From Emperor to Pauper
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Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939
Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2014 © 2013 William M. Coleman, IV All rights reserved Abstract Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV This dissertation analyzes the process of state building by Qing imperial representatives and Republican state officials in Batang, a predominantly ethnic Tibetan region located in southwestern Sichuan Province. Utilizing Chinese provincial and national level archival materials and Tibetan language works, as well as French and American missionary records and publications, it explores how Chinese state expansion evolved in response to local power and has three primary arguments. First, by the mid-nineteenth century, Batang had developed an identifiable structure of local governance in which native chieftains, monastic leaders, and imperial officials shared power and successfully fostered peace in the region for over a century. Second, the arrival of French missionaries in Batang precipitated a gradual expansion of imperial authority in the region, culminating in radical Qing military intervention that permanently altered local understandings of power. While short-lived, centrally-mandated reforms initiated soon thereafter further integrated Batang into the Qing Empire, thereby -
Christie's Hong Kong Presents Important Chinese
FOR IMMEDIATE RELEASE October 23, 2008 Contact: Kate Swan Malin +852 2978 9966 [email protected] Yvonne So +852 2978 9919 [email protected] CHRISTIE’S HONG KONG PRESENTS IMPORTANT CHINESE CERAMICS & WORKS OF ART WITH FIVE DEDICATED SALES Hong Kong – Christie’s Hong Kong fall sales of Important Ceramics and Works of Art will take place on December 3 at the Hong Kong Convention & Exhibition Centre. With several important collections and single-owner sales presented during this day-long series, collectors will be treated to a wide range of unique objects across multiple categories. These five sales offer over 300 works of ceramics, lacquer, bamboo, furniture, textiles, and jade carvings with a combined estimate in excess of HK$300 million (US$38 million). This series of auctions includes a number of important single-owner sales and collections. Among the most anticipated sales this season is that of the unrivalled group of lacquers from the famed Lee Family Collection. A fine selection of Chinese bamboo carvings from the personal collection of Mr. and Mrs. Gerard Hawthorn will also be offered in a single-owner sale, presenting a comprehensive range of 16th to 18th century examples of this scholarly art form that they have passionately collected for over 45 years. Christie’s honours the centenary of the passing of the Dowager Empress Cixi with a special sale that celebrates the elegance of the late Qing dynasty. And offered on behalf of the Ping Y. Tai Foundation, with proceeds benefiting their numerous charitable causes, is a tremendous Imperial Famille Rose ‘Butterfly’ Vase, an absolute masterpiece of Qing Imperial porcelain. -
Manchus: a Horse of a Different Color
History in the Making Volume 8 Article 7 January 2015 Manchus: A Horse of a Different Color Hannah Knight CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Knight, Hannah (2015) "Manchus: A Horse of a Different Color," History in the Making: Vol. 8 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol8/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Manchus: A Horse of a Different Color by Hannah Knight Abstract: The question of identity has been one of the biggest questions addressed to humanity. Whether in terms of a country, a group or an individual, the exact definition is almost as difficult to answer as to what constitutes a group. The Manchus, an ethnic group in China, also faced this dilemma. It was an issue that lasted throughout their entire time as rulers of the Qing Dynasty (1644- 1911) and thereafter. Though the guidelines and group characteristics changed throughout that period one aspect remained clear: they did not sinicize with the Chinese Culture. At the beginning of their rule, the Manchus implemented changes that would transform the appearance of China, bringing it closer to the identity that the world recognizes today. In the course of examining three time periods, 1644, 1911, and the 1930’s, this paper looks at the significant events of the period, the changing aspects, and the Manchus and the Qing Imperial Court’s relations with their greater Han Chinese subjects. -
Shang Dynasty
misterfengshui.com 風水先生 History of China ANCIENT 3 Sovereigns and 5 Emperors Xia Dynasty 2100–1600 BC Shang Dynasty 1600–1046 BC Zhou Dynasty 1122–256 BC Western Zhou Eastern Zhou Spring and Autumn Period Warring States Period IMPERIAL Qin Dynasty 221 BC–206 BC Han Dynasty 206 BC–220 AD Western Han Xin Dynasty Eastern Han Three Kingdoms 220–280 Wei, Shu & Wu Jin Dynasty 265–420 Western Jin 16 Kingdoms Eastern Jin 304–439 Southern & Northern Dynasties 420–589 Sui Dynasty 581–618 Tang Dynasty 618–907 ( Second Zhou 690–705 ) 5 Dynasties & 10 Kingdoms 907–960 Liao Dynasty 907–1125 Song Dynasty 960–1279 Northern Song Xi Xia Southern Song Jin Yuan Dynasty 1271–1368 Ming Dynasty 1368–1644 Qing Dynasty 1644–1911 MODERN Republic of China 1912–1949 People's Republic of China (Mainland China) 1949–present Republic of China (Taiwan) 1945-present from Wilkipedia [email protected] Fax: 852-2873-6859 misterfengshui.com 風水先生 Timeline of Chinese History The recorded history of China began in the 15th century BC when the Shang Dynasty started to use markings that evolved into the present Chinese characters. Turtle shells with markings reminiscent of ancient Chinese writing from the Shang Dynasty have been carbon dated to as early as 1500 BC.[1] Chinese civilization originated with city-states in the Yellow River (Huang He) valley. 221 BC is commonly accepted to be the year in which China became unified under a large kingdom or empire. In that year, Qin Shi Huang first united China. Successive dynasties in Chinese history developed bureaucratic systems that enabled the Emperor of China to control increasingly larger territory that reached maximum under the Mongolian Yuan Dynasty and Manchurian Qing Dynasty. -
Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Re-Evaluating the Communist Guomindang Split of 1927
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2019 Nationalism and the Communists: Re-Evaluating the Communist Guomindang Split of 1927 Ryan C. Ferro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the History Commons Scholar Commons Citation Ferro, Ryan C., "Nationalism and the Communists: Re-Evaluating the Communist Guomindang Split of 1927" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7785 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nationalism and the Communists: Re-Evaluating the Communist-Guomindang Split of 1927 by Ryan C. Ferro A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of History College of Arts and Sciences University of South Florida Co-MaJor Professor: Golfo Alexopoulos, Ph.D. Co-MaJor Professor: Kees Boterbloem, Ph.D. Iwa Nawrocki, Ph.D. Date of Approval: March 8, 2019 Keywords: United Front, Modern China, Revolution, Mao, Jiang Copyright © 2019, Ryan C. Ferro i Table of Contents Abstract……………………………………………………………………………………….…...ii Chapter One: Introduction…..…………...………………………………………………...……...1 1920s China-Historiographical Overview………………………………………...………5 China’s Long -
Feature Gater Inage
29 Feature II China in Chiba: Das Landhaus Aishinkakurafuketsukagū in Inage Nicht weit vom Bahnhof Keisei Inage liegt auf einem Hügel ein großer Shintō-Schrein, der Sengen Jinja. Früher bot sich von dort oben ein herrlicher Blick auf die Tokyoter Bucht ‒ heute ist von ihr allerdings nichts mehr zu sehen, wurden doch Polder ange- legt und freie Flächen bebaut. In unmittelbarer Nähe zum Schreingelände verläuft nun die Autobahn zwischen Tokyo und Chiba, und das Haupttor des Schreins, das vor dem Krieg noch im Meerwasser stand, liegt nun am Rande eines Wohnviertels. Trotzdem ist der Sengen-Schrein gut besucht, vor allem an Neujahr und am wichtigsten Festtag des Schreines Mitte Juli (in diesem Jahr am 14./15. Juli). Was die meisten Pilger nicht bemerken, weil es kaum zu sehen ist, ist ein niedliches kleines Häuschen auf der rechten Seite des Hügels, wenn man in Richtung Bucht sieht. Die Bescheidenheit des Häuschens täuscht aber, wohnte hier doch eine Zeit lang Pujie, der jüngere Bruder des letzten Kaisers von China und später der Mandschurei. Wenn man den Film Der letzte Kaiser von Bertolucci gesehen hat, ist kaum zu glauben, dass der Bruder des Kaisers Puyi, der in der Pracht der Verbotenen Stadt von Peking leb- te, in den dreißiger Jahren hier eine Weile sein Leben verbracht hat. In starkem Kont- rast zum weitläufigen Tian’anmen-Platz liegt das Häuschen in einer kleinen Gasse. Auf einem unscheinbaren Schild steht Aishinkakurafuketsukagū (愛新覚羅溥傑仮寓), also „Vorübergehende Residenz (kari no gū) von Aishinkakura Fuketsu (Pujie)“. Heute ist es ein Museum der Stadt Chiba. Mit der chinesischen Revolution von 1911 und der Gründung der chinesischen Repub- lik unter Sun Yat-sen hatte der letzte Kaiser Puyi als junger Mann noch eine erstaunli- che Laufbahn vor sich. -
The Comintern in China
The Comintern in China Chair: Taylor Gosk Co-Chair: Vinayak Grover Crisis Director: Hannah Olmstead Co-Crisis Director: Payton Tysinger University of North Carolina Model United Nations Conference November 2 - 4, 2018 University of North Carolina 2 Table of Contents Letter from the Crisis Director 3 Introduction 5 Sun Yat-sen and the Kuomintang 7 The Mission of the Comintern 10 Relations between the Soviets and the Kuomintang 11 Positions 16 3 Letter from the Crisis Director Dear Delegates, Welcome to UNCMUNC X! My name is Hannah Olmstead, and I am a sophomore at the University of North Carolina at Chapel Hill. I am double majoring in Public Policy and Economics, with a minor in Arabic Studies. I was born in the United States but was raised in China, where I graduated from high school in Chengdu. In addition to being a student, I am the Director-General of UNC’s high school Model UN conference, MUNCH. I also work as a Resident Advisor at UNC and am involved in Refugee Community Partnership here in Chapel Hill. Since I’ll be in the Crisis room with my good friend and co-director Payton Tysinger, you’ll be interacting primarily with Chair Taylor Gosk and co-chair Vinayak Grover. Taylor is a sophomore as well, and she is majoring in Public Policy and Environmental Studies. I have her to thank for teaching me that Starbucks will, in fact, fill up my thermos with their delightfully bitter coffee. When she’s not saving the environment one plastic cup at a time, you can find her working as the Secretary General of MUNCH or refereeing a whole range of athletic events here at UNC. -
Enfry Denied Aslan American History and Culture
In &a r*tm Enfry Denied Aslan American History and Culture edited by Sucheng Chan Exclusion and the Chinese Communify in America, r88z-ry43 Edited by Sucheng Chan Also in the series: Gary Y. Okihiro, Cane Fires: The Anti-lapanese Moaement Temple University press in Hawaii, t855-ry45 Philadelphia Chapter 6 The Kuomintang in Chinese American Kuomintang in Chinese American Communities 477 E Communities before World War II the party in the Chinese American communities as they reflected events and changes in the party's ideology in China. The Chinese during the Exclusion Era The Chinese became victims of American racism after they arrived in Him Lai Mark California in large numbers during the mid nineteenth century. Even while their labor was exploited for developing the resources of the West, they were targets of discriminatory legislation, physical attacks, and mob violence. Assigned the role of scapegoats, they were blamed for society's multitude of social and economic ills. A populist anti-Chinese movement ultimately pressured the U.S. Congress to pass the first Chinese exclusion act in 1882. Racial discrimination, however, was not limited to incoming immi- grants. The established Chinese community itself came under attack as The Chinese settled in California in the mid nineteenth white America showed by words and deeds that it considered the Chinese century and quickly became an important component in the pariahs. Attacked by demagogues and opportunistic politicians at will, state's economy. However, they also encountered anti- Chinese were victimizedby criminal elements as well. They were even- Chinese sentiments, which culminated in the enactment of tually squeezed out of practically all but the most menial occupations in the Chinese Exclusion Act of 1882. -
Northeast China / Harbin Ice Sculptures 10-Day Tour (CITBD1
China International Travel CA 中國國旅假期[加州] 2 West 5th Avenue / Lower Level Suite 200 (650) 513-1502 / fax (650) 513-1503 San Mateo, CA 94402 / www.chinatravelca.com (888) 648-1568 / [email protected] Northeast China / Harbin Ice Sculptures 10-Day Discount Tour (CITBD1) Shenyang 沈阳 – Changchun 长春 – Jilin 吉林 – Harbin (Haerbin) 哈尔滨 – Dalian 大连 Please note: * Prices listed are for a minimum tour group size of 10 people and a Chinese-speaking tour guide. * For groups of less than 10, availability of bilingual English-speaking tour guides is not guaranteed. * Chinese names are written with the simplified characters used in Mainland China. Day 1: U.S.A. – Beijing – Shenyang AIR Today you will take a deluxe flight to Beijing and from there to Shenyang, a major city in northern China. Day 2: Transfer to Shenyang after arrival in Beijing (Today’s dinner not included) In the evening you will arrive in Shenyang, where you will be greeted at the airport and transported to your hotel for a good night’s rest. Shenyang Accommodations: Crowne Plaza Shenyang Parkview 国际皇冠假日酒店 (5-Star) or equiv- alent http://www.ichotelsgroup.com/h/d/cp/1/en/hotel/shnns Day 3: Shenyang B/L/D Today you will visit the Former Imperial Palace of Shenyang, a complex of palace buildings dating back to the Qing Dynasty that is second only to Beijing’s Forbidden City in historical importance and aesthetic value. Next, you will head to the Luminous Tomb, where Huang Taiji, the founder of the Qing Dynasty, is buried. (The price of the tour includes tickets to enter the main gate only.) Both the Imperial Palace and the Luminous Tomb have been recognized as UNESCO World Heritage Sites. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).