowes Date Defended: June 15, 2012 The Dissertation Committee for Konstantin Valentinovich Avramov certifies that this is the approved version of the following dissertation: Soviet America: Popular Responses to the United States in Post-World War II Soviet Union ________________________________ Chairperson Eve Levin Date approved: June 15, 2012 ii ABSTRACT KONSTANTIN AVRAMOV: Soviet America: Popular Responses to the United States in post-World War II Soviet Union In this work, I attempt to explore how average Soviet people reacted to the images and depictions of America presented to them through official and unofficial channels from both sides of the Iron Curtain during the Cold War. I argue that average Soviet citizens’ view of America was primarily informed by, and closely followed that of official propaganda. Deprived of any coherent information about America, Soviet citizens fell back on pre-World War II and even pre-Revolutionary views of America as an incredibly rich yet socially unjust country dominated by an insatiable pursuit of money. While these views did not remain static they adjusted to social and political events--the changes remained on the outer layers and did not touch the foundations of ordinary Soviet people’s image of America. -
Mediated Post-Soviet Nostalgia
MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina Södertörns högskola © Ekaterina Kalinina 2014 Södertörn University SE-141 89 Huddinge Cover Image: Olcay Yalçın Cover and content layout: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2014 Södertörn Doctoral Dissertations 98 ISSN 1652-7399 ISBN 978-91-87843-08-2 ISBN 978-91-87843-09-9 (digital) Abstract Post-Soviet nostalgia, generally understood as a sentimental longing for the Soviet past, has penetrated deep into many branches of Russian popular culture in the post-1989 period. The present study investigates how the Soviet past has been mediated in the period between 1991 and 2012 as one element of a prominent structure of feeling in present-day Russian culture. The Soviet past is represented through different mediating arenas – cultural domains and communicative platforms in which meanings are created and circulated. The mediating arenas examined in this study include television, the Internet, fashion, restaurants, museums and the- atre. The study of these arenas has identified common ingredients which are elements of a structure of feeling of the period in question. At the same time, the research shows that the representations of the past vary with the nature of the medium and the genre. The analysis of mediations of the Soviet past in Russian contemporary culture reveals that there has been a change in the representations of the Soviet past during the past twenty years, which roughly correspond to the two decades marked by the presidencies of Boris Yeltsin in the 1990s and of Vladimir Putin in the 2000s (including Dmitrii Medvedev’s term, 2008–2012). -
Popular Media and the Framing of a Cold War Enemy, 1949-1962
American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Meredith K. Hohe November 2010 © 2010 Meredith K. Hohe. All rights reserved. 1 This thesis titled American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 by MEREDITH K. HOHE has been approved for the Department of History and the College of Arts and Sciences by _______________________________________________ Katherine Jellison Professor of History ________________________________________________ Benjamin M. Ogles Dean, College of Arts and Sciences 2 Abstract HOHE, MEREDITH K., M.A., November 2010, History American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 (131 pp.) Director of Thesis: Katherine Jellison The visual image of the Soviet Union during the early Cold War period played a significant role in contributing to average Americans‟ understanding of their new national nemesis. However, while films, television, and popular magazines all helped to frame understanding of the Soviet threat, the portrait of the enemy they displayed was not a simplistic narrative of enemy demonization. Popular media both warned against and mocked the Soviet communist leadership. They portrayed the Soviet military and forces of scientific and technological production as both a leviathan of epic proportions and a lie built upon thievery and espionage. In focusing on the threat posed by Soviet agents working undercover within the United States, visual media outlined the danger posed but also mitigated the threat with images of the covert agents rounded up time after time by a triumphant F.B.I. -
Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia Victoria Vygodskaia Rust Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 5-24-2012 Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia Victoria Vygodskaia Rust Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Vygodskaia Rust, Victoria, "Fashioning Women Under Totalitarian Regimes: "New Women" of Nazi Germany and Soviet Russia" (2012). All Theses and Dissertations (ETDs). 732. https://openscholarship.wustl.edu/etd/732 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Germanic Languages and Literatures Program in Comparative Literature Dissertation Examination Committee: Lutz Koepnick, Chair Milica Banjanin Erin McGlothlin Max Okenfuss Lynne Tatlock Gerhild Williams Fashioning Women Under Totalitarian Regimes: “New Women” of Nazi Germany and Soviet Russia by Victoria Vygodskaia-Rust A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2012 Saint Louis, Missouri Acknowledgements I am grateful for all the intellectual challenges and support I have received