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Airs Et Mélodies’ PIERRE D ASSY Airs et’ mélodies MENU Tracklist p.4 Français p.12 English p.22 Nederlands p.30 Deustch p.40 CD1 Giacomo MEYERBEER (1791-1864) 1 « Voici donc les débris du monastère » – « Nonnes, qui reposez sous cette froide pierre », 3’14 Scène et Évocation de Bertram, dans Robert le Diable (III, 7) Gramophone 3-32833, matrice 5857h ; Paris, 1908 [K138] [KBR Becko V/242/4Mus] 2 « Pour les couvents » – « Piff, paff, pouff », 3’08 Chanson huguenote de Marcel, dans Les huguenots (I, 3) Gramophone 3-32857, matrice 6232h ; Paris, 1908 [K182] [KBR Becko V/51/1Mus] 3 « Des troubles renaissants » – « Pour cette cause sainte », Conjuration, 4’11 dans Les huguenots (IV, 3), Saint-Bris avec la soprano Marthe BAKKERS (Valentine), le baryton Émile BOUSSAGOL (Nevers) et chœur Gramophone 034032, matrice 885i ; Paris, 1908 [K273] [GC] 4 « Gloire au grand dieu vengeur ! », Bénédiction des poignards, 3’55 dans Les huguenots (IV, 5), Saint-Bris avec chœur Gramophone 032108, matrice 0865v ; Paris, 2 décembre 1908 [K182] [KBR Becko V/132/8Mus] 5 « En chasse », Chant du chasseur, dans Le pardon de Ploërmel (III, 1) 3’26 Gramophone 032113, matrice 08961/2v ; Paris, 10 février 1909 [K182] [KBR Becko V/10/4Mus] 6 « Adamastor, roi des vagues », Ballade de Nélusko, dans L’Africaine (III, 2), avec chœur 3’34 Gramophone 032162, matrice 01073v ; Paris, 8 juin 1909 [K184] [KBR Becko V/16/2Mus] 7 « Brama ! Vichnou ! Shiva ! », Scène du Grand Brahmine, dans L’Africaine (IV, 3), avec chœur 3’23 Gramophone 032153, matrice 0926v ; Paris, 24 mars 1909 [K184] [KBR Becko V/131/2Mus] Fromental HALÉVY (1799-1862) 8 « Vous qui du dieu vivant outragez la puissance », Anathème de Brogni, dans La juive (III, 2) 3’11 Gramophone 3-32814, matrice 5860h ; Paris, 1908 [K137] [KBR Becko V/242/4Mus] Giuseppe VERDI (1813-1901) 9 « Et toi, Palerme », Air de Jean de Procida, dans Les vêpres siciliennes (II, 1), dir. Alfred FOCK 4’11 Gramophone 032104 ; matrice 0861v ; Paris, 30 novembre 1908 [K182] [KBR Becko V/132/5Mus] Charles GOUNOD (1818-1893) 10 « Mais ce dieu que peut-il pour moi », Scène et Duo, 3’58 dans Faust (I, 1-2), 1ère partie, Méphistophélès avec le ténor Antonio ROCCA (Faust) Gramophone 034024, matrice 832i ; Paris, 1908 [K272] [KBR Becko V/64/1Mus] 4 11 « À moi les plaisirs », Scène et Duo, 3’47 dans Faust (I, 1-2), 2e partie, Méphistophélès avec le ténor Antonio ROCCA (Faust) Gramophone 034025, matrice 833i ; Paris, 1908 [K272] [KBR Becko V/64/1Mus] 12 « Le veau d’or est toujours debout », Ronde de Méphistophélès, dans Faust (II, 3) 1’59 Gramophone 3-32812, matrice 5858h ; Paris, 1908 [K137] [KBR Becko V/242/2Mus] 13 « Seigneur, daignez permettre à votre humble servante », Scène de l’église, dans Faust 3’49 (IV, 2e tableau), 1re partie, Méphistophélès avec la soprano Berthe AUGUEZ DE MONTALANT (Marguerite) et chœurs Gramophone 0304030, matrice 0844v ; Paris, 4 novembre 1908 [K273] [ULB Strouk E37] 14 « Quand du seigneur », Scène de l’église, dans Faust (IV, 2e tableau), 2e partie, 4’23 Méphistophélès avec la soprano Berthe AUGUEZ DE MONTALANT (Marguerite) et chœurs Gramophone 0304031, matrice 0845 ; Paris, 4 novembre 1908 [K273] [KBR Becko V/163/1Mus] 15 « Vous qui faites l’endormie », Sérénade de Méphistophélès, dans Faust (IV, 3e tableau, 3) 2’52 Gramophone 3-32813, matrice 5859h ; Paris, 1908 [K137] [KBR Becko V/242/2Mus] 16 « Alerte, alerte, ou vous êtes perdus ! », Trio fi nal, dans Faust (V, 4e tableau, 3), 2’58 Méphistophélès avec la soprano Berthe AUGUEZ DE MONTALANT (Marguerite) et le ténor Antonio ROCCA (Faust) Gramophone 34208, matrice 64971/2h ; Paris, octobre 1908 [KBR Becko V/107/1Mus] Ernest REYER (1823-1909) 17 « Au nom du roi Gunther », Scène de Hagen, dans Sigurd (III, 6), avec chœur 2’51 Gramophone 4-32032, matrice 14512u ; Paris, 26 mars 1909 [K145] [KBR Becko V/132/11Mus] Jules MASSENET (1842-1912) 18 « Astres étincelants que l’infi ni promène », Air de Phanuel, dans Hérodiade (III, 1er tableau, sc. 8) 3’38 Gramophone 032154 ; matrice 0932v ; Paris, 25 mars 1909 [K184] [KBR Becko V/131/2Mus] 19 « Aux troupes du sultan qui menaçaient Lahore » – « Promesse de mon avenir », 3’55 Récit et Arioso de Scindia, dans Le roi de Lahore (IV, 2) Gramophone 032081, matrice 831i ; Paris, 1908 [K181] [KBR Becko V/132/1Mus] Émile PALADILHE (1844-1926) 20 « Pauvre martyr obscur », Air de Rysoor, dans Patrie ! (IV, 6), dir. Alfred FOCK 4’06 Gramophone 032109, matrice 0869v ; Paris, 7 décembre 1908 [K182] [KBR Becko V/132/5Mus] TT : 71’35 5 CD2 Wolfgang Amadeus MOZART (1756-1791) 1 « Isis, c’est l’heure » [« O Isis und Osiris »], Air de Sarastro, dans La fl ûte enchantée (II, 1) 3’10 Gramophone 3-32851, matrice 6231h ; Paris, 1908 [K138] [KBR Becko V/51/1Mus] Gioacchino ROSSINI (1792-1868) 2 « C’est d’abord rumeur légère », Air de la calomnie de Don Basilio, dans Le barbier de Séville (I, 8) 3’55 Gramophone 032082, matrice 829i ; Paris, 1908 [K181] [KBR Becko V/132/7Mus] Fromental HALÉVY (1799-1862) 3 « Voilà le sorcier », Chanson du chevrier Jacques Sincère, dans Le val d’Andorre (I, 4) 3’58 Gramophone 032114, matrice 0897v ; Paris, 10 février 1909 [K182] [KBR Becko V/10/4] Adolphe ADAM (1803-1856) 4 « Il faut me céder ta maîtresse », Duo, dans Le chalet (sc. 13), 1re partie, 3’27 Max, avec le ténor Georges RÉGIS (Daniel) Gramophone 034035, matrice 0847v ; Paris, 5 novembre 1908 [K273] [KBR Becko V/138/2Mus] 5 « Dans ce bois de sapin », Cantabile et Allegro, dans Le chalet (sc. 13), 2e partie, 3’48 Max, avec le ténor Georges RÉGIS (Daniel) Gramophone 034037, matrice 0848v ; Paris, 5 novembre 1908 [K273] [KBR Becko V/138/2Mus] Hector BERLIOZ (1803-1869) 6 Chanson de Brander et Fugue, dans La damnation de Faust (Deuxième partie), avec chœur 4’05 Gramophone 032155 ; matrice 0925v ; Paris, 24 mars 1909 [K184] [KBR Becko V/10/6Mus] Ambroise THOMAS (1811-1896) 7 « Légères hirondelles », Duo, dans Mignon (I, 8), 3’03 Lothario, avec la mezzo-soprano Suzanne BROHLY (Mignon), dir. Alfred FOCK Gramophone 34217, matrice 14154u ; Paris, 7 décembre 1908 [K265] [KBR Becko V/138/1Mus] 8 « As-tu souffert ? As-tu pleuré ? », Duo, dans Mignon (II, 2e tableau, 2), 3’05 Lothario, avec la mezzo-soprano Suzanne BROHLY (Mignon), dir. Alfred FOCK Gramophone 34218, matrice 14155u ; Paris, 7 décembre 1908 [K265] [KBR Becko V/138/1Mus] Charles GOUNOD (1818-1893) 9 « Au bruit des lourds marteaux », Couplets de Vulcain, dans Philémon et Baucis (I, 4) 3’06 Gramophone 3-32932, matrice 14125u ; Paris, 30 novembre 1908 [K141] [GC] 6 10 « Si les fi lles d’Arles sont reines », Air d’Ourrias, dans Mireille (II, 6), dir. Alfred FOCK 3’48 Gramophone 032080, matrice 830i ; Paris, 1908 [K181] [KBR Becko V/132/1Mus] 11 « Voici le val d’enfer », Air d’Ourrias, dans Mireille (III, 1), avec chœur 3’49 Gramophone 032164, matrice 01076v ; Paris, 9 juin 1909 [K184] [KBR Becko V/166/1Mus] 12 « Allons jeunes gens », Air de Capulet, dans Roméo et Juliette (I, 1) 2’25 Gramophone 3-32858, matrice 6233h ; Paris, 1908 [K138] [ULB Strouk E37] Victor MASSÉ (1822-1884) 13 « Margot, lève ton sabot », Chanson de Jean, dans Les noces de Jeannette (sc. 4), avec chœur 2’04 Gramophone 4-32052, matrice 14922u ; Paris, 5 juin 1909 [K145] [KBR Becko V/255/1Mus] Georges BIZET (1838-1875) 14 « Votre toast », Air du toréador Escamillo, dans Carmen (II, 2), avec chœur, dir. Alfred FOCK 4’11 Gramophone 032107II, matrice 886i ; Paris, octobre 1908 [K182] [KBR Becko V/251/2Mus] Henri de MONTOUR (1809-1893) 15 Le muletier de Castille. Cantabile 2’58 Gramophone 4-32031 ; matrice 14504u ; Paris, 25 mars 1909 [K145] [KBR Becko V/255/1 Mus] Gustave NADAUD (1820-1893) 16 Le soldat de Marsala, Gramophone 4-32030, matrice 14498u ; Paris, 24 mars 1909 [K145] [GC] 3’29 Ange FLÉGIER (1846-1927) 17 Le cor, Gramophone, 3-32856, matrice 6230h ; Paris, 1908 [K138] [KBR Becko V/132/9Mus] 3’20 Robert PLANQUETTE (1848-1903) 18 Le régiment de Sambre et Meuse, sous le pseudonyme de BEAUFORT, 3’55 avec la Musique de la Garde républicaine, Zonophone Z-082034, matrice 01108v ; Paris, 16 juin 1909 [K400] [KBR Becko V/139/1Mus] Louis GANNE (1862-1923) 19 Marche lorraine, sous le pseudonyme de BEAUFORT, avec chœur 4’13 Gramophone 0232041, matrice 0933v ; Paris, 29 mars 1909 [KBR Becko V/139/1Mus] Les lieux et dates d’enregistrement proviennent de l’ouvrage d’Alan Kelly TT : 66’53 (cité K, suivi du numéro de page). 7 Provenance des exemplaires numérisés : GC : coll. Georges Cardol KBR : coll. Yves Becko, Fondation Roi Baudouin, en dépôt à la section Musique de la Bibliothèque royale de Belgique ULB : Université libre de Bruxelles, Bibliothèque des Sciences humaines, Fonds Jacques et Hélène Strouk-Serba Références bibliographiques : Conservatoire royal de Musique de Liège, Inventaire des archives du Conservatoire Royal de Musique de Liège / Georges Hansotte. Archives de l’État en Belgique BE-A0523_701514_705942_FRE – Le Mercure musical (La Revue musicale S.I.M.), 9 (15 avril 1913) – Theater Instituut Nederland (éd.), Annalen van de Opera-gezlschappen in Nederland, 1996, pp. 159-193 – CARDOL (G.), Cent ans d’art lyrique à Verviers, Verviers, 1992 – CONTINI (E.), Une ville et sa musique. Les Concerts du Conservatoire royal de Liège de 1827 à 1914, Liège, 1990, p. 112 – KELLY (A.), His Master’s Voice: the French catalogue. A complete numerical catalogue of French gramophone recording made from 1898 to 1929 in France and elsewhere by the Gramophone Company Ltd, Westport, 1990, pp. 137-138, 141, 145, 181-182, 184, 265, 272-273, 396, 400, 420 – KUTSCH (K.
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