Proceedings Wesley Historical Society
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John Wesley and the Religious Societies
JOHN WESLEY AND THE RELIGIOUS SOCIETIES JOHN WESLEY AND THE RELIGIOUS SOCIETIES BY JOHN S. SIMON, D.D. AUTHOR OF * A SUMMARY OF METHODIST LAW AND DISCIPLINE,' * THE REVIVAL OF RELIGION IN ENGLAND IN THE EIGHTEENTH CENTURY,' ETC. LONDON THE EPWORTH PRESS J. ALFRED SHARP First edition, 1921 PREFACE Canon Overton, in his Life in the English Church, 1660- ' 1714, says that there is no doubt that John Wesley intended his Societies to be an exact repetition of what was done by Beveridge, Horneck, and Smythies sixty-two years before.' ' He continues : How it was that the Methodist Societies took a different course is a very interesting, and, to a church- man, a very sad question.' In this book I have given descrip- tions of the first Rehgious Societies, and have shown their development under the influence of Dr. Woodward and John Wesley. From those descriptions my readers wiU be able to judge the accuracy of Canon Overton's statement concern- ing John Wesley's intentions. There can be no doubt, how- ' ' ever, that the relationship between the Religious Societies ' ' and the United Societies of the People called Methodists was so close that the latter cannot be understood without an intimate knowledge of the former. In writing this book, I have kept the Methodist Church in view. My eyes have been fixed on John Wesley and the England in which his greatest work was done. We can never understand the revival of religion which glorified the eighteenth century until we see Wesley as he wls, and get rid of the false impressions created by writers who have had an imperfect acquaintance with him and his evangelistic work. -
'The Publishers of the 1723 Book of Constitutions', AQC 121 (2008)
The Publishers of the 1723 Book of Constitutions Andrew Prescott he advertisements in the issue of the London newspaper, The Evening Post, for 23 February 1723 were mostly for recently published books, including a new edition of the celebrated directory originally compiled by John Chamberlayne, Magnae Britanniae Notitia, and books offering a new cure for scurvy and advice Tfor those with consumption. Among the advertisements for new books in The Evening Post of 23 February 1723 was the following: This Day is publiſh’d, † || § The CONSTITUTIONS of the FREE- MASONS, containing the Hiſtory, Charges, Regulations, &c., of that moſt Ancient and Right Worſhipful Fraternity, for the Uſe of the Lodges. Dedicated to his Grace the Duke of Montagu the laſt Grand Maſter, by Order of his Grace the Duke of Wharton, the preſent Grand Maſter, Authoriz’d by the Grand Lodge of Maſters and War- dens at the Quarterly Communication. Ordered to be publiſh’d and recommended to the Brethren by the Grand Maſter and his Deputy. Printed for J. Senex, and J. Hooke, both over againſt St Dunſtan’s Church, Fleet-ſtreet. An advertisement in similar terms, also stating that the Constitutions had been pub- lished ‘that day’, appeared in The Post Boy of 26 February, 5 March and 12 March 1723 Volume 121, 2008 147 Andrew J. Prescott and TheLondon Journal of 9 March and 16 March 1723. The advertisement (modified to ‘just publish’d’) continued to appear in The London Journal until 13 April 1723. The publication of The Constitutions of the Free-Masons, or the Book of Constitutions as it has become generally known, was a fundamental event in the development of Grand Lodge Freemasonry, and the book remains an indispensable source for the investigation of the growth of Freemasonry in the first half of the eighteenth century. -
The Wesleyan Enlightenment
The Wesleyan Enlightenment: Closing the gap between heart religion and reason in Eighteenth Century England by Timothy Wayne Holgerson B.M.E., Oral Roberts University, 1984 M.M.E., Wichita State University, 1986 M.A., Asbury Theological Seminary, 1999 M.A., Kansas State University, 2011 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of History College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2017 Abstract John Wesley (1703-1791) was an Anglican priest who became the leader of Wesleyan Methodism, a renewal movement within the Church of England that began in the late 1730s. Although Wesley was not isolated from his enlightened age, historians of the Enlightenment and theologians of John Wesley have only recently begun to consider Wesley in the historical context of the Enlightenment. Therefore, the purpose of this study is to provide a comprehensive understanding of the complex relationship between a man, John Wesley, and an intellectual movement, the Enlightenment. As a comparative history, this study will analyze the juxtaposition of two historiographies, Wesley studies and Enlightenment studies. Surprisingly, Wesley scholars did not study John Wesley as an important theologian until the mid-1960s. Moreover, because social historians in the 1970s began to explore the unique ways people experienced the Enlightenment in different local, regional and national contexts, the plausibility of an English Enlightenment emerged for the first time in the early 1980s. As a result, in the late 1980s, scholars began to integrate the study of John Wesley and the Enlightenment. In other words, historians and theologians began to consider Wesley as a serious thinker in the context of an English Enlightenment that was not hostile to Christianity. -
Spring 2018/2 by Brian Wilson and Dan Morgan
Second Thoughts and Short Reviews - Spring 2018/2 By Brian Wilson and Dan Morgan Reviews are by Brian Wilson unless signed [DM]. Spring 2018/1 is here. Links there to earlier editions. Index: ADAMS Absolute Jest; Naïve and Sentimental Music_Chandos BACH Keyboard Music: Volume 2_Nimbus - Complete Organ Works Volume 7_Signum BEETHOVEN Triple Concerto_DG (+ BRAHMS) BORENSTEIN Violin Concerto, etc._Chandos BRAHMS Double Concerto_DG (+ BEETHOVEN) BRUCKNER Symphony No. 3_Profil - Symphony No. 4 in E-flat ‘Romantic’_LSO Live BUSONI Orchestral Works_Chandos ELGAR Violin Sonata, etc._Naxos_Chandos GERSHWIN Rhapsody in Blue_Beulah GUILMANT Organ Works_Chandos (+ WIDOR, FRANCK, SAINT-SAËNS) IRELAND Downland Suite, etc._Chandos - Mai Dun, Overlanders Suite, etc._Hallé JANITSCH Rediscoveries from the Sara Levy Collection_Chandos KARAYEV Symphony No.1; Violin Concerto_Naxos - Seven Beauties Suite, etc._Chandos LIDSTRÖM Rigoletto Fantasy_BIS (+ SHOSTAKOVICH Cello Concerto) LISZT A Faust Symphony_Alpha LUDFORD Missa Videte miraculum, etc._Hyperion MAHLER Symphony No.1_CAvi - Symphonies Nos. 4-6_Signum - Symphony No. 6_BIS MONTEVERDI Lettera Amorosa_Ricercar - Clorinda e Tancredi: Love scenes_Glossa - Night - Stories of Lovers and Warriors_Naïve PALUMBO Three Concertos_BIS RACHMANINOV The Bells, Symphonic Dances_BRKlassik ROSSINI Overtures – Gazza Ladra, Guillaume Tell_Beulah SAUER Piano Concerto No.1_Hyperion (+ SCHARWENKA) SCHARWENKA Piano Concerto No.4_Hyperion (+ SAUER) SHOSTAKOVICH Cello Concerto No.1_BIS (+ LIDSTRÖM) TALLIS Lamentations and Medieval Chant_Signum TIPPETT Symphonies Nos. 1 and 2_Hyperion VIVALDI Concertos Op.8/1-12_Chandos - Double Concertos_Chandos WESLEY, Samuel Symphonies_Chandos WESLEY, Samuel Sebastian Ascribe unto the Lord - Sacred choral works_Chandos WIDOR Organ Works_Chandos (see GUILMANT) Electric Django (Reinhardt)_Beulah *** MusicWeb International April 2018 Second Thoughts and Short Reviews - Spring 2018/2 Nicholas LUDFORD (c.1490-1557) Ninefold Kyrie (at Ladymass on Tuesday, Feria iii) [4:45] Alleluia. -
Notes on the Almanacs of Massachusetts
1912.] Almmmcs of Massachusetts. 15 NOTES ON THE ALMANACS OF MASSACHUSETTS. BY CHARLES L. NICHOLS The origin of the almanac is wrapped in as much obscurity as that of the science of astronomy upon which its usefulness depends. It is possible, however, to trace some of the steps of its evolution and to note the uses to which it has been applied as that evolution has taken place. « When Fabius, the secretary of Appius Claudius, stole the fasti-sacri or Kalendares of the Roman priest- hood three hundred years before Christ, and exhibited the white tablets on the walls of the Forum, he not only struck a blow for reUgious freedom, but also gave to the people a long coveted source of information. Until that period no fast or holy-day had been pro- claimed except by the decision of the priests, since by their secret methods were made the calculations for those days. From that time the calendar of days has belonged to the people themselves, and has held an important position in the almanac of all nations. When Ptolemy in 150, A. D., prepared his catalogue of stars, and laid the foundation for more exact and con- tinuous records of their movements, the development of the Ephemeris, or daily note-book of the planets' places in our almanacs was assured. The meaning of the "man of signs," which is still so commonly seen, was minutely described by Manil- ius in his Astronomicon, written in the reign of the Emperor Tiberius. Origen and Jamblicus state that the principle underlying this belonged to a much earlier 16 American Aritiquarian Society. -
Gonville & Caius College Chapel Easter Term 2019
GONVILLE & CAIUS COLLEGE CHAPEL EASTER TERM 2019 Dean: The Revd Dr Cally Hammond Precentor: Dr Geoffrey Webber Dean’s Vicar: The Revd Canon Dr Nicholas Thistlethwaite Senior Organ Scholar: Luke Fitzgerald Wilfrid Holland Organ Scholar: Kyoko Canaway Sunday 21 April Easter Day Sunday 28 April Easter 1 Choral Eucharist at 10.30 am Choral Evensong & Sermon at 6 pm Heut’ triumphieret Gottes Sohn (BWV 630) J. S. Bach Adagio (Voluntary in D Op. 6, No. 1) Samuel Wesley Introit: The earth trembled Charles Wood Preces & Responses Cecilia McDowall Communion Service John Merbecke Psalm 138 Tone iii/2 Gr adual Hymn 117 Isaiah 52.13-53.12 Acts 10.34-43; John 20.1-18 Luke 24.13-35 Offertory: Easter Hymn (Cavalleria Rusticana) Pietro Mascagni Evening Service in B flat John Stainer Communion: Dum transisset Sabbatum John Taverner Blessed be the God and Father Samuel S. Wesley Post-Communion Hymn ‘To God be the glory’ Hymns 107, 120 Paraphrase on Maccabaeus Alexandre Guilmant Final Amen Gerald Finzi Allegro Moderato (Voluntary in D Op. 6, No. 1) Samuel Wesley Tuesday 23 April Choral Evensong in Church of the Holy Sepulchre, Holborn Tuesday 30 April St Mark Viaduct, for the Friends of the Musicians’ Chapel at 6 pm Choral Evensong at 6.30 pm [No choral service in Caius Chapel] Rowland's prayer William Byrd Praise the Lord, O Jerusalem Jeremiah Clarke Preces & Responses Cecilia McDowall Preces & Responses John Reading Psalm 33 Maw The ‘St Anne’ Evening Service William Croft Ezekiel 1.4-14 (Cantate Domino; Deus misereatur) 2 Timothy 4.1-11 I will love thee, O Lord my strength Jeremiah Clarke Office Hymn 163 The Second Service Orlando Gibbons Thursday 25 April ~ No choral service in Chapel Beati mundo corde William Byrd Final Responses Cecilia McDowall Saturday 27 April Voluntary for the 2 diapasons or full organ John Reading Choral Evensong at 6 pm with singers attending the Choral Awards Open Day Vesper Voluntary (Op. -
Musica Britannica
T69 (2020) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, PO Box 110, Victoria House, 23 Gruneisen Road, London N3 IDZ England Telephone : +44 (0) 20 8343 3303 Fax: +44 (0) 20 8343 3024 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website. -
Words for Evensong June 2021
Words for Evensong June 2021 Hymn 251: God of Mercy (Henry Francis Lyre, 1793-1847; Henry Smart, 1813-1879; tine: Heathlands) God of mercy, God of grace, show the brightness of thy face. Shine upon us, Saviour, shine, fill thy Church with light divine, Let the people praise thee, Lord; and thy saving health extend earth shall then her fruits afford; unto earth's remotest end. God to us his blessing give, man to God devoted live; Let the people praise thee, Lord; all below, and all above, be by all that live adored. one in joy, and light, and love. Let the nations shout and sing glory to their Saviour King; at thy feet their tribute pay, and thy holy will obey. Hymn 634: Put thou thy trust in God (Paul Gerhardt, 1607-1676, translated John Wesley; Samuel Wesley, 1766-1837; Tune: Doncaster) Put thou thy trust in God, Give to the winds Thy fears; In duty’s path go on; Hope, and be undismayed; Walk in His strength with faith and hope, God hears thy sighs and counts thy tears; So shall thy work be done. God shall lift up thy head. Commit thy ways to Him, Through waves, and clouds, and storms, Thy works into His hands, His power will clear thy way; And rest on His unchanging Word, Wait thou His time, the darkest night Who Heav’n and earth commands. Shall end in brightest day. Though years on years roll on, Leave to His sovereign sway His cov’nant shall endure; To choose and to command; Though clouds and darkness hide His path, So shalt thou, wond’ring, own His way, The promised grace is sure. -
List of Freemasons from Wikipedia, the Free Encyclopedia Jump To: Navigation , Search
List of Freemasons From Wikipedia, the free encyclopedia Jump to: navigation , search Part of a series on Masonic youth organizations Freemasonry DeMolay • A.J.E.F. • Job's Daughters International Order of the Rainbow for Girls Core articles Views of Masonry Freemasonry • Grand Lodge • Masonic • Lodge • Anti-Masonry • Anti-Masonic Party • Masonic Lodge Officers • Grand Master • Prince Hall Anti-Freemason Exhibition • Freemasonry • Regular Masonic jurisdictions • Opposition to Freemasonry within • Christianity • Continental Freemasonry Suppression of Freemasonry • History Masonic conspiracy theories • History of Freemasonry • Liberté chérie • Papal ban of Freemasonry • Taxil hoax • Masonic manuscripts • People and places Masonic bodies Masonic Temple • James Anderson • Masonic Albert Mackey • Albert Pike • Prince Hall • Masonic bodies • York Rite • Order of Mark Master John the Evangelist • John the Baptist • Masons • Holy Royal Arch • Royal Arch Masonry • William Schaw • Elizabeth Aldworth • List of Cryptic Masonry • Knights Templar • Red Cross of Freemasons • Lodge Mother Kilwinning • Constantine • Freemasons' Hall, London • House of the Temple • Scottish Rite • Knight Kadosh • The Shrine • Royal Solomon's Temple • Detroit Masonic Temple • List of Order of Jesters • Tall Cedars of Lebanon • The Grotto • Masonic buildings Societas Rosicruciana • Grand College of Rites • Other related articles Swedish Rite • Order of St. Thomas of Acon • Royal Great Architect of the Universe • Square and Compasses Order of Scotland • Order of Knight Masons • Research • Pigpen cipher • Lodge • Corks Eye of Providence • Hiram Abiff • Masonic groups for women Sprig of Acacia • Masonic Landmarks • Women and Freemasonry • Order of the Amaranth • Pike's Morals and Dogma • Propaganda Due • Dermott's Order of the Eastern Star • Co-Freemasonry • DeMolay • Ahiman Rezon • A.J.E.F. -
The Wesley Family Courts the London Scene
Methodist History, 38:4 (July 2000) ON KEYBOARD AND BREADBOARD: THE WESLEY FAMILY COURTS THE LONDON SCENE SAMUEL J. ROGAL The efforts of the last surviving members of the eighteenth-century Epworth Wesley family-John, Charles, and Martha Wesley Hall-to establish and solid ify their positions within London society-assumed a variety of modes. For John Wesley, there arose the opportunity to re-unite with his brother, Charles, and increase the activities of Methodism in that city. For Charles Wesley, family responsibilities and concerns had assumed a higher priority than the eighteenth century evangelical revival. For Martha Wesley Hall, a closer association with the literary circle of Samuel Johnson would, perhaps, ease the degree of her depen dence upon her brothers. Through glimpses of the Wesleys within the context of "family," one comes to understand that although generally Methodism aimed at the masses, it did function well within the upper echelon of London society, prin cipally because, at an intellectual level, the Wesleys could claim full membership there. The major portion of scholarly discussions relative to the Wesleys in London and the activities of Methodism in that city fails to develop clearly, within a single frame, the image of "family." Instead, historians of 18th cen~ tury Methodism tend to focus upon and emphasize John Wesley's work among the members of his societies and bands-first at the old King's Foundery in upper Moorfields, then at the chapels in West Street, Snows fields, Long Lane, Bermondsey, and City Road. Although, out of seasonal necessity, London served as a winter encampment for John Wesley, as well as a haven for respite from his travels, the town held no significant fascina tion for him. -
The Organ Music of Samuel Wesley and William Russell
The Organ Music of Samuel Wesley (1766-1837) and William Russell (1777-1813) Samuel Wesley, painted between 1815 and 1820 The background It’s a commonplace that there isn’t much British music worth bothering about between the death of Henry Purcell in 1695 and the first mature works of Edward Elgar two hundred years later. There’s Handel, of course, and there are reasonable grounds for counting him as an English composer despite his having been born in Halle, and Mendelssohn has a kind of adoptive status, but no Bach, Mozart, Haydn or Beethoven emerges from our shores during this period. This is not the place to try and explain the reasons for this apparent dearth of musical genius and, in any case, we need to sharpen our focus on music for the organ. If we take 1695 as our starting point (bearing in mind that Henry Purcell composed little for the organ and even the authorship of that tiny output is disputed) it seems that the ‘golden age’ of Blitheman, Preston, Redford, Tallis and, a little later on, Byrd, Bull, Gibbons and Tomkins represents a peak from which we descend until we encounter the work of Handel and Stanley in the eighteenth century. The organ concertos of Handel were designed by their composer as interval entertainment during performances of his large-scale choral and operatic works and, because the composer himself was frequently the soloist, require some improvisation. Inveterate borrower from his own music that Handel was, quite a few of the individual movements turn up elsewhere in his output. -
Immigrant Printers and the Creation of Information Networks in Revolutionary America Joseph M. Adelman Program in Early American
1 Immigrant Printers and the Creation of Information Networks in Revolutionary America Joseph M. Adelman Program in Early American Economy and Society The Library Company of Philadelphia A Paper Submitted to ―Ireland, America, and the Worlds of Mathew Carey‖ Co-Sponsored by: The McNeil Center for Early American Studies The Program in Early American Economy and Society The Library Company of Philadelphia, The University of Pennsylvania Libraries Philadelphia, PA October 27-29, 2011 *Please do not cite without permission of the author 2 This paper is a first attempt to describe the collective experience of those printers who immigrated to North America during the Revolutionary era, defined here as the period between 1756 and 1796. It suggests these printers integrated themselves into the colonial part of an imperial communications structure and then into a new national communications structure in order to achieve business success. Historians have amply demonstrated that the eighteenth century Atlantic economy relied heavily on the social and cultural capital that people amassed through their connections and networks.1 This reliance was even stronger in the printing trade because the trade depended on the circulation of news, information, and ideas to provide the raw material for its products. In order to be successful, one had to cultivate other printers, ship captains, leading commercial men, and far-flung correspondents as sources of news and literary production. Immigrants by and large started at a slight disadvantage to their native-born competitors because they for the most part lacked these connections in a North American context. On the other hand, some immigrant printers had an enormous advantage in the credit and networks they had developed in Europe, and which they parlayed into commercial and political success once they landed in North America.