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SWASMIS English Language Sources English-Language Sources and Anglo-American materials included in Southern and Western American Sacred Music and Influential Sources (1700-1870) © 2013 by Nikos Pappas 1 1. Relative European Precedents 1.1 Calvinist 1.1.1 Baptist Congregational Ashworth, Caleb. A Collection of Tunes. London: J. Buckland, c. 1760. Rippon, John. A Selection of Psalm and Hymn Tunes, from the best authors, in three and four parts; adapted principally to Dr. Watts’s Hymns and Psalms, and to Dr. Rippon’s Selection of Hymns; containing, in a greater variety than any other volume extant, the most approved compositions which are used in London, and in the different congregations throughout England: also, many original tunes never before printed: the whole forming a publication of above three hundred tunes, odes, &c. [London]: Mr. Rippon, [c. 1792]. Rippon, John. A Selection of Psalm and Hymn Tunes, from the best authors, in three and four parts; adapted principally to Dr. Watts’s Hymns and Psalms, and to Dr. Rippon’s Selection of Hymns; containing, in a greater variety than any other volume extant, the most approved compositions which are used in London, and in the different congregations throughout England: also, many original tunes never before printed: the whole forming a publication of above three hundred tunes, odes, &c. Ed. 2. [London]: Mr. Rippon, [1795]. Rippon, John. A Selection of Psalm and Hymn Tunes, from the best authors, in three and four parts; adapted principally to Dr. Watts’s Hymns and Psalms, and to Dr. Rippon’s Selection of Hymns; containing, in a greater variety than any other volume extant, the most approved compositions which are used in London, and in the different congregations throughout England: also, many original tunes never before printed: the whole forming a publication of above three hundred tunes, odes, &c. Ed. 4. London: Mr. Rippon, [1806]. Rippon, John. A Selection of Psalm and Hymn Tunes, from the best authors, in three and four parts; adapted principally to Dr. Watts’s Hymns and Psalms, and to Dr. Rippon’s Selection of Hymns; containing, in a greater variety than any other volume extant, the most approved compositions which are used in London, and in the different congregations throughout England: also, many original tunes never before printed: the whole forming a publication of above three hundred tunes, odes, &c. Ed. 5. London: Mr. Rippon, [1808]. Tucker, Isaac, of Westburyleigh, Wiltshire. Sacred Music: consisting of melodies… to hymns, &c… from the works of… Dr Watts, and other eminent divines. London: For the author by James Rymell, [c. 1812]. Walker, Thomas. Appendix to Dr. Rippon’s Selection of Tunes. [London]: For Dr. Rippon, by A. Paris, [1800]. Walker, Thomas. Second Appendix to Dr. Rippon’s Selection of Tunes. [London]: [For Dr. Rippon], [1802]. (Walker, Thomas). Supplement to the Fifth Edition of Dr. Rippon’s Tune Book. [London]: [For Dr. Rippon], 1808. Walker, Thomas. Second Supplement to Walker’s Companion. London: T. Walker, Spitalfields, 1819. 2 Walker, Thomas. Supplement to Walker’s Companion. London: T. Walker, Hackney, 1815. Walker, T[homas], and D[avid] Smith. Walker’s Companion to Dr. Rippon’s Tune Book. London: T. Walker, Bishopsgate Without, 1811. Walker, T[homas]. Walker’s Companion to Dr. Rippon’s Tune Book. Ed. 3. London: T. Walker, Hackney, 1815. Walker, T[homas]. Walker’s Companion to Dr. Rippon’s Tune Book. Ed. 4. London: T. Walker, Spitalfields, 1819. Walker, T[homas]. Walker’s Companion to Dr. Rippon’s Tune Book. Ed. 5. London: T. Walker, Spital Square, 1820. Choral Jarman, Thomas, of Clipstone, Northamptonshire. Sacred Harmony, comprising select hymns… with two anthems. The last of which was expressly composed for the opening of Clipstone New Chapel. London: For the author by Henry Thompson, [c. 1803-5]. Jarman, Thomas, of Clipstone. Second Book. Sacred Music, comprising thirty six select hymns, [etc.]. London: James Peck, [c. 1810]. Jarman, Thomas, of Clipstone. Sacred Music, consisting of a third set of psalms, hymns and anthems. London: J. Peck, [c.1812]. Jarman, Tho[ma]s. Sacred Music. A Fourth Book containing psalms, hymns and set pieces. London: James Peck, [c. 1820]. 1.1.2 Independent Congregational A Set of Tunes in 3 Parts (mostly new) fitted to the following hymns. London: Em. Mathews, (1720). Smith, Is[aac]. A Collection of Psalm Tunes. London: Mrs. Davenhill and Mr. Buckland, [1779-80]. Smith, Is[aac]. A Collection of Psalm Tunes. London: Mrs. Davenhill and Mr. Buckland, [c. 1782]. Smith, Is[aac]. A Collection of Psalm Tunes. Ed. 4. London: S. Major, [c. 1784]. Smith, Is[aac]. A Collection of Psalm Tunes. Ed. 5. London: S. Major, [c. 1790]. Smith, Is[aac]. A Collection of Psalm Tunes. Ed. 7. London: S. Major, [c. 1793]. Smith, Is[aac]. A Collection of Psalm Tunes. Ed. 8. London: S. Major, [c. 1795]. Tunes in the Tenor Part fitted to the several metres. (London): (John Clark, Richard Hett, and Richard For), (1725). Tunes in the Tenor Part fitted to the several metres. (Berwick [upon Tweed]): (Robert Taylor), (1753). 1.1.3 Presbyterian: English Congregational Broome, Michael. A Collection of Psalm Tunes in IV Parts; each tune being interlined with a proper psalm from the Revd. Dr. Watts. For the use of dissenting meeting houses. Birmingham: Michael Broome, A Collection of Hymns and Sacred Poems. Dublin: S. Powell, 1749. L[aurence], W[illiam]. A Collection of Tunes, suited to… Watt’s Imitation of the Psalms of David, or Dr. Patrick’s version; fit to be bound up with either. 3 London: W. Pearson, for John Clark, R. Ford, and R. Crittenden, 1719. L[aurence], W[illiam]. A Collection of Tunes, suited to… Watt’s Imitation of the Psalms of David, or Dr. Patrick’s version; fit to be bound up with either. Ed. 2. London: W. Pearson, for John Clark, R. Ford, 1722. Moore, Thomas. The Psalm Singer's Divine Companion. Vol. II, ed. 2. London: For the author, 1750. Moore, Thomas, of Glasgow. The Psalm-Singer’s Pocket Companion. Glasgow: For the author, 1756. Milner, Abraham. The Psalm Singers Companion. London: William Benning, and sold by John Gilbert, 1751. Milner, Abraham. The Psalm Singers Pocket Amusement. London: (Abraham Milner), [1761]. Choral Gawthorn, Nathaniel. Harmonia Perfecta. London: William Pearson, 1730. Harrison, R. Sacred Harmony. London: For the author by T. Williams, [1784]. Harrison, R. Sacred Harmony. London: For the author by Messrs. Thompson, [1785-91]. Williams, Aaron. The Universal Psalmodist: containing I. A complete introduction to psalmody; or, the art of singing psalms, &c. interspersed with many useful scales and examples, carefully laid down and explained in a familiar dialogue between master and scholar. II. A choice and valuable collection of psalm and hymn tunes, canons, and anthems, many of which were never before published; also the tunes, anthems, &c. sung at the Magdalen and Foundling Chapels, and other publich places in and about London, with words adapted to each tune. The whole composed in a new and easy taste, for two, three, and four, but generally for four voices, in the most familiar keys and cliffs, according to the advice and direction of the most eminent masters in London. Calculated to promoted and improve this most excellent part of social worship, and thereby render it both useful and delightful in all country-choirs, as well as in the congregations and other religious societies in England, Ireland, and America. Originally published under the name of A. Williams, Teacher of Psalmody in London. And now first in this fourth edition, corrected throughout by an able master, with the addition of many tunes and one anthem, not in any of the former editions. London: Joseph Johnson, 1763. Williams, Aaron. The Universal Psalmodist. Ed. 4. London: Henry Fougt, 1770. Instructional Moore, Thomas. The Psalm Singer's Compleat Tutor and Divine Companion. Vol. 1, ed. 2. London: for the author, 1750. 1.1.4 Presbyterian: Scottish Choral Psalm and hymn tune compilations Bremner, Robert (?). The Church Tunes in Four Parts. Edinburgh: Robert Bremner, c. 1762. Bremner, Robert (?). A Collection of Church Tunes. [Edinburgh]: R. Bremner, 1756. 4 Bruce, Thomas. The Common Tunes: or, Scotland’s Church Musick Made Plaine. Edinburgh: For the author, 1726. Coupar, Alexander. The Twelve Tunes, for the Church of Scotland, composed in Four Parts. Ed. 4. Aberdeen: James Nicoll, printer to the City & University, 1714. Dallas, James. A Short and Useful Psalmody. Edinburgh: For the publisher, 1742. Duncan, John (?). A Collection of Psalm Tunes for the use of the Church of Scotland. Dumfries: John Duncan, 1723. Moore, Thomas. The Psalm-Singer's Delightful Pocket Companion. Glasgow: for the author by T. Longman in Pater noster Row, London, c. 1762. Tait, Andrew. A New and Correct Set of Church Tunes. Ed. 3. Aberdeen: James Chalmers, 1753. [The Twelve Tunes for the Church of Scotland, composed in Four Parts]. (Aberdeen): (John Forbes), 1666. Metrical psalters [The CL. Psalmes of David in Prose and Meter. For the Use of the Kirk of Scotland]. Middleburg: Richard Schilders, 1599. The Forme of Prayers and Ministration of the Sacraments, &c…. approved and received by the Churche of Scotland. The Psalmes of David in Metre. Edinburgh: Johne Ros for Henrie Charteris, 1575. The Psalmes of David in Prose and Meeter. With their whole tunes in foure or more parts, and some psalmes in Reports. Edinburgh: Heires of Andrew Hart, 1635. 1.2 Liturgical 1.2.1 Anglican Congregational Metrical psalters and tune supplements A Supplement to the New Version of Psalms by Dr. Brady and Mr. Tate. Ed. 6. [London]: John Nutt, 1708. The Whole Booke of Davids Psalmes, both in Prose and Meetre. London: For the Company of Stationers, 1628. The Whole Booke of Psalmes Collected into English Meetre.
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