SLAP Mag Issue 98 (December 2019)
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Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
What's It Like to Be Black and Irish?
“What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. Lynott’s often playful and bold responses to such questions about his identity served to mask his overwhelming feelings of insecurity and ambivalent sense of belonging. As an illegitimate black child brought up in the 1950s in a strict Catholic family in Crumlin, a working-class district of Dublin, Lynott was seen to have a “paradoxical personality” (Bridgeman, qtd. in Thomson 4): his upbringing imbued him “with an acute sense of national and gender identity” (Smyth 39), yet his skin color and illegitimacy made him the target of racial and social abuse in a predominantly white and conservative Ireland. For Lynott, becoming a rockstar offered an opportunity to reinvent himself and be whoever he wanted to be. While he played up to the rock and roll lifestyle in which he was embedded, Lynott is often considered to have been a man trapped inside a caricature (Thomson 301). Geldof (qtd. in Putterford 182) believes that this rocker persona was Lynott’s ultimate downfall and led to his untimely death at just 36 years of age in 1986. For all his swagger and bravado, behind the mask, Lynott was a troubled, young man searching for a place to belong. While many books have been written about the life of Phil Lynott (e.g. Putterford; Lynott; Thomson), few have drawn attention to the notion of identity and the way in which music provided Lynott with an outlet to explore his self. -
Adams Changes with Students by LYN M
Adams changes with students By LYN M. MUNLEY Student priorities are "The students today seem respect for grades — more the jobs are there on a changing, and the man at the to be a more mature group concern about career devel- qualitative basis, and the "heart of the institution," than I've ever seen," Adams opment and placement. Stu- competition is rough," he Frederick G. Adams, is pick- claims, "We don't have the dents seem to be aware of says. ing up the beat. emotional kinds of issues the economic realities of the Another kind of competi- As vice president for that drain our productive country," Adams says. tion, involving student gov- student affairs and services, energies. We can facilitate "People are more concern- ernment officials, worries Adams has his finger on the the learning of the three r's ed about themselves as indi- Adams. "There's a real pulse of the ujniversity. He is much more easily this way.' viduals. Even in dancing problem with the number of in charge of the human After being at UConn for closer together the concern is working hours the officials aspect of UConn's produc- nearly 10 years, first as reflected. It's healthy," he must expend vis a vis com- tion of educated beings. ombudsman, then in the remarks. peting priorities, such as As an individual, Adams school of allied health, then Adams points to what he their academic studies. I exudes an air of idealism, into administrative duty in 60's has turned into the calls a "competitive renais- wish there were some way to optimism and total involve- 1974, Adams has certainly silence of the 70's. -
The Live Album Or Many Ways of Representing Performance
Sergio Mazzanti The live album or many ways of representing ... DOI: 10.2298/MUZ1417069M UDK: 78.067.26 The Live Album or Many Ways of Representing Performance Sergio Mazzanti1 University of Macerata (Macerata) Abstract The analysis of live albums can clarify the dialectic between studio recordings and live performances. After discussing key concepts such as authenticity, space, time and place, and documentation, the author gives a preliminary definition of live al- bums, combining available descriptions and comparing them with different typolo- gies and functions of these recordings. The article aims to give a new definition of the concept of live albums, gathering their primary elements: “A live album is an officially released extended recording of popular music representing one or more actually occurred public performances”. Keywords performance, rock music, live album, authenticity Introduction: recording and performance The relationship between recordings and performances is a central concept in performance studies. This topic is particularly meaningful in popular music and even more so in rock music, where the dialectic between studio recordings and live music is crucial for both artists and the audience. The cultural implications of this jux- taposition can be traced through the study of ‘live albums’, both in terms of recordings and the actual live experience. In academic stud- ies there is a large amount of literature on the relationship between recording and performance, but few researchers have paid attention to this particular -
Smash Hits Volume 8
1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0. -
Cowboy Song Constable Londres, 2016
COWBOY I SONG M LA BIOGRAFÍA AUTORIZADA DE PHILIP LYNOTT Graeme Thomson Traducción: Óscar Palmer Yáñez Es Pop Ensayo ES POP EDICIONES 3 TÍTULO ORIGINAL: Cowboy Song Constable Londres, 2016 ES POP ENSAYO Nº 14 1ª EDICIÓN: MAYO 2017 Publicado por ES POP EDICIONES Mira el río alta, 8 - 28005 Madrid www.espop.es Published by arrangement with Little, Brown Book Group. © 2016: Graeme Thomson © 2017 de la traducción: Óscar Palmer Yáñez © 2017 de esta edición: Es Pop Ediciones Todas las letras escritas por Philip Lynott, reproducidas con la autorización de The Lynott Estate. CORRECCIÓN DE PRUEBAS: Manuela Carmona y David Muñoz DISEÑO Y MAQUETA: El Pulpo Design ILUSTRACIÓN PHIL LYNOTT: César Sebastián LOGO: Gabi Beltrán IMPRESIÓN Y ENCUADERNACIÓN: Gráficas Cems Impreso en España ISBN: 978-84-944587-6-7 Depósito legal: M-11448-2017 4 ÍNDICE introducción 9 primera parte 15 Dublín segunda parte 133 ¿Estáis ahí fuera? tercera parte 283 El sol se pone epílogo 357 El huérfano envejecido postfacio por caroline taraskevics 361 agradecimientos 363 bibliografía 365 notas 367 índice onomástico 373 7 INTRODUCCIÓN «Los irlandeses son los negros de Europa, chicos», le dice Jimmy Rabbitte a su banda de presuntos cantantes de soul blancos en The Commitments, la novela de Roddy Doyle. «Y los dublineses son los negros de Irlanda. […] Decidlo alto, soy negro y orgulloso de serlo». Si los dublineses eran los negros de Irlanda, ser dublinés y genui- namente negro debía de ser el colmo de la otredad. En 1957, durante su primer día de clase en la escuela de los Hermanos Cristianos de Crumlin, Philip Lynott, de ocho años, aguardó pacientemente en el patio mientras sus compañeros se ponían en fila para tocarle el pelo. -
Vinyl Catalogue 2014
VINYL CATALOGUE 2014 Established in 2004, Back On Black - together with subsidiary label Back On Black Rock Classics - specialises in vinyl editions of classic metal and rock albums and is dedicated to providing top quality releases for record collectors and rock fans worldwide. Our releases are pressed on exquisite, heavyweight vinyl to produce the very best in sound quality with a mesmerizing tactile feel that makes them a pleasure to handle. Beautiful vinyl colours are carefully chosen to complement the artwork, with some releases available in a variety of colours for the dedicated collector. Many releases are double, or even triple, LPs! The artwork itself is re-worked to faithfully interpret the original album, and reproduced on superior grade gatefold sleeves in heavyweight card with a superb and un-rivalled finish. As well as all our re-mastered LPs of classic albums from throughout history, Back On Black also issues many exclusive vinyl editions of contemporary metal and rock releases. Far from being dead, our beloved vinyl format is going from strength to strength – and Back On Black is proud to serve the needs of the vinyl connoisseur! Just take a look at our catalogue of releases to see the calibre of albums we release! Combine your favourite rock and metal with your favourite format – and get your music Back On Black! CONtact: PHONE: +44 (0)1491 825029 MAILORDER: PLASTICHEAD.COM UK SALES: [email protected] INTERNATIONAL SALES: [email protected] BACKONBLACK.COM facebook.COM/BACKONBLACKRECORDS PLASTICHEAD.COM All titles subject to availability due to territorial or licensing terms. -
TIGERSHARK Magazine
TIGERSHARK magazine Issue Fifteen – Autumn 2017 – Different Lives Tigershark Magazine Contents Fiction Issue Fifteen – Autumn 2017 Boring Vacation Different Lives Denny E. Marshall 3 A Snapshot of Society Mark Hudson 4 Editorial The Conversation Everyone is different, but we don’t always see that much DJ Tyrer 5 diversity in print. The aim of this issue – perhaps not quite as successful as it might have been – is to include pieces Dives from around the world revealing different lives. I think you Christopher Woods 10 will be entertained and informed. I may try a similar Kingston, London theme next year (I haven’t finalised on any yet, so, if you have a suggestion, drop me an email), but would also like Nick Piat 12 to remind all potential contributors that I’m always Dark Side of the Moon interested in receiving submissions from anyone Craig Smith 18 anywhere in the world and featuring all sorts of characters, cultures and locations, regardless of the topic, The Ghosts of Ourselves and am always happy to consider unthemed work. So, if Colin Farrington 25 you have a story, poem or article, don’t worry if we Bars haven’t featured anything like it before, send it along. Tony Concannon 29 Contributors are invited to submit a bio for inclusion on the Tigershark website and your comments on the issue The Bargain are welcome. Bill Davidson 36 Best, DS Davidson He Ain’t Heavy, He’s My Concrete Buddha Neil K. Henderson 48 © Tigershark Publishing 2017 All rights reserved. Moloch Isn’t Eating Authors retain the rights to their individual work. -
Phil Lynott and the Search for Identity
This is a repository copy of The Irish Rover: Phil Lynott and the Search for Identity. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/169724/ Version: Accepted Version Article: O’Hagan, L. (2019) The Irish Rover: Phil Lynott and the Search for Identity. Popular Music and Society. pp. 1-23. ISSN 0300-7766 https://doi.org/10.1080/20567790.2019.1653623 This is an Accepted Manuscript of an article published by Taylor & Francis in Popular Music and Society on 28th August 2019, available online: http://www.tandfonline.com/10.1080/20567790.2019.1653623. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ “What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. -
Rock Candy Magazine
MOSCOW MUSIC PEACE FESTIVAL STRICTLY OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION EXCUSE OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION STRICTLY FESTIVAL MUSIC PEACE MOSCOW COLLECTORS REMASTERED ISSUE EDITIONS & RELOADED 2 OUT NOW June–July 2017 £9.99 HARD, SWEET & STICKY LILLIAN AXE - ‘S/T’ LILLIAN AXE - ‘LOVE+WAR’ WARRANT - ‘CHERRY PIE’ WARRANT - ‘DIRTY ROTTEN FILTHY MOTHER’S FINEST - ‘IRON AGE’ STINKING RICH’ ROCK CANDY MAG ISSUE 2 JUNE – JULY 2017 ISSUE 2 JUNE – JULY MAG CANDY ROCK MAHOGANY RUSH - ‘LIVE’ FRANK MARINO - ‘WHAT’S NEXT’ FRANK MARINO FRANK MARINO - ‘JUGGERNAUT’ CREED - ‘S/T’ SURVIVOR ‘THE POWER OF ROCK AND ROLL’ ‘EYE OF THE TIGER’ KING KOBRA - ‘READY TO STRIKE’ KING KOBRA 707 - ‘S/T’ 707 - ‘THE SECOND ALBUM’ 707 - ‘MEGAFORCE’ OUTLAWS - ‘PLAYIN’ TO WIN’ ‘THRILL OF A LIFETIME’ “IT WAS LOUD – LIKE A FACTORY!” LOUD “IT WAS SAMMY HAGAR SALTY DOG TYKETTO - ‘DON’T COME EASY’ KICK AXE - ‘VICES’ KICK AXE KICK AXE - ‘ROCK THE WORLD’ ‘ALL NIGHT LONG’ ‘EVERY DOG HAS IT’S DAY’ ‘WELCOME TO THE CLUB’ NYMPHS -’S/T’ RTZ - ‘RETURN TO ZERO’ WARTHCHILD AMERICA GIRL - ‘SHEER GREED’ GIRL - ‘WASTED YOUTH’ LOVE/HATE ‘CLIMBIN’ THE WALLS’ ‘BLACKOUT IN THE RED ROOM’ MAIDEN ‘84 BEHIND THE SCENES ON THE LEGENDARY POLAND TOUR TARGET - ‘S/T’ TARGET - ‘CAPTURED’ MAYDAY - ‘S/T’ MAYDAY - ‘REVENGE’ BAD BOY - ‘THE BAND THAT BAD BOY - ‘BACK TO BACK’ MILWAUKEE MADE FAMOUS’ COMING SOON BAD ENGLISH - ‘S/T’ JETBOY - ‘FEEL THE SHAKE’ DOKKEN STONE FURY ALANNAH MILES - ‘S/T’ ‘BEAST FROM THE EAST’ ‘BURNS LIKE A STAR’ www.rockcandyrecords.com / [email protected] -
Irish Rock Music Amid a Time of Troubles: Thin Lizzy and U2 As a Bridge During a Time of Division
Georgia Southern University Digital Commons@Georgia Southern Honors College Theses 2021 Irish Rock Music Amid a Time of Troubles: Thin Lizzy and U2 as a Bridge during a Time of Division Jacey L. Thomas Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Celtic Studies Commons, European History Commons, and the Other Music Commons Recommended Citation Thomas, Jacey L., "Irish Rock Music Amid a Time of Troubles: Thin Lizzy and U2 as a Bridge during a Time of Division" (2021). Honors College Theses. 587. https://digitalcommons.georgiasouthern.edu/honors-theses/587 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in Honors College Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Irish Rock Music Amid a Time of Troubles: Thin Lizzy and U2 as a Bridge during a Time of Division An Honors Thesis submitted in partial fulfillment of the requirements for Honors in the Department of History. By Jacey Thomas Under the mentorship of Dr. Alan C. Downs ABSTRACT The Troubles were a period of crisis and violence in Ireland in the latter half of the twentieth century. Loyalists, Unionists, Republicans, and Nationalists brutally fought against each other over the issue of whether or not Northern Ireland should remain in the United Kingdom or join the Republic of Ireland to form one united country. The conflict also resulted in ethnic and religious tensions for many Protestants and Catholics who were compelled to choose sides over this issue, owing to their ties to the deep-rooted history of animosity between the two Christian populations. -
Kolekcja 1758 Albumów Muzycznych Marka
Kolekcja Marka Kolekcja 1770 albumów 30. Alan Parsons Project - Gaudi (1987) 31. Alan Parsons Project - The Collection muzycznych Marka (2010) 32. Alan Parsons Project - The Turn Of A Płyt: 1762, Kaset: 8 Friendly Card (1980) 33. Algiers - The Underside Of Power (2017) 34. Alice Cooper - Greatest Hits (2008) 1. 10CC - Live In Concert (1993) 35. Alice In Chains - Black Gives Way To Blue (2009) 2. 4 Non Blondes - Bigger, Better, Faster, 36. Alice In Chains - Facelify (1990) More! (1992) (C) 37. Alice In Chains - The Devil Put Dinosaurs Here (2013) A 38. Alter Bridge - Fortress (2013) 3. A Perfect Circle - Eat The Elephant (2018) 39. Amy Winehouse - Back To Black (2006) 40. Amy Winehouse - Frank (2003) 4. ABBA - 18 Hits (2005) 41. Amy Winehouse - Lioness: Hidden Treasures (2011) 5. AC/DC - Back In Black (1980) 6. AC/DC - Black Ice (2008) 42. Anderson Ponty Band - Better Late Than 7. AC/DC - For Those About To Rock (1981) Never (2015) 8. AC/DC - Highway To Hell (1979) 9. AC/DC - If Yuo Want BloodYouve Got If 43. Andrzej Zaucha - Bursztynowa Kolekcja (1978) (2015) 10. AC/DC - Let There Be Rock (1977) 11. AC/DC - Power Up (2020) 44. Andy Sheppard Quartet - Surrounded By 12. AC/DC - Rock Or Bust (2014) Sea (2015) 13. Adele - 21 (2011) 45. Anita Lipnicka & John Porter - Nieprzyzwite Piosenki (2003) 14. Aerosmith - The Best Of (1980) 46. Anna Maria Jopek - Barefoot (2002) 15. After Blues - After Blues (1985) 47. Anna Maria Jopek - Id (2007) 48. Anna Maria Jopek - Jo & Co (2008) 16. Agnieszka Osiecka - The Greatest Hit 49.