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Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939
Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2014 © 2013 William M. Coleman, IV All rights reserved Abstract Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV This dissertation analyzes the process of state building by Qing imperial representatives and Republican state officials in Batang, a predominantly ethnic Tibetan region located in southwestern Sichuan Province. Utilizing Chinese provincial and national level archival materials and Tibetan language works, as well as French and American missionary records and publications, it explores how Chinese state expansion evolved in response to local power and has three primary arguments. First, by the mid-nineteenth century, Batang had developed an identifiable structure of local governance in which native chieftains, monastic leaders, and imperial officials shared power and successfully fostered peace in the region for over a century. Second, the arrival of French missionaries in Batang precipitated a gradual expansion of imperial authority in the region, culminating in radical Qing military intervention that permanently altered local understandings of power. While short-lived, centrally-mandated reforms initiated soon thereafter further integrated Batang into the Qing Empire, thereby -
Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
The Last Empress the She-Dragon of China
{Jobs}1028jw/makeup/0470854243ffirs.3d The Last Empress The She-Dragon of China Keith Laidler {Jobs}1028jw/makeup/0470854243ffirs.3d {Jobs}1028jw/makeup/0470854243ffirs.3d The Last Empress {Jobs}1028jw/makeup/0470854243ffirs.3d {Jobs}1028jw/makeup/0470854243ffirs.3d The Last Empress The She-Dragon of China Keith Laidler {Jobs}1028jw/makeup/0470854243ffirs.3d Published in the UK in 2003 by JohnWiley & Sons Ltd,The Atrium, Southern Gate, Chichester,West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com Copyright # 2003 Keith Laidler All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or byany means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, LondonW1T 4LP,UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, JohnWiley & Sons Ltd,The Atrium, Southern Gate, Chichester,West Sussex PO19 8SQ, England,[email protected],orfaxedto(þ44) 1243770620. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. Keith Laidler has asserted his right under the Copyright, Designs and Patents Act1988, to be identified as the author of this work. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
MRL 6: Isaac Taylor Headland Papers, [1890?]
The Burke Library Archives, Columbia University Libraries, Union Theological Seminary, New York Missionary Research Library Archives: Section 6 Finding Aid for Isaac Taylor Headland Papers, [1900?] - 1939 Portrait of Headland from 1914; Image Credit: The Burke Library at Union Theological Seminary, Columbia University in the City of New York. Finding Aid prepared by: Gregory Adam Scott, April 2010 Reviewed and Updated by Brigette C. Kamsler, February 2014 with financial support from the Henry Luce Foundation Summary Information Creator: Isaac Taylor Headland, 1859 - 1942 Title: Isaac Taylor Headland Papers Inclusive dates: [1900?] - 1939 Bulk dates: [1900?] - [1910?] Abstract: As a missionary, professor and college president, Headland collected portraits of everyday life, people, and important personages in China, including images of Beijing, military forces involved in the Boxer Rebellion, and the Qing Imperial family. Size: 1 box, 0.50 linear feet Storage: Onsite storage Repository: The Burke Library Union Theological Seminary 3041 Broadway New York, NY 10027 Email: [email protected] MRL 6: Isaac Taylor Headland Papers, [1900?] - 1939 2 Administrative Information Provenance: The source and accession date of this collection are undocumented. However the papers have been stamped by the Missionary Research Library, indicating that they were accessioned to that Library before 1976, when the MRL was closed and its holdings were accessioned to the Burke Library archives. Access: Archival papers are available to registered readers for consultation by appointment only. Please contact archives staff by email to [email protected], or by postal mail to The Burke Library address on page 1, as far in advance as possible Burke Library staff is available for inquiries or to request a consultation on archival or special collections research. -
From Emperor to Pauper
He lived one of the strangest lives in history... | Yaakov Astor From Emperor To Pauper From emperor to prisoner in his own palace to a real prisoner accused of major war crimes to a penniless commoner, Aisin-Gioro Puyi led one of the strangest lives of the 20th century… if not of all time. Inheriting the longest-standing empire in history, his world fell apart when he was still a little boy during a tumultuous series of revolutions and wars. His entire life was a roller coaster of the most extreme highs and lows… until at the end he finally achieved some happiness. Read about the remarkable life of the last Emperor of China. 38 | ZMAN • May 2017 ZMAN • Iyar 5777 | 39 ugust 1946. A seemingly unremark- who lived in the northeast of China. They able man takes the stand in front of a had been ruling the vast country since 1644. Awar-crimes tribunal in Tokyo. Despite all appearances, he is no ordinary person. quietly in this palace in Beijing. His father And his story is one of the most remarkable wasFor thethe firstemperor’s two years brother, of his Zaifeng. life, Puyi However, lived in history. dramatic events sweeping China were about “My name is Aisin-Gioro Puyi,” he tells to change the little boy’s life forever. the court, as a hush comes over it. “In 1908, I Since the 1800s, industrial and political was Emperor of China.” revolutions were spreading worldwide. Indeed, he is the last emperor of a world- Through it all, China remained a backward, conquering dynasty stretching back to a feudal society. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Balancing Rites and Rights: The Social and Cultural Politics of New-Style Weddings in Republican Shanghai, 1898-1953 Permalink https://escholarship.org/uc/item/8d59b6zn Author Cowden, Charlotte Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Balancing Rites and Rights: The Social and Cultural Politics of New-Style Weddings in Republican Shanghai, 1898-1953 By Charlotte Lucia Cowden A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Wen-hsin Yeh, Chair Professor Andrew Barshay Professor Patricia Berger Spring 2011 Balancing Rites and Rights: The Social and Cultural Politics of New-Style Weddings in Republican Shanghai, 1898-1953 Copyright 2011 by Charlotte Lucia Cowden Abstract Balancing Rites and Rights: The Social and Cultural Politics of New-Style Weddings in Republican Shanghai, 1898-1953 by Charlotte Lucia Cowden Doctor of Philosophy in History University of California, Berkeley Professor Wen-hsin Yeh, Chair During the Republican Era both ceremonial rites and legal rights were redefined simultaneously, but not necessarily in concert. This work traces the evolution and implications of the “new-style” wedding ceremony, which at its most basic was defined by the choice of one’s own spouse and the elimination of a dowry. Focusing on Shanghai, I examine the tension, negotiation and collaboration between Republican policies, market forces, and the practices of urban residents to illustrate the relative power of the fledgling state in the face of new-style ceremonies and their combined effect: a war against the traditional wedding. -
Knowledge Development: Cinema in China Prior to WWI
Meimei Xu Knowledge Development: Cinema in China prior to WWI Knowledge Development: Cinema in China prior to WWI Inaugural-Dissertation Zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinische Friedrich-Wilhelms-Universität zu Bonn Vorgelegt von Meimei Xu aus Zhejiang, VR. China Bonn 2016 Gedruckt mit der Genehmigung der Philosophischen Fakultä t der Rheinischen Friedrich-Wilhelms -Universität Bonn Zusammensetzung der Prü fungskommission : Prof. Dr. Harald Meyer, Institut für Orient – und Asienwissenschaften (Vorsitzender) Prof. Dr. Wolfgang Kubin, Institut für Orient –und Asienwissenschaften (Betreuer und Gutachter) Prof. Dr. Ralph Kauz, Institut für Orient –und Asienwissenschaften (Gutachter) Prof. Dr. Veronika Veit, Institut für Orient –und Asienwissenschaften (weiteres prüfungsberechtiges Mitglied) Tag der mündliche Prüfung: 17. 02. 2016 TABLE OF CONTENTS Figures and Charts.................................................................................................... iii Convention and Abbreviations ................................................................................. iii Acknowledgements .................................................................................................. iv Abstract ..................................................................................................................... v Introduction ............................................................................................................... 1 Chapter 1. Magic Lantern, 1843-1897 .................................................................... -
Martyrs, Memorials, and the Makings of Modern China, 1912-1949 by Linh Dam Vu a Dissertation Su
The Sovereignty of the War Dead: Martyrs, Memorials, and the Makings of Modern China, 1912-1949 By Linh Dam Vu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wen-hsin Yeh, Chair Professor Peter Zinoman Professor Thomas Laqueur Professor Kevin O’Brien Summer 2017 1 Abstract The Sovereignty of the War Dead: Martyrs, Memorials, and the Makings of Modern China, 1912-1949 by Linh Dam Vu Doctor of Philosophy in History University of California, Berkeley Professor Wen-hsin Yeh, Chair The anti-imperial uprisings, the warlord power struggle, the War of Resistance, and the Chinese Civil War took twenty to thirty million lives. Half of the casualties were civilian. Republican China, not unlike the Union government during the American Civil War and the European states during the First World War, began to manage the war dead. My dissertation, titled “The Sovereignty of the War Dead: Martyrs, Memorials, and the Makings of Modern China, 1912-1949,” examines Republican China’s effort to collect, commemorate, and compensate military and civilian dead in the first half of the twentieth century. I analyze how various government policies, such as the construction of martyrs’ shrines in every county, the tracking of casualties by locality, the compilation of martyrs’ biographies, and the distribution of gratuities to families of the war dead, contributed to the processes of state-building and nation- making in China and shaped China’s social and cultural institutions in most profound ways. -
Inside the World of the Eunuch
Inside the World of the Eunuch A Social History of the Emperor’s Servants in Qing China Melissa S. Dale Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.hku.hk © 2018 Hong Kong University Press ISBN 978-988-8455-75-1 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co. Ltd., Hong Kong, China Contents List of Illustrations viii Acknowledgments ix Conventions xi Introduction: The Other Side of Eunuch History 1 1. The Palace Eunuch System 14 2. Routes to the Palace 28 3. Unrobing the Emasculated Body 48 4. Entering the Emperor’s Realm 66 5. The Parallel World of the Eunuch: Eunuch Society 89 6. Running away from the Palace 107 7. Eunuch Suicide: Punishment, Not Compassion 126 8. Authorized Exits from the System: Sick Leave, Retirement, Discharge, and Death 145 9. Surviving the Fall of the Qing: Chinese Eunuchs Post 1911 170 10. Conclusion 194 Appendix 1: Reign Titles and Dates of the Qing Emperors 201 Appendix 2: Eunuch Suicide Regulations 202 Appendix 3: Eunuch Temples 203 Appendix 4: Eunuch Cemeteries 204 Bibliography 205 Index 215 Illustrations Figure 3.1 Eunuch in front of Baohua Hall, 1900 49 Figure 4.1 Eunuchs serving 69 Figure 4.2 Group photo of eunuchs 71 Figure 4.3 Zhang Qianhe 張謙和, Chuxiugong zongguan taijian 儲秀宮總管太監 76 Figure 4.4 Empress Dowager Cixi attended by eunuchs, 1903 76 Figure 5.1 Eunuch with dog 96 Figure 8.1 Group of former palace eunuchs at Gang Tie Miao 161 Figure 9.1 Eunuchs scuffling with police, September 1, 1923 183 Figure 9.2 Eunuch of the Imperial Court, Peking 188 Figure 9.3 Eunuchs waiting in front of the palace, ca. -
A Hundred Year's Celebration of the Constitutional Practices in the Late
A HUNDRED YEAR’S CELEBRATION OF THE CONSTITUTIONAL PRACTICE IN THE LATE QING DYNASTY (a discussion on the political compromise of the Constitutional Practice in the Late Qing Dynasty) Jiang-Guohua INDEX: I. INTRODUCTION.- II. THE COMPROMISE BETWEEN THE INSTITUTIONAL REFORMERS AND THE CONSTITUTIONALISTS.- 1. The Original Opinion of the Institutional Reformers.- 2. The advocacy of constitutionalists.- 3. The decision to investigate constitutional politics abroad.- III. THE COMPROMISE BETWEEN PRO-CONSTITUTIONALIST AND ANTI-CONSTITUTIONALIST.- 1. The Pro-constitutionalist promoted the Constitutional Practice positively.- 2. The Engagement between Pro-constitutionalists and Anti-constitutionalist.- 3. The Issue of the Imperial Edict to Imitative Constitutionalism.- IV. THE COMPROMISE BETWEEN THE AUTHORITY AND THE CONSTITUTIONALISTS.- 1. The Constitutional Preparation made by the Qing Court.- 2. The Instigations of the Constitutionalists among the People.- 3. The Birth of the Outline of Imperial Constitution.- V. THE COMPROMISE BETWEEN THE CONSTITUTIONAL CONSERVATISM AND THE CONSTITUTIONAL RADICALISM.- 1. The Viewpoint and Activities of the Constitutional Conservatism.- 2. Three Petitions Organized by the Constitutional Radicalism Group.- 3. The Issue of Imperial Edict to Convening Parliament ahead of Time.- VI. THE COMPROMISE BETWEEN THE CONSTITUTIONALISM GROUP AND THE REVOLUTIONARY GROUP.- 1. Another Differentiation of the Constitutionalism Group.- 2. The Left of Radical Constitutionalists threw all themselves into the Revolutionary Group.- 3. The Debut of the Constitutional Nineteen Precepts.- VII. EPILOGUE.- Bibliography. Abstract and Key Words in Chinese: 内容摘要:晚清预备立宪的过程,乃中国政治史上鲜有的政治妥协的过程。正是 这种有限的政治妥协,促成了出洋考察政治之决定、成就了仿行立宪上谕之颁行、 催助了《钦定宪法大纲》之问世、铸成了国会提前召开之共识,并最终演绎了《宪 法重大信条十九》之出台。 关键词:预备立宪; 政治妥协;晚清; 政治改革;立宪派 Abstract and Key Words in English: Abstract: The process of the Constitutional Practice in the Late Qing Dynasty Historia Constitucional (revista electrónica), n. -
The Last Emperor: the Journey of Finding Identity Chan Lam Kay
The Last Emperor: The Journey of Finding Identity Chan Lam Kay The Last Emperor (1987), directed by Bernardo Bertolucci, was a classic epic movie which was the big winner of the 60th Academy Awards and the 45th Golden Globe Awards. Over the decades, the cinematography of the film has been thoroughly analyzed by critics. However, the identity of Puyi, the last emperor of the Qing Dynasty as well as the main character in the film, is more intriguing and fascinating to me. According to Stuart Hall (1990), cultural identity is “not an essence, but a positioning”. Meanwhile, the issue of searching for identities has been a focus and widely discussed in the recent decade in Hong Kong. In a sense, this film resonates with the floating identity of Hong Kong, especially the emotion and the destiny of Hong Kong people in such chaotic times throughout history, despite the fact that the whole story and production is not related to Hong Kong at all. Therefore, this article will mainly focus on the journey of searching for identity in Puyi as represented in the film, with reference to Hall’s and Jonathan Rutherford’s discussion on the politics of identity. When compared with the television version (218 minutes), the theatre version (163 minutes) is more precise and consistent and thus is chosen to be discussed in this article. While the story happened in China, the film itself was actually international production in terms of directing, screenwriting, casting and shooting. The original score was composed and arranged by Ryuichi Sakamoto (Japanese), David Byrne (British-American) and Cong Su (Chinese) who had one piece being selected in the soundtrack.