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Video Transcript Artist: Tanya Raabe-‐Webber Sitter
Portraits Untold – Video Transcript Artist: Tanya Raabe-Webber Sitter: John Akomfrah Venue: Birmingham Museum and Art Gallery Date Saturday 16th July 2016 Ambitious live portrait project with artist Tanya Raabe-Webber, exploring and celebrating our common humanity – the beauty and strength of humanity lies in the diversity of its people. This stream features artist and filmmaker John Akomfrah - more information can be found at - http://portraitsuntold.co.uk/sittings... This video stream was filmed at Birmingham Museum and Art Gallery (BMAG) on Saturday 16th July 2016. The second sitting will feature Dame Evelyn Glennie at the National Portrait Gallery on Friday 22nd July 2016 - more information can be found at http://portraitsuntold.co.uk/sittings... Take part by contributing your drawing via Facebook, twitter and Instagram and tagging #PortraitsUntold http://portraitsuntold.co.uk/ Twitter: https://twitter.com/PortraitsUntold Facebook: https://www.facebook.com/PortraitsUntold Instagram: https://www.instagram.com/PortraitsUn... Supported using public funding by the National Lottery through Arts Council England. #PortraitsUntold [Transcript Starts] Tom Dipple, BMAG: Thank you for coming Tom Dipple, BMAG: I'm a learning manager for the museum. Tom Dipple, BMAG: Welcome to Birmingham Museum and Art Gallery. Tom Dipple, BMAG: Birmingham Museum's trust is proud to be hosting Portraits Untold. Tom Dipple, BMAG: We are honoured and excited Tom Dipple, BMAG: The project aims are similar to our own Tom Dipple, BMAG: We hope to grow diverse audiences Tom Dipple, BMAG: and make Birmingham a focus for contemporary art. Tom Dipple, BMAG: By welcoming artists and others, we can promote diversity and culture of Birmingham Mandy, Project Producer: Thank you to BMAG for hosting our first Portraits Untold project Mandy, Project Producer: While this is national, the partners are midlands based, Mandy, Project Producer: Thanks to Arts Council, for funding and officers' help. -
Birmingham City University's Socio-Economic Impact
BIRMINGHAM CITY UNIVERSITY’S SOCIO-ECONOMIC IMPACT SUMMARY REPORT JUNE 2020 Birmingham City University’s Socio-Economic Impact TABLE OF CONTENTS Executive summary 2 1. Introduction 8 1.1 Regional context 8 1.2 Structure of this report 9 2. The University’s economic contribution 11 2.1 The University’s direct impact 11 2.2 Indirect Impact: procurement from local suppliers 16 2.3 Induced impact: payment of wages by BCU and 18 its suppliers 20 2.4 The University’s total expenditure impacts 23 2.5 ‘Additional’ students’ expenditure impacts 25 2.6 Attracting visitor spending 26 2.7 Summary of total economic impact 31 3. Boosting the productive potential of Birmingham and the West Midlands 32 3.1 Providing skills required by the labour market 35 3.2 Entrepreneurship education 36 3.3 Upskilling the labour force through continuous professional development 37 3.4 Driving business growth and entrepreneurship 38 3.5 Steamhouse – STEAM innovation facility 38 3.6 BCU’s cultural impact 38 4. Conclusion 43 Appendix 1: Economic impact across three geographies 44 Appendix 2: Methodology for calculating BCU’s multiplier impacts 45 1 Birmingham City University’s Socio-Economic Impact Birmingham City University’s Socio-Economic Impact EXECUTIVE SUMMARY Prior to the coronavirus crisis, Birmingham’s economy was along its supply chains and through its payment of wages. When growing strongly. Over the five years from 2013 to 2018, it we consider BCU’s impacts in the West Midlands and the UK as expanded by an average of 2.9% a year in real terms—well above a whole, this multiplier increases to 1.7 and 2.6, respectively. -
Sport in a Capitalist Society
SPORT IN CAPITALIST SOCIETY Why are the Olympic Games the driving force behind a clampdown on civil liberties? What makes sport an unwavering ally of nationalism and militarism? Is sport the new opiate of the masses? These and many other questions are answered in this new radical history of sport by leading historian of sport and society, Professor Tony Collins. Tracing the history of modern sport from its origins in the burgeoning capitalist economy of mid-eighteenth-century England to the globalised corporate sport of today, the book argues that, far from the purity of sport being ‘corrupted’ by capitalism, modern sport is as much a product of capitalism as the factory, the stock exchange and the unemployment line. Based on original sources, the book explains how sport has been shaped and moulded by the major political and economic events of the past three centuries, such as the French Revolution, the rise of modern nationalism and imperialism, the Russian Revolution, the Cold War and the imposition of the neo-liberal agenda in the last decades of the twentieth century. It highlights the symbiotic relationship between the media and sport, from the simultaneous emergence of print capitalism and modern sport in Georgian England to the rise of Murdoch’s global satellite television empire in the twenty-first century, and it explores, for the first time, the alternative, revolutionary models of sport in the early twentieth century. Sport in Capitalist Society is the first sustained attempt to explain the emergence of modern sport around the world as an integral part of the globalisation of capitalism. -
A Diverse Heritage and England's Heritage
‘That’s not who I was the last time I was here.’ A diverse heritage and England’s heritage: mutual partners or mutually exclusive? by DAVID IAN CALLAGHAN A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Ironbridge International Institute for Cultural Heritage School of History and Cultures College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores what impact thirteen years of Britain’s New Labour government’s (1997-2010) social exclusion policy agenda had on the representation of non-white communities within England’s authorised heritage narrative, told through the places, objects and ‘things’ given heritage value by ‘experts’. This thesis finds that certain mainstream heritage organisations in England perceive there to be an ‘established’ heritage that is agreed, therefore cannot be challenged even as we uncover more about the diverse realities of the county’s past. Two ways are considered by which to understand the hegemony of this heritage and how it might be ‘used’ to the benefit of a more diverse national narrative: the first by accepting Laurajane Smith’s assertion that there is an authorised heritage discourse (AHD) in England and seek ways to harness it rather than subvert it. -
Martial Women in the British Theatre: 1789-1804
MARTIAL WOMEN IN THE BRITISH THEATRE: 1789-1804 SARAH CATHERINE BURDETT PHD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE AUGUST 2016 II ABSTRACT In the period of the French Revolution, the armed or martial woman comes to stand in Britain as the representative of extreme political and social disruption. She embodies, in striking form, the revolutionary chaos witnessed across the channel, which threatens to infect British culture. This thesis traces shifting representations of the female warrior, and examines the complex processes by which the threat that she personifies is handled in British tragedies and sentimental comedies, written and performed in London and Dublin between 1789 and 1804. The study presents the British theatre as an arena in which the significance of the arms-bearing woman is constantly re-modelled and re-appropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political rebellion in England, France and Ireland. Combining close readings of dramatic texts with detailed discussions of production and performance histories, this thesis tells a story of the martial woman’s evolution in British dramas, which emphasises her multifaceted and protean identity, and shows her development not to have followed a stable or linear pattern, but to have been constantly redirected by an expansive range of contextual factors: historical, social, and theatrical. -
Cultural Development Service Symon Easton the Place of Culture
Cultural Development Service Symon Easton The place of culture in the process of urban regeneration - local cultural initiatives Content • Background / Context to Culture in Birmingham • Strategy and Policy • Previous and current case study examples • Going forward The City Context Birmingham District 1.1 million resident population Birmingham’s 69 Wards • 31 ‘Priority Neighbourhoods’ and Clusters – now Areas of Multiple Deprivation • Cultural venues mainly city centric Examples of Social Challenges 41% Population live in Population most deprived decile Population 1.31m Children 0-17 years Projection (2039, 50% live 15% in most deprived 1.17m (2022) rise Over 1decile in 3 children are in from 1.13m (2017) poverty now) 1.07m (2011) (after housing costs) 6 Diversity 47,005 known to be living in Birmingham unable to speak Diversity? (Segregation) English Pakistani Indian White and all other Birmingham has 571 parks totalling over 3,500 hectares of public open space – more than any other European city CULTURAL & SPORTING EVENTS… CULTURE & HERITAGE ATTRACTIONS FAMILYFAMILY ATTRACTIONS ATTRACTIONS FOOD & DRINK OFFER RETAIL THERAPY Council Plan / Priorities Birmingham City Council Plan 2018-2022 A city of growth where every child, citizen and place matters Priority Outcomes 1. Birmingham is an entrepreneurial city to learn, work and invest in 2. Birmingham is an aspirational city to grow up in 3. Birmingham is a fulfilling city to age well in 4. Birmingham is a great city to live in 5. Birmingham residents gain the maximum benefit from hosting the Commonwealth Games Birmingham Council Plan 2018-2022 Outcome 2 Birmingham is an aspirational city to grow up in We want to respond to our unique profile as the youngest city in Europe to give all children from every background and community the best start in life with a clear pathway to achieve success and realise their full potential Birmingham Council Plan 2018-2022 Outcome 4 Birmingham is a great city to live in We want Birmingham to be a city of vibrant culture and flourishing neighbourhoods. -
Female Masuclinity and Nationalism in Eighteenth-Century British Literature
ABSTRACT Title of Dissertation: WHEN THE CLOTHES DO NOT MAKE THE MAN: FEMALE MASUCLINITY AND NATIONALISM IN EIGHTEENTH-CENTURY BRITISH LITERATURE Leslie J. Jansen, Doctor of Philosophy, 2006 Dissertation Directed By: Professor Susan S. Lanser Department of English Recently, masculinity has garnered much attention from scholars of eighteenth- century literature and history. However, these studies focus almost exclusively on the masculinity performed by men. Likewise, studies of female masculinity tend to examine masculine women only within the context of women. My dissertation lies at the convergence of these two areas of inquiry by examining the implications of female masculinity on normative masculinity and the link between these masculinities and nationalism from the early to late eighteenth century, with particular emphasis at the mid-point of the century. I argue that female masculinity was integral to the development and construction of an idealized masculinity and that both positive and negative responses to female masculinity fostered nationalist propaganda and aided in the development of the British Empire. In the first chapter, I trace the shifting grounds of normative masculinity and argue that what constitutes masculinity narrows as the century progresses and is defined by its resistance to any connection with French culture, particularly within the rising middle class. Chapter two examines three female soldier narratives, some of the only positive representations of female masculinity. I argue that the authors praise female masculinity as a means of creating a heroic masculinity to serve the nation. The third chapter examines the function of female husbands. I argue that these texts employ female husbands as a means of inciting xenophobia and promoting nationalism, through narrative strategies of silence and disclosure. -
Birmingham Show 2015 Texts
AN ENDLESS SUPPLY What is the Art of Birmingham? Is there an accent to Birmingham’s art making? The use of comparatively cheap steam power space gave tremendous momentum to the development of British industry art in Birmingham; it can be said that during the hundred years from 1780 to 1880 seven years from 2008 to 2015 men artists were too occupied in business studio building and exploiting the new power project spaces, and too busy supplying the new markets updating their websites to have much time for reflection and to think very deeply about the look of the things they made. How is Birmingham useful for the production of art? John Baskerville was born in 1706. He was forty-five before he addressed his talent to punch cutting and printing. The type he designed was clear shaped and elegant and had a precision which one would expect to find from a craftsman writing master cutting letter shapes on steel punches. He was determined that his clean cut types should not be vitiated by imperfect press work or unsuitable paper surfaces. He therefore made plans for manufacturing his own ink and ‘hot pressing’ his paper so that the surface should be receptive of a crisp impression. With rare judgement he avoided ornament, considering that fine type, superbly printed, was the foundation of a beautiful and legible page. We all know how well he succeeded. In 1757 he completed his fine quartoLatin Virgil: it went forth to astonish all the librarians of Europe. TYPE / \ PAPER — INK The texts above are taken from ‘Opportunities’, a lecture delivered by Herbert Simon, Director of the Curwen Press, at the Birmingham School of Printing, Margaret Street, on 1st November 1951. -
The West Midlands Economic Impact Monitor
West Midlands Weekly Economic Impact Monitor Issue 51 Publication Date 26/03/21 This monitor aims to pull together information across regional partners to understand the impacts of Covid-19 on the economy. Where possible it will utilise all forms of quantitative and qualitative intelligence. However we urge caution in the use of the contents as this is an emerging situation. This week ONS reported that productivity grew at the fastest rate on record in the middle of 2020 when compared with the quarter before, but this fell away again in the last three months of the year. This was mainly because the least productive industries were those hardest hit by the pandemic, and their shrinking size had a positive effect on overall (average) productivity and this has followed through in productivity per hour. This may signal longer-term structural change - the effects of which are yet to be seen. Euro Zone economic activity has surprisingly returned to growth this month as factories ramped up production to the fastest pace in over 23 years, offsetting the slowdown in the bloc’s dominant services industry. With a third wave of coronavirus infections and renewed lockdown measures, as well as the slow vaccine rollouts, it is likely that these benefits will be subdued in coming months. The Guardian this week states that the government risks creating serious funding gap for science, as delays over budgets and cuts to research are undermining the sector and boasts about Britain’s status as a science superpower. The budget for international development research projects has been cut from £245m to £125m, affecting some universities in the region. -
Official Mascot for Birmingham 2022 Commonwealth Games Is Revealed As Perry, a Multi-Coloured Bull!
Official mascot for Birmingham 2022 Commonwealth Games is revealed as Perry, a multi-coloured bull! • Perry is named after Perry Barr area, the home of the Alexander Stadium, which will host the Games’ athletics events & opening and closing ceremonies. • He is a bull to reflect the city’s long association with the animal, and is covered in multi-coloured hexagons to symbolise the coming together of the Commonwealth in Birmingham in 2022; • Perry is the first mascot at a multi-sport games to be created in Augmented Reality, allowing people to #PoseWithPerry in their own homes • Perry is inspired by the design of 10-year-old Emma Lou from Bolton, the winner of a national children’s design competition • Mascot merchandise is available to buy now from the new Birmingham 2022 online shop – www.shop.birmingham2022.com The official mascot for the Birmingham 2022 Commonwealth Games is revealed today as Perry, a bull adorned with a patchwork of multi-coloured hexagons. Perry becomes the first mascot at any multi-sport Games who will be brought to life through augmented reality, giving people the opportunity to #PoseWithPerry using their mobile phone camera, and via a special filter on Facebook and Instagram. Users can summon an animated, 3D version of Perry into their living rooms, pose for pictures with him, and can share their photos on social media. Perry is inspired by the design of ten-year-old Emma Lou from Bolton, the winner of a national design competition that took place over the summer of 2020. The competition tasked children aged 5-15 with creating a mascot that reflects the identity, heritage and culture of Birmingham and the West Midlands. -
A Merry Road, a Mazy Road, and Such As We Did Tread the Night We Went to Birmingham by Way of Beachy Head”*
ENT FEATURE “A merry road, a mazy road, and such as we did tread The night we went to Birmingham by way of Beachy Head”* BY CHRIS POTTER It’s true, the UK’s premier ENT event has come around quickly this time. So, who better to ‘poke awake’ for an article on the ethos and culture of Birmingham UK, BACO 2020 venue, than the erudite Chris Potter, who’s been swotting up on Birmingham’s canals, medical history, industrial achievements, chocolate bars and egg-free custard? * Chesterton GK. The Rolling English Road, 1913. s it that time already? Gently snoozing through my supervision of yet another audiovestibular clinic, dreaming blissfully Iof consecutive DNAs, I was rudely poked awake by the Pinpoint publishing pixie. She wanted another 1200 damn words on BACO, for pity’s sake. Yes, only two years after Manchester 2018 my ENT circadian rhythms are all messed up and here I am tapping away dutifully once more. Birmingham is a funny old place, you know. With over a million inhabitants and the largest regional economy outside London (equivalent to that of Uruguay), one might expect its rich and varied culture to punch its weight on the international stage. Perhaps its lack of a legendary sporting dynasty or defining musical movement has led to it being overshadowed by the likes Statue of Mathew Boulton, James Watt, and William Murdoch. of Manchester and Liverpool. Bill Bryson and Brain’s faggots. JRR Tolkien was Birmingham ever done for us? Well, let me once claimed that the French used the supposedly inspired by the encroachment of pull the big one out of the old golf bag and phrase ‘etre de Birmingham’ to signify a industrialisation onto his leafy surroundings smash this down the fairway. -
New York State
NEW YORK STATE “I know histhry isn’t thrue, Hinnissy, because it ain’t like what I see ivry day in Halsted Street. If any wan comes along with a histhry iv Greece or Rome that’ll show me th’ people fightin’, gettin’ dhrunk, makin’ love, gettin’ married, owin’ th’ grocery man an’ bein’ without hard coal, I’ll believe they was a Greece or Rome, but not befur.” — Dunne, Finley Peter, OBSERVATIONS BY MR. DOOLEY, New York, 1902 “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project New York State HDT WHAT? INDEX NEW YORK STATE NEW YORK STATE 440,000,000 BCE Origin of the Taconic chain of mountains that now lies to the east of the Hudson River valley. This chain of mountains would be named by Ebenezer Emmons in 1844 — and his correct explanation of this early origin of these mountains would eventuate in his being driven from the state of New York. HDT WHAT? INDEX NEW YORK STATE NEW YORK STATE NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT New York State “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX NEW YORK STATE NEW YORK STATE 1100 In what would become upstate New York, by this point, longhouse construction had begun. DO I HAVE YOUR ATTENTION? GOOD. New York State “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX NEW YORK STATE NEW YORK STATE John Bartram’s 1751 diagram of an Iroquois longhouse and the town of Oswego. HDT WHAT? INDEX NEW YORK STATE NEW YORK STATE 1300 Maize agriculture would be being introduced in what would become upstate New York during the 14th century, producing a population surge in the longhouse villages, and bringing other changes as well.