Broadcast Applications 10/16/2017
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Broadcast Actions 5/29/2014
Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N AM STATION APPLICATIONS FOR RENEWAL GRANTED NY BR-20140131ABV WENY 71510 SOUND COMMUNICATIONS, LLC Renewal of License. E 1230 KHZ NY ,ELMIRA Actions of: 04/29/2014 FM STATION APPLICATIONS FOR MODIFICATION OF LICENSE GRANTED OH BMLH-20140415ABD WPOS-FM THE MAUMEE VALLEY License to modify. 65946 BROADCASTING ASSOCIATION E 102.3 MHZ OH , HOLLAND Actions of: 05/23/2014 AM STATION APPLICATIONS FOR RENEWAL DISMISSED NY BR-20071114ABF WRIV 14647 CRYSTAL COAST Renewal of License. COMMUNICATIONS, INC. Dismissed as moot, see letter dated 5/5/2008. E 1390 KHZ NY , RIVERHEAD Page 1 of 199 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 05/23/2014 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED NY BAL-20140212AEC WGGO 9409 PEMBROOK PINES, INC. Voluntary Assignment of License From: PEMBROOK PINES, INC. E 1590 KHZ NY , SALAMANCA To: SOUND COMMUNICATIONS, LLC Form 314 NY BAL-20140212AEE WOEN 19708 PEMBROOK PINES, INC. -
When Being No. 1 Is Not Enough
A Report Prepared by the Civil Rights Forum on Communications Policy When Being No. 1 Is Not Enough: The Impact of Advertising Practices On Minority- Owned & Minority-Formatted Broadcast Stations Kofi Asiedu Ofori Principal Investigator submitted to the Office of Communications Business Opportunities Federal Communications Commission Washington, D.C. All Rights Reserved to the Civil Rights Forum on Communications Policy a project of the Tides Center Synopsis As part of its mandate to identify and eliminate market entry barriers for small businesses under Section 257 of the Telecommunications Act of 1996, the Federal Communications Commission chartered this study to investigate practices in the advertising industry that pose potential barriers to competition in the broadcast marketplace. The study focuses on practices called "no Urban/Spanish dictates" (i.e. the practice of not advertising on stations that target programming to ethnic/racial minorities) and "minority discounts" (i.e. the practice of paying minority- formatted radio stations less than what is paid to general market stations with comparable audience size). The study consists of a qualitative and a quantitative analysis of these practices. Based upon comparisons of nationwide data, the study indicates that stations that target programming to minority listeners are unable to earn as much revenue per listener as stations that air general market programming. The quantitative analysis also suggests that minority-owned radio stations earn less revenues per listener than majority broadcasters that own a comparable number of stations nationwide. These disparities in advertising performance may be attributed to a variety of factors including economic efficiencies derived from common ownership, assessments of listener income and spending patterns, or ethnic/racial stereotypes that influence the media buying process. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company. Mainly dealing with tv production. 568 Broadway SuiteManhattan 601 10012 212-541-4323 http://apostlenyc.com/contact/ Atlatntic Televsion Documentaries, Reality shows, Magazine shows, promos, and corporate videos 150 West 28th St,Manhattan 8th Floor 10001 212 625-9327 Belladonna Offers production services to international producers who want to shoot in North America 164 W 25th St, 9thManhattan Floor 10001 212 807-0108 [email protected] Casual Films Shoots coprorate, consumer, employer or CSR communications, commerical, etc 73 Calyer Street Brooklyn 11222 212 796-4933 [email protected] Chelsea Production and Talent Management Company, has directors who shot various movies, commericals, direcotrs,33 Bond etc. Street UnitManhattan 1 10012 212 431-3434 Click Play Films Produces corporate videos, commercials and animation 154 Grand Street Manhattan 10013 646 417-5330 [email protected] Co. Mission Content Groupcreative production company focusing on global video creation and participatory brand experiences. Deals202 with Plymouth mostly commercials St. EntranceBrooklyn B 11201 718 374-5205 [email protected] DePalma Productions Produces videos for the corporate, health care & entertainment industries. Also offers post-production. Also159 offers East equipmentMain Street,New including Suite Rochelle 300 green screen 10807 914 576-3500 Departure Films Produces mostly non-scripted shows for cable channels 240 West 37th -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Fdny-Demographics.Pdf
Race Gender Total A B H N U W M F U 1864 12762 13574 279 1 30943 55874 3548 1 59423 # of applicants who applied to take the computer-based portion of the exam 1233 7891 9262 177 1 22187 38938 1813 1 40751 # of applicants who took computer-based portion of the exam Open Competitive / Promotional 1276 7904 9380 173 1 22717 39534 1916 1 41451 # of applicants who achiveved a passing score on the Computer Exam administered by DCAS computer-based portion of the exam (MC-Score > 70) 214 1383 1502 18 0 3076 5902 291 0 6193 # of applicants who were invited to take the physical portion of the exam (anyone who wasn't #N/A) 142 1005 1118 14 0 2349 4460 168 0 4628 # of appplicants who took or began the physical portion of the exam (anyone who passed or failed - no absent) CPAT administered by DCAS # of applicants who passed the physical portion of the 112 856 979 13 0 2150 4036 74 0 4110 Open Competitive / Promotional / Priority / Promotional / Competitive Open exam (anyone with Passed status only) 2013 (numbers reflect 2 classes) 2014 (numbers reflect 2 classes) 2015 (numbers reflect 2 classes) Race Gender Total Race Gender Total Race Gender Total A B H N W M F A B H N W M F A B H N W M F # of applicants who were invited to participate in the department's 1.5 mile pre-appointment run testing or substitute 17 109 175 1 284 575 11 586 30 145 219 2 542 924 14 938 16 109 135 2 394 647 9 656 cardio-pulmonary testing (anyone not blank RUN RESULT) # of applicants who were not offered appointment to probationary firefighter school based on the results of -
John Jay College of Criminal Justice the CITY UNIVERSITY of NEW YORK
GRAD PREFACE new 10/15/04 11:31 AM Page 1 John Jay College of Criminal Justice THE CITY UNIVERSITY OF NEW YORK GRADUATE BULLETIN 2004—2006 GRAD PREFACE new 10/15/04 11:31 AM Page 2 IMPORTANT NOTICE OF POSSIBLE CHANGES The Board of Trustees of The City University of New York reserves the right to make changes of any nature in the acade- mic programs and requirements of The City University of New York and its constituent colleges. All programs, require- ments, and courses are subject to termination or change without advance notice. Tuition and fees set forth in this publica- tion are similarly subject to change by the Board of Trustees of The City University of New York. Many of these changes may have been made after this bulletin had been published and subsequently could not be incorpo- rated. For the most up-to-date version of the John Jay College Graduate Bulletin, please click on “Academics” at the John Jay College web site located at www.jjay.cuny.edu. Course Offerings and Availability All courses listed in this bulletin are scheduled to be offered during the 2004-2006 academic year, except as otherwise noted. Dates indicated for course offerings are dependent upon sufficient student registration, availability of faculty, and financial constraints. For the most up-to-date listings of course availability, please consult the Schedule of Classes. Security The Department of Campus Safety and Security responds to emergencies and problems. The telephone numbers of the security desks, which are staffed at all times, are: Tenth Avenue Building: (212) 237-8266 North Hall: (212) 237-8740 555 West 57th Street: (212) 237–8700 Emergency Closing In the event of a serious snowstorm or other emergencies that might cause closing of the College. -
Who Is Barbara De Laleu, Aka “Roxie Digital”? Barbara Is a Major Media Master and a Pop Culture News Phenom in Her Own Right
Who is Barbara De Laleu, aka “Roxie Digital”? Barbara is a major media master and a pop culture news phenom in her own right. Her accolades include but are barely limited to her new title as Dr. Barbara De Laleu, newest member of the illustrious Zeta Phi Beta Sorority, Inc. Sigma Kappa Zeta Brooklyn Graduate Chapter, Department of Mass Communications Adjunct Professor at Iona College, commentator, entrepreneur, podcaster, social media influencer, and have been heard in her primary role as On air personality for New York’s 95.5 PLJ and Radio 103.9. De Laleu has worked across several New York City radio stations like WWRL 1600AM - La Invasora, 107.5 WBLS FM, 1190 WLIB, 102.3 WBAB and 106.1 BLI and Radio 103.9 where she began her NYC radio career under hherer nnewew nnameame ““Roxie!”Roxie!” PPreviously,reviously, fforor aalmostlmost 9 yyearsears , DDee LLaleuale used the radio moniker “The Beautiful Stranger” rocking tthehe mmicic oovernightsvernights aandnd wweekendseekends oonn LLongo Island’s #1 Rock station 102.3 WBAB and 106.1 WBLI wwhilehile concurrenconcurrentlytly hholdingolding ddownown ppositionsositi as radio producer and board operator gigs for heritage stationi WWWRLWRL 11600600 AAMM andd ffor theh llegendary Imhotep Gary Byrd at 107.5 WBLS and 1190AM WLIB to name a few. Not being deterred by her already impressive resume, Barbara has close ties to her community both stateside and abroad, and takes her work in bringing awareness to the most pressing topics quite seriously speaking at various colleges, universities, high schools, workshops and open forums. In the fall of 2017, De Laleu brought her talents as a Social Media and Video Production workshop instructor at CUNY LaGuardia Community College and back in 2013 at Essex Community College in Newark, NJ. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO TUESDAY, JUNE 9, 2015 Online radio is sitting on a $4.7 billion revenue opportunity. How big is the revenue opportunity for online radio? According to one expert, there’s $4.7 billion in additional money waiting to be plucked – if only the medium can make its share of ad spend roughly equivalent to its share of time spent with media. Internet audio currently commands 12.7% of time spent online but only gets 4.7% of digital ad spend, Xappmedia CEO Pat Higbie said at Mark Ramsey Media’s Hivio conference last week in Los Angeles. “There’s an enormous opportunity in internet audio because there’s a fantastic content consumption experience that’s better than anything else in mobile,” Higbie said. He believes online radio ad dollars under-index their usage because the content consumption experience is misaligned with the content interaction experience. Streaming audio relies on hearing for consumption and touch for interaction. “That’s broken,” Higbie said, because most mobile phones display a blank screen when playing internet audio. When advertising or content plays that the user wants to interact with, they have to fumble for their phone, swipe, and unlock the screen to get to it. “There’s significant friction involved in engaging users by touch because when we’re listening, we’re typically doing other things,” Higbie said. Higbie’s company, of course, is marketing a product that gets around that: voice- activated calls-to-action for streaming audio ads. But it’s just one of several solutions on the market designed to make audio ads more interactive. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of ) ) Digital Audio Broadcasting Systems ) MM Docket No. 99-325 And Their Impact On The Terrestrial ) Radio Broadcast Service ) To: The Commission REPLY COMMENTS The signatories hereto (“Joint Commenters”), by their attorneys, submit these Reply Comments in the above-captioned proceeding regarding the proposal to increase FM digital power levels, which was originally filed with the Commission in June 2008.1 Joint Commenters consist of a diverse group of large and small broadcasters that operate commercial and noncommercial FM radio stations throughout the country, the Broadcaster Traffic Consortium,2 and the four largest broadcast equipment manufacturers. I. Introduction. Joint Commenters reiterate their request that the Commission increase the digital power levels at which FM HD Radio may operate, up to a maximum of 10 percent of a station’s authorized analog power (-10 dBc). This proposal has been met with some opposition, primarily from NPR and others who are either NPR affiliates or whose opposition is based principally on 1 Letter to Ms. Marlene Dortch from Joint Parties, June 10, 2008 (MM Docket No. 99-32). 2 The Broadcaster Traffic Consortium (“BTC”) is an industry-wide association formed to explore ways to use HD Radio technology to broadcast real-time traffic and other location-based information to portable navigation devices and automobile in dash systems. the predictions of interference from in-lab studies generated by NPR Labs.3 However, even -
EMMIS COMMUNICATIONS CORPORATION (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) Annual Report Pursuant to Section 13 or 15(d) of The Securities Exchange Act of 1934 for the Fiscal Year Ended February 29, 2016 Transition Report Pursuant to Section 13 or 15(d) of The Securities Exchange Act of 1934 for the Transition Period from to . EMMIS COMMUNICATIONS CORPORATION (Exact name of registrant as specified in its charter) INDIANA (State of incorporation or organization) 0-23264 (Commission file number) 35-1542018 (I.R.S. Employer Identification No.) ONE EMMIS PLAZA 40 MONUMENT CIRCLE SUITE 700 INDIANAPOLIS, INDIANA 46204 (Address of principal executive offices) (317) 266-0100 (Registrant’s Telephone Number, Including Area Code) SECURITIES REGISTERED PURSUANT TO SECTION 12(B) OF THE ACT: None SECURITIES REGISTERED PURSUANT TO SECTION 12(G) OF THE ACT: Class A common stock, $.01 par value of Emmis Communications Corporation; 6.25% Series A Convertible Preferred Stock, $.01 par value of Emmis Communications Corporation. Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes No Indicate by check mark whether the registrant (1) has filed all documents and reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
WEPN-FM, WLIB(AM) and Employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 I
WEPN-FM, WLIB(AM) and employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 I. VACANCY LIST See Master Recruitment Source List (MRSL) for recruitment source data Recruitment Sources (RS) Used to RS Referring Job Title Fill Vacancy Hiree Digital Account Coordinator 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 6 41-46, 50-56, 59-73, 75-78, 89 Broadcast Engineer 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 6 41-47, 50-56, 59-73, 75-78, 89 Field Promotions Manager 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 86 41-47, 50-56, 59-73, 75-78, 86, 89 WEPN-FM, WLIB(AM) and employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 II. MASTER RECRUITMENT SOURCE LIST (MRSL) Source Entitled No. of Interviewees RS Referred by RS RS Information to Vacancy Number Notification? over (Yes/No) 12-month period Wagner College – Center for Academic and Career Engagement (CACE) Attn: Tara Chiari– Assistant Director 1 One Campus Road Y 0 Staten Island, NY 10301-9831 Phone : 718-390-3430 [email protected] Queensborough Community College 222-05 56th Avenue LA29 Bayside, NY 11364 2 N 0 Tel: 718-631-6262 Attn: Constance Peluso Email: [email protected] [email protected] Congress of Racial Equality P.O. Box 264 New York, NY 10276 3 N 0 Attn: Brian McLaughlin- Executive Producer Email: [email protected] Phone: 212-598-4000 Emma L.