Chart, Graph, and Map Skills Activity

Total Page：16

File Type：pdf, Size：1020Kb

Name ___________________ Date ____ Class ____ _ History and Cultures of East Asia and Southeast Asia Chart, Graph, and Map Skills Activity Interpreting a Family Tree , Learning the Skill A "family tree" is a type of chart or diagram that shows the various relationships of members in a particular family. Some family trees label the oldest generation at the bottom, signifying that these people form the "roots" of the family. Other family trees place the oldest generation at the top and have lines connecting to their children underneath. Follow these steps to learn how to interpret a family tree: • Read the title to find out whose family is being diagrammed. • Begin at the top (or perhaps bottom) with the founding father and mother. These people are the oldest family members. • Lines that emerge from any "box" connect parents and children. Follow the lines that connect the founding parents to their chil dren-the next generation. • Names that are at the same level often are brothers and sisters. Usually they are connected to their spouses with a plus (+) or equal (=) sign. fI Practicing the Skill Directions: The family tree below shows some of the family members of Pu Yi, the last emperor of China. Use this diagram to answer the questions that follow. The Family of Pu Vi (Last Em peror of China and the Qing Dynasty) 1st Prince (hun = Lady Lingiya Ronglu (father) = Unknown ~ / = 2nd Prince (hun Youlan (Lady Aisin Gioro) Pu Xuezhai------- Pu Yi = Wan ------Rong Pu (hieh Sources: www.hceis.com!ChinaBasic!HistorylQing%20dynasty%20history.htm#puyi: www.hartford-hwp.com!archives! 55!045.html. 67 Name ___________________ Date _____ Class _____ Chart, Graph, and Map Skills Activity continued 1. Identifying Who is the paternal (father's) grandmother of Pu Yi? 2. Identifying Name one of Pu Yi's brothers. 3. Identifying Who is Pu Yi's mother? f{J Applying the Skill Directions: The family tree below shows some of the family members of Hisahito, the youngest heir to the Japanese throne. Use this dia gram to answer the questions that follow. The Family of Hisahito (born 9/6/06), Japanese Imperial Heir (The Japanese imperial family is the oldest hereditary monarchy in the world.) Grandparents (father's side) Grandparents (mother's side) Emperor Akihito = Tatsuhiko Kawashima = Empress Michiko Kazuko Kawashima I I ~/ I Princess Sayako Crown Prince Prince Akishino = Kiko's Brothers (Nori) Naruhito Princess Kiko --------·1 ~ Princess Prince Princess Mako Hisahito Kako Sources: www.japan-zone.com/culture/imperial family members.shtml. 1. Making Connections Only males can be emperor of Japan, and Prince Hisahito is third heir to the throne. Who are the two other heirs? 2. Analyzing Which side of the chart is the royal branch? 3. Drawing Conclusions What can you conclude about Princess Kiko's parents by looking at the chart? b8 .

Copy Link

Recommended publications

Christie's Hong Kong Presents Important Chinese
FOR IMMEDIATE RELEASE October 23, 2008 Contact: Kate Swan Malin +852 2978 9966 [email protected] Yvonne So +852 2978 9919 [email protected] CHRISTIE’S HONG KONG PRESENTS IMPORTANT CHINESE CERAMICS & WORKS OF ART WITH FIVE DEDICATED SALES Hong Kong – Christie’s Hong Kong fall sales of Important Ceramics and Works of Art will take place on December 3 at the Hong Kong Convention & Exhibition Centre. With several important collections and single-owner sales presented during this day-long series, collectors will be treated to a wide range of unique objects across multiple categories. These five sales offer over 300 works of ceramics, lacquer, bamboo, furniture, textiles, and jade carvings with a combined estimate in excess of HK$300 million (US$38 million). This series of auctions includes a number of important single-owner sales and collections. Among the most anticipated sales this season is that of the unrivalled group of lacquers from the famed Lee Family Collection. A fine selection of Chinese bamboo carvings from the personal collection of Mr. and Mrs. Gerard Hawthorn will also be offered in a single-owner sale, presenting a comprehensive range of 16th to 18th century examples of this scholarly art form that they have passionately collected for over 45 years. Christie’s honours the centenary of the passing of the Dowager Empress Cixi with a special sale that celebrates the elegance of the late Qing dynasty. And offered on behalf of the Ping Y. Tai Foundation, with proceeds benefiting their numerous charitable causes, is a tremendous Imperial Famille Rose ‘Butterfly’ Vase, an absolute masterpiece of Qing Imperial porcelain.
[Show full text]
Re-Evaluating the Communist Guomindang Split of 1927
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2019 Nationalism and the Communists: Re-Evaluating the Communist Guomindang Split of 1927 Ryan C. Ferro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the History Commons Scholar Commons Citation Ferro, Ryan C., "Nationalism and the Communists: Re-Evaluating the Communist Guomindang Split of 1927" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7785 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nationalism and the Communists: Re-Evaluating the Communist-Guomindang Split of 1927 by Ryan C. Ferro A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of History College of Arts and Sciences University of South Florida Co-MaJor Professor: Golfo Alexopoulos, Ph.D. Co-MaJor Professor: Kees Boterbloem, Ph.D. Iwa Nawrocki, Ph.D. Date of Approval: March 8, 2019 Keywords: United Front, Modern China, Revolution, Mao, Jiang Copyright © 2019, Ryan C. Ferro i Table of Contents Abstract……………………………………………………………………………………….…...ii Chapter One: Introduction…..…………...………………………………………………...……...1 1920s China-Historiographical Overview………………………………………...………5 China’s Long
[Show full text]
Northeast China / Harbin Ice Sculptures 10-Day Tour (CITBD1
China International Travel CA 中國國旅假期［加州］ 2 West 5th Avenue / Lower Level Suite 200 (650) 513-1502 / fax (650) 513-1503 San Mateo, CA 94402 / www.chinatravelca.com (888) 648-1568 / [email protected] Northeast China / Harbin Ice Sculptures 10-Day Discount Tour (CITBD1) Shenyang 沈阳 – Changchun 长春 – Jilin 吉林 – Harbin (Haerbin) 哈尔滨 – Dalian 大连 Please note: * Prices listed are for a minimum tour group size of 10 people and a Chinese-speaking tour guide. * For groups of less than 10, availability of bilingual English-speaking tour guides is not guaranteed. * Chinese names are written with the simplified characters used in Mainland China. Day 1: U.S.A. – Beijing – Shenyang AIR Today you will take a deluxe flight to Beijing and from there to Shenyang, a major city in northern China. Day 2: Transfer to Shenyang after arrival in Beijing (Today’s dinner not included) In the evening you will arrive in Shenyang, where you will be greeted at the airport and transported to your hotel for a good night’s rest. Shenyang Accommodations: Crowne Plaza Shenyang Parkview 国际皇冠假日酒店 (5-Star) or equiv- alent http://www.ichotelsgroup.com/h/d/cp/1/en/hotel/shnns Day 3: Shenyang B/L/D Today you will visit the Former Imperial Palace of Shenyang, a complex of palace buildings dating back to the Qing Dynasty that is second only to Beijing’s Forbidden City in historical importance and aesthetic value. Next, you will head to the Luminous Tomb, where Huang Taiji, the founder of the Qing Dynasty, is buried. (The price of the tour includes tickets to enter the main gate only.) Both the Imperial Palace and the Luminous Tomb have been recognized as UNESCO World Heritage Sites.
[Show full text]
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).
[Show full text]
“Ethnic Harmony” of the Manchuria Motion Picture Corporation, 1937–1945
Between Ideology and Spectatorship: The “Ethnic Harmony” of the Manchuria Motion Picture Corporation, 1937–1945 Sookyeong Hong, Cornell University Abstract Following the outbreak of the Sino-Japanese War in 1937, the Manchuria Motion Picture Corporation (Man’ei) was established in Manchukuo. Aiming to be the “Hollywood of the Orient,” Man’ei operated as the only legitimate film corporation in Manchukuo, and its activities included all aspects of local film production, distribution, and exhibition. Studies of Man’ei have tended to describe its activities as part of the colonial project unilaterally implemented by Japanese officials and ideologues. However, the negotiations and contestations involved in the Man’ei project render any simple interpretations impossible, especially within the broader historical and political context of the Japanese empire. This article explores how the theme of “ethnic harmony” (minzoku kyōwa) became the core issue for Man’ei and how its attempted filmic expressions ended up uncovering the complexity and predicament involved in the problem of spectatorship. Li Xianglan (Ri Kōran), Manei’s best-received transcolonial movie star at the time, represented the multiple ethnicities of Manchukuo; however, it is less well known that her “mainland romance films” were considered inappropriate for audiences in Manchukuo (Mankei). This article will complicate earlier assumptions and show that the theme of “ethnic harmony” came to be marginalized, while entertainment films presumably acceptable to the Mankei audience came to centrally preoccupy the feature films of Man’ei. Following the outbreak of the Sino-Japanese War in 1937, the Manchuria Motion Picture Corporation (hereafter, Man’ei 満洲映画協会) was established in Manchukuo, the so-called Japanese puppet state in Northeast China (1932–1945).
[Show full text]
2020.01.15 Harbin Ice-190424-1-D-S
Phone: 951-9800 Toll Free:1-877-951-3888 E-mail: [email protected] www.airseatvl.com 50 S. Beretania Street, Suite C - 211B, Honolulu, HI 96813 Traveling Dates：Jan 15 – 24, 2020 (10 Days) Cities Covered: Dalian, Shenyang, Changchun & Harbin Tour Package Includes International Flight from HONOLULU * 5* Deluxe Hotel Accommodations (based on double occupancy) * Admissions and 20 Meals as Stated * The 36th Harbin Ice Carving & Snow Sculptures Festival * UNESCO World Heritage Site: Shenyang Imperial Palace * Hands on Activity — Dumpling Making * Local Specialty Cuisine: Shenyang Imperial Palace * • Northeast Braised Bones • Chun Bing • Hot Pot • North Korean Cuisine • Barbecue Dinner * Complimentary Winter Kit * Gratuity for Tour Guides & Drivers FREE Use of Wireless Tour Guide System Harbin Ice and Snow Festival Price per person: $ 3, 088 Incl: Tax & Fuel Charge Single Supp: $700 Day 1 ** Jan 15 Honolulu Incheon We start our vacation by boarding an international flight to Dalian via Incheon. Meals and snacks will be provided on board. Day 2 ** Jan 16 Incheon Arrive at Incheon International Airport. We will stay overnight in Incheon where hotel accommodations will be provided by the airline. Day 3 ** Jan 17 Incheon Dalian (L) Depart for Dalian, China – a beautiful seaside city on the southern tip of Liaodong Peninsula. Upon our arriv- al we will proceed to immigration & customs. Once we exit customs we will be greeted by an Air & Sea Travel representative. After lunch, we will take a City Tour and visit Tiger Beach, Concert Square and Dalian Port, one of the most important trade harbors in East Asia. We will check into our hotel and stay overnight.
[Show full text]
Chinese Civil War
asdf Chinese Civil War Chair: Sukrit S. Puri Crisis Director: Jingwen Guo Chinese Civil War PMUNC 2016 Contents Introduction: ……………………………………....……………..……..……3 The Chinese Civil War: ………………………….....……………..……..……6 Background of the Republic of China…………………………………….……………6 A Brief History of the Kuomintang (KMT) ………..……………………….…….……7 A Brief History of the Chinese Communist Party (CCP)………...…………...…………8 The Nanjing (Nanking) Decade………….…………………….……………..………..10 Chinese Civil War (1927-37)…………………... ………………...…………….…..….11 Japanese Aggression………..…………….………………...…….……….….................14 The Xi’an Incident..............……………………………..……………………...…........15 Sino-Japanese War and WWII ………………………..……………………...…..........16 August 10, 1945 …………………...….…………………..……………………...…...17 Economic Issues………………………………………….……………………...…...18 Relations with the United States………………………..………………………...…...20 Relations with the USSR………………………..………………………………...…...21 Positions: …………………………….………….....……………..……..……4 2 Chinese Civil War PMUNC 2016 Introduction On October 1, 1949, Chairman Mao Zedong stood atop the Gates of Heavenly Peace, and proclaimed the creation of the People’s Republic of China. Zhongguo -- the cradle of civilization – had finally achieved a modicum of stability after a century of chaotic lawlessness and brutality, marred by foreign intervention, occupation, and two civil wars. But it could have been different. Instead of the communist Chairman Mao ushering in the dictatorship of the people, it could have been the Generalissimo Chiang Kai-shek, of the Nationalist
[Show full text]
5 Issues in the History of Manzhouguo: Contemporary and Succeeding Perspectives
5 Issues in the History of Manzhouguo: Contemporary and Succeeding Perspectives Higuchi Hidemi Translated by Erik Esselstrom Introduction Manzhouguo was born on March 1, 1932 as a result of the Manchurian Incident of the previous September, which erupted in the northeast region of China (hereafter also called Manchuria). Japan’s Kwantung Army, which had constructed a plan for the occupation of Manchuria since before the Manchurian Incident, staged the Liutiaogou Incident by setting off an explosion on the South Manchurian Railway outside of Mukden (Shenyang) on September 18, 1931, and then, blaming this on the Chinese army, began military operations of their own. In early 1932, having occupied the key areas of Manchuria, the army proclaimed the establishment of the state of Manzhouguo with the last emperor of the Qing dynasty Puyi as its head of state. Chinese and Japanese scholars’ perceptions of the nature of Man- zhouguo are not so divergent as they are with regard to issues discussed in other chapters of this volume. Scholars in both countries agree that Manzhouguo was a “puppet state” of Japan in the sense that it was a sort of “stringed doll.” In declaring that it was independent from Re- Issues in the History of Manzhouguo 149 publican China with Puyi as its ruler, Manzhouguo was dressed up with the outward appearance of a formally independent state. However, as is clear from the course of events leading up to the foundation of the state, it was the Japanese, especially the Kwantung Army, that con- structed that appearance; and
[Show full text]
From Emperor to Pauper
He lived one of the strangest lives in history... | Yaakov Astor From Emperor To Pauper From emperor to prisoner in his own palace to a real prisoner accused of major war crimes to a penniless commoner, Aisin-Gioro Puyi led one of the strangest lives of the 20th century… if not of all time. Inheriting the longest-standing empire in history, his world fell apart when he was still a little boy during a tumultuous series of revolutions and wars. His entire life was a roller coaster of the most extreme highs and lows… until at the end he finally achieved some happiness. Read about the remarkable life of the last Emperor of China. 38 | ZMAN • May 2017 ZMAN • Iyar 5777 | 39 ugust 1946. A seemingly unremark- who lived in the northeast of China. They able man takes the stand in front of a had been ruling the vast country since 1644. Awar-crimes tribunal in Tokyo. Despite all appearances, he is no ordinary person. quietly in this palace in Beijing. His father And his story is one of the most remarkable wasFor thethe firstemperor’s two years brother, of his Zaifeng. life, Puyi However, lived in history. dramatic events sweeping China were about “My name is Aisin-Gioro Puyi,” he tells to change the little boy’s life forever. the court, as a hush comes over it. “In 1908, I Since the 1800s, industrial and political was Emperor of China.” revolutions were spreading worldwide. Indeed, he is the last emperor of a world- Through it all, China remained a backward, conquering dynasty stretching back to a feudal society.
[Show full text]
Pu Yi and Manchu Restoration in Media Through the Lens of the New
2020 2nd International Conference on Humanities, Cultures, Arts and Design (ICHCAD 2020) Pu Yi and Manchu Restoration in Media through the Lens of the New York Times from 1929 to 1934 Wan LI Department of Basic Science, Tianjin Agricultural University, Tianjin, China [email protected] Keywords: Pu yi, Image, The new york times, Manchu restoration Abstract: Studies on the image of Pu Yi and Manch restoration he involved in from the perspective of western media are relatively weak in China. Lacking of the documentary materials is one of the main reasons. Aiming at promoting the related study, the paper organized and analyzed the news reports from The New York Times which is one of the mainstream public media in Western Society. The paper reveals much more historical details about Pu Yi from 1929 to1934 contributing to frame a typical and historical media image of him, depending on the reports. Simultaneously, the paper attempts to analyze how such an image was embedded in western liberal ideology and progress valuing system. 1. Introduction Pu Yi (PuYi, Pu-Yi), an insignificant little man in his early twenties, is a disregarded factor in the tragic drama of Modern China. The western society isconcerning that with the Manchurian problem standing prominently, there is an enhanced interested in one puzzling figure in that vast, complex situation---Pu Yi , heir of of Manchu rulers, and “Regent” of the State of Manchukuo. Is he an independent executive, as Japan argues, or a puppet, as China holds from 1929 to 1934. Foreign media organizations and journalists emerged as a very important force in building and spreading the image of Pu Yi and the nature of Manchu restoration to Western Society.
[Show full text]
Background Guide
Hello Nationalists of the Kuomintang, Welcome to the 46th iteration of the Houston Area Model United Nations Conference! It is with great pleasure that we are running this double-joint crisis. The Chinese Civil War was a political and military conflict between the Chinese National Party (KMT) and their National Revolutionary Army against the Chinese Communist Party (CCP) and their Chinese Red Army. Before one can understand modern China and its role in an increasingly global world, one must first understand the war that led to the founding of its current government. However, before we go further, allow us to introduce ourselves. Joseph Babu will be directing the KMT committee. He is a sophomore at the University of Houston Honors College and is pursuing a degree in Computer Engineering. He has been a part Model UN since his sophomore year in high school and has been in love with it ever since. He has since received an award as a Crisis delegate in HAMUN 44 and also was instrumental in hosting Crisis in his local area from his high school. Joseph has a deep invested interest in making Model UN fun and engaging; especially in Crisis where one can relive past events and change the future with our understanding of the present. Should any inquiries arise regarding the KMT committee, please contact Joseph at [email protected] and title your email “HAMUN Inquiry”. Mario DePavia will be directing the CCP committee. He is currently on a gap year and will start his undergraduate studies at Stanford University in September 2021.
[Show full text]
Chinese-Nomadic-Art.Pdf
Nomadic cultures of Central Eurasia lived in rugged frontier landscapes. Photograph by Aureliy. OPPOSITE: Bronze ornaments collected by the Mayers. PM object 41-37-57 (top) and 41-37-3 (bottom). 8 EXPEDITION Volume 58 Number 3 CHINESE NOMADIC ART AND THE JOURNEY TO COLLECT • The Legacy of the Mayer Collection By Fangyi Cheng For foreigners in China, the 1920s and ’30s were the golden age for collecting artifacts. Professional curators and deal- ers sent by foundations or governments stayed in Beijing, Tianjin, and other big cities to search for Chinese antiquities or to do fieldwork. Others were amateur collectors of more modest personal means. EXPEDITION Winter 2016 9 10 EXPEDITION Volume 58 Number 3 CHINESE NOMADIC ART illiam Mayer (1892–1975) and his wife Isabel sculpture in the Bulletin of the (1902–1988), née Ingram, were in the second Pennsylvania Museum, a PMA W category. Although they were not profession- publication. In early February ally involved in the antiquities market, they managed to 1930, Isabel Ingram and William assemble a significant collection of bronze art produced Mayer were married in Beijing. by the nomadic cultures of China’s northern frontier. Unlike Ingram, Mayer was not a Despite its cultural importance, their collection of over native of China but, as an officer 400 objects has attracted very little attention since its in the U.S. Army, he had mul- purchase by the Penn Museum in 1941. Their contribu- tiple postings to China, serving tions to Penn’s collections aside, the Mayers’ personal as military observer and attaché histories are also fascinating.
[Show full text]